Ray McCarey Movies

To further her husband's political career, wealthy Mrs. Clark (Lillian Elliot) throws a lavish party in her home for the poor children of the community. Among the invitees are the Our Gang kids, including Matthew "Stymie" Beard, who of late has been getting into trouble because of his tall tales. Thus, no one believes Stymie when he claims that a pair of midgets, disguised as infants, have invaded the party for the purpose of stealing everybody's wallets and jewelry. As it turns out, however, Stymie is telling the truth for the first time in his life. Originally released on February 11, 1932, "Free Eats" benefits from a strong adult supporting cast, including Billy Gilbert and Paul Fix (the latter in female drag!) as a pair of crooks. The film is best remembered, however, as the "Our Gang" debut of 3-year-old George "Spanky" McFarland, who delivers a rambling, impromptu monologue about monkeys, swings, and airplanes --- hardly a high point in American comedy, but enchanting nonetheless. ~ Hal Erickson, All Movie Guide

Drafted into the army during World War I, those muddled misfits Stan Laurel and Oliver Hardy make a shambles of Training Camp before being shipped to France. When their best pal Eddie (Donald Dillaway) is killed in battle, Stan and Ollie vow to locate the grandparents of Eddie's orphaned little daughter (Jacquie Lyn). Unfortunately, the grandparents are named Smith--and they live in New York City. With only a city directory and phone book as their guide, Stan and Ollie undergo several chucklesome misadventures as they scour the canyons of Manhattan to find Mr. and Mrs. Smith. With the orphanage officials hot on their heels, the boys take drastic action to raise enough money to get out of town with the little girl. All turns out well when Eddie's grandfather makes an appearance under the least likely circumstances. But before Laurel & Hardy can enjoy their own happy ending, they cross the path of an old enemy from their army days: a knife-wielding chef with blood in his eye. The second of Laurel & Hardy's feature-length films, Pack Up Your Troubles is, so far as we're concerned (and here we part company with most Laurel & Hardy buffs), infinitely more amusing than their first feature effort, 1931's Pardon Us. Best bit: An overtired Laurel, attempting to tell a bedtime story to the little girl, ends up snoozing away as the kid finishes the story. The powerhouse supporting cast includes such Laurel & Hardy regulars as James Finlayson, Billy Gilbert, Rychard Cramer, Charles Middleton and Charlie Hall. George Marshall, the film's director, proves a mirthsome menace in the small role of the vengeful chef. For years available only in its 62-minute reissue form, Pack Up Your Troubles was restored to its full 68-minute glory in the mid-1980s. ~ Hal Erickson, All Movie Guide

In their fourth two-reeler for Columbia, the Three Stooges are mistaken for college football heroes by a beautiful gangster's moll. The latter was played by a very young Lucille Ball, who would always credit the Stooges with introducing her to "slapstick and physical comedy." According to Jack White, brother of Stooges producer Jules White, Lucille quickly left the studio because "Harry Cohn didn't want to bother with her. He didn't think she had any talent!" ~ Hans J. Wollstein, All Movie Guide

A curious mix of B-Western heroics and gangster film melodramatics, Sunset Range was the first of two very low-budget Westerns Hoot Gibson would make for Gower Gulch company First Division Productions. Mary Doran, a blonde starlet who had played gangster's molls during the heyday of that genre in the early 1930s was cast as Bonnie Shea, a Chicago girl whose brother Eddie (James Eagles) is a member of a gang headed by hoodlum Grant (Walter McGrail). When Bonnie is leaving to take over her brother's Arizona ranch, Grant forces Eddie to hide the loot from the gang's latest bank heist in her suitcase. In Arizona, Bonnie immediately faces staff problems when sloppy cowhand Reasonin' Bates (Gibson) refuses to work for a lady. But despite Reasonin's early misgivings, he and his fellow cowboys show a united front when Grant and his gang of city slickers arrive to retrieve the loot. As usual in these low-budget affairs, Gibson earned certain casting privileges and Sunset Range featured several long-time associates of the popular star, including Fred Humes, Fred Gilman and stunt-men Len and George Sowards. ~ Hans J. Wollstein, All Movie Guide

This peppy Monogram meller stars Robert Armstrong as a big-city newspaper reporter. After getting a bonus, Armstrong over-celebrates and wakes up in faraway St. Louis without a penny to his name. He finagles passing-stranger Maxine Doyle into posing as his wife so that he'll be able to get a hotel room. While thus occupied, Armstrong finds time to solve a local mystery and secure another bonus that will enable him to marry Doyle for real. Mystery Man was directed by Leo McCarey's kid brother Raymond, a veteran of the Hal Roach and Columbia 2-reel comedy factories. ~ Hal Erickson, All Movie Guide

In this musical, a young lady is sent to an East coast finishing school. She doesn't realize that it is a bogus school run by an unemployed stage troupe, her fellow students are chorus girls, and the faculty is comprised of the troupe's star act. The truth is soon revealed. Fortunately, it all turns out well when the girl's father, a prominent Hollywood-producer pays the school a call and sees their performance. He is so impressed that he offers them all contracts. Songs include: "Where Is My Heart?" "The Swing Tap," "Tap Your Feet," "Long Ago and Far Away" (Ralph Rainger, Leo Robin), "Learn to Be Lovely." ~ Sandra Brennan, All Movie Guide

Raymond McCarey, the prolific if less-inspired brother of Leo McCarey, called the directorial shots for Universal's Love in a Bungalow. Nan Grey stars as young real estate agent Mary Callahan, whose job it is to guide potential house-buyers through a "model" bungalow. Enter Jeff Langan (Kent Taylor), a handsome young indigent who moves into the bungalow and steadfastly refuses to move out. Falling in love with the stubborn but charming Jeff, Mary conspires with him to enter a radio contest in hopes of winning the bungalow rent-free. But there's a catch: Jeff and Mary have to pretend to be married. Never a studio to throw anything away, Universal recycled the plot of Love in a Bungalow for one of its mini-musicals of the 1940s. ~ Hal Erickson, All Movie Guide

In this comedy, a WWI veteran gets married after receiving his bonus money from the government. His meddlesome aunts then attempt to tell him how the tidy sum should be spent. He listens and reluctantly invests in oil. Trouble ensues when con men appear in town and attempt to sell every one phony petroleum futures. Later the nephew begins drilling himself and by the film's end has struck real oil. ~ Sandra Brennan, All Movie Guide

This melodrama chronicles the enduring friendship between four boys in New York's Hell's Kitchen. As boys, the made a pact that they would meet annually to renew their friendship. Trouble ensues when one of the boys accidently sets fire to a building. Another boy took the blame. He went to reform school. Years pass before he is reunited with his pals. Now the man is a professional gambler and nightclub owner. He sees two of his friends, who have become cops, when they come into his club to investigate a murder. As they look into the death, one of the cops is killed. The fourth friend, now a priest, makes sure that justice prevails. ~ Sandra Brennan, All Movie Guide

In this drama, a the journalist and editor of a prison newspaper is good enough, that he even contributes to outside publications, but still encounters difficulty after he is released. With the help of a prison loan, he buys his own little printing press and begins attacking the crooked politicians who have been dictating what the major dailies can and cannot print. His heated essays result in the firing of the prison warden. Fortunately, the ex-con successfully helps the ousted warden become the next state governor. ~ Sandra Brennan, All Movie Guide

In the RKO programmer You Can't Fool Your Wife, Lucille Ball gets mixed up in a storyline that would have been right at home on her future TV series I Love Lucy. Feeling neglected by her husband Andrew (James Ellison), drab housewife Clara Hinklin (Ball) walks out on him, much to the delight of her busybody mother-in-law (Emma Dunn). Realizing that she's still in love with her husband, Clara undergoes a glamour treatment, re-emerging in the guise of Latin American charmer Mercedes Vasquez. Reunited with her husband at a masquerade party, Clara tries to win him back by continuing her pose as the alluring Mercedes. The question: Does Andrew fall back in love with Clara, or is he merely smitten by her seductive alter ego? ~ Hal Erickson, All Movie Guide

This back-stage romantic comedy pokes fun at Hollywood cowboys as it tells the story of a champion rodeo rider who is contracted to work in a series of low-budget westerns. He has rootin' tootin' fun until he meets a spoiled, volatile actress. He decides to personally take responsibility for "gentling" this tempestuous mare and that is when all the fun begins. Unfortunately, she is not easily broken, he gets fed up and returns to being a real cowboy. Fortunately, by that time, the gal has developed a few feelings for him and decides to go with him. ~ Sandra Brennan, All Movie Guide

In this sentimental drama, a real estate executive tires of his privileged life working for his wealthy father-in-law and decides to leave his job and family to become a WPA ditch digger. While laboring, he meets a lovely immigrant, with whom he falls in love. He then begins working to help the residents of a slum better their lives. He even manages to convince his wife's father to help him. ~ Sandra Brennan, All Movie Guide