Richard Matheson Movies

Invalided out of World War II, American writer Richard Matheson majored in journalism at the University of Missouri. Unable to secure a job at a magazine or newspaper, Matheson turned to freelancing, scoring an immediate success with his first fantasy piece, 1950's Born of Man and Woman. He tried to break into movies as early as 1951, but it wasn't until Universal bought the rights to Matheson's novel The Shrinking Man that he gained access to Hollywood -- on his own terms. He agreed to sell his novel only on the condition that he adapt the screenplay: the result was the 1957 existential sci-fi classic The Incredible Shrinking Man. Matheson's specialty was unearthing horrific or fantastic situations in the most commonplace of locales; his characters often courted insanity as they vainly tried to convince those around them that "something is out there." While Matheson's best novel I Am Legend was never satisfactorily brought to the screen, the author has been otherwise well served by Hollywood. Richard Matheson's vast cinematic and television output has included his screenplays for Roger Corman's Edgar Allen Poe films of the '60s; his unbearably suspenseful Duel, directed for TV by Steven Spielberg in 1971; his adaptation of Jeff Rice's The Night Stalker, which became the highest-rated TV movie up to 1972; and his prolific scriptwork for Rod Serling's Twilight Zone, including the legendary marrow-chiller "Nightmare at 20,000 Feet." ~ Hal Erickson, All Movie Guide
2012  
 
Eddie Murphy stars in this new incarnation of Richard Matheson's classic adventure, this time portrayed with a comic slant in the tale of a magician who must break a shrinking hex that's been thrown on him before he grows so small that he ceases to exist. The Reno 911! screenwriting duo of Thomas Lennon and Robert Ben Garant provide the script, with Brett Ratner taking on directing duties. ~ Jeremy Wheeler, All Movie Guide

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Starring:
Eddie Murphy
2011  
 
Shawn Levy (Night at the Museum) helms a reimagining of the Twilight Zone episode "Steel" in this DreamWorks production. X-Men star Hugh Jackman will play a former brawler who transitions to the business side of the ropes after the days of human fighters are long-replaced by robotic ones. John Gatins adapts the short story by I Am Legend author Richard Matheson. ~ Jeremy Wheeler, All Movie Guide

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1996  
 
Having married the "perfect" woman, Norman Glass looks forward to his first wedding anniversary with affectionate anticipation. So lucky does Norman consider himself that he has completely forgotten that his wife, Ady (Michelle Sutton), had previously been married to man who died under mysterious circumstances. But on the day of the anniversary celebration, Norman suddenly and inexplicably finds his wife to be thoroughly repugnant -- a phenomenon that repeats itself with Norman and Ady's best friends, who were married on exactly the same day one year earlier. Based on a story by Richard Matheson, "First Anniversary" originally aired on February 16, 1996. ~ Hal Erickson, All Movie Guide

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1990  
 
This sentimentalized biography of Oz creator L. Frank Baum (1856-1919) stars John Ritter in the title role. Richard Matheson's teleplay accurately depicts Baum as a business failure with the singular gift of being able to communicate with children. In keeping with Matheson's grounding in fantasy and the supernatural, Baum's characters occasionally come to life to palaver with the author and bring him inspiration. Annette O'Toole co-stars as Mrs. Baum, while Charles Haid is seen in the dual role of "Badham" and the Cowardly Lion. Also on hand as a Munchkin is Jerry Maren, who played one of the Lollipop Guild in the 1939 Hollywood adaptation of The Wizard of Oz. Made for television, Dreamer of Oz: The L. Frank Baum Story debuted December 10, 1990. ~ Hal Erickson, All Movie Guide

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1980  
 
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Everyone who tuned into The Martian Chronicles during its three-day run in January of 1980 sincerely hoped that it would be the ne plus ultra of televised sci-fi/fantasy. That it fell short of this goal was not the fault of the actors but of the script, which reduced Ray Bradbury's complex original work into typical TV-movie banality. Further hurting the project were the special effects, which fluctuate between the heights of the original Star Trek and the depth of Lost in Space. All there parts of The Martian Chronicles have been amalgamated into one overlong feature film on videocassette.
~ Hal Erickson, All Movie Guide

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Starring:
Rock Hudson
1977  
 
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Directed and produced by genre icon Dan Curtis (Dark Shadows, Trilogy of Terror), this trio of terrifying stories from I Am Legend author Richard Matheson features performances by Patrick Macnee, Ed Begley, Jr., and Horst Buchholz. The horror gets underway in "Second Chance," a story about a man (Begley, Jr.) who restores a vintage automobile only to find that this his prized vehicle has the power to transport him back in time. The chills keep on coming when the vampire-fearing mistress of an old mansion (Anjanette Comer) falls prey to a sinister scheme involving her husband (Macnee) and a benevolent family friend (Bucholtz) with a dark secret, and a grieving mother (Joan Hackett) is both terrified and overjoyed to be reunited with her presumed-dead son (Lee. H. Montgomery) in "Bobby." ~ Jason Buchanan, All Movie Guide

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1977  
 
A perfectly coherent Richard Matheson script is muddied by Gordon Hessler's kaleidoscopic direction in the made-for-TV The Strange Possession of Mrs. Oliver. Karen Black plays the title role, a dowdy, downtrodden housewife plagued by recurring nightmares. Seeking an escape from her stifling lifestyle, Black dons a blonde wig, garish makeup, and a new identity. But it turns out that the woman Black pretends to be may actually exist--and may have more than a passing knowledge of the Occult. Karen Black's fingernails-on-the-blackboard performance is but one of many detriments to the full enjoyment of Strang Possession of Mrs. Oliver. ~ Hal Erickson, All Movie Guide

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1976  
 
One of four dramatic miniseries carried by NBC under the blanket title Best Sellers, Captains and the Kings was adapted from a novel by Taylor Caldwell. Covering a time span from 1857 to 1912, this was the saga of the Irish-immigrant Armagh clan, with emphasis on the rags-to-riches career of Joseph Armagh (Richard Jordan). Achieving fame and prominence (if not full-fledged social acceptance) through a Byzantine series of investments in the oil industry, the elder Armagh was obsessed with the notion of having one of his sons become the first Irish-Catholic President of the United States (does this story sound vaguely familiar?). Along the way, Joseph and his offspring indulged in innumerable romantic liaisons, extramarital and otherwise. Featured in the all-star cast is Patty Duke Astin, who won an Emmy award for her portrayal of Bernadette Hennessey Armagh. Captains and the Kings was broadcast from September 30 to November 18, 1976 in seven installments, two of which ran 120 minutes, and the other six lasting 60 minutes -- a total of nine hours' air time in all. ~ Hal Erickson, All Movie Guide

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1975  
 
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In this made-for-TV horror showcase, Karen Black plays four separate roles in three successive tales written or based on the works of venerable genre writer Richard Matheson. In "Julie," Black portrays a prim college literature instructor who engages in a debauched affair with one of her students after he drugs, date-rapes, and blackmails her into submission; here and in the other stories, however, things aren't what they seem. "Millicent and Therese" features the actress in two roles as good sister/bad sister twins who use witchcraft to settle their sexual and moral differences. In the final and most famous segment, "Amelia," Black plays a spinster with an insufferable mother who sublets a high-rise apartment in the city in order to find romantic freedom. When she purchases a Zuni fetish warrior doll as a present for her anthropology-professor beau, it comes to life and chases her around the flat with considerable tenacity. A failed pilot for a horror anthology series, Trilogy of Terror first appeared on ABC in 1975 and subsequently gained a devoted cult following. Black originally didn't want to participate, but agreed after her husband, Robert Burton, was cast in the role of the date-raping blackmailer. Although the actress has appeared in numerous subsequent horror films, it was her indelible quadruple roles here that inspired cult New York rockers the Voluptuous Horror of Karen Black. The film also allegedly inspired the 1984 horror-blaxploitation flick Black Devil Doll From Hell. A belated sequel, Trilogy of Terror 2, also from former Dark Shadows director Dan Curtis, followed in 1996. ~ Brian J. Dillard, All Movie Guide

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1974  
 
Richard Matheson picked and chose the most effective elements of such earlier films as Rosemary's Baby and The Exorcist, then glossed over all with his own original touch. The result was this superior (if occasionally wavering) TV movie. Barbara Eden, who after five years of I Dream of Jeannie was no stranger to the supernatural, is here cast as a mother-to-be whose baby is inducing more than the standard kicks and labor pains. Fact is, the little stranger in the womb is an extraterrestrial being, bent upon controlling Eden's body and mind. The Stranger Within should not be watched in a natural-childbirth class anywhere at any time. ~ Hal Erickson, All Movie Guide

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1974  
 
This French film noir stars Alain Delon as a lawyer who thought he'd heard everything. But even Delon is not fully prepared for the cold, calculating manner of his beautiful client Mireille Darc. With sociopathic aplomb, Darc has been quietly killing every man who has ever gotten close to her. Delon is aware of the danger, but this doesn't stop him from becoming fascinated with Darc himself. Directed by George Lautner, a man normally associated with tongue-in-cheek spy capers, Icy Breasts was released in France as Les Seins de Glace. ~ Hal Erickson, All Movie Guide

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Starring:
Claude BrasseurAlain Delon, (more)
1974  
 
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Written by Richard Matheson, the made-for-television horror movie Scream of the Wolf is about an author (Peter Graves) being stalked by a terrifying, mysterious and lethal beast. The creature is also being tracked by a big-game hunter, who has come out of retirement to make one final big score. ~ Stephen Thomas Erlewine, All Movie Guide

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1974  
 
Dick Van Dyke put his image and his career on the line with this searing TV movie about a "social drinker" who becomes a full-fledged alcoholic. Van Dyke plays a loving husband and father with a solid job and an excellent reputation, who blows it all with his excessive drinking. His wife (Lynn Carlin) tries to be supportive, but even she throws in the towel as Van Dyke's illness worsens. The film refuses to cop out with a happy ending, leaving Van Dyke as low as he can get short of sleeping in the gutter. Morning After was something of a public "A.A." testimonial for Dick Van Dyke, who had recently come to grips with his own real-life alcoholism. ~ Hal Erickson, All Movie Guide

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1973  
 
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This TV-movie adaptation of Bram Stoker's novel of the "undead" was adapted by Richard Matheson and photographed by Oswald Morris. As the titular count, Jack Palance is a reluctant victim of an unwelcome fate, rather than a grinning bloodsucker. Nigel Davenport co-stars as Van Helsing, vampire-hunter deluxe, who pursues the count with his bagful of hammers and stakes. Much of the Stoker novel that had been eliminated in earlier versions has been restored by Matheson. Originally slated for telecast in October of 1973, Dracula was reshuffled to February 8, 1974, due to the late-breaking vice-presidential nomination of Gerald Ford. ~ Hal Erickson, All Movie Guide

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1973  
 
The Night Strangler is the sequel to the enormously successful 1972 TV movie The Night Stalker. Darren McGavin returns as seedy reporter Carl Kolchak, who previously ran into conflict when Las Vegas authorities refused to acknowledge Kolchak's uncovering of a modern-day vampire. Now he's in Seattle, on the trail of a mysterious strangler who drains the blood of his victims. Kolchak's quest takes him to a hidden underground city beneath Seattle and the bizarre residents therein. Margaret Hamilton (The Wizard of Oz) is seen briefly as an expert on alchemy; John Carradine also makes cameo. The success of this telemovie and its predecessor inspired a brief 1974 TV series, Kolchak: The Night Stalker, also starring McGavin. ~ Hal Erickson, All Movie Guide

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1973  
 
Married couple Jean (Cloris Leachman) and Jim Mitchell (Ross Martin) stop at a rundown roadside eatery. When time comes to leave, Jean is ready, but Jim isn't. In fact, Jim is nowhere to be found. Jean's anguished efforts to locate her husband are mysteriously blocked by the hulking restaurant proprietor (Ned Beatty). This variation on the old radio play "Cabin 13" was written by Richard Matheson. The made-for-TV Dying Room Only debuted September 18, 1973. ~ Hal Erickson, All Movie Guide

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1972  
 
Seedy newspaper reporter Carl Kolchak (Darren McGavin) is assigned the Las Vegas police beat by his boss Tony Vincenzo (Simon Oakland). A series of murders has been plaguing the Glitter Capital; the victims, all beautiful showgirls, have had the blood drained from their bodies. Kolchak can't understand why the authorities are so uncooperative as he probes the case. Nor can he believe the evidence he's gleaned on his own: There can't possibly be a Dracula-like vampire stalking Las Vegas, or can there? Adapted by Richard Matheson from a novel by Jeff Rice, The Night Stalker debuted January 11, 1972 - -and on that fateful evening, this thriller became the highest-rated TV movie up to its time, as well as an instant cult classic. The film spawned a popular sequel, The Night Strangler (1972), and a 1974 TV series. ~ Hal Erickson, All Movie Guide

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Starring:
Darren McGavinCarol Lynley, (more)
1971  
 
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Driving down a deserted Southern California highway at a safe and sane 55 miles per hour, David Mann (Dennis Weaver) steps on the pedal to pass a large gas trailer truck. Moments later, the truck is back, dangerously tailgating Mann before abruptly cutting him off. For the next 90 minutes, Mann and the never-seen truckdriver are pitted against one another in a motorized duel to the death. Author Richard Matheson conceived Duel after a similar experience with a reckless trucker. The story first appeared in Playboy magazine, then was picked up for adaptation by the producers of The ABC Movie of the Week. The director chosen to helm Duel on location in Soledad Canyon was a bright 23-year-old who'd shown promise on such series as Night Gallery and Columbo: Steven Spielberg. First telecast on December 18, 1971, Duel was so popular that a somewhat longer version (with added violence and profanity) was prepared for theatrical release in 1983. ~ Hal Erickson, All Movie Guide

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Starring:
Dennis WeaverJacqueline Scott, (more)
1968  
 
Adapted by Richard Matheson from a novel by Dennis Wheatley, The Devil Rides Out admirably adopts a restrained approach to its horrific material. Christopher Lee plays a French nobleman, Duc De Richeleau, who is worried sick over the bizarre behavior of his friend Simon (Patrick Mower). Richeleau has every reason to be concerned: unless drastic measures are taken, Simon will lose his soul to Satan within three days. Two black masses are performed (one a bizarre Felliniesque orgy), but neither satiate the Devil's appetite. As the story races to its climax, it looks as though Richeleau's own niece (Rosalyn Landor) will have to be sacrificed. The film's best moments belong to Charles Gray, playing the charming, hypnotic leader of the devil cult which holds Simon in its thrall. The Devil Rides Out was released in the U.S. as The Devil's Bride. ~ Hal Erickson, All Movie Guide

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Starring:
Christopher LeeCharles Gray, (more)
1968  
 
In this sci-fi film a loony farmer finds a prehistoric monster hiding in a cavern on his land. To feed his newest critter, the farmer kidnaps three people. The three desperately try to escape and finally, one of them succeeds. ~ Sandra Brennan, All Movie Guide

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1967  
 
In this WW II drama a naive group of men join the military to fight for their country, never anticipating the horrifying realities of war. One of them is mortified at first, but then turns into a heartless killer. His sergeant reprimands him for shooting a surrendering German. Later he proves himself worthy by risking his neck to save the sergeant. Afterwards the two become life-long friends. ~ Sandra Brennan, All Movie Guide

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Starring:
James DrurySteve Carlson, (more)
1966  
 
Thanks to a freak accident involving the Enterprise's transporter device, Captain Kirk is split into two separate bodies, each with its own personality, in this installment of the popular television series. The two Kirks represent opposite aspects of the Captain's personality: one who is aggressive, forceful, and callous, the other caring, sympathetic, but also indecisive and weak. The two men vie for control of the ship, leaving the Enterprise without a definite commander. Meanwhile, the rest of the landing party, led by Sulu, remains stranded on the planet's surface until the transporter can be repaired. Spock, Scotty, and the others must find a way to reunite the halves of Kirk's personality and rescue the others before nightfall arrives, bringing with it extreme cold that could mean the landing party's death. ~ Judd Blaise, All Movie Guide

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1966  
 
UNCLE agents April Dancer and Mark Slate try to persuade Professor Antrum (Sidney Blackmer) to guide them to the lost continent of Atlantis, there to harvest some laser crystals coveted by both UNCLE and THRUSH. In the course of events, April ends up in Central America, where she is made the reluctant guest of eccentric Honore Le Gallows (Claude Woolman), who imagines that he is living in the 17th century. Ultimately, April is forced into a fencing match with the nimble-wristed Monsieur LeGallows. Khigh Deigh, who later played Wo Fat on Hawaii Five-O, is somewhat incongruously cast as Col. Frank Faber. Written by the legendary Richard Matheson, "The Atlantis Affair" originally aired on November 15, 1966. ~ Hal Erickson, All Movie Guide

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1964  
 
This eerie Twilight Zone entry was scripted by Richard Matheson from his own short story "Long Distance Call." In her third appearance on the series, Gladys Cooper plays elderly, embittered spinster Elva Keene. Already nervous and high-strung, Elva becomes even more so when she begins receiving mysterious, cryptic telephone calls in the dead of night. Could this be the work of pranksters, or is Wanda being besieged by the ghost of her long-dead fiancée Brian? Originally scheduled for broadcast on November 22, 1963, "Night Call" was moved to February 7, 1964 as a result of the JFK assassination coverage. ~ Hal Erickson, All Movie Guide

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Starring:
Gladys CooperNora Marlowe, (more)
1964  
 
A typical "wrinkle in time" drama from the pen of Richard Matheson, this episode opens as young heiress Anne Henderson (Diana Hyland), taking a horseback ride near her family estate, is suddenly pursued by a witch-like rider dressed in black. This terrifying experience has no effect on Anne's determination to defy her parents' wishes and elope with irresponsible David Mitchell (Robert Hogan). As it turns out, Anne would have been wise to regard the mysterious horsewoman as a portent of disaster. This extremely intense Twilight Zone episode was originally broadcast on February 21, 1964. ~ Hal Erickson, All Movie Guide

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Starring:
Diana HylandRobert Hogan, (more)

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