Kevin McCarthy Movies

This groundbreaking, darkly-comic horror film from director Joe Dante changed the look and feel of werewolf movies in ways light-years distant from Universal's horror classic The Wolf Man. The story begins with television reporter/anchor Karen White (Dee Wallace) taking part in a dangerous police operation intended to trap psychopath Eddie Quist (Robert Picardo). When confronted by Eddie face-to-face, she witnesses something horrifying enough to trigger selective amnesia. Plagued by a series of violent nightmares, Karen decides to admit herself to a posh recovery resort known only as "The Colony," run by her eccentric New Age therapist Dr. Wagner (Patrick MacNee), and brings along her husband Bill (Christopher Stone) for support. The night after they arrive, Karen and Bill are unnerved by eerie howling in the woods. Back in the city, Karen's coworkers Chris (Dennis Dugan) and Terry (Belinda Balaski) have been investigating Eddie's background after discovering that his body has disappeared from the morgue. Sifting through Eddie's possessions, they find a strange collection of artwork depicting wolf-like creatures, and decide to consult with Walter Paisley (Dick Miller, of course), the owner of an occult bookshop, on werewolf lore. Though he claims not to believe in the stuff he's selling, Paisley nevertheless convinces Chris to purchase a handful of silver bullets... just in case. Back at the colony, Dr. Wagner has organized a hunting party after hearing Karen's account of the nocturnal howling, but the men find nothing but a rabbit, which Bill is told to bring to the cabin of the sultry Marsha (Elisabeth Brooks) to prepare for dinner. After resisting Marsha's less-than-subtle sexual overtures, Bill is attacked by a wolf while returning to his cabin. The following moonlit night, the sleepless Bill wanders outside to find Marsha waiting and the two make love by the campfire, their bodies undergoing a frightening transformation. Just as Karen is beginning to suspect that her husband is hiding a secret far more threatening than marital infidelity, Chris and Terry have come to realize -- too late, in Terry's case -- that Eddie Quist is not only still alive, but not quite human... and he knows he's being followed. Chris arrives at the colony too late to save Terry, but manages to find Karen just as the colony's residents -- all of whom are werewolves, including Dr. Wagner -- are assembling to decide her fate. Dante fills his film with heartfelt homages to The Wolf Man and other classic horror movies, as well as a few clever visual puns and in-jokes from his tenure with Roger Corman, but never strays from the path to genuine horror, particularly when Rob Bottin's chilling monsters are onscreen. ~ Cavett Binion, All Movie Guide

John Ritter plays an unsuccessful actor who takes a job posing as comic-book hero Captain Avenger at comics stores and conventions. While thus garbed, Ritter foils a grocery store robbery. He skedaddles from the scene when the cops show up, leading witnesses to assume that he is a genuine costumed superhero, the sort that shows up to foil the villains and then modestly retreats after his job is done. Ritter is hired by the mayor's staff, who hope that the Captain Avenger tie-in will help the mayor win an upcoming election. This plan comes acropper, and Captain Avenger finds himself on the outs with the public. Prodded by his girlfriend Anne Archer to be himself and not rely on a costume and mask to gain adulation, Ritter becomes a bonafide hero when he rescues several citizens from a fire. Thanks to the enthusiastic performance of John Ritter, Hero at Large remains amusing even when you know what's going to happen next (a common occurrence in this film). ~ Hal Erickson, All Movie Guide

The made-for-TV Portrait of an Escort stars Susan Anspach as a divorcee in financial straits, has a daughter to support. She takes a job with a professional dating service, charging fifty dollars per customer. Anspach last client of the evening turns out to be a man whose intentions are apparently homicidal. ~ Hal Erickson, All Movie Guide

This remake of the 1956 horror classic Invasion of the Body Snatchers moves the action from small-town USA to 1970s San Francisco and replaces at least part of the original's psychological horror with special effects. Spores rain forth, unseen, from outer space, and soon strange flowers begin popping up all over the city. After bringing one of these hybrid specimens home with her one night, biologist Elizabeth Driscoll (Brooke Adams) notices that her live-in boyfriend, Geoffrey (Art Hindle), doesn't seem like himself; he's cold and distant and somehow just not quite there. When she turns to her friend Matthew Bennell (Donald Sutherland), a colleague at the Department of Public Health, he convinces her to see his friend Dr. Kibner (Leonard Nimoy), a pop psychologist who argues that the problem is all in Elizabeth's head. Soon, though, Matthew and Elizabeth begin to notice that people all over the city are changing subtly and inexplicably. When their friend Jack Bellicec (Jeff Goldblum) and his wife Nancy (Veronica Cartwright) find a lifeless, half-formed doppelganger covered with plant fibers in the mud baths they own and operate, the group of friends finally begins to understand that a sinister transformation is sweeping their city. Kevin McCarthy and Don Siegel, respectively the star and director of the original film, have small roles in the new version, as does an unbilled Robert Duvall. ~ Brian J. Dillard, All Movie Guide

Exo-Man is a made-for-TV attempt to prolong the Six Million Dollar Man concept into yet another series. David Ackroyd stars as physics professor Nick Conrad, who is shot and crippled while trying to prevent a holdup. Returning to his lab, Conrad invents a superpowered suit that will enable him to reactivate his withered limbs. Six Million Dollar Man creator Martin Caiden was also the brains behind Exo-Man. According to Caiden, undue network interference killed the project's chances of becoming a weekly series. The 2-hour Exo-Man pilot first aired on June 18, 1977. ~ Hal Erickson, All Movie Guide

"Truth is whatever gets the loudest applause." Debunking western myths even more than he did in McCabe and Mrs. Miller (1971), Robert Altman's Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976) sardonically explores the gap between western history and legend in show biz-obsessed America. Megalomaniac "Buffalo Bill" Cody (Paul Newman) assumes the legend created for him by writer Ned Buntline (Burt Lancaster), aided and abetted by his producer (Joel Grey) and his publicist (Kevin McCarthy), perpetuating myths of white triumph over savage "Injuns" in his Wild West show, as audiences cheer him on and buy his merchandise. But when Sitting Bull (Frank Kaquitts) joins the troupe with his interpreter (Will Sampson), his request for authenticity threatens to throw a wrench into the proceedings. Regardless of how Bill may feel about the facts, he must bow to the preferences of the paying public. ~ Lucia Bozzola, All Movie Guide

Two giants of American humor, Ring Lardner and George S. Kaufman, collaborated for this stage comedy (a major success on Broadway when it was first staged in 1929) about a young tunesmith's struggle to succeed in the dog-eat-dog world of Tin Pan Alley. An up-and-coming songwriter (Tom Fitzsimmons) arrives in the big city hoping to make good, and is soon befriended by a veteran composer (Jack Cassidy) whose career isn't what it used to be. The kid looks like he may have a solid career ahead of him, but he soon attracts the attentions of a brass-hearted dame (Susan Sarandon) who wants to take him for his future fame and wealth. This production of June Moon (created for PBS, where it first aired in 1974) features a top-notch supporting cast, including Kevin McCarthy, Estelle Parsons, Austin Pendleton, Marshall Efron, Lee Meredith, and one of Broadway's greatest composers, Stephen Sondheim, in a rare acting role as a fellow Tin Pan Alley melody maker. ~ Mark Deming, All Movie Guide

This prescient satirical drama (it came out before Watergate) takes a harsh look at Richard Nixon. His rise to political power is chronicled from his boyhood to his first go at becoming a Congressional candidate to his involvement with three devilish advisers. Later after suffering a series of political failures, the young politician gets plastic surgery and emerges a new man. Unfortunately, he is still a rotten politician so this time a guardian angel is sent down to insure his success. His three advisers then brainwash him a la Clockwork Orange. The man is soon ready to become a famous, powerful political figure. ~ Sandra Brennan, All Movie Guide

While Raquel Welch was a household name and an international sex symbol through much of the 1960s'and 1970s, Hollywood didn't seem sure about what to do with her; this was one of her more unusual vehicles from this period, in which Welch plays K.C. Carr, a divorcee with two children who becomes romantically involved with Burt Henry (Kevin McCarthy). Burt is the owner of a roller derby team, the Kansas City Bombers, and convinces K.C. that a career on the rink might be just the thing for her. K.C. soon discovers that the sport is rougher than she imagined, and her teammate Jackie (Helena Kallianiotes) is convinced that K.C. is out to replace her as the Bombers' star attraction. But another member of the team, Horrible Hank Hopkins (Norman Alden), shows K.C. the ropes and stands up for her. When Hank gets traded to another team, K.C. has to learn to fend for herself against Jackie as well as Burt. Raquel Welch did all her own skating for this film; an accident while filming one of the derby sequences left her with a broken wrist that shut down production for six weeks. Legendary singer and songwriter Phil Ochs was tapped by the producers of Kansas City Bomber to write a theme song for the film; it wasn't used, though it was released as a single and appeared on the compilation CD The War is Over: The Best of Phil Ochs. ~ Mark Deming, All Movie Guide

The worst has happened: The United States has been invaded and occupied by an unfriendly foreign power. At least, that is what the IMF wants American turncoat Whitmore Channing (Kevin McCarthy) to believe. The purpose of this charade is to prevent Channing from handing over top secret information to the Enemy. The real fun in this episode lies in watching guest star Kevin McCarthy undergo the same paranoia he earlier exhibited in the classic sci-fi film Invasion of the Body Snatchers) (1971). First telecast on November 13, 1971, "Invasion" was written by James L. Henderson and Sam Roeca. ~ Hal Erickson, All Movie Guide

When a bank president requests his son-in-law's resignation, chaos ensues complete with blackmail, accidents and death. ~ All Movie Guide

Two former World War II pilots take to running an air-freight company in South Africa after the war. They get mixed up with Lee Harris (Harry Guardino), the dangerous black-market crime boss who flaunts his beautiful mistress Elana (Claudia Cardinale). Brynie (Rod Taylor) and Mike (Peter Deuel) are the former ace flyboys who get on the wrong side of Harris and his henchmen. The action starts at Al Poland's (William Marshall), a favorite watering hole where everyone has one ear on the live music as the other listens to the next sordid smuggling plan hatched by shadowy underworld types. Harris and his gun-wielding thugs mean to bring down the high-flying operation. ~ Dan Pavlides, All Movie Guide