Wendell Mayes Movies

Farrah Fawcett stars as a struggling defense lawyer in the made-for-TV Criminal Behavior. Defending a nurse on theft charge, Farrah ends up ferreting out clues in a ticklish LA murder case. The path to the truth is labyrinthine, and no one can be trusted. A. Martinez, Andy Robinson and Cliff DeYoung costar. Based on a Ross MacDonald novel, Criminal Behavior debuted May 11, 1992. ~ Hal Erickson, All Movie Guide

Charles Bronson is out for revenge (and doesn't that sound familiar) in this action drama. Jackie Pruit (Jill Ireland) is the girlfriend of notorious gangster Joe Bomposa (Rod Steiger). When it looks as if Jackie's life is being threatened by Bomposa's goons, the FBI moves in to protect her, in hopes that she'll have incriminating evidence that the Bureau can use against Bomposa in court. Veteran agent Charlie Congers (Bronson) is assigned to watch over Jackie, and while it soon becomes obvious that she knows almost nothing about Bomposa that would be of any use to the FBI, he also falls in love with her. However, Bomposa decides that it would be a lot more convenient to have Jackie out of the way, and he orders her to be executed. Bomposa's henchmen manage to slip through FBI security and murder her, but now they have to answer to the angry and vengeful Congers. Love and Bullets also features Strother Martin, Bradford Dillman, Henry Silva, and Paul Koslo. ~ Mark Deming, All Movie Guide

This drama about a man who takes the law into his own hands was wildly controversial upon first release, sparking much debate about the perceived pro-vigilante stance of the story, and established Charles Bronson as a major box office draw in the United States. Paul Kersey (Charles Bronson) is a liberal architect living in New York City. One day, a group of drug-crazed thugs break into his apartment while he's gone, killing his wife Joanna (Hope Lange) and brutally raping his married daughter, leaving her comatose. When the police are unable to find the culprits, Kersey arms himself and begins patrolling the streets, killing muggers and thieves as he encounters them. While his obsessive search for street justice sickens him at first, in time Kersey begins to enjoy it and becomes a hunted man himself, as Police Detective Frank Ochoa (Vincent Gardenia) tries to find the man who is doing the police's job for them, and a bit too well. Jeff Goldblum made his screen debut as one of the lunatics who attacks Joanna. ~ Mark Deming, All Movie Guide

Despite the fact that most of the westerns made at this time (early '70s) were "deconstructionist" westerns, which either spoofed or subverted the themes of this genre, occasionally a traditional western got filmed. The Revengers is a traditional western. John Benedict (William Holden) returns to his ranch, only to find all his cattle stolen and his family murdered. He vows to exact revenge on Tarp (Warren Vanders), the varmint who did this to him. He recruits a treacherous gang of convicts, bribing the warden for their release, and makes his move. When the attack fails, the convicts aren't interested in making another try. Instead, they shoot him and, leaving him for dead, head off to follow their own concerns. On her way to a new landholding, Elizabeth (Susan Hayward) stumbles upon the injured man, and nurses him back to some semblance of health. She begs him to drop his revenge plan, but he resumes his quest, receiving unexpected help along the way from Hoop (Ernest Borgnine), one of the renegade ex-convicts. ~ Clarke Fountain, All Movie Guide

Adapted from a novel by Theodore V. Olsen, The Stalking Moon opens in the Arizona of the Old West, as the U.S. calvary is in the process of relocating Native Americans to reservations. One of the calvary men is Sam Varner (Gregory Peck), an aging scout who is ready to retire to his New Mexico home after this mission. Varner is called upon to sneak into a small Apache camp in order to disarm the guards before the rest of his troupe rides in to round up the whole tribe. After the round-up, a white woman is discovered among the Americans. Her name is Sarah Carver (Eva Marie Saint), and she was captured ten years ago by a mysterious and vicious warrior named Salvaje (Nathaniel Narcsisco), who is not among those captured in the round-up. Held against her will, she now has a nine-year-old son by Salvaje. Although her English is very rusty from disuse, she lets Varner know that she and her son would like to be taken away from the tribe. He agrees to transport her to his home, and they set out together for New Mexico, having to overcome obstacles such as a sandstorm to get there. Along the way, they seem to sense that someone is following them, and after they arrive at Varner's cabin, they find themselves set upon by the vengeful Salvaje. Enlisting the aid of a half-breed scout Robert Forster that he raised from childhood, Varner tries to fend off Salvaje, who seems to be toying with them before moving in for the final kill. ~ Craig Butler, All Movie Guide

In Harm's Way, based on James Bassett's novel Harm's Way, has enough plot in it for four movies or a good miniseries (when it was shown on network television in prime time, it was broken into two very full nights). On the morning of December 7, 1941, a heavy cruiser, commanded by Captain Rockwell Torrey (John Wayne), and the destroyer Cassidy, under acting commander Lieutenant (jg) William McConnell (Thomas Tryon), are two of a handful of ships that escape the destruction of the Japanese attack on Pearl Harbor. Under Torrey's command, the tiny fleet of a dozen ships carries out its orders to seek out and engage the enemy fleet. But lack of fuel and a daring maneuver (but tragic miscalculation) by Torrey causes his ship to be seriously damaged. He's relieved of command and assigned to a desk job routing convoys in the shakeup following the attack, and his exec and oldest friend, Commander Paul Eddington (Kirk Douglas), is reassigned after a brawl, the result of his anger after identifying the body of his wife (Barbara Bouchet) who was killed during the attack while cavorting with an Marine Corps officer.

Torrey's shore assignment leads him to reestablish contact on a very hostile level with his estranged son, Ensign Jere Torrey (Brandon de Wilde), from his long-ended marriage; he establishes a romantic relationship with Lt. Maggie Haynes (Patricia Neal), a navy nurse; and he also befriends Commander Egan Powell (Burgess Meredith), a special-intelligence officer. Partly as a result of his contact with Powell, Torrey is chosen by the commander of the Pacific Fleet (Henry Fonda) to salvage an essential operation called Sky Hook, which has become bogged down through the indecisiveness of its area commander, Vice Admiral Broderick (Dana Andrews). Promoted to rear admiral, with Eddington -- who'd been rotting away on a shore assignment, drunk most of the time -- assigned as his chief of staff, Torrey gets Sky Hook rolling and finally finds his purpose in this war, gaining the belated admiration of his son in the process. Eddington is similarly motivated but is still haunted by the violent, ultimately self-destructive demons that blighted his marriage and his life -- he is particularly attracted to a young nurse, Annalee Dohrn (Jill Haworth), not knowing that she is already involved romantically with Jere Torrey. Meanwhile, McConnell survives the sinking of his ship and is ordered to join Torrey's staff. Matters all come to a head when the Japanese begin a counter-offensive to Torrey's planned troop landing. And just at the time Torrey needs his men at their best, Eddington's violence and rage boil to the surface in a way that will destroy him and blight both men's lives. In a final attempt at redemption, Eddington provides Torrey with the information he needs to set up a battle that he has at least a chance of winning, pitting his small task group of destroyers and cruisers against the Japanese task force led by the Yamato, the largest battleship ever built. ~ Bruce Eder, All Movie Guide

The first of Allen Drury "all names changed to protect the guilty" political novels, Advise and Consent was brought to the screen by producer/director Otto Preminger. The film hinges upon the appointment of Robert Leffingwell (Henry Fonda) to Secretary of State. Leffingwell has been hand-picked by the President (Franchot Tone), meaning that there'll be a battle on the Senate floor between adherents of and opponents to the current administration. Among the participants are veteran Dixiecrat Charles Laughton, freshman Senator Don Murray and powerseeker George Grizzard. Burgess Meredith also shows up as a man who is brought into the Senate to "prove" that Leffingwell is a communist. To neutralize Murray, Grizzard threatens to dredge up a homosexual incident in Murray's past, which results in the latter's suicide. Advise and Consent is a slow and old-fashioned film, coming to life only when Laughton and Grizzard are on screen--and in the climax, in which the fate of Leffingwell's appointment is left in the hands of acting President Lew Ayres. ~ Hal Erickson, All Movie Guide

Gary Cooper plays a frontier doctor with a checkered past who works in a rowdy Montana mining camp. Cooper falls in love with Maria Schell, a young Swiss girl whom he has treated for shock after she was the victim of a holdup. He finances Schell's grubstake, which makes her rich. When Schell's unscrupulous partner Karl Malden tries to have his way with the girl, Cooper kills Malden. Sentenced to an immediate hanging, Cooper is saved when Schell offers to give the town her valuable mine. A surprise hit in 1959, The Hanging Tree was based on an award-winning novel by Dorothy M. Johnson. The film not only yielded a hit theme song by Mack David and Jerry Livingston, but also served as the film debut of George C. Scott, who plays Cooper's doctor predecessor. ~ Hal Erickson, All Movie Guide

A spare, almost austere western, From Hell to Texas stars Don Murray as a carefree cowpoke. Accidentally killing the son of a powerful land baron (R. G. Armstrong), Murray runs for his life, pursued by the dead man's vengeful brothers. The fugitive is sheltered by Chill Wills, upon whose ranch Murray spends the bulk of his screen time. In love with Wills' daughter (Diane Varsi), Murray is concerned that he'll eventually have to leave when his pursuers catch up with him, but the boy is exonerated when he saves the life of the land baron's youngest son (Dennis Hopper). A superb piece of filmmaking, From Hell to Texas is barely worth watching unless seen in its original CinemaScope. ~ Hal Erickson, All Movie Guide

The Enemy Below is a study of submarine warfare from the vantage point of both sides. Robert Mitchum plays the captain of an American destroyer, who despite having lost his family in the war endeavors to let his head rule his heart in combat. Curt Jurgens co-stars as a German U-boat commander, depicted as being as honorable and compassionate as Mitchum. The two men develop a grudging mutual respect as they pursue one another throughout the North Atlantic. Based on a novel by D. A. Rayner, The Enemy Below was the last theatrical film directed by Dick Powell, who hereafter concentrated on his extensive television work. ~ Hal Erickson, All Movie Guide

A misfire for all concerned, The Spirit of St. Louis can be chalked up as a courageous failure. At age 48, James Stewart was far too old to be convincing as 27-year-old "Lone Eagle" Charles Lindbergh. Director Billy Wilder, a past master of cynical pessimism, was clearly the wrong choice to helm this paean to ingenuous optimism. And the CinemaScope process was totally inappropriate for the claustrophobic nature of the film's storyline. Even so, this retelling of Lindbergh's historic flight across the Atlantic has its moments, especially during the main character's flashbacks to the events leading up to his history-making achievement. Reportedly, James Stewart was uncharacteristically sullen and uncomfotable throughout the filming, which as it turned out was wholly appropriate for his portrayal of the equally taciturn Charles Lindbergh. An excellent musical score by Franz Waxman helps smooth over the lumpier portions of the narrative. Though Spirit of St. Louis was a box-office failure, both James Stewart and Billy Wilder rapidly recovered with, respectively, Night Passage and Love in the Afternoon. ~ Hal Erickson, All Movie Guide