Archie Mayo Movies

In films as a utility player and comedy gag man from the mid-teens, Archie Mayo's first directing assignments consisted of slapstick 2-reelers. He began making features at Warner Bros. in 1926, just in time for that studio's switchover to sound. An efficient craftsman during his talkie years with Warners, Goldwyn and 20th Century-Fox, Mayo's great talent lay in not putting his personal stamp on his films; instead he allowed the personalities of his stars to dictate his films' style and substance. John Barrymore was the dominant force in the Mayo-directed Svengali (1931), just as James Cagney dominated The Mayor of Hell (1933) and George Raft and Bette Davis did the same in Bordertown (1935). Curiously, when Mayo became a free-lancer in the mid-1940s, he began asserting himself on the set in a most unattractive and obstreperous fashion. He fought constantly with Paul Muni during filming of Angel on My Shoulder (1946), while his tiltings with the Marx Brothers during Night in Casablanca (1946) moved Groucho Marx to dash off impassioned letters to his children, bemoaning the "fat slob" in the director's chair who was ruining the picture. After 12 years away from the business, Archie L. Mayo produced the obscure 1958 melodrama The Beast of Budapest. ~ Hal Erickson, All Movie Guide
1958  
 
This gripping drama uses archival footage combined with new footage to re-create the 1956 Hungarian Revolution. It is also the love story between a devout communist woman and the liberal son of a prominent professor. Because of their political differences, the two can never be together. Central to the story is the conflict between the father and the son. It is only after his father dies, that the son sees the ugly reality of communism. ~ Sandra Brennan, All Movie Guide

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Starring:
Gerald MiltonJohn Hoyt, (more)
1946  
 
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After a five-year absence, the Marx Brothers returned to the screen in the independently-produced effort A Night in Casablanca. Originally conceived as a parody of Casablanca (with character names like "Humphrey Bogus" and "Lowen Behold"), the film emerged as a spoof of wartime melodramas in general. Someone has been methodically murdering the managers of the Hotel Casablanca, and that someone is escaped Nazi war criminal Heinrich Stubel (Sig Ruman). Disguised as a Count Pfefferman, Stubel intends to reclaim the stolen art treasures that he's hidden in a secret room somewhere in the hotel, and the only way he can do this undetected is by bumping off the managers and taking over the hotel himself. The newest manager of Hotel Casablanca is former motel proprietor Ronald Kornblow (Groucho Marx), who, blissfully unaware that he's been hired only because no one else will take the job, immediately takes charge in his own inimitably inept fashion. Corbacchio (Chico Marx), owner of the Yellow Camel company, appoints himself as Kornblow's bodyguard, aided and abetted by Stubel's mute valet Rusty (Harpo Marx). In his efforts to kill Kornblow, Stubel dispatches femme fatale Beatrice Reiner (Lisette Verea) to romance the lecherous manager, leading to a hilarious recreation of a key comedy sequence in the Marxes' earlier A Day at the Races. Arrested on a trumped-up charge, Kornblow, Corbacchio and Rusty escape in time to foil Stubel and his stooges. As in most Marx Brothers epics, A Night in Casablanca includes a tiresome romantic subplot, this time involving disgraced French flyer (Pierre) and his faithful sweetheart Annette (Lois Collier). Though hampered by listless direction and witless one-liners, A Night in Casablanca contains enough hilarity to compensate for its many flaws; some of the best visual gags were conceived by an uncredited Frank Tashlin, including Harpo's legendary "holding up the building" bit. ~ Hal Erickson, All Movie Guide

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Starring:
Groucho MarxHarpo Marx, (more)
1946  
 
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In this comedy, Paul Muni plays a recently murdered gangster who finds himself roasting in Hell. Muni can't believe that he's in for All Eternity and keeps trying to "bust out," which brings him to the attention of the Head Man (Claude Rains), who calls himself Nick. Nick strikes a bargain with Muni: There's a troublesome honest judge on Earth who's been shipping too many souls to Hell; if Muni will take over the judge's body and begin performing bad deeds, Nick will set him free. Muni readily agrees, eager to settle the score with the ex-partner (Hardie Albright) who bumped him off. Once he "becomes" the judge, however, Muni discovers that he is utterly incapable of performing any misdeeds--and when he falls in love with the judge's fiancee (Anne Baxter), Muni becomes determined to wriggle out of his agreement. Angel on My Shoulder is based on a story by Harry Segall, whose previous play Heaven Can Wait was filmed as Here Comes Mr. Jordan, also with Claude Rains. ~ Hal Erickson, All Movie Guide

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Starring:
Paul MuniAnne Baxter, (more)
1944  
 
In this musical, a youthful trombonist is thrilled when he is allowed to play with Benny Goodman's Orchestra. Afterward he becomes insufferably egotistical and tries to start his own swing band. It's his girl friend's idea, and unfortunately he fails. He then returns to his old mill job. Fortunately, he is given another chance to play with Benny and the boys. Musical numbers include: "I'm Making Believe," (Mack Gordon, James V. Monaco), as well as "Chug-Chug-Choo-Choo-Chug," "Hey Bub, Let's Have a Ball," "Ten Days with a Baby" (Gordon, Monaco), "I Found a New Baby" (Jack Palmer, Spencer Williams), "Jersey Bounce" (Robert B. Wright, Bobby Plater, Tiny Bradshaw, Edward Johnson), "Let's Dance" (Fanny Baldridge, Gregory Stone, Joseph Bonine), "The World Is Waiting for the Sunrise" (Gene Lockhart, Ernest Seitz), "Mozart's Clarinet Quintet" (performed by Goodman and strings), "No Love, No Nothing" (Leo Robin, Harry Warren), "Rachel's Dream" (Benny Goodman), and "I Yi Yi Yi Yi, I Like You Very Much" (Gordon, Warren) ~ Sandra Brennan, All Movie Guide

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Starring:
Benny Goodman OrchestraLinda Darnell, (more)
1943  
 
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Tyrone Power made his last screen appearance before a three-year stretch in the Marines in this World War II drama. Lt. Ward Stewart (Tyrone Power) has served with distinction as the commander of a PT boat, so his uncle, Adm. Bob Stewart (Minor Watson), gives him a new and more challenging assignment aboard a submarine. Before shipping out, Ward enjoys a night on the town, where he meets and romances a pretty schoolteacher, Jean Hewlett (Anne Baxter). However, when Ward reports for duty, he discovers he'll be serving under Lt. Cmdr. Dewey Connors (Dana Andrews), who happens to be Jean's boyfriend. On leave and on land, Ward and Dewey are soon caught up in a romantic rivalry, while on duty and under the water they must work together to ferret out Nazi U-boats. Crash Dive received an Academy Award nomination for the special effects work in the film's battle sequences. ~ Mark Deming, All Movie Guide

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Starring:
Tyrone PowerAnne Baxter, (more)
1942  
 
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Forced to flee Paris during the Occupation, the great French leading man Jean Gabin starred in a brace of Hollywood films, the best of which was the first, 20th Century-Fox's Moontide. Cast to type, Gabin plays Bobo, a brooding itinerant dock-worker who gets mixed up in a drunken brawl. Upon awakening, Bobo is convinced that he has killed a man by his mercenary "pal" Tiny (Thomas Mitchell). Despairing at the thought of having committed murder, not to mentioned being blackmailed for the rest of his life by the treacherous Tiny, Bobo is able to find a few fleeting moments of happiness with Anna (Ida Lupino), a suicidal young girl whom he has saved from a watery grave (The intensity of the love scenes may well be due to the allegedly real-life romance between Jean Gabin and Ida Lupino). Novelist John O'Hara adapted the screenplay from a book by actor Willard Robertson. ~ Hal Erickson, All Movie Guide

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Starring:
Jean GabinIda Lupino, (more)
1942  
 
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In his last screen appearance, bandleader Glenn Miller plays--are you sitting down?--a bandleader. The film's main plot involves small-town girl Ann Rutherford, who impulsively marries George Montgomery, a trumpeter in the Miller band. Rutherford soon finds that she isn't particularly suited for life on the road, nor is she prepared for the petty jealousies and backstabbings prevalent among the other orchestra wives (Lynn Bari, Carole Landis et. al.) She eventually leaves Montgomery, an event which coincides with the breakup of the band. But both the band and the marriage are salvaged through the benign conspiratorial schemes of Glenn Miller and a repentant Rutherford. Those who aren't interested in the various plots and subplots in Orchestra Wives will be captivated by the endless supply of blue-ribbon tunes, including I Got a Gal in Kalamazoo, At Last, and Serenade in Blue. Guest stars include Tex Beneke, The Modernaires and the Nicholas Brothers. Watch for an uncredited Jackie Gleason as a bass player and Dale Evans as Ann Rutherford's friend in the soda-fountain scene. ~ Hal Erickson, All Movie Guide

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Starring:
George MontgomeryAnn Rutherford, (more)
1941  
 
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Jack Benny brings his own distinctive touch to Brandon Thomas' venerable (and oft-filmed) stage farce Charley's Aunt. Utilizing a gloriously unconvincing broad-A English accent, Benny is cast as Lord Fancourt Babberly, a somewhat overaged undergraduate at Oxford University. Babbs' roommates Jack Chesney (James Ellison) and Charley Wyckeham (Richard Haydn, in his film debut) are desirous of inviting their lady friends Kitty Verdun (Arleen Whelan) and Amy Spettigue (Anne Baxter) to their quarters, but first they must secure the services of a proper escort. When Charley's aunt Donna Lucia D'Alvadorez (Kay Francis) is detained, Jack and Charley coerce Babbs, who has dressed up as an old lady for a school play, to pose as the absent Donna Lucia. The fun really begins when, for reasons far too complicated to detail here, both Jack's father Sir Francis Chesney (Laird Cregar) and Amy's uncle Stephen Spettigue (Edmund Gwenn) romantically pursue the bogus aunt. The third-act arrival of the real Donna Lucia only adds to the comic confusion-but at least poor Babbs has finally found a lady friend closer to his own age. The female-impersonation angle in Charley's Aunt has been known to descend into vulgarity, but Jack Benny remains both hilarious and tasteful throughout. Understandably, the film was one of Benny's favorites. ~ Hal Erickson, All Movie Guide

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Starring:
Jack BennyKay Francis, (more)
1941  
 
Don Ameche, an American news bureau chief stationed in London, is frustrated by the British government's censorship of his wildly speculative dispatches to the United States. Joan Bennett is the government Teletype operator assigned to make sure that Ameche doesn't send out any story that hasn't been cleared. At first adversarial towards each other, Ameche and Bennet fall in love while huddled in various bomb shelters during the 1940 London blitz. Clearly inspired by Hitchcock's Foreign Correspondent (40), Confirm or Deny was one of many "preparedness" films turned out by Hollywood in the months just prior to Pearl Harbor. Any political proselytizing, however, takes second place to the Don Ameche/Joan Bennett love story. ~ Hal Erickson, All Movie Guide

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Starring:
Don AmecheJoan Bennett, (more)
1941  
 
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On the occasion of the twentieth anniversary of commercial radio, 20th Century-Fox cooked up the pageantlike entertainment The Great American Broadcast. Opening with clips of such airwaves favorites as Dick Powell and Fred Allen (courtesy of earlier Fox films like Thanks a Million), the picture gets under way in 1918, as ambitious army buddies Bix Martin (John Payne) and Chuck Hadley (Jack Oakie) try and fail to establish themselves in the business world. At long last, our heroes enter the new field of radio broadcasting, where after several technical and tactical mishaps they achieve success. But Bix and Chuck are strictly small-timers, and soon they're left behind by the big-city stations. The partners break up, while Bix's songstress wife Vicki Adams (Alice Faye) seeks out a loan to get her husband back on his financial feet. When she approaches her wealthy ex-boyfriend Bruce Chadwick (Cesar Romero), Bix burns up and walks out on her. But old pal Chuck comes to the rescue, staging a reunion between Bix and Vicki during the first-ever coast to coast network broadcast. Rather shaky as history, The Great American Broadcast works best on a nostalgia level, offering guest appearances by such specialty performers as The Ink Spots, The Nicholas Brothers, and The Wiere Brothers (of Road to Rio fame). ~ Hal Erickson, All Movie Guide

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Starring:
Alice FayeJack Oakie, (more)
1940  
 
Producer Walter Wanger's House Across the Bay serves as an excellent showcase for Wanger's then-wife Joan Bennett. She is cast as nightclub singer Brenda Bentley, the wife of high-rolling gambler Steve Lawrett (George Raft). When Steve is railroaded into Alcatraz by duplicitous attorney Slant Kolma (Lloyd Nolan), Brenda promises to remain faithful to her husband during his incarceration, even going so far as to purchase an apartment "across the bay" from the island prison so that she can be near him. But while Steve is serving his time, he discovers that Brenda has succumbed to the charms (and innate decency) of handsome Tim Nolan (Walter Pidgeon). Enraged, Steve vows to kill Nolan, staging a daring escape attempt to realize his goal. But will Steve be able to get off "the rock" in one piece, succeeding where so many others have failed? ~ Hal Erickson, All Movie Guide

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Starring:
George RaftJoan Bennett, (more)
1940  
 
This remake of John Ford's classic WW1 drama Four Sons has been updated to the Europe of the late 1930s. At the time of the Nazi invasion of Czechoslovakia, four sons of German-Czech parentage go off in separate ideological directions. Chris (Don Ameche) remains loyal to the concept of a free Czechoslovakia; Karl (Alan Curtis) embraces the Nazi cause; Joseph (Robert Lowery) heads to America; and the youngest, Fritz (George Ernest), is drafted in the German army and is killed during the Polish campaign. The impact of the original film is somewhat muted here, since the political ramifications of WW2 were far more complex than those of WW1, and also because Archie Mayo isn't as good a director as John Ford. By far the best performance of the film is delivered by the great Russian stage actress Eugene Leontovich, making a rare screen performance as the long-suffering mother of the Four Sons. ~ Hal Erickson, All Movie Guide

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Starring:
Don AmecheEugenie Leontovich, (more)
1939  
 
This musical drama follows a young ghetto kid who dreams of being a classical musician like his idol Jascha Heifetz. He first hears the renowned violinist after finding a ticket to Carnegie Hall on the sidewalk one day. The young man is so inspired by what he hears that he enrolls in Professor Lawson's inner-city music school. Unfortunately, the school teeters on the brink of bankruptcy. Fortunately the determined young boy convinces his street buddies to help him plead with Heifetz to help them save the school by doing a benefit concert. The master violinist agrees and saves the day. ~ Sandra Brennan, All Movie Guide

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Starring:
Jascha HeifetzAndrea Leeds, (more)
1938  
 
Andrea Leeds, whose career had shifted into hyperdrive after her brilliant performance in Stage Door (1937), stars in the Universal programmer Youth Takes a Fling. Leeds plays Helen Brown, a New York City department-store salesgirl who falls in love with Kansas City truckdriver Joe Meadows (Joel McCrea). Since Joe barely knows that Helen is alive, she resorts to all sorts of feminine trickery to win her man. With Helen's good buddy Jean (Dorothea Kent) and Jean's brash boyfriend Frank (Frank Jenks) helping out, poor Joe doesn't have a chance-not that he's protesting too much by fadeout time. Producer Joe Pasternak lavishes his usual top-drawer production values on Youth Takes a Fling, which might have been more entertaining had it taken a simpler course. ~ Hal Erickson, All Movie Guide

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Starring:
Andrea LeedsJoel McCrea, (more)
1938  
 
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Gary Cooper stars in this lavish and often comic retelling of the life of the famed Italian explorer. Marco Polo (Cooper) crosses the sea in search of treasure and adventure, with the help of his loyal if cowardly sidekick Binguccio (Ernest Truex), and finds both in China, where as the nation's first European visitor he is introduced to several practical innovations, such as pasta and explosives. He is also introduced to Kublai Khan (George Barbier), China's wise and benevolent Emperor, and the Emperor's lovely daughter, Princess Kukuchin (Sigrid Gurie). Romance begins to bloom between Marco and the Princess, but Ahmed (Basil Rathbone), the Emperor's ill-tempered assistant, also has his eyes on the Princess, and he is determined to win her hand and usurp Kublai Khan as China's leader. The Adventures of Marco Polo was part of a major star build-up that producer Samuel Goldwyn had engineered for actress Sigrid Gurie, but much of Goldwyn's publicity eventually backfired when it was learned that his Norwegian discovery, "The Siren of the Fjords," was born in the less exotic locale of Brooklyn, New York. ~ Mark Deming, All Movie Guide

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Starring:
Gary CooperSigrid Gurie, (more)
1937  
 
Call It a Day is a Warner Bros. attempt at British light comedy. Nothing much happens of any consequence in this story of a day in the life of a typical middle-class London family, headed by accountant Ian Hunter. The husband is tempted by a seductress (Marcia Ralston), the wife (Freda Inescourt) tries but fails to have a "fling" herself, the daughter (Olivia De Havilland) throws herself at a married artist (Walter Woolf King), and all is set aright before the sun goes down. The film's funniest moments belong to droll Roland Young and sharp-tongued Alice Brady. Call it a Day was adapted from Dodie Smith's gossamer-thin stage play. ~ Hal Erickson, All Movie Guide

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Starring:
Olivia de HavillandIan Hunter, (more)
1937  
 
Bette Davis and Leslie Howard play an egotistical Broadway acting team famous for their romantic scenes. In truth, Davis and Howard are crazy about each other, but they spend so much time bickering that they never get around to marriage. The relationship is complicated by young heiress Olivia De Havilland, a fan who worships the ground Howard walks on. Howard tries to scare off the star-struck young lady by threatening her with seduction, but it turns out she enjoys the prospect of being seduced. Everything is straightened out by the climax, though Davis and Howard never quite get to the altar. It's Love I'm After is all the more enjoyable when one recalls the "serious" movie romances carried on by Leslie Howard with both Bette Davis (in The Petrified Forest) and Olivia De Havilland (in Gone with the Wind). ~ Hal Erickson, All Movie Guide

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Starring:
Leslie HowardBette Davis, (more)
1937  
 
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This hard-hitting, socially conscious drama, the sort of story that Warner Bros. made their hallmark in the 1930s, concerns a factory worker named Frank Taylor (Humphrey Bogart), who is convinced that a big promotion is right around the corner for him. However, the promotion goes to a harder-working Polish immigrant named Joe Dombrowski (Henry Brandon). Angry and upset, Frank is approached by members of a secret organization called the Black Legion, who believe in "America for Americans" and want to drive away immigrants and racial minorities through violent means. Wearing black robes, Frank and the other members of the Legion go on a torchlight raid, driving Dombrowski and his family from their home. With Dombrowski gone from the plant, Frank gets the job, which means more money and a higher standard of living for him and his family. But his outlaw activities with the Legion begin taking up more of his time (and his money, as they make a healthy profit selling robes, weapons, and racist geegaws to their membership), which drives a wedge between Frank and his wife Ruth (Erin O'Brien-Moore). Frank begins drinking and starts slapping Ruth around; she leaves him, and Frank takes up with a floozie named Pearl (Helen Flint). Ed (Dick Foran), a good friend of Frank's, sees that his buddy is drinking too much and ruining his life, so he tries to step in and express his concern. His tongue loosened by alcohol, Frank tells Ed about his secret life with the violent Legion; the next morning, Frank is afraid that Ed might inform on him to the police, so he tells the Legion leadership what has happened. They subsequently order Ed to be captured and executed. While Warner Bros. attempted to avoid the wrath of Black Legion and Ku Klux Klan members by stating that all characters and institutions were entirely fictional, Black Legion was still a brave attack on hate groups, given that lynchings were not uncommon in parts of the United States in the mid-1930s. ~ Mark Deming, All Movie Guide

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Starring:
Humphrey BogartDick Foran, (more)
1936  
NR  
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Burned-out British intellectual Alan Squier (Leslie Howard) wanders into the desert service station/restaurant owned by Jason Maple (Porter Hall). Alan finds himself an object of fascination for Jason's starry-eyed daughter, Gabrielle Bette Davis, who dreams of moving to France and establishing herself. Boze Hertzlinger (Dick Foran), Gabrielle's gas-jockey boyfriend, grows jealous of Alan, but the penniless, dissipated Briton has no intention of settling down; in fact, as soon as he mooches a ride from wealthy tourists Mr. and Mrs. Chisholm (Paul Harvey and Genevieve Tobin), he's on his way out of Gabrielle's life...or so everyone thinks. Later that same day, Alan, Gabrielle, Jason, Boze, and Mr. and Mrs. Chisholm are huddled together in the selfsame restaurant, held at gunpoint by Dillinger-like desperado Duke Mantee (Humphrey Bogart) and his gang. Alan seems indifferent to the danger, toasting Duke as "the last great apostle of rugged individualism." Sensing an opportunity to give his life meaning, Alan takes Duke aside, begging the outlaw to kill him so that Gabrielle can travel to Paris on the money provided by Alan's insurance policy. When the police converge on the restaurant, Duke announces that he intends to use Mr. and Mrs. Chisholm as a shield in order to make his escape. Alan tries to stop him, receiving a bullet in the belly for his troubles. "So long, pal," growls Duke fatalistically, moments before his own death, "I'll be seein' ya soon." Alan dies in Gabrielle's arms, secure in the knowledge that, alone among the film's principals, she will be able to escape the trap of her existence. When originally presented on Broadway, Robert E. Sherwood's The Petrified Forest starred Leslie Howard and Humphrey Bogart. Warner Bros. intended to cast Edward G. Robinson in Duke's role, only to be thwarted by Howard, who told the studio that he himself would drop out of the project if Bogart wasn't retained. The film proved to be just the break that Bogart needed; years later, he expressed his undying gratitude to Howard by naming his daughter Leslie Bogart. One year after The Petrified Forest, Humphrey Bogart and Leslie Howard co-starred in The Stand-In. ~ Hal Erickson, All Movie Guide

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Starring:
Leslie HowardBette Davis, (more)
1936  
 
Kay Francis, Warner Bros.' resident "wronged woman," was the star of Give Me Your Heart. Francis plays a socialite whose illicit romance with married Patric Knowles results in a baby. When the father, a titled Englishman of means, declares that the child would be better off in his care, Ms. Francis suffers luxuriously in a series of fashionable evening gowns. She finds lasting happiness in the arms of attorney George Brent. Give Me Your Heart was based on Joyce Carey's stage play Sweet Aloes, and bore that title when released in Great Britain. ~ Hal Erickson, All Movie Guide

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Starring:
Kay FrancisGeorge Brent, (more)
1936  
 
In this drama, the big city wife of a small town doctor learns a valuable lesson as she struggles to adapt to rural life. ~ Sandra Brennan, All Movie Guide

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Starring:
Pat O'BrienJosephine Hutchinson, (more)
1935  
 
Broadway legend Al Jolson and his second wife Ruby Keeler costarred in this thin backstage musical. In keeping with Jolson's earlier starring films, the plotline is melodramatic to the point of risibility. Jolson plays an irresponsible performer whose unprofessional antics incur the wrath of Actor's Equity. Suspended from the stage, Jolson spends all his money on gambling, but is "cured" after his wife (Ruby) is wounded when Jolson shoots it out with a rival. Musical highlights include "A Latin From Manhattan", "A Quarter to Nine" (Jolie's at his best here) and the title number. The script of Go Into Your Dance is predictably full of references to the offstage Jolson/Keeler relationship; reportedly, Al's on-set adlibs became more insulting and abusive as the marriage deteriorated. ~ Hal Erickson, All Movie Guide

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Starring:
Al JolsonRuby Keeler, (more)
1935  
 
The legs in question in this the second of Warner Bros. Perry Mason whodunits belong to Margy Clune (Patricia Ellis), the first-prize winner in a Lucky Legs contest and the fiancée of Dr. Bob Doray (Lyle Talbot). But when Margy goes to collect her winnings, she finds that the contest's promoter, Frank Patton (Craig Reynolds), has skipped town with the money. When Margy goes after him, her boss, Bradbury (Porter Hall), convinces Perry Mason (Warren William) that she may be heading for trouble. And, sure enough, Patton is found very much murdered with Margy the prime suspect. But as Mason, his secretary Della Street (Genevieve Tobin), and intrepid private eye Spudsy Drake (Allen Jenkins) discover, there are other and more dangerous suspects around. The Case of the Lucky Legs was followed by The Case of the Curious Bride (1935) and The Case of the Velvet Claws (1936), also with Warren Williams as Mason, after which the role would be played in the remaining films by three different actors: Ricardo Cortez, Donald Woods, and William Lundigan. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Warren WilliamGenevieve Tobin, (more)
1935  
 
Paul Muni stars in this drama about a romantic triangle that leads to madness and murder. Overly enthusiastic Mexican attorney Johnny Ramirez (Muni) is disbarred after his first trial for his flagrant disregard of courtroom etiquette. In desperate need of work, he takes a job as a bouncer in a sleazy bordertown night club owned by Charlie Roark (Eugene Pallette). Charlie's wife Marie (Bette Davis) is immediately attracted to Johnny and makes a none-too-subtle play for him. But Johnny has his eye on Dale Elwell (Margaret Lindsay), a socialite who enjoys slumming in low-class dives and admiringly refers to Johnny as a "savage." Johnny tells Marie that it's against his principles to get involved with a married woman, so she decides to do something about that: she traps drunken Charlie in his car while it's locked in a garage, allowing the carbon monoxide to take Charlie out of the picture. When Marie explains that she killed her husband and is now available to him, Johnny wants no part of her; bitter that Johnny has snubbed her, Marie implicates him in Charlie's murder, leading to a dramatic and surprising trial. Paul Muni reportedly moved in with his Mexican chauffeur in order to study his accent and reproduce it accurately for this film. ~ Mark Deming, All Movie Guide

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Starring:
Paul MuniBette Davis, (more)
1934  
 
The Man with Two Faces is based on The Dark Tower, a stage comedy-mystery by Alexander Woollcott and George S. Kaufman. Edward G. Robinson is at his hammy best as flamboyant, temperamental, but withal endearing theatrical actor-manager Dawson Wells. Mary Astor co-stars as Damon's beloved actress sister Jessica, making a stage comeback after a disastrously unhappy marriage. Alas, Jessica's caddish husband Stanley Vance (Louis Calhern) soon returns, exerting a Svengali-like hold on the poor girl and setting her back on the road to ruin. Unable to buy off Vance, Wells plots a clever revenge, and shortly afterward, Vance is visited by one Monsieur Chautard, an effusive European producer with murder on his mind. The central "gimmick" in Man With Two Faces, which was adroitly concealed in the original Dark Tower, is a bit more obvious on screen due to the dynamic personalities involved. Also, the play's ending, in which Vance's murderer is allowed to escape scot-free by a sympathetic detective, was obviously altered at the very last minute to appease the new Production Code. ~ Hal Erickson, All Movie Guide

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Starring:
Edward G. RobinsonMary Astor, (more)

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