Joe Medjuck Movies

Three men relive their carefree college years by killing off as many brain cells as possible in this over-the-top comedy. Mitch (Luke Wilson) returns home from a less-than-pleasant business trip one evening to discover his wife, Heidi (Juliette Lewis), involved in a ménage à trois with two blindfolded strangers. Feeling less than welcome at home after this, Mitch rents a house near the campus of a nearby college; two of Mitch's old college buddies, Beanie (Vince Vaughn) and Frank (Will Ferrell), stop by to cheer him up. They soon become regular guests at Mitch's place, despite the fact that Frank only recently wed Marissa (Perrey Reeves), while Beanie and his wife, Lara (Leah Remini), are busy with two kids. Beanie decides to throw a housewarming party for Mitch, and since Beanie sells audio equipment for a living, he's able to trick out the big bash with a massive PA system and an appearance by Snoop Dogg. Mitch soon finds he's the not-entirely-willing proprietor of the school's leading party spot, which raises the ire of Pritchard (Jeremy Piven), a dean at the college who was the target of Mitch, Frank, and Beanie's abuse when they were all students. Pritchard arranges to have Mitch's neighborhood zoned into a student housing district, but Beanie and Frank respond by forming a fraternity and making Mitch's home their headquarters. Mitch, however, is not enthusiastic about the idea, especially as he's trying to impress Nicole (Ellen Pompeo), a beautiful divorcee who is less than enchanted with Frank and Beanie's "party hearty" lifestyle. Old School director Todd Phillips knows more than a bit about the seamy side of fraternity life as director of the infamous unreleased documentary Frat House. ~ Mark Deming, Rovi

Based on a best-selling autobiography, this comedy drama is the surprisingly sweet-natured life story of a controversial radio personality. Howard Stern, who stars as himself, is a nerdy New York kid who dreams of a disc jockey career despite being a self-loathing klutz who lacks a traditional broadcaster's voice. A strikeout artist in college, Stern's romantic travails end when he meets and marries Alison (Mary McCormack), a beautiful social worker. Stern's early career at several radio stations is undistinguished. Bored, he makes his life the centerpiece of his show, including his obsessions with sex and bathroom humor, and he finds willing cohorts in news reporter Robin Quivers and producer Fred Norris. After an abortive tenure at a Washington D.C. station that loathes his high-rated antics, he lands at NBC in New York. Again, Stern clashes regularly with executives, especially Kenny "Pig Vomit" Rushton (Paul Giamatti), who runs roughshod over Stern's team. At home, Stern's tendency to discuss the intimate details of his marriage takes a toll, reaching a meltdown when he jokes about Alison's recent miscarriage on-air. ~ Karl Williams, Rovi

Ivan Reitman directed this romantic comedy-adventure that opens in New York where fast-paced magazine associate editor Robin Monroe (Anne Heche) and her boyfriend, Frank (David Schwimmer), leave for a week's vacation on a remote island. They've already been together for three years, so when Frank asks her to marry him, she says yes. For a one-day Tahiti photo shoot, Robin engages the services of South Pacific cargo pilot Quinn Harris (Harrison Ford). Robin and Quinn head off to do the shoot, but a squall forces Quinn to land his DeHavilland Beaver on the beach of a remote, unknown island. With broken landing gear, they're trapped there. Search parties set forth. Robin and Quinn cope with each other. Survival skills surface. Sexual tensions escalate. Meanwhile, back at the hotel, Frank and Quinn's girlfriend, Angelica (Jacqueline Obradors), compare concerns at the hotel bar. Several days later, the search is called off. Quinn and Robin are left to their own devices, including removing pontoons from a convenient Japanese war plane and attempting a take off. Filmed on the Hawaiian island of Kauai. ~ Bhob Stewart, Rovi

Despite his status as a major action star, Sylvester Stallone has made a number of attempts to remodel himself as a comic actor; one of his more infamous efforts in this direction was Stop! or My Mom Will Shoot!. Police detective Joe Bromowski (Sylvester Stallone) has just broken off his relationship with his girlfriend (and fellow police officer) Gwen Harper (JoBeth Williams), so Joe's mother Tutti (Estelle Getty) decides it's time to pay him a visit. Tutti proceeds to make Joe's life miserable by nagging him about his clothes, cleaning his apartment, washing his gun, tagging along on investigations, and somehow getting involved with a gun-running organization that the police have been trying to infiltrate. After this film, Stallone would stay away from comedy until 1997, when he played a cameo in another unenthusiastically received film, An Alan Smithee Film -- Burn, Hollywood, Burn. ~ Mark Deming, Rovi

Based on the non-fiction best-seller, The Late Shift is an irreverent, behind-the-scenes look at the conflict over who would succeed Johnny Carson as host of The Tonight Show, Jay Leno or David Letterman. Beginning with Carson's retirement, the made-for-cable film follows the backstage manueverings of both camps. When NBC chooses, Letterman refuses to lose quietly. Hosting The Tonight Show has been his life-long dream, and he is willing to do whatever it takes, even hiring an agent, to get what he wants. Indeed, Letterman soon finds himself working with ultra-powerful Hollywood agent Mike Ovitz and receiving huge offers from competing networks. Meanwhile, NBC has more trouble with the Leno Tonight Show than expected, thanks to Leno's manager Helen Kushnick (Kathy Bates). Kushnick's acerbic, foul-mouthed manner and increasingly petty behavior infuriates the higher-ups at NBC -- so much so that some suggest they give the show to Letterman after all. A series of intense negotiations follows, under the shadow of ludicrously frenzied media attention. While the presentation of both Leno and Letterman (played by unknowns Daniel Roebuck and John Michael Higgins, respectively) is fairly sympathetic, the film is far-less charitable to Kushnick and NBC executives. ~ Judd Blaise, Rovi

The central "gimmick" of the comedy-adventure Twins is established early on. Unbeknownst to one another, king-sized Arnold Schwarzenegger and gnomeish Danny De Vito are twin brothers. Even better: Schwarzenegger is a mild-mannered, bookish type, while De Vito is a vitriolic troublemaker. The film takes satiric jabs at the notion of "perfect" genetics, and makes several pointed comments concerning the dangers of youthful pre-conditioning by insensitive parents. ~ Hal Erickson, Rovi