Patrick McGoohan Movies
An American-born actor reared in Ireland and England, McGoohan made a memorable impression on the American and English viewing audiences by playing essentially the same role in three different television series. He began his performing career as a teen-ager, eventually played Henry V for the Old Vic company in London, and made mostly unremarkable films in the '50s. His movies include the delightful Disney film The Three Lives of Thomasina (1964). Success came in 1961, when McGoohan played government agent John Drake in Danger Man, a role he continued on Secret Agent (1965-66). He created, produced and often wrote episodes of the nightmarish, surrealistic cult series The Prisoner (1968-69). This show featured a character assumed to be the same John Drake (although he was known as Number 6 and his real name was never mentioned), who had been kidnapped and taken to a strange community. McGoohan later starred in the TV series Rafferty (1977) and directed the film Catch My Soul (1974). He won an Emmy Award in 1975 for his guest appearance on Columbo with Peter Falk. ~ All Movie GuidePeter Falk returns to the role of Lt. Columbo -- he of the grimy trenchcoat, dumb-like-a-fox interrogations, and the inevitable "Just one more question" -- in this two-hour TV-movie special. British comic actor Billy Connolly guest stars as famed movie composer/conductor Findlay Crawford, who commits murder rather than have the public discover that his Oscar-winning movie scores were ghostwritten by a younger and more talented tunesmith. Although the hard-drinking Crawford does a magnificent job covering his tracks and deflecting suspicion, shabby little Lt. Columbo suspects that there is more to the case than meets the eye. Beyond the usual cat-and-mouse banter between the detective and his prey, the film includes such highlights as a musical duet between Falk and Connelly (who knew that Peter Falk was capable of so stirring a rendition of "That's Amore"?). Reportedly filmed in 1999, Columbo: Murder With Too Many Notes made its ABC network bow on March 12, 2001. ~ Hal Erickson, All Movie Guide
In this feature-length episode of the enduring and endearing television detective drama, the world's most rumpled police investigator, Lt. Columbo investigates the mysterious disappearance of a controversial Hollywood gossip columnist. Columbo's prime suspect is a secretive mortician who specializes in celebrity funerals. ~ Sandra Brennan, All Movie Guide
- Starring:
- Peter Falk, Patrick McGoohan, (more)
Dutch cult filmmaker Rene Daalder (Massacre at Central High, Habitat) directed this surreal tale of thought-control experiments on the inmates of an insane asylum. Like his other films, Hysteria is a rich and thematically dense sociopolitical allegory, but this time around the concept is overwhelmed by a particularly risible execution. Patrick McGoohan stars as Dr. Harvey Langston, a mad genius who spouts twisted philosophical nonsense while conducting experiments in universal consciousness and group thought. His latest guinea pig is Veronica (Emmanuelle Vaugier), who hallucinates ants all over her body and attempts to stab her doctor (Michael Maloney) in the eye with a corkscrew. Langston implants a computer chip in Veronica's head, and she enters the group consciousness of a contrived assembly of patients including a mannish Tourette's sufferer who speaks in rhyme, a musician who has separate identities in each of his arms, and Amanda Plummer as a wheelchair-bound dancer. Plummer has the film's most memorable scene, spinning about in her chair as the asylum's inmates copulate in every possible combination for the orgiastic finale. Whether the entire escapade is a dangerous cult or a radical new model for a communal civilization (as in the similarly offbeat Phase IV) is open to interpretation, but most of the time the events onscreen are too laughable for it to really matter. Daalder's unique vision walks a very thin line, and he is capable of taking outrageous concepts and making them believable (as in Habitat), but this time he misses the mark by a mile. Nevertheless, McGoohan does his best and the film is still worth watching, for even if it is a failure (and it is), it's at least an interesting one. ~ Robert Firsching, All Movie Guide
- Starring:
- Patrick McGoohan, Amanda Plummer, (more)
- Starring:
- John Gielgud, Wendy Hiller, (more)
This 2-hour TV movie was originally presented as an installment of The ABC Saturday Mystery Movie in February of 1990. Patrick McGoohan (who also directed) plays a vice presidential candidate whose best friend murders a blackmailing racketeer. With "damage control" foremost in his mind, McGoohan arrange to make the murder look like a suicide. At this point, Lt. Columbo (Peter Falk) enters, and it's "cat and mouse" for the remaining 90 minutes. The 1990 Columbo episodes alternated on the Saturday Mystery Movie with three other series: Cristine Cromwell, B.L. Stryker and Kojak. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Falk, Patrick McGoohan, (more)
This is a video guide to the cult television show The Prisoner. Filmed in England, the series aired in 1968-1969, in 17 episodes, and is considered by many to be the best series ever to be shown on the medium of television. Patrick McGoohan was the show's creator and star. The story line follows a British security agent sent off to a community known as "the Village." The agent was given the impersonal title Number 6. Filled with intelligent dialogue and surreal imagery, the series drew an eclectic audience in England and America. This video offers some interpretations of the show, and answers to questions, such as, who was Number 1? And where is "the Village"? There is a behind-the-scenes look at production and interviews with the actors. ~ Rose of Sharon Winter, All Movie Guide
This time Jessica (Angela Lansbury) travels to Quebec, there to attend the trial of an old friend who has been charged with murdering his wife and then torching his house. In order to prove her friend's innocence, Angela ends up agreeing to serve as a witness. . .for the prosecution. The lawyers in the case are played by Claire Trevor and Patrick McGoohan, the latter making an amusing courtroom reference to the astonishing number of Jessica's nieces and nephews who've been accused of murder in the past! ~ Hal Erickson, All Movie Guide
Four decades have passed since the end of WW II, and a woman returns to Germany, her birthplace, in an effort to discover the circumstances surrounding her son's death. She stumbles upon a covert Nazi organization who, through a selective breeding program, intend to create a new master race. ~ Mark Hockley, All Movie Guide
The brutal Salem witch trials provide the setting for this provocative drama that presents the story of an accused woman who survived the ordeal. Like her two older sisters, poor Sarah faces a trial herself. The sisters were tortured, found guilty and burned. Despite her fear, Sarah proves that her family is innocent of the charges. This film originally appeared on PBS television's American Playhouse. ~ Sandra Brennan, All Movie Guide

- 1985
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Eight years before the dinosaur mania created by Jurassic Park, Bill L. Norton released this more dinosaur-friendly story about a 10-foot baby dinosaur in dire straits in Africa because Dr. Eric Kiviat (Patrick McGoohan), an evil paleontologist, is after it with a vengeance. He is the nemesis of Dr. Susan Matthews-Loomis (Sean Young) -- determined to save the baby from its hunters -- and her husband George Loomis (William Katt), a sportswriter who shares her protective instincts. Kiviat has recruited a revolutionary army to help him capture the baby's mother -- which they manage to do without killing her. The army has already shot down the father dinosaur, and so their own instincts are far from protective. As the husband and wife and baby dinosaur are united at last in their attempts to survive, the next step is to recapture Mom dinosaur and get away from the army and Kiviat, not an easy feat. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- William Katt, Sean Young, (more)
Fred Wells (Patrick McGoohan) is a sullen introvert who still resents the death of his wife in childbirth 25 years earlier. His daughter born at that time, Katie (Emma Piper), runs away from his ravings about sin and damnation and escapes to a hippie-style commune where an unscrupulous guru ends her virginity in a supposed sex ritual. When the arrogant guru is murdered, a shy young man enamored of Katie is first sought by the police -- but the real culprit seems to be her father. The undertones of incestuous desire on the part of the father, and the human reactions when the reality of that tendency is faced, are handled well in this psychological drama. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Patrick McGoohan, Emma Piper, (more)
This made-for-TV remake of the Alfred Hitchcock adventure stars Patrick McGoohan as the head of a crew of smugglers; Jane Seymour plays his niece, who discovers the secret history of the title inn. ~ Jason Ankeny, All Movie Guide
Patrick McGoohan does his patented "carrying the world on my shoulders" bit in The Hard Way. McGoohan is cast as Conner, a worldly, weary professional assassin. On the verge of retirement, he is cajoled by former associate McNeal (Lee Van Cleef) into doing one last job. Expecting a routine assignment, Conner is in for quite a jolt when he learns the identity of his target. Co-star Van Cleef effectively matches and sometimes surpasses McGoohan's trenchant cynicism. Filmed in 1979 for British television, The Hard Way was released theatrically the following year. ~ Hal Erickson, All Movie Guide
The made-for-television The Man in the Iron Mask was, at the very least, the twelfth film version of Alexandre Dumas' 1847 novel. The title character is Philippe (Richard Chamberlain), rightful heir to the throne of France. Enemies of Philippe's twin brother, King Louis XIV (also Chamberlain) plot to kidnap the monarch, lock him in a dungeon, and obscure his identity with an iron mask. But aging musketeer D'Artagnan (Louis Jourdan), who'd virtually raised Louis from boyhood, reunites his old musketeer cohorts to rescue Louis and overthrow the wicked Philippe. Emmy nominations went to scripter William Bast and costumer Olga Lehmann. Photographed by the great Freddie Young, Man in the Iron Mask was first telecast January 17, 1977 ~ Hal Erickson, All Movie Guide
An amiable con man sets out to land a big score from a man even less honorable than himself in this comic spaghetti western. Joe Thanks (Terence Hill) is a swindler and quick-draw artist who wanders into a dusty little town after literally falling out of a stagecoach while asleep. After besting card-sharp Doc Foster (Klaus Kinski) in a public shootout, Joe reconnects with his old friend Steam Engine Bill (Robert Charlebois), who is traveling with his beautiful but dizzy-headed girlfriend Lucy (Miou-Miou). Joe has learned that Major Cabot (Patrick McGoohan), an officer in the U.S. Cavalry, is escorting a $300,000 fortune that's been earmarked for Indian relief efforts; however, Cabot has no intention of actually delivering the cash, so Joe hatches a scheme to take it for himself. Bill, who bears a slight resemblance to Cabot, will pose as the officer and intercept the money, but when Bill and Lucy are found out and jailed, Joe must come to their rescue. While his name does not appear in the credits, Sergio Leone is said to have co-produced Un Genio, Due Compari, Un Pollo (aka A Genius, Two Partners, and a Dupe) and directed the pre-credit sequence, with Damiano Damiani helming the rest of the picture and receiving screen credit. In Germany, the film was released as Nobody ist der Grosste (aka Nobody is the Greatest) and marketed as an unofficial sequel to Il Mio Nome e Nessuno (aka My Name Is Nobody). ~ Mark Deming, All Movie Guide
- Starring:
- Miou-Miou, Robert Charlebois, (more)
In this suspense movie, Lt. Colombo thwarts the evil scheme of a military academy commandant who is planning on murdering the school board chairman to further his career. ~ Sandra Brennan, All Movie Guide
Perhaps one of the most fascinating and maddening 48 minutes ever committed to television broadcast, "Fall Out" was the 17th and final episode of the British sci-fi/fantasy series The Prisoner. Having survived the ordeal of Degree Absolute in the previous episode "Once Upon a Time", Number Six is rewarded with the right to become an individual once more. With the begrudging blessing of the defeated Number Two (Leo McKern), Number Six is given back his original clothes, the key to his old house, a million pounds' worth of travellers cheques, and an international passport. But this is not enough for Number Six: He insists upon learning the identity of the enigmatic Number One, who was responsible for his ordeal in The Village. From this point on, the episode's already pervasive surrealism reaches a fever pitch, festooned with cryptic messages, verbal and visual puns, "reunions" with past antagonists, Beatles tunes in the background, and various "types" wandering around in white masks. One of these masked figures is the elusive Number One. . .and that's all that can be said without giving the game away (if indeed, the game could ever be given away). Written and directed by series star Patrick McGoohan, "Fall Out" was originally telecast in England on February 4, 1968, and in America on September 21, 1968. ~ Hal Erickson, All Movie Guide
Written and directed by series star Patrick McGoohan, "Once Upon a Time" was the first of two episodes of The Prisoner designed to "explain" (more or less) several of the questions posed by the previous episodes, and to bring the saga to a conclusion --- albeit not a logical one. Leo McKern costars as the Previous Number Two, who had supposedly been dispensed with in the earlier episode "Chimes of Big Ben." Returning to the village for one last desperate attempt to "break" Number Six, Number Two utilizes a sinister mind-probing process called Degree Absolute (which was also this episode's original title). Forced to relive all the events of his life, Number Six is plunged into a bizarre netherworld where reality is not even a concept. This time around, the stakes are extremely high, with the lives of both Number Two and Number Six hanging in the balance. When The Prisoner was originally planned as a two-season series, "Once Upon a Time" was supposed to have been the 13th and final episode of Season One. But upon rethinking the series in terms of a single 17-episode season, the script was refashioned as the next-to-last episode; as such, it first aired in England on January 28, 1968, and in America on September 14, 1968. ~ Hal Erickson, All Movie Guide
- Starring:
- Leo McKern
First broadcast in England on January 21, 1968, "The Girl Who Was Death" was written by Terence Feely, from an idea by David Tomblin, producer of The Prisoner and director of this episode. Again mysteriously transported from The Village, Number Six finds himself in an isolated lighthouse with a girl named Sonia (Justine Lord) who by some fluke of fate has apparently caused the deaths of at least three men. Referring to herself as "Death", Sonia insists that she and Number Six are made for each other, inasmuch as he has survived so many previous attempts on his life. As the story progresses, it becomes painfully obvious that the so-called lighthouse is actually a nuclear missile, designed by Sonia's demented father (Kenneth Griffith) to destroy London. Originally intended as a two-part episode, "The Girl Who Was Death" was diminished to a single installment because of star Patrick McGoohan's commitment to the theatrical feature Ice Station Zebra; in fact, McGoohan is absent from much of the proceedings, requiring the producers to use doubles and stock shots for certain linking scenes. The episode made its American TV debut on September 7, 1968. ~ Hal Erickson, All Movie Guide
Written by David Tomblin and Ian L. Rakoff, "Living In Harmony" briefly whisks Number Six away from The Village and plunks him into the American West circa 1870. Forced by a "Roy Bean"-style judge (David Bauer) to accept the job of sheriff, Number Six discovers that his first assignment is to protect to beautiful Cathy (Valerie French) from a vicious outlaw known as The Kid (Alexis Kanner). This places the protagonist in an uncomfortable position: How can he fulfill his new responsibility while keeping his self-promise to never again use a gun? Harmony, by the way, is the name of the town where all this takes place --- or does it? Originally slated as Episode 12 of The Prisoner, "Living In Harmony" was seen as the series' 14th installment when it originally aired in England on January 14, 1968. Curiously, this episode was not shown in America where The Prisoner was first networkcast in the summer of 1968 (reportedly, it contained too much violence --- or, possibly, too much of the leading lady's cleavage), though it was included in the Prisoner package syndicated in the US in the fall of 1969. ~ Hal Erickson, All Movie Guide
Regarded by many as the best-ever episode of The Prisoner, "Do Not Forsake Me Oh My Darling" was written by Vincent Tilsley. Number Six awakens with the belief that he is actually another man -- to be exact, an Army colonel (Nigel Stock). Failing to recognize his own face in his own mirror, the confused protagonist also learns that "The Colonel" has been missing for a full year. The answer to the mystery rests in the hands of one Professor Seltzman (Hugh Schuster), the inventor of an insidious intellect-transfer machine. Clues essential to the action include a reference to Number Six's former fiancée, and an inventory of the former intelligence agent's code names. Also appearing are Zena Walker as Janet and Clifford Evans as the new Number Two. As originally conceived, "Do Not Forsake Me Oh My Darling" was supposed to have been the series' ninth episode, but instead was rescheduled as episode 13 on British television, making its first appearance on January 7, 1968. When The Prisoner was rebroadcast in America on CBS, the intended episode chronology was restored, and "Do Not Forsake Me Oh My Darling" was properly shown right after episode number eight ("Dance of the Dead") on August 3, 1968. ~ Hal Erickson, All Movie Guide
A top-secret Soviet spy satellite -- using stolen Western technology -- malfunctions and then goes into a descent that lands it near an isolated Arctic research encampment called Ice Station Zebra, belonging to the British, which starts sending out distress signals before falling silent. The atomic submarine Tigerfish, commanded by Cmdr. James Ferraday (Rock Hudson), is dispatched with orders to get to Ice Station Zebra carrying three passengers, a Englishman going by the name of David Jones (Patrick McGoohan), a Soviet turncoat named Boris Vaslov (Ernest Borgnine), and an American Marine officer, Captain Anders (Jim Brown), who is supposed to command the Marine unit assigned to the mission. Jones is problem enough, as he is in command of the mission and he prefers to withhold as much information as it's possible to do from Ferraday, even at the risk of the Tigerfish's safety. Add to that the fact that Anders is suspicious of Vaslov, and Vaslov seems much too inquisitive and is telling even less of what he knows about the mission, and Ferraday has his hands full trying to get these men to the polar ice -- 600 miles of dangerous travel -- in just two days. When an attempt to break through the ice -- coupled with some timely sabotage -- kills one man and nearly destroys the boat, the men surrounding these contending parties start to understand just how high the stakes are for everyone. It turns out that the Soviets want what was aboard that satellite as much as the West does; indeed, both sides are frantic to get it, and, just as much, to keep the other side from getting it -- and they're prepared to take it by brute force. Once Ferraday and his men arrive at Zebra, they find a disaster and still more mystery, with most of the men dead and the object that Mr. Jones is supposed to secure nowhere in evidence, and he and his two fellow men of mystery suddenly showing their killing instincts quite freely. And with the storm clearing from the Soviet side first, their planes and their paratroops are closing in on Ferraday, and his relative handful of men. ~ Bruce Eder, All Movie Guide
- Starring:
- Rock Hudson, Ernest Borgnine, (more)
This episode of the unique and still puzzling television series is an alternative second episode that contains scenes not found in the first and original second version, with new scenes and different dialogue. ~ Sandra Brennan, All Movie Guide
Written by Roger Woddis, this episode of The Prisoner guest stars Patrick Cargill (also seen in the previous episode "Free for All") as super sadistic New Number Two. Delighting in tormenting the villagers, Number Two drives at least one of them, Number 73 (Hilary Dwyer), to suicide. Hoping to avenge the woman's death, Number Six begins his own campaign of psychological warfare, utilizing such "weapons" as his collection of Bizet recordings! In addition to resembling an installment of the much later CBS series, Survivor, this episode also predates American Gladiators by offering an "extreme sport" known as Kosho. Originally slated as the 14th episode of The Prisoner, "Hammer into the Anvil" was seen as episode number 10 when it first aired in England on December 10, 1967. It was placed in its original chronology for American television, where it was first seen on August 31, 1968. ~ Hal Erickson, All Movie Guide
First broadcast in England on December 31, 1967, "A Change of Mind" was directed by Prisoner star Patrick McGoohan, under the pseudonym of "Joseph Serf" (the same name he'd used when directing the earlier episode "Many Happy Returns.") Still refusing to reveal his reasons for resigning from British Intelligence save for the vague explanation "I needed time to think," Number Six is declared "unmutual" by the powers that be in The Village. As such, he is subjected to the double assault of mind-bending drugs and ear-piercing sound waves. Though this treatment is meant to make Number Six more compliant, the tables are turned upon his tormentor Number Two (John Sharpe), with the unwitting assistance of Number Eighty Six (Angela Browne). Written by Roger Parkes and intended to be shown as the series' 13th episode, "A Change of Mind" was rescheduled as the 12th intallment--but not in America, where it aired in its proper chronological order on August 24, 1968. ~ Hal Erickson, All Movie Guide
















