Stephen Caffrey Movies

Forever in the middle of an emotional tug of war between his divorced parents, 11-year-old John (Eli Marinthel) turns the tables and demands to BE divorced from both his dad Martin (Peter Onorati) and his mom Janet (Judith Hoag). Monica (Roma Downey) is pressed into service as John's divorce-court advocate, while Tess (Della Reese) shows up as the judge. On any other TV series, Martin and Janet would be tearfully reunited at the end, but it's clearly too late for that. All John really wants is to stop his parents' stupid quarrelling--which, ironically, centers on the question of which parent loves him the most! ~ Hal Erickson, Rovi

Yes, this is the one in which George's current girlfriend uses the phrase "yada yada" -- and drives George (Jason Alexander) crazy by leaving out the important details between the "yadas."Tim Whatley, Jerry's dentist (played by Malcolm in the Middle's Bryan Cranston) converts to Judaism, and Jerry suspects that his only motivation may be the ability to get away with telling Jewish jokes. Meanwhile, Kramer (Michael Richards) and his actor friend Mickey (Danny Woodburn) fight over which girl they'll get on a double date. And Elaine (Julia Louis-Dreyfus) thoroughly louses up the chances for her married friends Beth (Debra Messing) and Arnie (Stephen Caffrey) to adopt a child. This is also the episode in which real life marrieds Robert Wagner and Jill St. John turn up at the end (as Mickey's parents, Dr. Abbott and Mrs. Abbott) and accuse Jerry of being an "Anti-Dentite."


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This drama examines the behavior of three female resident doctors working at a San Francisco hospital. It is based on a novel by Sidney Sheldon. ~ Sandra Brennan, Rovi

While on tour promoting her book, Jessica (Angela Lansbury) is slated to be interviewed at a prairie radio station by a Stern-ish "shock jock" named Marcus Rule (Jeff Yagher). It should not be surprising that Jessica makes short work of the abrasive Rule, coming out the victor in their on-air confrontation. It should also not be surprising that a murder occurs, the victim being one of the station's two feuding owners. ~ Hal Erickson, Rovi

When the dim memories of childhood traumas resurface into the consciousness of a young housewife (Valerie Bertinelli), she finds herself sliding into madness. Unable to escape the imagery of her past victimization, she becomes a danger to not only herself, but to those around her. ~ Sandra Brennan, Rovi

A physician--an amateur sleuth--decides to investigate the suicide of a former student of his and begins to suspect that it was murder. ~ Tana Hobart, Rovi

John Goodman is cast as the Sultan of Swat, whose excesses -- especially drinking -- and private demons can (in this context) be excused in view of his genuine love of baseball. The facts never get in the way of a good story for screenwriter John Fusco; we're even offered the umpteenth rehash of "Little Johnny", the largely fanciful tale of the invalid boy who promises to get well if Babe hits him a homer (as in Pride of the Yankees, the cured Johnny makes return a appearance as grownup). The most amusing fabrication is the casting of narrow James Cromwell as the Babe's orphanage mentor Brother Mathias, who in real life weighed 300 pounds. Many of the characters are composites, notably Bruce Boxleitner's Jumpin' Joe Dugan. At least Ruth's two wives--Trini Alvarado as Helen, who suffers Babe's many peccadilloes and dies under strange circumstances, and Kelly McGillis as Claire, who keeps Babe on a very short leash-are depicted with a modicum of accuracy. The baseball sequences are well handled (though there could have been less slo-mo) while Elmer Bernstein's charmingly old-fashioned musical score is right in tune with the film's approach to its subject. The Babe is rated PG; had this been the whole truth and nothing but, and R rating would probably have been in order. ~ Hal Erickson, Rovi

This is one of several seventh-season Murder She Wrote episodes introduced by Jessica Fletcher (Angela Lansbury) but starring Dennis Stanton (Keith Michell), a jewel thief turned insurance investigator. Stanton's latest assignment is to investigate the suspicious events surrounding a fire that destroyed the hands of famous concert pianist Vaclav Maryska (Ricardo Montalban). The intrigue reaches a crescendo when Maryska's wife Milena (Patricia Neal) is murdered, with a veritable orchestra of suspects at Stanton's disposal. As usual, Stanton is more or less assisted by ditzy Rhoda Markowitz (Hallie Todd) and by flustered Lt. Catalano (Ken Swofford). ~ Hal Erickson, Rovi

Most of the cast members present in Tour of Duty's second season, both male and female, have re-upped for season three. In charge of U.S. Army Company B stationed at Tan Son Nhut air base in the Vietnam of 1967-1968 are Lt. Myron Goldman (Stephen Caffrey) and Sgt. Zeke Anderson (Terence Knox). Also back for another hitch are platoon members Percell (Tony Becker), Ruiz (Ramon Franco), and Taylor (Miguel A. Nunez); chopper-pilot Lt. McCay (Dan Gauthier); army psychologist Jennifer Seymour (Betsy Brantley); and sexy female wire-service reporter Alex Devlin (Kim Delaney). New faces include company commander Col. Brewster (Carl Weathers), and the outspokenly antiwar medic "Doc Hock" (John Dye), and battle-weary vet "Pop" Scarlet (Lee Majors). Whereas morale had been reasonably high during the series' first two seasons, things are beginning to break down as Company B enters its third year in 'Nam. Things are particularly dismal for Cpl. Percell, who becomes addicted to morphine. Even when the troopers are demobilized and sent home, they find it difficult, if not impossible, to adjust to the civilian world. In other words, this final season of Tour of Duty is a fairly accurate representation of what was really going on in both Vietnam and America in the late '60s. ~ Rovi

The Hill would have made a terrific Samuel Fuller war film. In the absence of Fuller, director Robert Iscove performs yeoman service in bringing the story to life. Terence Knox is among the members of Bravo Company, assigned to capture a strategic hill. Before the company can begin to take on the enemy, the individual soldiers must overcome their own hostilities, both external and internal. Beyond sharing a wartime background, the 1988 The Hill bears no relation to the 1965 POW drama of the same name. ~ Hal Erickson, Rovi