Fergus McDonell Movies

Writer Giles Cooper's Unman, Wittering and Zigo was first presented as a BBC TV drama in the 1960s, which later was telecast in the US on NET Playhouse. David Hemmings plays the new teacher in a macabre classroom where the boys seem demonically recalcitrant. Just after calling roll (Unman, Wittering and Zigo are the last names on the tally), Hemmings is advised by his class that he'd better leave them alone to do as they wish. Hemmings' predecessor had not heeded this warning, and ended up dying a rather nasty death. ~ Hal Erickson, All Movie Guide

David Niven is Alex, a scholar who has won the Nobel Prize for developing a universal language. The U.S. State Department has decided to honor him with a statue, to be displayed in London's Grosvenor Square. The commission for the project went to Alex's wife Rhonda (Virna Lisi), who has designed a statue that is completely nude, without even a fig leaf. Husband Alex sees that is it a perfect replica of himself, except for the part usually covered by fig leaves. He accuses his wife of using one of her lovers as a model and begins a hilarious search for the original. Robert Vaughn has some good lines as the American Ambassador, discussing the couple's controversy with the President. ~ Clarke Fountain, All Movie Guide

While Olde England is being ransacked by roving Danes in the 9th century, Alfred (David Hemmings) is commencing to join the priesthood. But observing the rape of his motherland, he puts aside his religious vows to take up arms against the invaders, leading the English Christians to fight for their country. Alfred soundly defeats the Danes and becomes an English hero. But now, although Alfred still longs for the priesthood, he is torn between his passion for God and his lust for blood. After marrying the beautiful Aelhsweth (Prunella Ransome), he gives himself over to his dark side and aggressively rapes his wife. At this point, the Danes return and Alfred must muster the English forces once again for a decisive battle, but he also must battle his conflicting soul. ~ Paul Brenner, All Movie Guide

Richard Attenborough, David Hemmings and Alexandra Stewart play three con artists planning a big-time scam. The object is to sell ammunition to a group of African militants -- or at least to pretend to. The trick is to keep at least one step ahead of the militants, lest the tricksters end up full of holes. A serviceable Len Deighton espionage novel was the source for Only When I Larf, which hooked up the material with "mod" gags about '60s fads and foibles. In the same spirit, the usually straightforward director Basil Dearden makes like Richard Lester, with a multitude of jump cuts, zoom-ins and hand-held shots. ~ Hal Erickson, All Movie Guide

After declaring a holy war to rid the Sudan of Anglo-Egyptian rule in the 1880s, the fanatical Sudanese leader Muhammad Ahmad (Laurence Olivier) massacres a British-led force of 8,000 and marches on the strategic city of Khartoum at the confluence of the Blue Nile and the White Nile. The British government of Prime Minister William Ewart Gladstone (Ralph Richardson) then sends one of its greatest generals, Charles George Gordon (Charlton Heston), to Khartoum to make peace and save the city. Gordon had previously served with distinction in the Crimea, China, India and South Africa. Most important, he had also served as governor of the Sudan in the late 1870s at the request of the khedive of Egypt, instituting administrative reforms, reducing the slave trade and bolstering the economy. However, before Gordon reaches Khartoum with his aide, many of his former Sudanese friends defect to the Mahdi. Nevertheless, Gordon receives a rousing reception when he arrives in the city in February 1884. Heartened, he meets in the desert with the Mahdi to try to forge a peace agreement, but the Arab leader tells Gordon he is bent on taking Khartoum. What's more, he means to conquer other cities -- Cairo, Mecca, Baghdad and Constantinople -- to establish a vast empire under his leadership. Convinced that more war is inevitable, Gordon and the loyal Egyptian troops under his command prepare for battle. Meanwhile, in London, the Gladstone government is reluctant to dispatch troops to support the outnumbered Khartoum forces because colonial meddling has become bad politics. To forestall disaster, Gordon diverts the Nile to create a moat around Khartoum and leads a foray in which he steals cattle from the Mahdi's herd to supply the besieged city with food. But when the Nile recedes, the stage is set for the final battle that will decide the fate of Khartoum. ~ Mike Cummings, All Movie Guide

The lives of two couples are examined through three vignettes in this episodic drama. A man (Brian Phelan) picks up his girlfriend (Ann Lynn) after she finishes her shift as a nightclub dancer. They go for a moonlight stroll along the river but soon begin playing petty games with each other's emotions. Meanwhile, a new mother (Judi Dench) is left at home with the baby after her uncaring husband (Norman Rodway) heads out for a night on the town with his best friend (Joe Melia). A tragic accident soon brings the couples together. This was the third film for actress Judi Dench and earned her a British Academy Award as Most Promising Newcomer of 1966. ~ Mark Deming, All Movie Guide

In the tradition of Kind Hearts and Coronets (49), Nothing But the Best is a sparkling British "comedy of murders." Alan Bates stars as a lowly real estate clerk who wants to crash the British upper class. To that end, Bates hires down-and-out gentleman Denholm Elliott to "train" him for the noblesse. The clerk is a fast learner, and is soon wooing the daughter (Millicent Martin) of his blueblood boss. Just as he's on the brink of becoming one of the "better people," his mentor Elliot disdainfully threatens to reveal the truth about Bates. With nary a moment's hesitation, Bates strangles Elliot with his own school tie, and hides the body in Elliot's own school trunk. From this point forward, Bates moves onward and upward, and since the high-class folks in this film are shown to be shallow phonies, the audience is half rooting for Bates to get away with his little murder. The film ends just as Bates' old lodgings are about to be demolished--leaving Our Hero waiting in wry, bemused anticipation for that incriminating trunk to be uncovered. Frederick Raphael based his screenplay for Nothing But the Best on Stanley Elkins' black-humor masterpiece The Best of Everything. ~ Hal Erickson, All Movie Guide

More of a corny propaganda film for a British social engineering policy program of the 1960s than a serious attempt to tackle an issue, this youth drama is notable chiefly because it features an early performance by David Hemmings, four years before he rose to prominence in Blow-Up (1966). Bert (Hemmings), Bill (David Andrews), and Johnnie (Ray Brooks) are a trio of juvenile delinquents in Bristol who lose their driver's licenses after a 100 mile-per-hour accident on their motorcycles. Bored without their speed machines and alienated in their economically-depressed factory town, they assemble a rock band with the aid and encouragement of Smith (Kenneth More), the choir director of a local church who offers his facilities for rehearsal space. The band becomes involved with a youth awards program devised as a community outreach vehicle by the Duke of Edinburgh and the British government, and despite some lingering moments of dissension, they begin to turn their lives around, encouraged all the while by a hopeful adult community. ~ Karl Williams, All Movie Guide

Guy Rolfe is top-billed in the British Prelude to Fame, but the critics' attention was directed at young newcomer Jeremy Spencer. This is the story of a poverty-stricken boy named Guido (Spencer) who turns out to be a musical prodigy. Prodded into fame by a wealthy, childless patroness of the arts (Kathleen Ryan), Guido rises to the uppermost rungs of the musical world -- and loses his childhood in the process. Star Rolfe is cast as John Morrell, the philosophy professor who discovers Guido's genius, only to regret what happens to the boy afterward. Best scene: Jeremy Spencer leading the London Philharmonic without adult assistance. Released in America by Universal-International, Prelude to Fame is based on a story by Aldous Huxley. ~ Hal Erickson, All Movie Guide

Carol Reed's taut character study (disguised as a suspense melodrama) was adapted from the novel by F.L. Green and stars James Mason in his star-making role as I.R.A. operative Johnny McQueen. Breaking out of jail, Johnny takes it on the lam, but idealism forces him out of hiding in order to raise money for the I.R.A. cause he believes in so strongly. He decides to rob a bank, but the hold-up goes bad and Johnny is seriously wounded by the police. Staggering through the streets of Belfast, Johnny meets a succession of people who either want to help him or turn him over to the authorities. Johnny finally stumbles into a pub, where he is taken in by a homosexual artist (Robert Newton) who wants Johnny to pose for him in order to capture the desperation in his eyes. Johnny breaks free from the artist and tries to make his way to the waterfront in a final effort to escape ... but the police are slowly closing in. ~ Paul Brenner, All Movie Guide

The Immortal Battalion has a bit of a convoluted history. It started life as a training film, The New Lot, which ran 44 minutes. When Winston Churchill approached David Niven about creating a film that would do for the British Army what In Which We Serve had done for the Royal Navy, he contacted Carol Reed and suggested expanding The New Lot. The result, written by Eric Ambler and Peter Ustinov, was the acclaimed The Way Ahead. For its U.S. release, Way Ahead was edited to a shorter length and retitled The Immortal Battalion. In either of its feature length forms, the film is concerned with the training of a bunch of raw recruits into a capable and efficient fighting regiment. Niven stars as Jim Perry, a lieutenant and former ordinary guy who finds that he must learn to take a tough line in order to make his wildly diverse crew come together and understand the importance both of the war and of their place in it. Although it takes time and constant effort on the part of Perry and his sergeant, the eight men eventually overcome their different backgrounds and feelings, and transform themselves into a unit which performs its tasks with admirable skill and dexterity, preparing them for their battle against the Desert Fox in Africa. Told in a semi-documentary style, Battalion also features the screen debut of Trevor Howard. ~ Craig Butler, All Movie Guide

James Mason stars in this nerve-wracking British suspenser. Mason plays a henpecked farmer, driven over the edge by his spiteful wife. He kills her and buries her in their garden. Convinced that he'll be caught someday, Mason becomes a fugitive. He briefly enjoys a romantic relationship with authoress Pamela Kellino until he realizes that Pamela's interest is purely professional: she plans to use Mason as "material" for her upcoming novel "I Met a Murderer." But that's not the end of the story, which contains more twists and surprises than are dreamt of by the relatively unimaginative Pamela. Unlike her character in the film, Pamela Kellino was able to concoct the screenplay of I Met a Murderer without any first-hand experience; she also coproduced the film with her husband, director Roy Kellino. As for Roy, he may very well have had second thoughts about teaming Pamela with James Mason; Pamela divorced Roy in 1941, and went on to marry...you guessed it. ~ Hal Erickson, All Movie Guide