Edwin Justus Mayer Movies

American screenwriter Edwin Justus Mayer penned the scripts for many silent and sound films. A native of New York City, Mayer had little formal education. Still, he managed to become both a journalist and a playwright before moving to Hollywood in the late '20s to work as a press representative for Sam Goldwyn. His job led him to write screenplays for a few silent films. Later, Mayer became known for writing urbane comedies for Paramount. ~ Sandra Brennan, All Movie Guide
1958  
 
When Cecil B. DeMille was set to direct a re-make of his 1938 swashbuckler The Buccaneer and suddenly became ill, his son-in-law, Anthony Quinn, jumped into DeMille's jodhpurs. In this version, Yul Brynner plays the starring role of debonair pirate Jean Lafitte, who is contacted by General Andrew Jackson (Charlton Heston) to come to the aid of the United States when the British attack New Orleans during the War of 1812. Lafitte immediately falls in love with Annette Claiborne (Inger Stevens), the daughter of William Claiborne (E.G. Marshall), the first governor of Louisiana. ~ Paul Brenner, All Movie Guide

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Starring:
Yul BrynnerCharlton Heston, (more)
1945  
 
The Technicolor musical Masquerade in Mexico is Mitchell Leisen's remake of his own Midnight. Stranded in Mexico City without a dime, glamorous Angel O'Reilly (Dorothy Lamour) is rescued by wealthy Thomas Grant (Patric Knowles). But Grant's motivations are anything but altrustic. In order to get his wife Helen's (Ann Dvorak) mind off handsome bullfighter Manolo Segovia (Arturo de Cordova), Grant passes Angel off as a Contessa at a weekend party, reasoning that Segovia will switch his attentions to our heroine. Screenwriter Karl Tunberg has added a jewel-theft angle to the original Edwin Justis Mayer/Franz Spencer story, which improves things not at all. Masquerade in Mexico is admittedly a handsomer production than Midnight, but the remake lacks the sparkle of the original film's stars Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor et. al. ~ Hal Erickson, All Movie Guide

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Starring:
Dorothy LamourArturo de Cordova, (more)
1945  
 
Ernst Lubitsch was the original director for A Royal Scandal, but illness forced him to bow out; his replacement was Otto Preminger, who did his utmost to retain the "Lubitsch touch." Based on a play by Lajos Biro and Melchior Lengyel, the film dwells upon a fictional incident in the life of Russia's Catherine the Great, here played with blue-blooded bawdiness by Tallulah Bankhead. Catherine falls in love with a handsome young army officer (William Eythe), who turns out to be an insurrectionist planning her downfall. At the last moment, Catherine relents, allowing the officer to escape with his true love, lady-in-waiting Anne Baxter. A bit too cute for its own good, Royal Scandal has some choice moments: Most notable are Tallulah Bankhead's pained reaction upon being hailed as "The Mother of All Russias," and supporting actor Grady Sutton's southern-accented reference to the "U-ral Mountains". ~ Hal Erickson, All Movie Guide

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Starring:
Tallulah BankheadCharles Coburn, (more)
1942  
 
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Ernst Lubitsch directs the 1942 political satire classic To Be or Not to Be, which marked the final screen appearance of comedienne Carole Lombard. In Warsaw at the beginning of WWII, Maria Tura (Lombard) and husband Joseph (Jack Benny) perform anti-Nazi plays with their theater troupe until they are forced to switch to Shakespeare's Hamlet. Lt. Stanislav Sobinski (Robert Stack) falls for Maria and meets up with her during Joseph's famous "To Be or Not to Be" speech as Hamlet. When Stanislav is eventually dispatched for war, he implicates Maria with Professor Siletsky (Stanley Ridges), who has a secret plan to destroy the Warsaw resistance. The Polish theater troupe is then forced to use their theatrical skills to ensure their survival. Eventually, they turn to impersonating Nazi officers -- and even Hitler himself -- in order to outwit the enemy and keep the resistance safe from spies. To Be or Not to Be opened to a controversial release in 1942, when the U.S. was still very much involved in WWII. It was remade in 1983 starring Mel Brooks and real-life wife Anne Bancroft. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Carole LombardJack Benny, (more)
1941  
 
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Underground is an average Warner Bros. suspenser, given a boost by its unrelenting portrayal of Nazis as verminous scum--several months before America's entry into World War II. Jeffrey Lynn plays an impressionable young European who is intoxicated by the "glories" of National Socialism. Lynn's brother, Philip Dorn, is on the opposite side of the fence as an announcer for an underground Resistance radio station. At first scornful of his brother's activities, Lynn soon learns that Hitler isn't the saint he believed him to be--especially after several of his friends are liquidated by the Gestapo. Lynn belatedly joins his brother's cause and, at the cost of his own life, helps the Resistance thwart a band of fifth columnists. Underground is a solid piece of film craftsmanship, lacking only the big star names that would have made it a box-office hit. ~ Hal Erickson, All Movie Guide

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Starring:
Jeffrey LynnPhilip Dorn, (more)
1941  
 
They Met in Bombay is a typical MGM star vehicle, in which the leading players are called upon to carry a pencil-thin plotline on the force of sheer personality. Clark Gable and Rosalind Russell play Gerald Meldrick and Anya Von Duren, a pair of rival jewel thieves at large in India. Both parties are after the same prize, a priceless diamond owned by the Duchess of Beltravers (Jessie Ralph). To inveigle their way into the Duchess' confidence, Gerald poses as a Scotland Yard detective, while Anya pretends to be an aristocrat. After several reels of cross-purposes, hero and heroine decide to team up, keeping one step ahead of a diligent police inspector (Matthew Boulton) and mercenary freighter captain Chang (Peter Lorre). Both Gerald and Anya betray the nobler sides of their natures in the final reels, participating in a pitched battle against invading Japanese military forces. ~ Hal Erickson, All Movie Guide

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Starring:
Clark GableRosalind Russell, (more)
1939  
 
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Paramount's screwball comedy Midnight is the first collaboration between director Mitchell Leisen and screenwriting duo Charles Brackett and Billy Wilder. The film merges Brackett and Wilder's early emphasis on repartee and masquerade with ex-costume designer Leisen's flair for high style and sophistication. American Eve Peabody (Claudette Colbert), a wily ex-showgirl, must impersonate Hungarian royalty in order to infiltrate the Parisian jet set. Midnight begins during a midnight rainstorm as Eve arrives penniless at Paris' Gare de L'Est, owning only the gold lamé gown on her back. She attracts the attention of Hungarian cab driver, Tibor Czerny (Don Ameche), but walks out on their budding romance; Eve will no longer make the mistake of dating for love rather than money. Instead, she finds shelter from the downpour by crashing a socialite's late-night soirée using a pawnticket and a pseudonym, the Baroness Czerny (the cab driver's surname). There, Eve meets aristocrat Georges Flammarion (John Barrymore), who entices her with a place in society if she agrees to remain disguised as the Baroness and seduce his wife's playboy lover. Meanwhile, Tibor Czerny has not given up his search for Eve. When he locates her whereabouts and discovers the fact that she is using his name, Tibor also travels to the Flammarion estate -- to win back Eve, and to pose as her husband, the Baron. What ensues is quintessential screwball comedy, full of deception, love, quadruple entendre, and outright farce. Midnight remains Leisen's most heralded directorial effort, as well as one of Brackett and Wilder's earliest successes. ~ Aubry Anne D'Arminio, All Movie Guide

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Starring:
Claudette ColbertDon Ameche, (more)
1939  
 
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Exile Express was the last film produced by Grand National Pictures, and a worthy farewell it was. Anna Sten, former Sam Goldwyn protegee and the wife of Exile Express producer Eugene Frenke, stars as Nadine Nikolas, a young European girl whose chances of becoming an American citizen are scotched when she is implicated in a murder. About to be deported, Nadine is rescued by reporter Steve Reynolds (Alan Marshall), who suspects that the killing was engineered by a gang of international spies. One delightful scene permits the haughty Ms. Sten to "let herself go" by dancing an energetic jitterbug. Directed by Universal contractee Otis Garrett, Exile Express is a satisfying blend of comedy, romance, and edge-of-the-seat suspense. ~ Hal Erickson, All Movie Guide

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Starring:
Anna StenAlan Marshal, (more)
1939  
 
Though running a mere 75 minutes, Rio has enough plot for ten movies. Basil Rathbone and Sigrid Gurie, previously teamed in The Adventures of Marco Polo, head the cast as crooked French financier Paul Reynard and his wife Irene. Sentenced to a ten-year term in a French penal colony for bank fraud, Paul wonders if his wife will remain faithful to him. At first glance it seems that he has nothing to worry about: Irene and family friend Dirk (Victor McLaglen) head to Rio to arrange for Paul's escape, with Dirk vowing to shield Irene from any and all sexual predators. But once she's landed in the Brazilian capital, Irene falls in love with red-blooded American engineer Bill Gregory (Robert Cummings). Upon emerging from his dank prison cell, Paul realizes that he's lost his wife forever to a better man. Seeking revenge, he prepares to shoot Bill in cold blood, but good old Dirk intervenes, paving the way for a happy ending -- for everyone but Paul, that is. Though he plays a thoroughly unsavory character, Basil Rathbone ends up the most sympathetic person in the film, and as such he's the only real reason to sit through the melodramatic convolutions of Rio. ~ Hal Erickson, All Movie Guide

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Starring:
Basil RathboneVictor McLaglen, (more)
1938  
 
Cecil B. DeMille's The Buccaneer stars Fredric March, complete with curly hair, pencil moustache and florid "Sacre Bleu!" French accent, as 18th century pirate Jean Lafitte. Operating out of a "buccaneer's haven" of the coast of New Orleans, Lafitte plunders all passing ships for their wealth, but refuses to attack any vessel flying the American flag. During one seafaring skirmish, he rescues Dutch maiden Gretchen (Franziska Gaal) from a sunken ship. Gretchen falls madly in love with the dashing Lafitte, but he has eyes only for aristocratic Louisana belle Annette (Margot Grahame). During the War of 1812, Lafitte is offered a pardon by Andrew Jackson (Hugh Sothern) if he and his pirates will fight on the American side. As good as his word, Lafitte stands shoulder to shoulder with Jackson as they ward off the British at the Battle of New Orleans. During a Victory Ball in his honor, Lafitte is confronted with evidence that he unknowingly caused the death of Annette's younger sister Marie (Louise Campbell) during a previous act of piracy. The assembled guests are all for hanging Lafitte on the spot, but General Jackson offers the pirate an hour's head start out of New Orleans, provided he never set foot on American soil again. This naturally costs Lafitte the love of Annette; fortunately, Gretchen is awaiting him on board his ship with open arms. From the opening scene in which Dolly Madison (Spring Byington) rescues the Declaration of Independence during the burning of Washington to the closing clinch between Lafitte and Gretchen, The Buccaneer is one of DeMille's most exhilarating films. It was remade less successfully in 1958 under the direction of Cecil B's son-in-law Anthony Quinn, who played the supporting role of Beluche in the original film. ~ Hal Erickson, All Movie Guide

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Starring:
Fredric MarchFranziska Gaal, (more)
1936  
 
Charismatic Polish opera singer Jan Kiepura made his Hollywood debut in Give Us This Night. His thick Slavic accent notwithstanding, Kiepura is cast as Italian fisherman Antonio. In the habit of singing as he fishes, Antonio catches the attention of opera diva Maria (played by real-life operatic soprano Gladys Swarthout, in her second film appearance). Our hero ends up replacing Maria's burned-out leading man Forcellini (Alan Mowbray), leading to a series of duets and, naturally, romance. It was the same formula that MGM would later deploy for their Mario Lanza pictures of the 1950s, except that Lanza was a more persuasive screen presence than Kiepura. The highlight of Give Us This Night is the climactic operatic adaptation of Romeo and Juliet, composed by Erich Wolfgang Korngold. ~ Hal Erickson, All Movie Guide

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Starring:
Gladys SwarthoutPhilip Merivale, (more)
1936  
 
In this taut WW I espionage thriller set in 1914, an English actor falls in love with a German actress. When the war erupts, the two are torn apart and begin working as spies for their countries. They encounter each other, but now they are enemies. Fortunately their love is too deep and is soon rekindled, and an understanding master-spy helps them get to Holland where they can be married. ~ Sandra Brennan, All Movie Guide

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Starring:
Herbert MarshallGertrude Michael, (more)
1936  
 
In this frothy romantic adventure, Marlene Dietrich plays Madeleine de Beaupre, a devious jewel thief. After sneaking a valuable string of pearls away from jeweler Aristide Duval (Ernest Cossart), Madeleine attempts to flee Paris, leaving a trail that will instead implicate psychiatrist Dr. Pauquet (Alan Mowbray). While headed for the Spanish border, she nearly runs into Tom Bradley (Gary Cooper), an American auto engineer vacationing in Europe. Madeleine spots Tom again as she waits to go through Spanish Customs; worried that the stolen pearls will be found in her handbag, she slips them into Tom's pocket. After they both make their way through inspection unscathed, Madeleine flirts with Tom in an attempt to get the valuables back; he's too shy to respond in kind, so she gets his attention by trying to "repair" the engine of her car with a hammer. Madeleine lures Tom to the San Sebastian estate of her partner in crime, Carlos Margoli (John Halliday). It doesn't take long for Tom to figure out what Madeleine and Carlos are up to; however, he also knows that he's fallen in love with her, and he is willing to play along if it allows him to be near her. Carlos was originally to have been played by John Gilbert; Halliday was a last-minute replacement after the one-time silent screen star died a week before shooting was to begin. ~ Mark Deming, All Movie Guide

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Starring:
Marlene DietrichGary Cooper, (more)
1935  
 
"I'll See You in My Dreams" could well have been the theme music of Peter Ibbetson, the second film version of George du Maurier's 1891 novel. Peter Ibbetson (Gary Cooper) is an architect who, while working on a restoration job for the British Duke of Towers (John Halliday), discovers that The Duchess of Towers (Ann Harding) is actually Mary, his childhood sweetheart. The jealous duke pulls a gun on Ibbetson, but Peter kills him. He is sent to prison for life, certain that he'll never meet his Mary again. But both lovers are reunited in one another's dreams, which connect them spiritually. The years pass, but the aging Peter and Mary remain ever youthful in their dreams. Upon their deaths, they are reunited in the afterlife. Somehow this fragile fantasy works, thanks to the steady guiding hand of director Henry Hathaway. ~ Hal Erickson, All Movie Guide

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Starring:
Gary CooperAnn Harding, (more)
1935  
 
So Red the Rose is a Civil War drama that plays like a warm-up for Gone With the Wind--and, unlike Wind, has two genuine Southerners in the leading roles. Margaret Sullavan is the aristocratic mistress of a sprawling Southern plantation, whose sheltered lifestyle is rent asunder by the War. All that sustains her during the conflict's darkest days is her love for her distant cousin, a Confederate officer played by Randolph Scott. Despite the incursions of Yankee troops (most of whom are portrayed as one step above gorillas), Sullavan holds her family together even after her mansion is burned to the ground. She even manages to talk her slaves out of rebelling, in a scene that must have caused embarrassment for everyone concerned in later years. The fact that So Red the Rose died at the box office (industryites dubbed the picture "So Red the Ink") was the principal reason why so many producers turned down Gone with the Wind a few years later. ~ Hal Erickson, All Movie Guide

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Starring:
Margaret SullavanWalter Connolly, (more)
1934  
 
The Affairs of Cellini is based on Edwin Justus Mayer's popular stage play The Firebrand, which in turn was based on the life and times of Renaissance artist/political reactionary Benvenuto Cellini. Fredric March plays the tempestuous, amorous Cellini, who spends as much time in swordplay with jealous husbands as he does in his artist's loft. When the duke of Florence (Frank Morgan) falls for Cellini's beautiful model (Fay Wray), Cellini is presented in court, whereupon he revives an ongoing affair with the duchess of Florence (Constance Bennett). Though a bumbling buffoon, the duke nonetheless holds the power of life and death over everyone in his domain, including Cellini. Thanks to his political activities and his overactive libido, Cellini is nearly executed, but a series of farce-like complications allows the plotline to turn out to the artist's advantage. Though hardly reliable as history, The Affairs of Cellini scores on its comic content, including the hilarious performances of Frank Morgan as the cuckolded duke and Fay Wray as the monumentally stupid artist's model. ~ Hal Erickson, All Movie Guide

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Starring:
Constance BennettFredric March, (more)
1934  
 
A European princess heads for New York in order to see if the U. S. will back her country's bond issue. Unfortunately, she is afflicted with the mumps and ordered to bed. This is an ill turn for the banker planning to issue the bonds for if the princess reneges upon her public engagements, the deal could fall through and he will lose a huge commission. Thinking quickly, he starts looking for a look-alike. He soon discovers an impoverished actress who fits the bill. Trouble brews when a prominent and somewhat xenophobic newspaper publisher gets wind of the entire scam. ~ Sandra Brennan, All Movie Guide

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Starring:
Sylvia SidneyCary Grant, (more)
1934  
 
Adapted from the 1925 stage hit The Grand Duchess and the Waiter (previously filmed in 1926), Here is My Heart has been subtly reshaped into a Bing Crosby vehicle. Der Bingle plays J. Paul Jones, a wealthy radio crooner (what a stretch!) who falls in love with icy Russian princess Alexandra (Kitty Carlisle). Unable to get close to her through diplomatic channels, Jones disguises himself as a waiter and gains access to her lavish suite. When it turns out that Alexandra and her relatives are broke and in danger of being evicted, our hero secretly buys the entire hotel to preserve his beloved's regal reputation. Ultimately of course the Princess falls in love with him -- and only then does she discover that the humble hotel waiter has been her benefactor all along. The songs include the enduring favorites "Love is Just Around the Corner" and "It's June in January." ~ Hal Erickson, All Movie Guide

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Starring:
Bing CrosbyKitty Carlisle, (more)
1934  
 
International musical-comedy favorite Lillian Harvey is as delightful as ever in the bizarre romantic tunefest I Am Suzanne. In a plotline curiously similar to the much-later Lili, Harvey is cast as Suzanne, a crippled dancer in love with young, self-involved puppeteer Tony (Gene Raymond), who finds it easier to talk to his wooden-headed creations than to human beings. Growing jealous of her puppet "rivals," Suzanne actually shoots a puppet designed in her image -- which leads to a bizarre dream sequence, in which the heroine is put on trial by the King and Queen of Puppet Land (played by Podrecca's Piccoli Marionettes). In time, Suzanne recovers from her lameness and enjoys a happily-after-ever denouement with Tony, no thanks to her Svengali-like manager Baron (Leslie Banks). Rowland V. Lee's direction of I Am Suzanne is almost as Germanically symbolic as his later handling of Universal's Tower of London and Son of Frankenstein. ~ Hal Erickson, All Movie Guide

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Starring:
Lilian HarveyGene Raymond, (more)
1932  
 
If only Merrily We Go To Hell was as interesting as its title! To escape an arranged marriage, heiress Joan Prentice (Sylvia Sidney) elopes with reporter Jerry Corbett (Fredric March). Unfortunately, Corbett is not only irresponsible, but also an abusive drunkard. To make matters worse, predatory Claire Hempstead (Adrienne Ames) has set her mind on stealing Corbett away from the hapless Joan. Finally fed up with her besotted mate, Joan walks out on him, only to discover that she's pregnant. The prospect of impending fatherhood causes Corbett to shape up and "dry out" in a hurry, but one still has doubts whether he'll be able to keep his promise never to touch another drop of liquor. Cary Grant has a tiny role as a stage actor in this unsettling blend of romance, drinking jokes, and Victorian melodrama. ~ Hal Erickson, All Movie Guide

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Starring:
Sylvia SidneyFredric March, (more)
1932  
 
Bret Harte's story Salomy Jane's Kiss provided the basis for a play (by Paul Armstrong and a number of films, including 1932's Wild Girl. Set in the High Sierras at the end of the Civil War, the "wild girl" of the title is Salome Jane Clay (Joan Bennett). Rather tomboyish and determined, she isn't the vixen that the title suggests; as a matter of fact, she is upset and angry over a man who has tried to take liberties with her. A stranger Charles Farrell shows up, looking for the same man who has incurred Jane's enmity. Farrell has a score to settle, for this man ruined the life and reputation of Farrell's sister. He shoots him, then flees the town with Jane's help. They are pursued by numerous individuals; as they overcome various obstacles, they find themselves falling in love. ~ Craig Butler, All Movie Guide

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1931  
 
In this melodrama, a magician finds himself accused of murdering his lover's father. He flees and the lover marries her other boyfriend--the real killer. When her husband dies, the magician gets plastic surgery until he resembles the killer and assumes his former position as husband to the girl. He then begins gathering the necessary evidence to clear his name. ~ Sandra Brennan, All Movie Guide

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Starring:
John GilbertLeila Hyams, (more)
1931  
 
In this romantic comedy-drama, a wealthy San Francisco businessman becomes the guardian of a sexy young Polynesian woman. At first, he sees her as in the way, but he falls in love with her and moves back to her home island with her, adopting the ways of the natives. ~ Steve Huey, All Movie Guide

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Starring:
Leslie HowardConchita Montenegro, (more)
1930  
 
Originally filmed under the title The House of Troy, In Gay Madrid was one of four 1930 MGM operettas designed to show off the singing talents of silent-screen idol Ramon Novarro. The star is cast as Ricardo, a young, headstrong student in love with cabaret girl Goyita (Lottice Howell). Trouble is, he already has a sweetheart, the demure Carmina (Dorothy Jordan). This being an essentially lighthearted frolic, Ricardo eventually goes back to his true love, while Goyita philosophically moves on to her next conquest. ~ Hal Erickson, All Movie Guide

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Starring:
Ramon NovarroDorothy Jordan, (more)

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