Albert Maysles Movies
Albert Maysles and his brother, David Maysles, played important roles in the development of cinema verité documentary-making by designing highly portable cameras and sound equipment that allowed them to record events with minimal intrusion. Before teaming up with David in 1957, Albert studied psychology at Syracuse and Boston Universities, and made a film about mental institutions in the Soviet Union. The Maysles brothers' best-known documentaries are Salesman (1969) and Gimme Shelter (1970); the latter was a disturbing, controversial chronicle of a Rolling Stones concert during which four people were killed by the Hells Angels hired by the band to keep people off the stage. The Maysles captured one of those brutal murders on camera and repeatedly showed it throughout the film. The brothers worked together on a number of documentaries throughout the 1970s and '80s; their collaboration ended with David's death in 1987. That same year, their Vladimir Horowitz: The Last Romantic was released to great acclaim; 1991 saw the release of Beatles: The First U.S. Visit, which also received an enthusiastic reception. In 2001, Albert Maysles recieved the Sundance Film Festival's Excellence in Cinematography Award for his lensing of LaLee's Kin: The Legacy of Cotton. ~ Sandra Brennan, All Movie Guide- 2008
Fascinated by the group of aging Holocaust survivors who spend their summers together at the Four Seasons Lodge in the Catskill Mountains, filmmaker Andrew Jacobs documents their collective memories, close friendships, and rich traditions at a time when their favorite retreat hovers in an uncertain state of flux. Every year since 1979, this small group of German and Polish Jews has gathered at the Four Seasons to reminisce about their childhoods and find comfort in one another's company. Like old friends, they often bicker and argue, but it generally isn't anything that lodge president Carl can't resolve with some friendly advice. This year, the regular vacationers at the Four Seasons hopelessly split between those who want to see the resort sold, and those who hope to see it stay intact. But this particular group has been through so much together that whatever may come of the Four Seasons, their familial bonds will remain as strong as they ever were. ~ Jason Buchanan, All Movie Guide
- 2008
In 1960, filmmaker Robert Drew began work on a documentary called Primary which concerned that year's presidential campaign; one of the candidates, John F. Kennedy, gave Drew and his crew free access to film both their public campaign events and their private strategy sessions, and it was the beginning of a close working relationship between Drew and Kennedy. Drew would go on to make three more films about Kennedy after he was elected president -- Adventures on the New Frontier, Crisis: Behind a Presidential Commitment and Faces of November -- with the cooperation of Kennedy and his staff, and in 2008 Drew revisited his footage of the late president to create a cinematic portrait of one of the most iconic figures in American politics. Narrated by Alec Baldwin, A President To Remember: In The Company Of John F. Kennedy was edited from Drew's archival footage of Kennedy, and captures the president both at work and with his family, offering an insight into both the leader and the man. A President To Remember: In The Company Of John F. Kennedy was an official selection at the 2008 Tribeca Film Festival. ~ Mark Deming, All Movie Guide
- Starring:
- Alec Baldwin
- 2008
- PG13
Presented in conjunction with the landmark "Rumble in the Jungle" boxing match between famed pugilists Muhammad Ali and George Foreman, Zaire '74 was a three-day music festival in Kinshasa that was organized by South African musician Hugh Masekela and American record producer Stewart Levine, and featured performances by such famed musicians as James Brown, Bill Withers, and B.B. King, among others. Many of the American musicians performing at Zaire '74 had been emboldened by the American Civil Rights movement, and saw their journey to Africa as a unique opportunity not just to perform for a new set of enthusiastic fans, but to explore their roots as well. However, while the forward-thinking promoters of Zaire '74 hired a talented team of documentary filmmakers to capture everything from the setup to the performances to everyday life in Kinshasa, the project ran into trouble when the Liberian investment group that financed the festival and film ran into some rather serious legal disputes. For the next three decades, the remarkable footage would sit untouched and unedited -- a valuable sociohistorical artifact seemingly forgotten, and left to succumb to the ravages of time. Later, in 1996, the rights were settled in order to help facilitate the completion of When We Were Kings, an Academy Award-winning documentary focusing on the very same Ali/Foreman match that took place alongside the Zaire '74 music festival. Recognizing the need to assemble the neglected Zaire '74 footage while it was still possible, When We Were Kings editor Jeffrey Levy-Hinte made it his own personal mission to see the long gestating project through to completion. The result is not simply a concert film featuring some of the most popular African and American musicians of the era, but also a pure cinéma vérité glimpse into a time when the musical crossover between the two nations was just beginning to emerge. ~ Jason Buchanan, All Movie Guide
After exploring the careers of the Band and Bob Dylan in The Last Waltz and No Direction Home: Bob Dylan, respectively, acclaimed director Martin Scorsese turns his lens on rock & roll legends the Rolling Stones for this feature focusing on two concerts from the band's 2006 A Bigger Bang tour. In addition to extensive coverage of the band's two-night stand at New York's Beacon Theater (an engagement that was staged as part of President Bill Clinton's lavish birthday bash), the film also features historical footage, interviews, and behind-the-scenes footage from decades past. Oscar-winning cinematographer Robert Richardson (JFK and The Aviator) supervised photography for the film, with an impressive array of A-list talents, including Andrew Lesnie, John Toll, Ellen Kuras, Anastas Michos, Stuart Dryburgh, Declan Quinn, Emmanuel Lubezki, Robert Elswit, and Albert Maysles, stepping in to insure that the Beacon performances were covered from every angle possible. ~ Jason Buchanan, All Movie Guide
- 2007
From "wrapping" the Berlin Reichstag to transforming South Seas islands into massive pink water lilies to hanging drapes between the Colorado mountains, Christo qualifies as one of the most dynamic, innovative, and ambitious conceptual artists in modern history. Documentarians Albert and David Maysles have a long-running professional association with Christo (having co-directed such pictures as Christo's Valley Curtain and Christo's Islands); now, with their film The Gates, Albert Maysles and co-director Antonio Ferrera cover Christo and wife Jeanne-Claude's 26-year project to create a "golden river" of 7,500 fabric-paneled "gates" running through Central Park in February 2005. The endeavor began in 1979, but didn't overcome the necessary bureaucratic hurtles for 26 years, and only received a final go-ahead with a green light from New York City mayor Michael Bloomberg. The film reveals how Christo and Jeanne-Claude's 21-million-dollar project transforms the environment from one of winter bleakness to one of brisk, vibrant, and springlike colors. Though David Maysles (brother of Albert) did die in 1987, he received posthumous credit on this film for a sequence that the siblings co-directed in 1979. ~ Nathan Southern, All Movie Guide
- Starring:
- Christo, Jeanne-Claude, (more)
- 2007
- R
In an era where fact, fiction, and legend have become increasingly difficult to distinguish, Debbie Melnyk and Rick Caine set out to explore the politically charged climate in America and find out just how documentary director Michael Moore has evolved from a simple filmmaker into an icon of left-leaning politics. ~ Jason Buchanan, All Movie Guide
- 2007
Cinema verité icon Albert Maysles captures the best in very Gypsy music while highlighting the diversity of the Romani people in this documentary tracing the World Music Institute's Gypsy Caravan six-week concert tour across North America. Featuring five bands from four countries, the Gypsy Caravan showcases a variety of musical styles ranging from flamenco to Indian folk, Romanian violin, Raga, and jazz. The result is a celebration of song and dance that's sure to thrill music lovers of all ages and backgrounds. ~ Jason Buchanan, All Movie Guide
- Starring:
- Taraf de Haidouks, Esma Redzepova, (more)
In 1963, Danny Williams dropped out of Harvard (over the strong objections of his family) and set out to make a career for himself in filmmaking. After editing several documentaries for Albert Maysles and David Maysles (including the award-winning Salesman), Williams met Andy Warhol, and soon became a member of the inner circle at Warhol's "Factory." Williams soon became both an advisor and a lover to the artist, and for a while lived with Warhol. When Warhol gave Williams a 16 mm movie camera, he began making films that displayed his sure and striking visual sense and sharp rhythms. Williams also was a key advisor to Warhol as they created "The Exploding Plastic Inevitable," the multimedia show which launched the career of the groundbreaking rock band the Velvet Underground. But Williams fell victim to the clashing egos that were a large part of Warhol's circle, and when he began receiving press attention that suggested the EPI was as much Williams' creation as Warhol's, Warhol broke off their relationship and a shattered Williams returned home to his family. After a few days, Williams went out for a drive and vanished, never to be seen again. Danny Williams' niece, Esther B. Robinson, offers an intimate look at the remarkable life and unexplained death of an important but little-known creative force in A Walk Into the Sea: Danny Williams and the Warhol Factory, which features interviews with a number of Factory associates (including John Cale, Billy Name, Gerard Malanga, Paul Morrissey, and Brigid Berlin), as well as highlights from several of Williams' long-lost experimental films. A Walk Into the Sea received its North American premiere at the 2007 Tribeca Film Festival. ~ Mark Deming, All Movie Guide
- Starring:
- Brigid Berlin, Paul Morrissey, (more)
- 2006
For their classic, 1976 documentary Grey Gardens, Albert and David Maysles shot hours-upon-hours of footage exploring the lives of their subjects Edith Bouvier Beale and her daughter Edie (who were affectionately referred to by their brothers as Big Edie and Little Edie), whose quiet lives on the grounds of a dilapidated estate stood in remarkable contrast to their quick with and extravagant upbringing. Though the brothers were unable to use a vast majority of the fascinating footage in the ninety-four minute film, this companion piece comprised of never-before-seen outtakes culled from the original shooting sessions allows Grey Gardens fans to take a trip back to that familiar, dilapidated mansion to hear both Big Edie and Little Edie discuss everything from love and war to the existence of God. A nostalgic montage of Little Edie offers a warm testament to the eccentric daughter's inimitable fashion sense. ~ Jason Buchanan, All Movie Guide
- 2006
Musicians from different lands but sharing a common heritage come together for a concert tour that proves as revelatory for the participants as their audiences in this documentary. In 2001, American promoters persuaded five noted bands of gypsy musicians to join forces for what was billed as "the Gypsy Caravan Tour," but while these musicians appealed to many of the same fans, for the most part they had never met before going on the road together. The performers were Taraf de Haidouks, an 18-piece group from Romania whose lineup spans several generations; another Romanian group, the 11-piece horn ensemble Fanfare Ciocarlia; Antonio de Pipa's Flamenco Ensemble, which combines both music and dance in their performances; Maharaja, a Northern Indian group featuring musicians from all sides of Indian society; and Esma Redzepova, one of Macedonia's best and most acclaimed vocalists. As the tour wore on, the artists began to interact both musically and socially, and their different takes on gypsy music began to inform one another in new and interesting ways. Filmmaker Jasmine Dellal followed the tour with a camera crew, and When the Road Bends: Tales of a Gypsy Caravan offers a look at the music these artists performed on stage as well as their interaction after the shows and on the road; the film also features individual interviews with the musicians back home after the tour was completed. ~ Mark Deming, All Movie Guide
The most elaborate and successful art heist in modern history is detailed in filmmaker Rebecca Dreyfus' cinematic account of the daring raid on Boston's Isabella Stewart Gardner museum staged in the early morning hours of St. Patrick's Day, 1990. By the time the ruse of the well-organized and cleverly disguised thieves was discovered, the Isabella Stewart Gardner museum had been stripped of 13 priceless works including Vermeer's "The Gardener" -- one of only 35 works by the master known to currently exist. As respected art detective Harold Smith attempts to uncover the labyrinthine mystery surrounding the bold burglary while dealing with the frightening effects of his lifelong battle with skin cancer, the obsessive efforts of the cunning gumshoe are interwoven with interviews in which contemporary authors ponder the power of Vermeer's impressive body of work. Additional details concerning art collector Isabella Stewart's turn-of-the-century correspondence with personal advisor Bernard Berenson are voiced by actress Blythe Danner and Campbell Scott, respectively, and serve to give a more personal perspective to the investigation while simultaneously putting into context the true value and ultimate fragility of these plundered treasures. ~ Jason Buchanan, All Movie Guide
From Michael Moore's hometown of Flint, Michigan to the movie-making capital of the United States, director Mike Wilson's inflammatory documentary travels across the country to hold the controversial Sicko director's allegedly questionable tactics up to the light for closer examination. Wilson is a filmmaker who wants viewers to question what they see and hear in the media, and he's willing to travel thousands of miles in order to highlight why you too should remain skeptical about Moore's motivations as a filmmaker. The result is a meditation on the American Dream, and the manner in which diligence and determination can eventually pay off for the folks who aren't willing to let their dreams fade. Additionally, by speaking with such well known media figures as Penn Jilette and John Stossel as well as a host of highly respected scholars, Wilson highlights how Moore manipulates interviews and statistics to serve his own personal agenda. ~ Jason Buchanan, All Movie Guide
The concert movie Masada: Live at Tonic 1999 captures the jazz band performing nearly a dozen songs including "Jair," "Sippur," "Beeroth," "Shechem," and "Paran." ~ Perry Seibert, All Movie Guide
Mark Wexler is a successful photojournalist who has also distinguished himself as a documentary filmmaker, but in many ways he has spent much of his life in the shadow of his more famous father, Haskell Wexler. One of Hollywood's greatest cinematographers, Haskell is also known as a director (he made the acclaimed feature Medium Cool as well as a handful of documentaries) and as a tireless political activist. But while Haskell is widely respected as a major talent, he's also known for being fiercely opinionated and difficult to work with, and Mark makes no secret of the fact that he's had a prickly relationship with his dad. Mark Wexler takes a detailed look at the life and work of Haskell Wexler in Tell Them Who You Are, which examines Haskell's career in the movie business, his relationship with his family (including his three marriages and his frequent lack of respect for Mark), and how he's viewed by his friends and peers. Interview subjects include Jane Fonda, Paul Newman, George Lucas, Michael Douglas, Milos Forman, Ron Howard, Dennis Hopper, and many more. ~ Mark Deming, All Movie Guide
- Starring:
- Haskell Wexler, Mark S. Wexler, (more)
- 2001
The cotton-growing industry has long had a tight hold on the political and economic lives of many people in the Mississippi Delta, and this documentary -- directed in part by Albert Maysles -- explores the toll King Cotton has taken on one woman and her family. Laura Lee Wallace, known to friends and family as LaLee, has spent all her life in Mississippi's Tallahatchie County. The product of a long line of cotton farmers, LaLee has grown up in dire poverty, and her children and grandchildren are poor prospects for a better life, given the region's failing school systems. At the urging of the major cotton firms, Tallahatchie County's schools used to routinely shut down during the harvest season so children could join their parents in the fields, and conditions have gotten only marginally better, with the county's ill-funded school system facing a possible takeover by the state government unless scores improve on the next round of standardized aptitude tests. With both money and job opportunities scarce, LaLee faces an uphill struggle to support her extended family, which now includes several grandchildren left to her care by sons and daughters unable to care for their offspring themselves. LeLee's Kin: The Legacy of Cotton was produced for the premium cable television network HBO; prior to it's HBO debut, the film was presented at the 2001 Sundance Film Festival. ~ Mark Deming, All Movie Guide
- 1999
Such documentary filmmaker legends as Jean Rouch, Frederick Wiseman, and Barbara Kopple appear in this loving tribute to cinema verite and its profound influence on film. Director Peter Wintonick, whose previous efforts include the acclaimed Manufacturing Consent: Noam Chomsky and the Media (1993), makes a compelling case that Canada's National Film Board was at the vanguard of the cinema verite movement. The movie also features vintage footage of teen heart-throb Paul Anka and a behind the scenes look at John F. Kennedy's primary run for president. Both interviews and clips attest to the absorbing vitality that cinema verite brought to film. ~ Jonathan Crow, All Movie Guide
- Starring:
- D.A. Pennebaker, Richard Leacock, (more)
