Horace McCoy Movies

Sometimes a reporter's urge to tell the truth is unquenchable, at least when the reporter is Dolannes (Jean-Pierre Mocky). Unfortunately, his newspaper is owned by corporations which like to keep things on an even keel, and his stories are often "spiked," (kept quiet). Frustrated, he leaves the paper and starts his own, telling just who received what bribe in the sports world, unmasking the pretensions of a politician doctor who does abortions, and generally telling the all-too unwelcome truth. For a little while, he lives in a reportorial paradise. ~ Clarke Fountain, All Movie Guide

Diane Brewster makes her first appearance as Samantha Crawford, a larcenous lass who proves to be quite a handful for Bret Maverick (James Garner). Claiming to be the daughter of George Cross (Tol Avery), who once lost a great deal of money to Bret, Samantha charms our hero into player poker with her--and handily beats him at his own game. Hoping to recoup his losses, Bret goes into partnership with Samantha as the owners of a gambling hall, ostensibly for the purpose of driving crooked gambler Joe Riggs (Ted DeCorsia) out of business. Little does Bret realize that he's been set up for yet another double-cross. ~ Hal Erickson, All Movie Guide

Since lapsing into public domain, Rage at Dawn has become one of the most readily available of Randolph Scott's westerns. Based on the exploits of the infamous Reno gang, the film casts Scott as a federal agent assigned to squelch the Renos once and for all. After staging a few phony train robberies, Scott is accepted into the gang. While posing as a criminal, he discovers that the Renos are able to operate freely because they've paid off several important local officials. Once he's managed to round up the surviving gang members, Scott must contend with a self-righteous lynch mob led by Howard Petrie. Mala Powers is the leading lady in Rage at Dawn, while the dreaded Reno boys are convincingly enacted by J. Carroll Naish, Forrest Tucker, Myron Healey and Denver Pyle. ~ Hal Erickson, All Movie Guide

The 3D melodrama Dangerous Mission starts off with a bang when innocent Piper Laurie inadvertently witnesses the murder of her gangster boss. Though she doesn't get a particularly good look at the killer, she knows she's dead meat if she remains in town. Thus, Laurie skeedaddles to Montana's Glacier National Park, where most of the film takes place. Following her westward are Victor Mature and Vincent Price. One of these men is a federal agent, bound and determined to bring Laurie back to the East to testify; the other is the murderer, who intends to silence our heroine for keeps. Laurie doesn't know which is which, but the audience does. A bit poky at times (thanks in part to the uninspired editing of Gene Palmer), Dangerous Mission roars into life during a mid-film forest fire and a climactic chase through the glacier fields. Featured in the cast are William Bendix as a Montana ~ Hal Erickson, All Movie Guide

The film Bad For Each Other, together with stars Charlton Heston and Lizabeth Scott and director Irving Rapper, were originally assembled into a package by producer Hal Wallis for Paramount. Shortly thereafter, however, Wallis found it expedient to sell the whole package to Columbia, though the film still has the "look" of a Paramount "A"-picture. Heston plays poor-but-proud Army doctor Tom Owen, who through the influence of Pittsburgh socialite Helen Curtis (Lizabeth Scott) builds up a posh society practice. Though he's happy with the money and prestige, Dr. Owen is at heart a man of the people, and he'd much prefer tending to the families of the local steel miners. During a moment of extreme crisis, Owen is forced to choose immediately between the life offered him by Helen and the course he knows he should be following. Dianne Foster plays Joan Lasher, the girl Owen left behind when he began pursuing the ice-princess. ~ Hal Erickson, All Movie Guide

Gregory Peck and Anthony Quinn play two seal-hunting rivals in this adventure film set in the days when Alaska was a Russian territory. Peck is adventuring seafarer Jonathan Clark, who falls in love with Russian Countess Marina Selanova (Ann Blyth) while the countess is in San Francisco fleeing an arranged marriage to the vile Prince Semyon (Carl Esmond). The Countess wants to hire a ship to take her to Sitka, AK, where her uncle, General Ivan Vorashilov (Sig Rumann), is governor. Portugee (Quinn) can't raise money for the voyage, so the countess agrees to sail with Clark, and the two quickly fall in love. But Prince Semyon sails into San Francisco just as Clark and the Countess are about to be wed, and the prince abducts her and takes her to Alaska, threatening to kill her uncle if she doesn't marry him. Clark and Portugee then agree to race to Alaska, with the winner getting the other's ship and the seal catch. Clark's boat wins the race, but the Russians arrest both the men as seal poachers. Countess Marina agrees to marry Semyon if he will order the seal hunters released. ~ Michael Betzold, All Movie Guide

Originally filmed at Republic in 1948, Montana Belle was purchased by producer Howard R. Hughes, who'd loaned the services of the film's star, Jane Russell. After laying on the shelf for three years, Montana Belle was finally released by Hughes' RKO Radio Pictures in October of 1952. Russell plays notorious western outlaw Belle Starr, who after being saved by the Dalton Gang from the hangman's noose, falls in love with Bob Dalton (Scott Brady). This doesn't stop Belle and Dalton from trying to stab one another in the back for the next 8 reels. It is gambler Tom Bradfield (George Brent) who finally offers Belle a new start in life--and, incidentally, a new romance. The film's high point of imbecility arrives when Jane Russell disguises herself as a man. In other words, Montana Belle is lots of fun so long as no one takes it too seriously (it is clear that the people who made the film didn't!) ~ Hal Erickson, All Movie Guide

The titular Lusty Men are rodeo riders in this modern-day western, assembled with a touch of the offbeat by director Nicholas Ray. Former rodeo star Robert Mitchum, disabled by a series of accidents, hobbles back to his Oklahoma hometown in hopes of replenishing his bank account. Aspiring bronco-buster Arthur Kennedy hires Mitchum to train him for an upcoming rodeo, promising that they'll split the winnings. It doesn't take a crystal ball to predict that Mitchum will soon fall hard for Kennedy's wife Susan Hayward; she can take Mitchum or leave him, but decides to take him so that he'll continue to train Kennedy. After a falling out, Mitchum quits his job and enters the rodeo himself, hoping to win the prize from the arrogant Kennedy. He proves he still has what it takes, but does so at the price of his life. The Lusty Men was co-adapted by one-time cowboy David Dotort from a Life magazine story by Claude Stannish. ~ Hal Erickson, All Movie Guide

Mickey Rooney is The Fireball in this independently produced sports film. The sport in this case is roller-skating, which was enjoying a resurgence of popularity in 1950 thanks to the various "Roller Derby" telecasts. Rooney plays Johnny Cesar, an orphan kid who rises to fame and fortune on the basis of his skill on skates. As his popularity grows, so does Johnny's arrogance. It takes a bout with polio to bring Johnny back down to earth. Pat O'Brien is cast as the priest who encourages Johnny to hone his skating skills, then gives the boy moral support when he's stricken down by illness. Marilyn Monroe has a showy supporting role as one of Johnny's casual dates. Best bit: the lanky solo skater who does his thing while Pat O'Brien looks on in mute amazement. ~ Hal Erickson, All Movie Guide

This wartime melodrama stars George Sanders as Keith Wilson, a disillusioned Britisher who becomes a "Lord Haw Haw"type at a Nazi radio station. All the time he's dispensing anti-British propaganda over the airwaves, however, Wilson is actually a secret agent in the employ of the His Majesty's government. It is Wilson's intention to use his intimate relationship with the Germans to expose a worldwide Nazi spy ring. Romance enter the picture in the form of Ilse Preissing (Marguerite Chapman), the sister of a Nazi agent whose decision to join Wilson's side results in her death. Veteran movie villainess Gale Sondergaard also appears in the film, cast against type as a courageous British intelligence agent. ~ Hal Erickson, All Movie Guide

Flight for Freedom was an "a clef" version of the Amelia Earhart story. Rosalind Russell plays the Earhart-like aviatrix Tonie Carter, who spends the early part of the film fighting against the aviation industry's prejudice against woman pilots. Tonie establishes a reputation as "the Lady Lindbergh", setting flight records on a near-weekly basis. Along the way, she falls in love with an agreeable flying ace (Fred MacMurray), much to the dismay of her conservative flight instructor (Herbert Marshall). The film's ending expands on speculation regarding Amelia Earhart's disappearance during a 1937 flight; Tonie Carter flies off on a secret mission to aid the Pacific war effort, then vanishes before completing her task. Flight for Freedom was produced for RKO by Floyd Odlum, whose wife Jacqueline Cochran was herself a renowned aviatrix. ~ Hal Erickson, All Movie Guide

Maybe Errol Flynn was never the war hero that he often played, but he was a capable boxer, and Gentleman Jim makes full use of this skill. Flynn stars as Jim Corbett, the 19th-century American pugilist who introduced "scientific" methods to bare-knuckle boxing. Originally an office clerk, Corbett is introduced to the then-illegal sport of fighting when one of the bank executives sponsors the young man's training at the Olympic Club. His arrogance wins Corbett a few enemies, including high-born lady Victoria Ware (Alexis Smith), whose dislike turns to casual affection when she realizes that Corbett is a sincere young fellow who can back up his boasts. What "Gentleman Jim" desires most in life is a match with reigning heavyweight champ John L. Sullivan (Ward Bond). Corbett and Sullivan finally meet in a bout governed by those new Marquis of Queensbury rules that Corbett has helped popularize. Twenty-one epoch-making rounds later, Corbett emerges victorious. At the victory celebration, Sullivan and Corbett graciously exchange mutual words of respect and affection. At this point, Corbett has totally won over the lovely Victoria -- but hasn't quite convinced his brawling brothers that "scientific" boxing is the wave of the future, and the film ends with a typical Raoul Walsh-directed battle royal. More faithful to the facts than most Errol Flynn biopics (but still with enough poetic license to drive historical purists up a wall), Gentleman Jim is broad, boisterous entertainment. Though it looks expensive, the film was made under Warner Bros.' standard pinchpenny restrictions; if you look closely at that moored ship where Corbett has one of his first professional fights, you'll notice that it's a leftover set from the 1940 Errol Flynn swashbuckler The Sea Hawk. ~ Hal Erickson, All Movie Guide

Texas was Columbia Pictures' lighthearted (and frankly more enjoyable) follow-up to its 1940 big-budget western Arizona. William Holden and Glenn Ford, looking collectively 28 years old, play a couple of ex-Confederate soldiers who get into all sorts of trouble in a wide-open Texas town. The two split up, whereupon Ford takes a job on Joseph Crehan's ranch; by and by, he falls in love with Crehan's daughter Clare Trevor. Meanwhile, Holden has joined a gang of rustlers headed by town dentist Edgar Buchanan (in real life, Buchanan had been a practicing dentist, retaining his license well into the sixties just in case things slowed down in Hollywood). Ex-friends Ford and Holden confront each other again when Holden tries to steal the cattle that Ford is driving across the state to Abilene. Complicating matters is the fact that Holden, too, carries a torch for Trevor. Though packed with action and suspense, Texas never loses its subliminal sense of humor, a fact that can be attributed to its director, slapstick comedy veteran George Marshall. ~ Hal Erickson, All Movie Guide