Kevin McCormick Movies

An elite police squad fights to save the city of Los Angeles from a power-hungry East Coast mobster in this gritty police-detective film set in the 1940s, and based on Paul Lieberman's seven-part Los Angeles Times series "Tales From the Gangster Squad." Jewish gangster Mickey Cohen (Sean Penn) is a Brooklyn-born boxer-turned-L.A. kingpin whose brutal ambition has earned him the respect of the Italian mob. He's the kind of crime boss who dines with judges and police chiefs, but still isn't quite sure which fork to use when it comes time for the main course. Just when it begins to look like Cohen owns every cop in the city, however, LAPD Chief Parker (Nick Nolte) enlists honest cop Sgt. John O'Mara (Josh Brolin) to assemble a top-secret task force that will burn the vicious gangster's thriving criminal empire to the ground. With the help of his pregnant wife Connie (Mireille Enos), Sgt. O'Mara handpicks smooth-talking Sgt. Jerry Wooters (Ryan Gosling), heroin-hating Officer Coleman Harris (Anthony Mackie), deadeye Officer Max Kennard (Robert Patrick), and brilliant wireman Officer Conwell Keeler (Giovanni Ribisi) for the task at hand. Joined by Officer Kennard's tough sidekick Officer Navidad Ramirez (Michael Peña) as they set out for their first job, the squad strike fast and hard at the core of Cohen's operation. Meanwhile, the charming Sgt. Wooters flirts with danger by starting an affair with Cohen's smoldering paramour Grace Faraday (Emma Stone). Shortly after learning that Cohen is plotting a power play that will cement his stronghold on the city, however, the squad are unexpectedly compromised, putting the lives of all of their families in danger and leaving them with little choice but to step up their efforts and target the ruthless gangster directly. Should they live to accomplish their mission, Sgt. O'Mara and his men will prevent L.A. from becoming a hive of criminal activity like Chicago or New York. But Cohen isn't going down without a fight, and if he falls, the entire city will feel the aftershock.
~ Jason Buchanan, Rovi

Ben Stiller stars in this American update of a BBC television series centering upon a ghost who runs a temp agency for the supernatural. Thomas Lennon and Robert Ben Garant (Night at the Museum) provide the script, with Madagascar's Tom McGrath handling directing duties. ~ Jeremy Wheeler, Rovi

The immature heir to a billion-dollar empire finds himself cut off from the family fortune after rejecting his arranged marriage to a nouveau riche socialite, and instead falling for a free-spirited unlicensed tour guide in this remake of the sentimental 1981 comedy starring Dudley Moore. Arthur (Russell Brand) was raised in the lap of luxury. His family is wealthy beyond compare, and ever since he was a child his every whim has been catered to by his nanny, Hobson (Helen Mirren), and his chauffeur, Bitterman (Luis Guzman). But the party starts to wind down when Arthur's domineering mother (Geraldine James) insists that he marry Susan (Jennifer Garner), the daughter of a self-made millionaire (Nick Nolte) who isn't above intimidating his future son-in-law into marriage. Vehemently opposed to the idea due to the fact that he and Susan have nothing in common, Arthur rejects the proposal after falling in love with Linda (Greta Gerwig), an aspiring children's book author who pays the rent by giving unofficial tours of Grand Central Station. As a result, Arthur has to decide if he can face life as a normal member of the working class -- and without his trusty flask of booze. Television veteran Jason Winer (Modern Family) directs from a script by Peter Baynham (Brüno, Borat). ~ Jason Buchanan, Rovi

Directed by Joel Schumacher, Dying Young was adapted from a novel by Marti Leimbach. When Victor Geddes (Campbell Scott) discovers that he is suffering from leukemia, his wealthy family hires pretty, young Hillary O'Neil (Julia Roberts) to help nurse him through his chemotherapy treatment. As the two struggle through the debilitating effects of Victor's treatment, they fall in love and attempt to make the most of their time together. Campbell Scott's real mother, the late Colleen Dewhurst, plays his "reel" mother in the film. ~ Iotis Erlewine, Rovi

Director of the first Police Academy movie, Hugh Wilson is also responsible for the action comedy-caper Burglar. Bernice Rhodenbarr (Whoopi Goldberg) is a retired cat burglar who works at a bookstore. Bad cop Ray Kirschman (G.W. Bailey) blackmails her, so she agrees to do a job for Dr. Cynthia Sheldrake (Lesley Ann Warren) in order to get the money. While she is doing the robbery, she accidentally stumbles onto the scene of a murder. Since she is the prime suspect, Bernice is forced into many chase scenes as she plays detective to find out who the real murderer is in order to clear her name. She is aided by her only two friends: the hapless dog groomer Carl Hefler (Bob Goldthwait) and the drunken floozy Frankie (Elizabeth Ruscio). Along the way, she almost gets killed by numerous tough guys while being closely followed by two stupid cops (Anne DeSalvo and John Goodman). ~ Andrea LeVasseur, Rovi

Two runaway teens face life on the streets in New York City with a devil-may-care attitude and a punk-rock image. ~ Kristie Hassen, Rovi

John Travolta graduated from minor celebrity to superstar with Saturday Night Fever. Travolta plays Tony Manero, a Brooklyn paint-store clerk who'd give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he's a king. As the soundtrack plays one Bee Gees hit after another (including "Stayin' Alive"), we watch white-suited Tony strut his stuff amidst flashing lights and sweaty, undulating bodies. Tony's class aspirations are mirrored in his relationship with his dance partner, Stephanie (Karen Lynn Gorney), a secretary eager to move into the glamorous world of Manhattan. Saturday Night Fever's huge success grew meteorically thanks to the towering popularity of its soundtrack; during the first half of 1978, when the movie's disco songs saturated the singles charts up to four at a time, it was no longer clear whether the hit movie was feeding the hit songs or the hit songs were feeding the hit movie. This crossover between music and movies set the pace for many movies to come, as it also marked the rise and fall of 1970s disco culture. Two versions of this film exist: the original R-rated version and a PG version, edited down to more "family-friendly" fare and fed to the public with the tagline, "Because we want everyone to see John Travolta's performance." ~ Hal Erickson, Rovi