Rick McCallum Movies

Scream queen Danielle Harris takes over the role originated by Tamara Feldman in writer/director Adam Green's eagerly anticipated sequel to the retro horror hit that introduced audiences to Victor Crowley (Kane Hodder), a psychotic, hideously deformed swamp-dweller who doesn't take kindly to uninvited guests. Picking up precisely where its bloody precursor left off, Hatchet II finds Marybeth (Harris) in a boat, struggling to escape from Crowley's crushing grip after seeing all of her friends get brutally slaughtered in a Louisiana swamp. Miraculously, she manages to fight her way free and find her way back to New Orleans, where she seeks out the ominous Reverend Zombie (Tony Todd), the voodoo-shop proprietor who organized her doomed tour of the marshland. Later, after assembling a small squad of rugged hunters, Reverend Zombie accompanies Marybeth back into the bog on a mission to track down Crowley, and finally close the book on his brutal legend. But the further the group ventures into the slough, the more apparent it becomes that Reverend Zombie may have a hidden agenda. ~ Jason Buchanan, Rovi

Directed by the prolific Rob Zombie, The Devil's Rejects is a sequel of sorts to 2003's House of 1000 Corpses, and picks up several weeks after House left off. This time, the clash revolves around the tribe of violent lunatics and decidedly valueless family members of the original film, who have come to be known as the "Devil's Rejects." After learning of the extended family's horrific attacks, a SWAT team is sent to take them into custody; all but their crazed Mama escape. In addition to creating a full-fledged media circus, this sends the sociopath housemates on the run, and they initiate a deadly road trip. Meanwhile, Mama has to deal with a violent, vengeful sheriff (William Forsythe). The Devil's Rejects features Bill Moseley, Sid Haig, Sheri Moon, Michael Berryman, and Ken Foree, among other cult horror regulars. ~ Tracie Cooper, Rovi

In 1977, George Lucas released Star Wars, the ultimate sci-fi popcorn flick-turned-pop-culture myth machine. It quickly became the biggest money-making film of all time and changed the shape of the film industry. After two successful sequels (1980's The Empire Strikes Back and 1983's Return of the Jedi) that extended the story of the first film, Lucas took some time off to produce movies for others, with mixed success. In 1999, Lucas returned to the Star Wars saga with a new approach -- instead of picking up where Return of the Jedi left off, Star Wars: Episode I -- The Phantom Menace would be the first of a trilogy of stories to trace what happened in the intergalactic saga before the first film began. Here, Obi-Wan Kenobi (Ewan McGregor) is a young apprentice Jedi knight under the tutelage of Qui-Gon Jinn (Liam Neeson); Anakin Skywalker (Jake Lloyd), who will later father Luke Skywalker and become known as Darth Vader, is just a nine-year-old boy. When the Trade Federation cuts off all routes to the planet Naboo, Qui-Gon and Obi-Wan are assigned to settle the matter, but when they arrive on Naboo they are brought to Amidala (Natalie Portman), the Naboo queen, by a friendly but opportunistic Gungan named Jar Jar. Qui-Gon and Obi-Wan plan to escort Amidala to a meeting of Republic leaders in Coruscant, but trouble with their spacecraft strands them on the planet Tatooine, where Qui-Gon meets Anakin, the slave of a scrap dealer. Qui-Gon is soon convinced that the boy could be the leader the Jedis have been searching for, and he begins bargaining for his freedom and teaching the boy the lessons of the Force. The supporting cast includes Pernilla August as Anakin's mother, Terence Stamp as Chancellor Valorum, and Samuel L. Jackson as Jedi master Mace Windu. Jackson told a reporter before The Phantom Menace's release that the best part about doing the film was that he got to say "May the Force be with you" onscreen. ~ Mark Deming, Rovi

In this intricately layered, dark story, a woman whose guardian sexually abused her tells her story. It seems that her guardian also used her life as the basis for a series of stories about a woman known as Blackeyes. The real-life woman and the fictional woman each tell their stories, while attempting to cope with their lives in the present. Eventually, both commit suicide, but not before the real-life woman has taken revenge on the man who warped (and stole) her life. This story was brought to the screen by the prolific (and ailing) director Dennis Potter who was responsible for such stunning works as The Singing Detective. There is no evidence that Blackeyes has ever received a U.S. screening. ~ Clarke Fountain, Rovi

A dissatisfied woman encounters a mysterious stranger who may be her long-lost son in this peculiar, darkly comic drama. Theresa Russell plays the deeply disappointed Linda Henry, who feels stifled by a strained marriage to Dr. Henry Henry (Christopher Lloyd), who pays more attention to his model railroads than to his wife. Desperate for diversion, she is captivated when Martin (Gary Oldman) arrives, claiming to be the child she gave up for adoption after a teenage pregnancy. She immediately bonds with this stranger, but numerous signs indicate that he may not be what he seems. Strange behavior follows from everyone involved, with some of the film's most bizarre sequences concerning Dr. Henry's toy train fetish. The complex, often ambiguous script is by noted British writer Dennis Potter, who also wrote Pennies from Heaven and The Singing Detective, and Nicolas Roeg provided his predictably stylized, enigmatic direction. Despite several interesting moments, Track 29 is far from either Potter's or Roeg's best work, and most critics found it a bizarre, ineffective muddle. ~ Judd Blaise, Rovi

Nicolas Roeg directed this dreamy erotic adventure film based on two Australian non-fiction best-sellers -- Lucy Irvine's Castaway and Gerald Kingsland's The Islander. Both best-sellers concern former clerk and waitress Lucy Irvine's response to an advertisement placed by writer Gerald Kingsland in a magazine seeking "a wife for a year on a tropical island." Irvine responded to the ad and, after learning that she would have to pay for the trip to the island of Tuin (between New Guinea and Australia), the not-very-happy couple took off to Tuin for a thirteen-month stay, after which Irvine returned to England alone. The film stars Oliver Reed as Gerald Kingsland and Amanda Donohue as Lucy Irvine. On the island, Gerald and Lucy romp around au natural and try not to get in each other's way. But then Gerald suffers a foot infection and Lucy, in spite of having seafood for every meal, begins to drastically lose weight. Gerald also gets crabby because Lucy withholds sexual pleasure from her new husband. After a year of bliss, Lucy decides to return to the British rat race, while Gerald tries to stick it out in his new island cultural environment. ~ Paul Brenner, Rovi

With the notable exception of Pennies From Heaven, The Singing Detective was the best-known TV miniseries project of the iconoclastic, darkly humored Dennis Potter. A reworking of Potter's first novel Hide and Seek, the six-part series starred Michael Gambon as crime novelist Philip E. Marlow. Suffering from a hellish skin-and-nerve disease called psoriatic arthroparthy (a painful infliction which ultimately killed the real-life Potter), Marlow was confined to a hospital bed, where under the influence of numerous prescription drugs he began to imagine himself as the hard-boiled hero of his latest detective novel. While trying to solve a difficult case, Marlow continually drifted backward in time to his childhood in the Forest of Dean, occasionally bursting into song to express his emotions. As fantasy and reality merged into one, Marlow was forced into a tortuous session of self-analysis and personal discovery. Virtually everyone in the cast was seen in double and triple roles, including nominal leading ladies Alison Steadman and Joanne Whalley (aka Joanne Whalley-Kilmer). The series earned two BAFTA awards (the British equivalent of the Emmys), one for Best Actor to Michael Gambon. After its initial BBC1 run from November 16, to December 21, 1986, The Singing Detective was shown in the United States via public and cable television, where it picked up another award, the prestigious Peabody, in 1989. ~ Hal Erickson, Rovi

Irreverent British writer Dennis Potter speaks aloud what many literary historians have only postulated in whispers in Dreamchild. The film is set in 1932, on the 100th anniversary of the birth of Alice in Wonderland creator Lewis Carroll. The guest of honor at the New York-based celebration is 80-year-old Alice Liddell (Coral Browne), who as a child inspired Carroll's whimsical novels. Amidst the cajoling of both devoted fans and fast-buck hustlers, the grim-faced Alice tries to remain calm and dignified. What none of the idolaters suspect is that Alice harbors a long-suppressed secret concerning her "very special" relationship with Carroll -- a secret revealed in an extremely tasteful fashion during a flashback sequence, featuring Amelia Shankley as young Alice and Ian Holm as Charles Dodgson, the virginal, child-obsessed clergyman whom the world knew as Lewis Carroll. The darkness of Dennis Potter's vision is lightened by Muppeteer Jim Henson's marvelous three-dimensional renditions of the Wonderland and Looking Glass characters. ~ Hal Erickson, Rovi

Neil Simon based his screenplay for I Ought to Be in Pictures on one of his more serious theatrical pieces. Walter Matthau is top-billed as Herbert Tucker, a struggling screenwriter who suddenly finds his 19-year-old daughter, Libby(Dinah Manoff), on his Hollywood doorstep. Having deserted his family years earlier, Herbert isn't keen on having his daughter around to cramp his lifestyle, which at this point consists of drinking his meals and telling lies to his faithful girlfriend, Stephanie (Ann-Margret). Libby takes it upon herself to put Herbert's life in order. There are plenty of angry outbursts and recriminations between father and daughter before the tearful, upbeat conclusion. Incidentally, Dinah Manoff is the daughter of actress Lee Grant, who'd previously co-starred with Walter Matthau in Neil Simon's Plaza Suite -- which, like I Ought to be in Pictures, was directed by Herbert Ross. ~ Hal Erickson, Rovi