Terrence E. McNally Movies

Eight friends spend three weekends in the country over the course of a summer as they explore their sometimes conflicting attitudes about love, sex, friendship, life, and death in this screen adaptation of Terrence McNally's award-winning play. Gregory Mitchell (Stephen Bogardus) is a successful choreographer whose skills as a dancer have begun to decay as he slips into middle age. He has a handsome summer home in Upstate New York which he shares with his lover Bobby Brahms (Justin Kirk). Gregory and Bobby often invite several of their friends to join them for holiday weekends: Perry Sellars (Stephen Spinella) and Arthur Rape (John Benjamin Hickey) are a pair of yuppies (complete with a Volvo) who have been a couple for 14 years (as Perry jokes, "We're role models -- it's very stressful"). John Jeckyll (John Glover), a musician and composer with a short temper and a witheringly bitter sense of humor, arrives with his latest boyfriend, Ramon Fornos (Randy Becker), a good-looking dancer who often suffers the wrath of John's foul mood. Buzz Hauser (Jason Alexander) is a witty and flamboyant enthusiast of the Broadway theater who describes his greatest fear as a production of The King and I starring Tommy Tune and Elaine Stritch; he's also HIV-positive, though he stubbornly refuses to discuss his condition with his friends. And John's twin brother James Jeckyll (also played by John Glover) is his brother's polar opposite, a kind and forgiving soul who is now living with AIDS. Love! Valour! Compassion! was directed by Joe Mantello, who also directed the original New York stage production; this film also reunites the show's New York cast, with the exception of Jason Alexander, who stepped into the role created by Nathan Lane. ~ Mark Deming, All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

James Belushi and Charles Grodin team up for this variation on the Prince and the Pauper. Belushi plays Jimmy Dworski, a convicted car thief, serving time in a minimum security prison. But when Jimmy wins a pair of tickets to the World Series from a radio call-in show, he can't resist walking out of jail, particularly when the warden won't even let the inmates watch the series on television. Grodin plays rich workaholic Spencer Barnes, who, when his wife walks out on him right before a long-planned vacation, leaves his datebook in an airport telephone booth. Happening upon Spencer's datebook is Jimmy, who simply intends to return the datebook to Spencer for a 1,000-dollar reward. But when he finds the datebook contains his credit cards, Jimmy assumes Spencer's identity, living the good life and dating the boss's daughter, while making his way to Malibu to return the property to Spencer. ~ Paul Brenner, All Movie Guide

In this madcap comedy, Geena Davis plays Valerie, a manicurist living in the valley with her cold fiancé, Dr. Ted Gallagher (Charles Rocket). At the Curl Up and Dye beauty salon where she works, Valerie enlists the help of her boss, Candy Pink (Julie Brown), for some style advice to try and win back Ted's affections. After undergoing a brand-new hairstyle, Valerie learns that Ted is having an affair and she kicks him out of the house. Soon, while lounging around in her bikini, a spaceship from the planet Jhazzalan crash-lands in her swimming pool. Curious, Valerie befriends the ship's inhabitants -- three horny aliens covered in fur named Mac (Jeff Goldblum), Whiploc (Jim Carrey), and Zeebo (Damon Wayans). Introducing her new friends to Candy, the aliens get a shave and a total makeover transformation into hot, available dates. They all go out dancing at L.A. nightclubs and party. ~ Andrea LeVasseur, All Movie Guide

Blood Feud was a two-part TV drama, originally presented as an "Operation Prime Time" special. Robert Blake is disturbingly convincing as labor leader Jimmy Hoffa, engaged in a decade-long war of words with attorney (and later attorney general) Robert F. Kennedy. Cotter Smith makes his TV debut as Kennedy, a role he'd repeat on future occasions. Thoroughly compelling when sticking to the facts, the drama falls apart whenever indulging in flight of fanciful speculation (Sample: two of Hoffa's lieutenants watch the live telecast of Lee Harvey Oswald's murder, then celebrate the fact that Oswald will never be able to reveal their complicity in the JFK assassination!) Blood Feud was syndicated to local TV stations beginning April 24, 1983. ~ Hal Erickson, All Movie Guide

This fun, silly thriller written and directed by Michael Crichton manages to combine the dramatic murders of beautiful models, a secret conspiracy to use TV commercials for mind-control, and an unusual seeing-eye device which makes the wearer invisible. Plastic surgeon Larry Roberts (Albert Finney) becomes the prime suspect after two models on whom he operated are killed. Larry becomes suspicious because both of the women came into his office asking for very precise and seemingly unnecessary physical alterations. Agreeing to operate, because the women's jobs depended on the surgery, Larry must now clear his own name and save his life and career. With the aid of a friend and model Cindy (Susan Dey), Larry discovers and foils the plot led by corporation-head John Reston (James Coburn). Larry must then fight for his life against Reston's thugs who are equipped with the devices, called "Lookers." This is good, if silly fun and Albert Finney does his best with a somewhat implausible script. ~ Linda Rasmussen, All Movie Guide

Produced by Roger Corman and scripted by John Sayles, Battle Beyond the Stars is a cheerfully blatant imitation of The Seven Samurai (or at least the American remake The Magnificent Seven). A peaceloving planet is attacked by malevolent aliens. The powers-that-be hire a group of mercenaries, headed by George Peppard, to protect the planet from harm. Peppard's contingent includes squeaky-clean Richard Thomas Jr. and statuesque Sybil Danning. John Saxon goes through his usual paces as the villain, while the supporting players include such dependables as Sam Jaffe, Jeff Corey, and, from Magnificent Seven itself, Robert Vaughn. Keep an eye out for Julia Duffy as "Mol". A deft blend of standard sci-fi action and knowing "inside" humor, Battle Beyond the Stars was one of Corman's biggest hits of the 1980s-not to mention an endless supply of stock footage for future New World Productions. ~ Hal Erickson, All Movie Guide

With The Ritz, Terrence McNally's hit Broadway play of the same name is cinematized by director Richard Lester. Jack Weston plays Gaetano Proclo, a minor mob flunky who's been targeted for elimination by his brother-in-law, Carmine Vespucci (Jerry Stiller). Gaetano takes refuge in what he thinks is a Turkish bath. Actually, it's The Pits. That's the name, "The Pits" -- a gay bathhouse (this is the pre-AIDS era), where the exquisitely awful Googie Gomez (Rita Moreno) entertains the homosexual patrons with her ear-splitting renditions of such show tunes as "Everything's Coming Up Roses." Hoping to save his neck by pretending to be gay, Gaetano effusively praises Googie. Assuming that he is a big-time Broadway producer, she plays up to him. Everything would be hunky-dory, except that the bathhouse is owned by the very mob that has put a contract on Gaetano. What follows is an old-fashioned door-slamming farce, except that there are no doors to slam. The supporting cast includes Kaye Ballard, Treat Williams, George Coulouris, F. Murray Abraham, Dave King, and (as one of the patrons) a pre-Cheers John Ratzenberger. ~ Hal Erickson, All Movie Guide