Mary Cadorette Movies

As their premature baby son struggles for his life in the ICU, Benton (Eriq La Salle) and Carla (Lisa Nicole Carson) mull over their future. Increasingly paranoid after being beaten by an unknown assailant, Greene (Anthony Edwards) purchases a gun. Anspaugh (John Aylward) is upset that Carter (Noah Wyle) wants to abandon surgery in favor of emergency medicine. Romance re-enters the lives of Ross (George Clooney) and Carol (Julianna Margulies). And troubled teenager Charlie (Kirsten Dunst) is back. This was the final episode of ER's third season. ~ Hal Erickson, Rovi

Introduced to NBC's Wednesday-night schedule as a mid-season replacement on January 4, 1984, the weekly 30-minute sitcom Night Court quickly built a large and appreciative audience, enabling the series to remain on the network for nine seasons. Harry Anderson, a comedian who had established his reputation as a smooth-talking, nimble-fingered street magician and self-styled con artist, was perfectly cast as affable, irreverent Manhattan night-court judge Harry T. Stone. Although he came across as an iconoclastic jokester who held standard legal procedure in contempt (in one episode, his verdict was based on the flip of a coin), Harry was a highly successful jurist with a well-honed sense of fair play, whose handling of the oddballs that paraded in and out of his court resulted in a gratifyingly low "return" rate and quite a few reformations. Even those who'd never stood before Judge Stone in court were familiar with his lovable eccentricities, including his fondness for faded blue jeans and his adoration of singer Mel Tormé. The supporting cast included John Larroquette as Assistant DA Dan Fielding, who spent as much time trying to score with the ladies in night court as he did trying to secure convictions, and Richard Moll as bald-headed bailiff "Bull" Shannon (Richard Moll), whose bark was worse than his bite, but not by much.

During the series' first season, Paula Kelly was seen as legal-aid defense lawyer Liz Williams, who was alternately appalled and fascinated by Harry's unorthodox tactics; Karen Austin also appeared as court clerk Lana Wagner, who harbored a not-so-secret crush on Harry. In subsequent seasons, Liz was replaced by Billie Young (Ellen Foley), who in turn was replaced by Christine Sullivan (Markie Post); as for Lana, her replacement was Mac Robinson (Charles Robinson). Both Christine and Mac remained for the rest of the series; not so with Selma Diamond as abrasive jail matron Selma Hacker, a character who lasted only until Diamond's death. The actress' replacement, Florence Halop as Florence Kleiner, likewise passed away after only a short time on the series; she in turn was replaced by Marsha Warfield as Roz Russell, a character who stayed in place until the series' own demise. The on-again, off-again romance between Harry Stone and Christine Sullivan was definitely "off" during seasons seven and eight, when Christine was wed to undercover cop Tony Guillano (Ray Abruzzo), a union which produced a baby. After Christine divorced Tony, her relationship with Harry heated up considerably, but before long the ardor had cooled. Eventually, Christine was elected to congress, whereupon she was pursued not by Harry but by the ever-libidinous Dan Fielding. The final episode of Night Court, which set something of a record for the number of bizarre, surrealistic incidents occurring within a single half-hour, was broadcast on July 1, 1992. ~ Hal Erickson, Rovi

Harry (Harry Anderson) stuns his staff when he announces his intention to marry Margaret Turner (Mary Cadorette). Actually, he's waiting for Margaret to pop the question--it sure seems like that's what she's planning--but the basic outcome is the same, isn't it? The rest of the episode is given over to the staffers, who offer Harry an abundance of advice--most of it contradictory, and a lot of it downright silly. ~ Hal Erickson, Rovi

Mary Cadorette) makes her first appearance as aggressive, self-assured court reporter Margaret Turner. Judge Harry (Harry Anderson) is smitten by Margaret, but she barely acknowledges his existence. In desperation, he turns to notorious womanizer Dan (John Larroquette) for advice on how to woo and win "the scribe in the skirt"--but his efforts succeed only in further distancing Margaret from both men! ~ Hal Erickson, Rovi

Columbia Pictures spent as estimated $8 million dollars on this laughless sex comedy that crashes and burns before ever leaving the ground. Two bumbling boneheads who are kicked out of flying school decide to remain airborne by becoming stewardesses. Bathroom humor, sight gags, and the prerequisite nudity are the lowlights of this forgettable film. The only interest is the appearance of former Playboy bunny Yuliis Ruval. This dog makes Porky's seem like Shakespeare. ~ Dan Pavlides, Rovi

Shot in 33 days, this $9.6 million biographical drama of behind-the-scenes interactions within the Rat Pack group of Frank Sinatra (Ray Liotta), Dean Martin (Joe Mantegna), and Sammy Davis Jr. (Don Cheadle) is set against the political backdrop of the '60s, establishing links of singers, gangsters, actors, and politicans (sometimes brushing shoulders in the same rooms). The film also explores Sinatra's relationship with John F. Kennedy (William Peterson). Deciding to support Kennedy, Sinatra patches up his feud with Peter Lawford (Angus Macfadyen), since Lawford's wife, Pat (Phyllis Lyons) is JFK's sister -- and a Sinatra-Kennedy friendship soon follows. However, when Joe Kennedy (Dan O'Herlihy) decides Sinatra's nightclub, mob and commie connections are a no-no for JFK, the patriarch's interference angers Sinatra. Meanwhile, Sammy Davis Jr. enters into an interracial liaison with May Britt (Megan Dodds), and the dynamics of the situation are visualized in an imaginative musical fantasy sequence in which Davis sees himself singing and dancing for an unresponsive line of white supremacists. Broadway's Savion Glover stepped in with the film's choreography. Substitute singers featured the voice of Michael Dees for Sinatra and Mantegna duplicating Dino. Also covered here are the events that led to the filming of Ocean's Eleven (1960). For an actual Rat Pack stage performance, see The Rat Pack Captured (1965). Filmed in LA, the TV movie premiered August 22, 1998 on HBO. ~ Bhob Stewart, Rovi