Patrick McGoohan Movies
An American-born actor reared in Ireland and England, McGoohan made a memorable impression on the American and English viewing audiences by playing essentially the same role in three different television series. He began his performing career as a teen-ager, eventually played Henry V for the Old Vic company in London, and made mostly unremarkable films in the '50s. His movies include the delightful Disney film The Three Lives of Thomasina (1964). Success came in 1961, when McGoohan played government agent John Drake in Danger Man, a role he continued on Secret Agent (1965-66). He created, produced and often wrote episodes of the nightmarish, surrealistic cult series The Prisoner (1968-69). This show featured a character assumed to be the same John Drake (although he was known as Number 6 and his real name was never mentioned), who had been kidnapped and taken to a strange community. McGoohan later starred in the TV series Rafferty (1977) and directed the film Catch My Soul (1974). He won an Emmy Award in 1975 for his guest appearance on Columbo with Peter Falk. ~ All Movie Guide- 1955
Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Harris, Laurence Harvey, (more)
- 1955
A Richard Armstrong novel was the source for the British sea melodrama Passage Home. Set in 1931, the film takes place aboard a merchant ship, briefly harbored in South America. A young woman (Diane Cilento) boards the ship as a passenger, resulting in disharmony among the superstitious crew members. Virtuous seaman Anthony Steel protects the girl from the lecherous advances of captain Peter Finch. The film's predictable highlight is an outsized sea storm, during which a besotted Finch struggles to stay sober long enough to keep everyone from falling overboard. ~ Hal Erickson, All Movie Guide
- 1955
The Dark Avenger was the European-release title of the Errol Flynn swashbuckler The Warriors; 20th Century-Fox handled European distribution, while Allied Artists released the film stateside. Lensed on location in Hertfordshire, England, the film stars Flynn as Edward, the "Black Prince" of England. At the end of the Hundred Years' war, Edward remains in France to guard the lands taken by his predecessor-father. He is opposed in this by the heavy of the piece, Count DeVille (Peter Finch). The story comes to a rousing conclusion as Edward and his followers defend their castle against DeVille's minions. Joanne Dru costars in Dark Avenger as Lady Joan Holland, who like Count DeVille is wholly a product of screenwriter Daniel B. Ullman's imagination. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Joanne Dru, (more)
