Bernard McConville Movies

American screenwriter Bernard McConville's first known credit was 1915's Missing Links. McConville went on to script a variety of subjects, including the "Fox Kiddies" spectacular Alladin and His Wonderful Lamp (1917), the Mary Pickford vehicle Little Lord Fauntleroy (1921) and the Mabel Normand comedy feature The Extra Girl (1923). One of his most interesting assignments was Charles Ray's The Old Swimmin' Hole (1921), one of the few silent films to completely dispense with subtitles. Briefly out of work at the beginning of the talkie era, Bernard McConville was back on the job in 1932, turning out western after western until 1943. ~ Hal Erickson, All Movie Guide
1936  
 
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John Wayne stars in this Western as a law student seeking revenge on the ruthless land baron who killed his parents; after he is thwarted in the courts, he chooses to explore frontier justice instead. ~ Jason Ankeny, All Movie Guide

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1936  
 
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A typical Gene Autry everything-but-the-kitchen-sink musical Western, The Old Corral featured the spectacle of Autry getting robbed at gunpoint by his future rival, Roy Rogers. Rogers, who was then known as Dick Weston, and his fellow highwaymen (the singing group the Sons of the Pioneers) go about their illegal activities like true gentlemen, of course, refusing to rob female passengers Nora Cecil and Hope Manning. The latter, playing Eleanor Spencer, is wanted by both the authorities and the Chicago mob after witnessing gangster Mike Scarlotti (John Bradford) murder rival Tony Pearl (Buddy Roosevelt). En route to Los Angeles by Greyhound bus, she hooks up with small town saloon owner Martin Simms (Cornelius Keefe) who offers her a job singing in his Turquoise City establishment. Both Simms and Turquoise City sheriff Gene Autry, however, recognize Eleanor as the key witness in the Pearl murder case and the former is quick to notify Scarlotti. Arriving to silence the girl for good, the Chicago mobsters are met by Sheriff Autry, Deputy Frog Millhouse (Smiley Burnette), and their erstwhile prisoners, the O'Keefe brothers (Rogers, Bob Nolan, and the Sons of the Pioneers, the brothers having taken a break from harmonizing in their cell). The outcome, of course, is a given and the entire gang is soon behind bars. Milburn Morante, a veteran silent screen comedian who was rarely very funny, is actually amusing this time around as a farmer with car troubles, and Lon Chaney Jr. is well cast as Simms' lumbering henchman. Leading lady Hope Manning later signed with Warner Bros., changed her name to Irene Manning, and starred as Fay Templeton opposite James Cagney's George M. Cohan in Yankee Doodle Dandy (1942). Aside from all the aforementioned pleasures, The Old Corral is probably the only chance to see silent screen cowboy star Buddy Roosevelt playing a tuxedo-clad mobster. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Gene AutrySmiley Burnette, (more)
1936  
 
The Texas Rangers vs. the United States Cavalry. That is basically the main thrust of the plot in this tuneful, fairly engrossing Gene Autry music Western. That Autry's singing-style is rather more endemic to 1936 than the late 19th century is merely part of the Autry phenomenon. While supposedly aiding Cavalry Colonel Summerall (Robert E. Homans), Indian sign interpretor Duval (Monte Blue) is instead plotting with the Comanches to attack a supply train. Ranger lieutenant Gene Autry and his sidekicks Frog Millhouse (Smiley Burnette) and Rube (Max Terhune) attempt to warn the colonel but are instead jailed on a trumped up charge. The governor of Texas, however, reinstates Autry and Co. and the rangers save the cavalry from a massacre. The plot is, as always, merely a framework for the Autry magic, which includes serenading leading lady Kay Hughes, as the colonel's daughter, and a running gag that has Burnette pursued by an Indian (Chief Thundercloud) with a scalping complex. The only departure from the routine comes at the end when Autry actually marries the colonel's daughter, a union, so to speak, between the Texas Rangers and the United States Cavalry..Ride, Ranger, Ride was filmed at Newhall, California, by former editor Joseph Kane, who included plenty of stock footage to give the film a more sumptuous look than the stingy Republic Pictures would allow. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Gene AutrySmiley Burnette, (more)
1936  
 
An airborne serial killer terrorizes a group of war veterans in this ultra-cheap but fairly engrossing whodunit produced by one of Hollywood's few women executives, Fanchon Royer. Assigned to investigate a series of flight disasters committed by a phantom aircraft bearing only the legend "X," veteran test pilot Jerry Blackwood (John Carroll) learns from Dr. Norris (John Elliott) that the killer in all likelihood is a veteran of the last war suffering from "battle neurosis." Jerry gathers a group of fellow veterans at the plant operated by aircraft manufacturer Henry Goering (Henry Hall), an assembly consisting of Baron Von Guttard (John Peters) of the German Luftwaffe, the French pilot René LaRue (Gaston Glass), the British Captain Saunders (Pat Somerset), and American Douglas Thompson (Wheeler Oakman), late of the famous Lafayette Escadrille. Also present is the mysterious Lieutenant Ives (Reed Howes) and Carl (Leon Kent), Goering's son, who seems to know a great deal about Von Guttard. The German, however, is the first to die during an airborne patrol, closely followed by LaRue. Saunders, meanwhile, seems to come completely unhinged and remains the obvious suspect when Dr. Norris is found murdered. The real "Pilot X," however, is someone completely different, as Jerry and Goering's ward, Helen Gage (Lona Andre), learn the hard way. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Lona AndreJohn Carroll, (more)
1936  
 
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Ghost Town Gold was the second entry in Republic's long-running "Three Mesquiteers" western series. Ray "Crash" Corrigan and Robert Livingston return as Tucson Smith and Stony Brooke, while Max Terhune replaces Sid Saylor as Lullaby Joslin. Almost immediately, comic ventriloquist Terhune established a rapport with his two co-stars, though audiences could have done with a lot less of his garrulous dummy Elmer. As for the plot, our three heroes try to retrieve some stolen money before an innocent banker is blamed for the theft. Adding spice to the quest is the fact that the banker has a pretty daughter (Kay Hughes). Other highlights include a typical Republic saloon-brawl scene, in which Tucson cleans the clock of head-villain Frank S. Hagney. ~ Hal Erickson, All Movie Guide

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Starring:
Robert LivingstonMax "Alibi" Terhune, (more)
1932  
 
Produced by one of Hollywood's few women executives, Fanchon Royer, this inexpensive "Zorro" rip-off features future Cisco Kid Duncan Renaldo as identical twins separated in childhood by an Indian raid. The remaining twin, Kenneth, later graduates from West Point and falls in love with beautiful Dorothy Brandon (Edwina Booth). Traveling in Mexico with her aunt (Dot Farley), the latter is abducted by lecherous bandit Lopez (Manuel Paris). She is rescued in the proverbial nick of time by El Zorro, a notorious masked outlaw who bears a striking resemblance to Kenneth. When Dorothy pays too much attention to El Zorro, a jealous Kenneth trails the outlaw to his remote hacienda. The ranch is attacked by Lopez and during the struggle to save it, Kenneth realizes that El Zorro is his long-lost twin. Together, the brothers defeat Lopez and Dorothy agrees to marry El Zorro/Johnny, who promises to give up banditry in favor of mining. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Edwina BoothDuncan Renaldo, (more)
1932  
 
Two disparate brothers work it out in this drama. Their father, an engineer on the Cannonball Express, considers one son to be good and the other to be bad. He must reassess his judgment when the "good son" gets involved with hold-up men during a crap game. He loses and now must pay substantial IOU's. The desperate young man resorts to stealing from his dad to save his skin. It is the "bad seed" who saves his brother by taking the rap after their father finds out. The truth is revealed when the robbers attempt a heist on the father's train. ~ Sandra Brennan, All Movie Guide

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Starring:
Rex LeaseTom Moore, (more)
1927  
 
Though Will Rogers was still packing 'em in on Broadway, he was considered a Hollywood has-been when he starred in the independently produced A Texas Steer. Rogers also wrote the screenplay of this "topical comedy," in which he plays Texas rancher Maverick Brander, who is maneuvered into politics by his status-seeking wife Ma (Louise Fazenda). Unfortunately, Maverick finds himself at the mercy of a trio of corrupt political hacks who want our hero to use his influence to push through a piece of questionable legislation. The opponents of the bill contrive to abduct Maverick, but he escapes in time to strike a blow for honesty in Washington. The level of humor in the film can be gauged by such character names as "Bossy Brander," "Dixie Style" and "Fairleigh Bright." A Texas Steer had its moments, but Will Rogers would have to wait until talkies arrived to fully blossom as a film star. ~ Hal Erickson, All Movie Guide

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Starring:
Will RogersLouise Fazenda, (more)
1926  
 
Volcano takes forever to get to the climactic eruption. In the meantime, the audience is subjected to the travails of convent-bred Zabette de Chauvalons, who upon returning to her father's estate in Martinique discovers that daddy has died and the property is now in the hands of her evil stepmother. Because of her dusky complexion, it is assumed that Zabette is the illegitimate offspring of her French father and a local native woman, and as consequence she is forced to live in the island's mulatto district. Here she is lusted after by mulatto villain Quembo (Wallace Beery), while handsome white aristocrat Stephane Sequineau (Ricardo Cortez) vows to take the heroine away from her tawdry surroundings. On cue, a volcanic eruption solves everyone's problems -- while simultaneously laying waste to the entire island! Exceptional special effects. ~ Hal Erickson, All Movie Guide

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Starring:
Bebe DanielsRicardo Cortez, (more)
1925  
 
This Fox production was only one of a seemingly endless stream of flapper pictures that came out during the 1920s. In this one, the mother out-flappers her daughters. Katherine Manners (Ethel Clayton) has three daughters who are away at boarding school. She doesn't quite believe that they are the studious girls they claim to be, so she pays them a visit and discovers a wild party going on. Betty (Marian Harlan) and Madelyne (Madge Bellamy) swear they are going to marry their sweethearts, Jimmie (George Stewart) and Lucien (Freeman Wood), while Gwendolyn (Katherine Perry) insists that Grantland Dobbs (Douglas Gerrard) will wed her -- just as soon as he gets a divorce. Mrs. Manners urges them to wait for a little longer, and she goes off on a cruise to Europe. She comes back with a man in tow and acting far more outrageously than any of her daughters. Her behavior makes her notorious, and she even steals Lucien away from Madelyne -- Jimmie, however, proves to be true to Betty. The girls are completely disgusted with their mother and tell her so. Only then does she reveal that it was all an act to show them the error of their ways. Madelyne and Betty tone down their wild ways. Gwendolyn is not so impressed, but eventually she comes around, too. ~ Janiss Garza, All Movie Guide

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1925  
 
Esther Ralston, who plays a nice chorus girl in this comedy-drama, is upstaged by Margaret Livingston, who has a much-flashier role as her not-so-nice friend. Ralston is Alice O'Neil, who is in love with Bertie Lenox (Joseph Striker), the son of a nouveau riche family. His sister Marian (Margaret Morris) loves the chauffeur, a down-to-earth young man by the name of Henry Morgan (Warner Baxter). Their parents (Edwards Davis and Kathlyn Williams) naturally are less than thrilled with Bertie and Marian's choices -- after all, Alice wants Bertie to give up his money and go to work! And they've picked out Arthur Rockmere (William Austin) as a mate for Marian. Rockmere sets up a meeting with Alice in an attempt to buy her off, which angers Bertie. A fight outside of a supper club results and everyone lands in jail -- except for Alice's friend Millie (Livingston), who bails them all out with the bribery money. In the end, both Bertie and Marian wed their sweethearts, while Millie weds their uncle, George Grafton (Larry Steers). This picture is based on the play by David Grey and Avery Hopwood. ~ Janiss Garza, All Movie Guide

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Starring:
Warner BaxterEsther Ralston, (more)
1924  
 
Mary Philbin, whose performance in The Merry-Go-Round had earned her critical raves, stars in this rather lightweight Universal "Jewel." William Tudor (Joseph J. Dowling) is so overloaded with debt that he is forced to give up the family castle, Pencarreg. After selling it to John Kershaw (Dewitt Jennings), a war millionaire, he goes to London with his granddaughter, Irene (Philbin). Owen (William Haines), Tudor's nephew and Irene's sweetheart, travels to South Africa to oversee his father's mines. Irene finds work as a chorus girl at the Gaiety Theatre, and Christopher Kershaw (Freeman S. Wood), John's womanizing son, falls in love with her. She refuses to have anything to do with him, but then her grandfather falls ill and she hears that Owen has been killed in South Africa. Tudor's doctor suggests that a return to the family castle may prolong the old man's life, so Irene accepts Christopher's marriage proposal. Just after the wedding, Owen (who clearly wasn't dead after all) shows up at Pencarreg. The castle bears a curse, which falls upon Christopher when a huge chandelier crashes down on his head. He is killed, so Irene and Owen are able to reunite. Owen buys the castle back from John Kershaw, and Irene's grandfather returns home. This drama was based on the novel The Inheritors by L.A.R. Wylie. ~ Janiss Garza, All Movie Guide

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Starring:
Mary PhilbinJoseph J. Dowling, (more)
1924  
 
Although the plot to this romance was complicated, the actors didn't have all that much to do, which was just as well; the star was Mary Philbin, an immensely charming actress with a limited amount of talent. Mitsi (Philbin) is an orphan girl raised in a convent. Her grandfather had disowned her mother and now wants to find her. The people he has hired to help him, however, are dishonest and want to get their hands on the money due Mitsi. One of them, Madame Bolomeff (Rose Dione), spirits the girl away from the convent and puts her up in a room over a squalid Parisian cafe. She runs away to live with her friend from the convent, who has been adopted by Christian (Robert Cain). Mitsi goes to work as a maid for her grandfather and eventually her true identity is revealed. After saving Christian from marrying an adventuress, Mitsi weds him herself. ~ Janiss Garza, All Movie Guide

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Starring:
Mary PhilbinRobert Cain, (more)
1923  
 
Mabel Normand's last feature-length film is also one of her most entertaining. Sue Graham (Normand) lives in the tiny hamlet of River Bend. When her parents (George Nichols and Anna Hernandez) refuse to let her marry her sweetheart, Dave Giddings (Ralph Graves), she enters a movie contest and wins. But Sue finds stardom in Hollywood very elusive and winds up working in the wardrobe department at a studio. She convinces her parents to sell everything they have to join her in Hollywood, but they are taken in by a swindler and lose all their money. Giddings comes out to help Sue get a better job, but she is determined to track down the swindler and get the money back. Eventually she is successful and everyone returns to River Bend. Normand has one of her most memorable comic moments when she leads a lion around on a leash, fully convinced it is a dog in disguise. Shortly after this picture was released, Normand was involved in a scandal in which her chauffeur shot a male friend with whom she had been drinking. After the 1921 murder scandal involving her colleague Roscoe "Fatty" Arbuckle and the unsolved killing of her good friend, director William Desmond Taylor in 1922, this was the last straw. A number of states banned her from the screen (Ohio's attorney general remarked, "This film star has been entirely too closely connected with disgraceful shooting affairs.") Producer Mack Sennett released Normand from her contract and her career never recovered. ~ Janiss Garza, All Movie Guide

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Starring:
George NicholsAnna Hernandez, (more)
1923  
 
In this comedy romance, Claude Gillingwater plays a Southern Colonel who has the impossible task of keeping Viola Dana away from the lure of the Jazz Age. Because he disapproved of his daughter's marriage, Colonel Charles Cavanaugh (Gillingwater) takes it out on his granddaughter, Miss Emmy Lou (Dana) by dressing her in the crinolines of yore and keeping her secluded from the modern world. But when Emmy Lou spies a good-looking young man, she bolts from her grandfather's farm and heads for her aunt's place. Not only is the aunt way more up-to-date, she is throwing a party for a group of frivolous young things. It seemingly only takes moments before Emmy Lou has bobbed her hair, slipped on a short skirt and become a flapper (this could only be credible with Dana playing the role). Two of the men there, Davis Jordan (John Bowers) and Augusts Biddle (Allan Forrest), fall for her. When she finds out her grandfather is about to kill himself, Emmy dutifully returns home, followed by Jordan and Biddle. The Colonel welcomes the two young suitors into his home while Emmy Lou decides which one she loves best. When she takes too long to figure it out, Cavanaugh pushes the envelope by setting up a duel between the men. The pistols, it turns out, aren't loaded but Emmy is ignorant of the fact and chooses Jordan, who has behaved more honorably. ~ Janiss Garza, All Movie Guide

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Starring:
Viola DanaLillian Lawrence, (more)
1923  
 
While this fast-paced action picture from cowboy star Tom Mix was a little lighter on the Western scenes than normal (a good portion of it takes place on a tramp steamer and in China), it otherwise has all the typical elements of Mix's work: He beats up bad guys left and right, Tony the Wonder Horse shows off a few tricks, and he doesn't get overly cozy with leading lady Claire Adams ("smushy stuff" did not appeal to Mix's youthful male fans). Mix is Grant Malvern, a rancher who befriends scientist Quentin Durant (Tom S. Guise) after rescuing him from a trio of Chinese crooks. The crooks want to find Durant's Arizona gold mine, and the map to the location is contained in a pair of rings. After the crooks track down Durant and kill him, one of the rings winds up with Durant's daughter, Helen (Adams), and the other falls into Malvern's hands. As a result, Malvern finds himself pursued by the same men who throw him into the San Francisco bay. A tramp steamer picks him up, and he works his way across the Pacific until he lands in China, where the battle for Durant's mine picks up again. Malvern and Helen have to fight their way out of a Chinese den and make their way back to the States to claim the mine. ~ Janiss Garza, All Movie Guide

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Starring:
Tom Mix
1922  
 
aka The Count of Monte Cristo Much of John Gilbert's early work as a leading man was done at the Fox Studios. He made nineteen pictures for the company, but only two are still in existence -- this adaptation of the Alexandre Dumas novel, and 1923's Cameo Kirby. As Edmond Danton, and later as the Count of Monte Cristo, Gilbert at times seems too mannered -- a habit that he would have to watch throughout his career. Danton is dragged away from his wedding feast with Countess Mercedes (Estelle Taylor) and falsely imprisoned in the Chateau d'If. He swears to wreak vengeance on those who wronged him, if he ever escapes. Eventually he is able to dig his way out, and with another prisoner, he goes to the island of Monte Cristo, where he finds an immense treasure. He returns home as the Count of Monte Cristo and, as he promised, proceeds to destroy all his enemies. Featured in a supporting role is Renee Adorée, who would star with Gilbert in several of his pictures, most notably The Big Parade. ~ Janiss Garza, All Movie Guide

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Starring:
John GilbertEstelle Taylor, (more)
1922  
 
Based on the popular novel of rural life by Charles Felton Pidgin, this motion picture featured most of the star names that Paramount had in 1922. After meeting a pretty girl in the park, Quincy Adams Sawyer, a young, up-and-coming lawyer, is called to the village of Mason's Corners by his father's friend, Deacon Pettengill (Edward Connelly). An older woman, Mrs. Putnam (Claire McDowell), is being swindled by her lawyer, Obadiah Strout (Lon Chaney, who was a master villain with or without makeup). The woman's daughter, Lindy (Barbara LaMarr), tries to vamp Sawyer, but he discovers that the girl he met, Alice (Blanche Sweet), is Pettengill's niece, and she has gone blind since the time they met. A romance develops between Alice and Sawyer nevertheless. Strout, afraid of being exposed, convinces the village blacksmith, Abner Stiles (Elmo Lincoln), that Sawyer means him no good, so Stiles offers his aid. Lindy leads Alice onto a ferry, and Stiles cuts the rope and sends the little boat adrift. Lindy, however, repents her actions and tells all to Sawyer, who goes to Alice's rescue. He saves her just before the ferry goes over the falls. In the excitement, Alice's eyesight returns. Stiles, discovering that he has been duped, kills Strout. ~ Janiss Garza, All Movie Guide

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Starring:
John BowersBlanche Sweet, (more)
1921  
 
This eight-reel Fox feature is a blatant example of the rampant racial prejudice that existed in the early part of the 20th century. Even the Photoplay review, which pans the film, smacks of racism. "When the hero of Shame hears that his mother was Chinese, he immediately dashes to the mirror and sees himself reflected with almond eyes, long nails, and a Chinese laundry. The thought drives him almost insane so he goes to Alaska and fights a wolf." Although the plot isn't quite as ludicrous as Photoplay implies, it doesn't make for a quality film. Even so, it brought John Gilbert to the attention of the powers-that-be at Fox, and they offered him a three-year contract. He signed, but only reluctantly. William Fielding (Gilbert), a young widower, is living in Shanghai with his little boy, David (Mickey Moore). A young Chinese woman looks after the child, and Foo Chang (George Siegmann), a trader, lusts after her. Because he believes she is David's mother, he kills Fielding. Fielding's faithful secretary, Li Clung (William V. Mong), takes the boy to San Francisco to be raised by his grandfather (George Nichols). As an adult, David (also played by Gilbert) fights against opium trafficking with Li Clung's help. Foo Chang, who is himself smuggling opium, tries to blackmail David into stopping his crusade by threatening to expose the fact that he is half Chinese. David is so upset at this unexpected information that he runs away from his wife and goes to Alaska, taking their infant child with him (and yes, he fights a wolf there). Li Clung follows after him, as does Foo Chang. The two Chinese men battle it out, and Foo Chang is killed. David, it turns out, is pure Caucasian, so he avoids whatever disgrace he thought he would have. ~ Janiss Garza, All Movie Guide

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Starring:
John GilbertMickey Moore, (more)
1921  
 
With the onslaught of the Roaring Twenties, there was a backlash instigated by people who were nostalgic for simpler times. This attitude could very well be summed up in the James Whitcomb Riley poem on which this Charles Ray vehicle was based. There isn't a title card to be had in the whole picture -- but none are needed, since there's really no plot. It's all just Ray doing what he did best -- acting the part of a bare-footed Indiana boy. Ezra (Ray) is the prototypical rural youth -- he's frequently late for school and would just as soon skip it altogether in favor of fishing at the "old swimmin' hole" with his pals. He proves his manliness by puffing on a pipe filled with corn silk -- and gets ill for his efforts. Ezra and a fat boy named Skinny (Lincoln Stedman) are rivals for Myrtle (Laura LaPlante, in one of her first notable roles). Myrtle favors Skinny, which results in various battles between the two boys. When the farmers' picnic comes around, Ezra gets Myrtle to accompany him in a boat ride, but she dumps him in the water and goes off with Skinny. Ezra, however, still manages to find romance with the kindly Esther (Marjorie Prevost), who has loved him from afar. ~ Janiss Garza, All Movie Guide

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Starring:
Charles RayJames Gordon, (more)
1921  
 
It is said that every actor wants to play Shakespeare. Will Rogers would seem a likely exception to that rule, but here he is in this silent, taking a stab (albeit comic) at Romeo. Slim (Rogers), of course, begins as a cowpuncher but his boss switches from cattle to sheep, throwing him out of work. In addition his sweetheart, Lulu (Sylvia Breamer), says he should learn to be a real lover, like Douglas Fairbanks. So Slim decides to go work in motion pictures to discover how film folk make love. After he doubles for villains and heroes alike, Lulu changes her mind -- now she thinks Romeo and Juliet is the yardstick by which all lovers should be measured. So Slim obligingly gets his hands on a copy of the play and tries to read it. Naturally he falls asleep, but he dreams the story with himself and his girl in the title roles. When he awakes, however, he throws all technique out the window, grabs Lulu away from his rival (Raymond Hatton) and drags her off to the preache r. His show of force is what she wanted after all and the film ends happily. This was the final picture of Rogers' contract with the Goldwyn Studios. ~ Janiss Garza, All Movie Guide

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Starring:
Will RogersSylvia Breamer, (more)
1921  
 
Story has it that Douglas Fairbanks was approached for the role of the Yankee, Martin Cavendish. It certainly would have made interesting casting, but Harry Myers (who, a decade later, would appear as Charles Chaplin's rich, boozy friend in City Lights) does a fine job in the part. This spectacular production was a big release for the Fox studios in 1921. Wealthy Martin Cavendish is in love with Sandy, his mother's secretary (Pauline Starke). His mother (Adele Farrington), however, wants him to marry Lady Grey Gordon (Rosemary Theby). One night, a burglar breaks into the mansion and attacks Cavendish with a spear belonging to a suit of armor. Cavendish is knocked unconscious and he wakes up in a dream where he is being poked by a knight, Sir Sagramore (George Siegmann). Sagramore takes Cavendish to King Arthur's court, where he saves himself from being tortured to death by claiming a solar eclipse was his doing. Cavendish is made a knight with the title Sir Boss, and he brings the modern-day luxuries of 1921 to medieval times, including tin lizzies, plumbing, and telephones. He rescues Lady Alisande la Cartelone (Starke) from the wicked Queen Morgan Le Fay (Theby). When he goes to battle Sir Sagramore at a tournament, he shows up dressed as a cowboy and lassos him off his horse. Then he has the king (Charles Clary) dress as a peasant to make him understand that "all this nobility stuff is bunk." When Cavendish finally awakens from his dream, he goes to Sandy and they elope. Mark Twain's famous tale has been filmed numerous times; other notable Yankees have been Will Rogers and Bing Crosby. ~ Janiss Garza, All Movie Guide

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Starring:
Harry MyersPauline Starke, (more)
1921  
 
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Mary Pickford was at the height of her fame as "America's Sweetheart" when she took on the challenge of playing two roles -- a mother and her young son -- in this silent drama with comic accents. Cedric Fauntleroy (Pickford) is growing up under difficult circumstances in New York City; his father was the son of the Earl of Dorincourt (Claude Gillingwater Sr.), but he has passed on, and since the Earl never approved of Cedric's mother Dearest (also played by Pickford), whom he felt was only after his son's money, the Earl severed all ties with his daughter-in-law and grandson. However, the Earl discovers that he's in poor health, and he realizes that Cedric is the logical heir to his estate; hoping to mend fences, the Earl has Cedric brought back to England to live with him. However, while Dearest is allowed to come along, she is not allowed to stay at the Earl's estate with her son, as he has yet to forgive her. In time, another boy appears at the Earl's doorstep claiming that he is the rightful heir to the Earl's fortune and that Cedric is merely an imposter; it takes some quick thinking by Cedric, Dearest, and their friends to save the day. Little Lord Fauntleroy was photographed by Charles Rosher Sr., one of the most accomplished cinematographers of the silent era; he planned and executed the film's most famous shot, an elaborate double exposure in which Pickford as Dearest kisses Pickford as Cedric; lasting only three seconds onscreen, the shot took 15 hours to set up and shoot. ~ Mark Deming, All Movie Guide

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Starring:
Mary PickfordClaude Gillingwater, (more)

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