James Mathers Movies

Ally McBeal, despite low expectations from the network, proved to be a highly successful endeavor from writer/producer David E. Kelley. The notoriously tiny Calista Flockhart's neurotic portrayal of Ally fueled the show for five seasons, though it could not have lasted nearly as long without the insights of its eccentric supporting cast. Unique for its forays into the surreal, Ally McBeal as a show is as conflicted as its starring character. Half feministic endeavor, half a frustratingly traditional portrayal of lovelorn women, Ally McBeal danced precariously between law dramas of a more serious nature and Bridget Jones-esque "chick-shows." The series centered around the life of Ally McBeal, the quintessential "little girl lost," who, after graduating with a law degree from Harvard University, found herself in a law firm populated by an extraordinarily unconventional staff, including but not limited to Billy Thomas (Gil Bellows), her high school sweetheart. The show's premise allowed for quite a bit of creative freedom, and most episodes switched seamlessly from the thought-provoking (modern gender issues and sexual boundaries) to the absurd (remote control toilet flushers and pet frogs). Ally's quest for love and emotional fulfillment made for the heart of the series, along with the dark undertone of her often-questionable sanity. ~ Tracie Cooper, All Movie Guide

Ally reexamines male-female relationships when a lawyer develops an unrequited crush on her, and she defends a prostitute (Jamie Rose). ~ TV Guide, All Movie Guide

Set in the 1950s, Voyager concerns the travels of an American construction engineer (Sam Shepard) who is wandering throughout Europe, recounting his life story through a series of flashbacks while meeting a variety of new characters. At first, he meets a man whom he knew during his time as a student in Europe in the days before World War II. Shortly afterward, he meets a beautiful young German woman (Julie Delpy), whom he accompanies on a journey to her home in Athens, Greece. Voyager is a slowly-paced and well-performed with a surprising, tragic conclusion. ~ Stephen Thomas Erlewine, All Movie Guide

Charles Lane directed Andy Breckman's script, based on an old "Saturday Night Live" sketch of Breckman's that featured Eddie Murphy. Comic Lenny Henry takes Murphy's place in True Identity as a black man forced to don white face in order to save his life. Henry plays Miles Pope, an agreeable British actor whose luck sours when he finds out that businessman Leland Carver (Frank Langella) is actually a notorious underworld mobster. Carver now wants to rub Miles out and the only way that Miles can escape Carver's retribution is to disguise himself as a man named Frank LaMotta, the Italian-American killer that Carver has hired to kill him. During the story, Miles finds that he has to assume a variety of roles to keep from getting shot --a gay real estate agent, a British lord, James Brown's brother Val, and even Othello. But the biggest shock for Miles comes when he plays the white man and discovers that he is given preferential treatment --not only by whites, but also by blacks and Hispanics. ~ Paul Brenner, All Movie Guide

An international collection of well-known directors contributed to this compilation film, each fashioning a short film inspired by an aria from a famous opera. The approaches vary broadly, from the playful abstraction of Jean-Luc Godard's segment, which illustrates Armide with exercising body-builders, to the more literal approach of Franc Roddam, who transports Tristan und Isolde's story to modern-day Las Vegas. A particular stand-out is Julian Temple's take on Rigoletto, which recasts Verdi as the accompaniment to a contemporary Southern California sex farce. ~ Judd Blaise, All Movie Guide