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Alfredo Matas Movies

Alfredo Matas was known for boldly producing offbeat movies for such noted filmmakers as Luis Bunuel (Cet Obscur Objet Du Désire [That Obscure Object of Desire]), Luis Berlinga (the controversial Placido), and The Heifer. The former film met with problems when Matas sent a copy of Placido to dictator Francisco Franco. The tyrant leader found the film offensive and banned it from the Venice Film Festival. But such tactics, plus the threat of prison time, did not prevent the honest Matas from expressing his radical views in his film. All told, Matas was behind 37 films. In addition to producing, he was also known for his razor-sharp business acumen and for popularizing multiplexes in Spain. In 1988, Matas and his partner Jose Sainz de Vicuna founded Cinepaq, a film rights brokerage business. By 1992, their business merged with another major Spanish distributor to become Sogepaq. With Matas as the company vice president, it quickly became one of the country's key sources of independent films. In 1994, Spain's Academy of Cinematographic Arts and Sciences honored Matas with a special gold medal for his lifetime achievements. Matas died at 76 from lung cancer on June 22, 1996. ~ Sandra Brennan, Rovi
1986  
R  
Antonio (Jose M. Sacristan) is a vagabond traveler who hitches a ride into a small town. He takes a job in a restaurant before landing a better job in the local movie theater. Antonio remembers the owner as the woman who employed his acting troupe years before when he was a young child. He later gets mixed up in a plot to steal a valuable painting from a convent. The English title of Cara de Acelga is Spinach Face. ~ Dan Pavlides, Rovi

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Starring:
José M. SacristánFernando Fernán Gómez, (more)
 
1985  
 
This is an off-beat, fast-paced, and well-wrought love story involving two very different people: Lucia (Assumpta Serna) is a computer operator whose sexual inclinations are alternately normal and kinky, and Arturo (Xabier Elorriaga) is a company representative from another town, with a wife and young child. After Lucia and Arturo meet, they start an affair that eventually takes on enough meaning for Arturo to split from his wife. In the meantime, Lucia is indulging her sado-masochistic tendencies on the side with at least one other partner -- knowing that if Arturo finds out, their relationship may be over. ~ Eleanor Mannikka, Rovi

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Starring:
Assumpta SernaXavier Elorriaga, (more)
 
1985  
 
This entertaining comedy is set in 1938 during the Spanish Civil War when a group of Republican soldiers sneak into a village in enemy territory to steal a bull with plans of butchering it to feed themselves. Fate and the bull itself, however, have other plans. One of the surreptitious bull-snatchers knows the village well -- he grew up there, but that advantage alone cannot guarantee their success, as it turns out. The group of five would-be thieves dress themselves in uniforms of the Nationalist troops in an attempt to dissimulate their true identity. But instead of a neat getaway with a bull in tow, they are caught up in the "correo" or running of the bull, they get involved in a religious procession, and in the end, watch as the bull breaks out of a flimsy ring in a bullfight and heads for the hills. Still hungry, the group of men now have to worry about getting back to their own battalion before they are found out. ~ Eleanor Mannikka, Rovi

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Starring:
Guillermo MontesinosAlfredo Landa, (more)
 
1984  
 
In his second successful starring role in 1983, Agustín Gonzalez is a father who runs a wine shop in Madrid, a city under a three-year siege (1936-1939) because the Nationalists forces of Francisco Franco need to take Madrid before the fascist dictator can be installed in power. The siege has left the Madrileños with very little food, living under the threat of bombs, and worrying about the prospects of defeat. It is the sense of impending disaster, of hunger and deprivation that is oddly missing from this cinematic interpretation of the play by Fernando Fernán Gómez. The daughter in the family (Victoria Abril) enters into a love affair with a soldier and ends up having a baby, the son (Gabino Diego) is coming of age with the maid - and life seems to go on with all its proverbial ups and downs. But without the sharp dialogue of the play itself, this film is not as tautly strung, or as convincingly real as the stage production. ~ Eleanor Mannikka, Rovi

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Starring:
Amparo Soler LealAgustin Gonzalez, (more)
 
1982  
 
In this movie with a title that refers to putting off an important discussion ("we'll talk tonight, dear"), a major fault line running right under a newly-constructed nuclear power plant is the "important discussion" that needs attending. The head engineer at the plant warns its director of the danger, but the director has other things to do with his time. He does not want to ruin his company's future and his own chances for promotion with a scary scenario of a disaster that may never happen, so instead, he focuses on his love life. He is a classic macho with priorities that run to the bedroom rather than the boardroom. He has a homosexual son who clearly needs some more attention, and his woman of the moment loves him even as his integrity is lying inert on a dung heap. Meanwhile, his friend the company engineer is tormented by the potential for disaster at the soon-to-be inaugurated power plant, but there seems to be very little that he can do about it. ~ Eleanor Mannikka, Rovi

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Starring:
Amparo Muñoz
 
1980  
 
A Marquis (Luis Escobar) suddenly becomes inspired to reclaim his palace, now gone to seed, right in the heart of Madrid. He and his son head for the city, without taking into account that his wife, the aged Marquesa is thoroughly ensconsed in the palace, has been for more than 40 years, and has no intention of leaving. In order to settle the issue, the Marquis decides to get his wife committed - not an unreasonable proposition given the fact that she has preferred to stay in bed all these years. Variously eccentric characters pop in and out of the palace as the Marquis tries to implement his plan, without much success. The Marquesa, in turn, manages to force him and her former lover into a duel in the garden and pulls out a shotgun to put them out of their misery and her life. Things backfire, so to speak, and the Spanish State comes into the picture, perhaps it will have more success where its old - very old - aristocracy has failed to measure up. ~ Eleanor Mannikka, Rovi

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Starring:
Luis EscobarJosé Luis Lopez Vasquez, (more)
 
1980  
 
In a gross miscarriage of justice, based on an actual event, two men are falsely accused and convicted of the murder of a missing shepherd from a small Spanish village. A despotic district court judge and a right-wing congressman orchestrate the trial. The two men are subjected to brutal torture by sadistic guards to exact a confession of guilt. The men serve 6 years of a 15-year prison term before they are released, and they later discover their alleged victim is alive and well in a neighboring village. The 15-minute torture scene is harrowing, as is the subsequent passage of the exhuming of human corpses. ~ Dan Pavlides, Rovi

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Starring:
Amparo Soler LealHéctor Alterio, (more)
 
1978  
 
Few sacred cows go un-gored in this satirical Spanish movie. In Spain, as in England, instead of getting together over a round of golf, it is customary for the power elite to gather at a country estate for a long weekend of "hunting," which basically consists of standing in one spot shooting at game which is being driven toward the hunters. Between shots, the elite converse. In the story, a Catalan businessman pays an impoverished nobleman for the use of his country estate and its game. He is hosting this party to win the goodwill of a group of investors whom he hopes will back one of his schemes. Sprinkled among the businessmen are some more twisted types, every one of them a genuine aristocrat or the member of some government or other -- even a dictator in exile from his Latin American country. A powerful but disapproving priest surveys the scene with outspoken scorn. When the businessman learns that he has backed the wrong horse, and that a new government is being formed, he scrambles to curry favor with those few of his guests who are part of the next group to come to power. ~ Clarke Fountain, Rovi

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Starring:
Jose SazatornilAntonio Ferrandis, (more)
 
1977  
 
Aurora is a dedicated feminist in the early part of this century, who doesn't need men in her life. She successfully arranges to be impregnated by a man so that she can have a child. The child turns out to be the girl Hildegart, an intellectual prodigy, gifted at languages, music, and literature. She is the center of Aurora's life. However, when Hildegart begins to show what her mother considers to be an unbecoming interest in boys and men, a betrayal of her mother's principles, she executes her one night while she is asleep. This movie slowly unravels the story of Hildegart's birth, development and murder as it emerges during a 1933 murder trial. The story is based on the novel Aurora de Sangre by Eduardo de Guzman. ~ Clarke Fountain, Rovi

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Starring:
Amparo Soler Leal
 
1971  
PG  
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This action adventure is based on Jules Verne's The Light at the Edge of the World. It takes place in 1865 on the chilly tip of Argentina in a lighthouse set up to guide ships around the extremely dangerous and turbulent waters of Cape Horn. The lighthouse keeper (Fernando Rey) and his assistant go out to investigate when a strange sailing ship comes too near to the island the lighthouse is on. Denton (Kirk Douglas), the lighthouse keeper's North American apprentice, is left behind. For their pains, the lighthouse keeper and his assistant are killed, and Kongre (Yul Brynner), the ship's pirate captain, goes to the lighthouse and captures Denton. Kongre shuts down the real lighthouse and sets up a false one so that his pirates can prey on the busy ships that must pass nearby. Denton, set loose by his captors on a nearby island, eventually begins to fight back. ~ Clarke Fountain, Rovi

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Starring:
Kirk DouglasYul Brynner, (more)