Kathleen Byron Movies
British actress Kathleen Byron made her first film Young Mr. Pitt in 1941, shortly after completing her training at the Old Vic. At first a standard-issue ingenue, Byron displayed a dominant willfulness that resulted in roles as schemers and prevaricators. After big-budget films like A Matter of Life and Death (1946) and Black Narcissus (1948) - giving a rivetting performance in the latter as an insane nun - Ms. Byron was consigned to budget-feature films like The Gambler and the Lady (1952) and Profile (1954). She made several pilgrimages to Hollywood in the 1940s and 1950s, but her only American film was MGM's Young Bess (1953), set in England. Kathleen Byron remained in films until the 1980s, though she appeared less frequently and the roles diminished in significance. ~ Hal Erickson, All Movie Guide
Based on the novel by Jane Austen (who in the '90s seemed to be in the running alongside William Shakespeare and Stephen King for the honors of most adapted author in Hollywood), this period romantic comedy stars Gwyneth Paltrow as Emma Woodhouse, a young woman who imagines herself an authority on matters of the heart. With the best of intentions, Emma plays matchmaker for her friends, most notably her friend Harriet (Toni Collette), who Emma links up with the Reverend Elton (Alan Cumming), and her governess, (Greta Scacchi), who she introduces to her future husband, Mr. Weston (James Cosmo). However, Emma is not nearly as good at playing Cupid as she likes to imagine, and she spends so much time trying to solve everyone else's romantic problems that it takes her quite some time to realize that she's fallen in love with Mr. Knightly (Jeremy Northam). A television miniseries based on Austen's book appeared a year later, while a year prior to Emma, the story appeared in modernized form in the popular teen comedy Clueless. ~ Mark Deming, All Movie Guide
- Starring:
- Gwyneth Paltrow, Jeremy Northam, (more)
- 1981
Premiering on American television on December 29, 1981, From a Far Country: Pope John Paul II was originally an Italian/British coproduction, made in cooperation with Film Polski. Actually, we see very little of the Pope -- in fact, John Paul II (played by Cezary Morawski) is not yet in his papal robes when we first meet him as a Polish youth of the 1930s named Karol Wojtyla. Director Krzysztof Zanussi adopts a liquid style that is part Ashes and Diamonds, part Citizen Kane. The maturation of Karol during the Nazi occupation is for the most part relayed through the reminiscences of his friends and family (played by an international cast). For its American TV showing, 40 of the film's original 140 minutes were trimmed. Through an unforeseeable coincidence, From a Far Country: Pope John Paul II was first telecast the same week in 1981 that a major political crisis broke out in Poland. ~ Hal Erickson, All Movie Guide
- Starring:
- Sam Neill, Christopher Cazenove, (more)
John Hurt stars as John Merrick, the hideously deformed 19th century Londoner known as "The Elephant Man". Treated as a sideshow freak, Merrick is assumed to be retarded as well as misshapen because of his inability to speak coherently. In fact, he is highly intelligent and sensitive, a fact made public when one Dr. Frederick Treves (Anthony Hopkins) rescues Merrick from a carnival and brings him to a hospital for analysis. Alas, even after being recognized as a man of advanced intellect, Merrick is still treated like a freak; no matter his station in life, he will forever be a prisoner of his own malformed body. Unable to secure rights for the famous stage play The Elephant Man, producer Mel Brooks based his film on the memoirs of Frederick Treves and a much later account of Merrick's life by Ashley Montagu. The film is lensed in black and white by British master cinematographer Freddie Francis. Though nominated for eight Academy Awards, the film was ultimately shut out in every category. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Hopkins, John Hurt, (more)
- 1979
Blake (Gareth Thomas) wants to get his hands on the stolen weapon Imipak, which is capable of dispensing destruction over great distances. Likewise anxious to gain control of Imipak, Servalan (Jacqueline Pearce) creates a clone of Blake as a means to her ends. Unfortunately for all concerned, the clone has his (or its) own agenda. Brian Croucher takes over from Stephen Greif in the role of Blake's perennial adversary, Travis. "Weapon" originally aired on January 23, 1979. ~ Hal Erickson, All Movie Guide
- Starring:
- Gareth Thomas, Sally Knyvette, (more)
- 1975
In this comical Disney espionage adventure, a herd of nannies team up with Scotland Yard and set off to find important microfilm that was concealed, by a wicked Chinese spy, within the skeleton of a dinosaur that now sits in the British Natural History Museum ~ Sandra Brennan, All Movie Guide
- Starring:
- Peter Ustinov, Helen Hayes, (more)
- 1974
- PG
In this historical drama based on actual events, Sweden's Queen Christina (Liv Ullmann) decides in 1654 to give up her throne in order to embrace Catholicism. However, as she studies the faith, she falls in love with Cardinal Azzolino (Peter Finch), a cleric being considered for the papacy. Greta Garbo previously played the same abdicating monarch in the film Queen Christina. Michael Dunn, who plays the dwarf in The Abdication, died during production, and several of his scenes had to be shot with another actor doubling for him. ~ Mark Deming, All Movie Guide
- Starring:
- Liv Ullmann, Peter Finch, (more)
Another slice of processed cheese from Herman Cohen, producer of Trog and other such wonders. This cheap occult programmer (ostensibly based on the novel Infernal Idol by Henry Seymour) stars Jack Palance as a demented art dealer & antique-shop owner who performs nightly rituals in honor of the African god Chuku, whom he believes will reward him with unimaginable wealth and power if he merely offers up the occasional human sacrifice or two. His methods are fairly creative, ranging from impalement, slashing and burning, to scaring people to death with an ooga-booga fright mask. What could have been boring, exploitive drivel is elevated to passable mediocrity by an over-the-top performance from the leering Palance and occasionally stylish touches from slumming director Freddie Francis, but most viewers will be left wondering why they bothered at all. ~ Cavett Binion, All Movie Guide
- 1972
Widely regarded as the first "true" detective novel, Wilkie Collins' gothic thriller The Moonstone has undergone numerous stage, film, and TV adaptations since its publication in 1868. In the TV category, the BBC offered a five-part version of the well-worn story in 1972. The title referred to a valuable but "cursed" yellow diamond, which after leaving a trail of death and devastation amongst its previous owners came into the possession of the lovely Rachel Verinder (Vivien Heilbron). When the Moonstone turned up missing on a dark and stormy night, diligent Sgt. Cuff (Basil Dignam) showed up at Rachel's Yorkshire estate to solve the mystery -- and to protect the heroine from harm. After its original British TV run, The Moonstone was seen in America on PBS' Masterpiece Theatre beginning December 10, 1972. ~ Hal Erickson, All Movie Guide
- Starring:
- Basil Dignam
- 1972
- PG
More widely seen in Britain as Nothing but the Night, this atmospheric chiller -- based on the novel Children of the Night by John Blackburn -- stars the ubiquitous Christopher Lee and Peter Cushing as a Scotland Yard inspector and a forensics expert sent to investigate a series of mysterious deaths among the elderly caretakers of a Scottish orphanage. Their probing uncovers a diabolical plot perpetrated by members of a Satanic cult, involving the use of an experimental serum which contains the genetic memories of its departed members. The caretakers have been injecting the serum into their young charges in order to use their bodies as healthy vessels for the Satanists' return, and the resulting possession transforms them into sadistic murderers. Although Christopher Lee acted as co-producer on both this film and the superb mystical classic The Wicker Man, it bears little resemblance to the latter, playing more like a Hammer-style variant on the American-made Brotherhood of Satan, released the previous year. Also known as The Resurrection Syndicate. ~ Cavett Binion, All Movie Guide
- 1971
This entry in Hammer Films' long-running vampire series of the '60s and '70s is one of the most evocative and original. The story features voluptuous twin Playboy centerfolds Madeleine and Mary Collinson as sisters who, without parents, are sent to stay with their oppressive uncle (Peter Cushing, looking more emaciated than ever), who happens to live near the sinister Karnstein Castle, the locale of countless vampiric happenings in two prequels (The Vampire Lovers and Lust for a Vampire). One of the twins wanders over and meets the dashing Count Karstein (Damien Thomas), a vampire who later uses the girl's blood to awaken his long-lost ancestor from the dead. Of course, the uncle predictably gives chase once trouble starts, but there is a clever plot twist as the count switches the twins before one is about to be burned at the stake for her supposed satanic involvements. Twins of Evil unabashedly exploits the twins' assets to pump up the film's sex appeal; it also seems to cater to viewers with a vampire fetish. Still, neither is necessarily a bad thing in a vampire film; Twins of Evil does create an effectively sensuous mood while also managing to sustain a fair amount of tension throughout the picture. Although Universal Pictures, the U.S. distributor, extracted nearly all of the flesh and bloodletting from its release, the original British cut retains everything and is the usual copy found on video. Like its predecessors, the script for Twins of Evil is loosely based on LeFanu's classic vampire story Carmilla. ~ Jeremy Beday, All Movie Guide
- Starring:
- Peter Cushing, Madeleine Collinson, (more)
- 1971
Hippie rhetoric abounds in this drama from the early '70s that tells the story of a young author and his sexually liberated girl friend. The trouble begins when she is impregnated and has her father perform the abortion. She then attempts to persuade her boy friend to return to her. ~ Sandra Brennan, All Movie Guide
- 1969
While visiting an antique shop, Tara is waylaid and chloroformed. Upon awakening, she finds that she has gone back in time to 1915, and that her name is Pandora (hence the episode's title). It is all part of a scheme hatched by a pair of avaricious nephews to discover the hidden location of their rich uncle's vast fortune. In the course of events, John Steed harks back to previous adventures with his former partners Cathy Gale and Emma Peel. Written by Robert Fuest, "Pandora" first aired in America on March 10, 1969, and in England the following April 30th. ~ Hal Erickson, All Movie Guide
- 1968
This uneven spy saga finds secret agent Charles Hood (Vince Edwards) on the trail of the criminal master spy Hammerhead (Peter Vaughan). He tries to discover some NATO secrets in between his hobby of collecting antique erotica from around the world. Hood must stop the evil Hammerhead before he uses the secret information to spark an incident of international terrorism. In order to stop Hammerhead's sordid plan, he poses as a courier delivering erotica to the spy. Distaff interests are provided by Diana Dors and Judy Geeson in this feature that fails to take advantage of some beautiful scenes of Portugal. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vince Edwards, Judy Geeson, (more)
- 1967
In this comedy-drama vehicle for British farceur Charlie Drake, the star was cast as middle-aged bachelor Charles Rameses. On each of the seven episodes, Charles showed up at the marriage bureau run by Mrs. Proudpiece (Kathleen Byron), in hopes of being matched to a suitable bride. And each week, those hopes were dashed, generally in a comedic fashion. Who Is Sylvia was originally telecast from February 11 to March 25, 1967. ~ Hal Erickson, All Movie Guide
- Starring:
- Charlie Drake, Kathleen Byron, (more)
- 1962
Night of the Eagle was the second film version of Fritz Leiber Jr.'s Conjure Wife (the first was Weird Woman, perhaps the best of Universal's low-budget "Inner Sanctum" series of the 1940s). The film's title was possibly meant to invoke memories of the earlier Night of the Demon (58); both films involve a rational scientist (in the case of Night of the Eagle, Peter Wyngarde) forced to accept the existence of the supernatural. All evidence points to the conclusion that the scientist's American wife Janet Blair is the reincarnation of a witch, and a practitioner of voodoo. The actual villain is supposed to be a mystery, though the identity was made clear in the Leiber original and in both other film versions of Conjure Wife (there was a 1980 parody version titled Witches Brew). The supernatural aspect of Night of the Eagle is convincingly handled, including a knockout sequence with a wild eagle rampaging through the scientist's tranquil study. Adapted by Twilight Zone stalwarts Richard Matheson and Charles Beaumont, the British-made Night of the Eagle was released in the US as Burn, Witch, Burn. ~ Hal Erickson, All Movie Guide
- Starring:
- Janet Blair, Peter Wyngarde, (more)
- 1960
Director Philip Leacock, praised for his handling of child actors, does another excellent job with the two young stars in this story about religious tolerance -- and intolerance. Loretta Parry is Rachel, a seven-year-old Jewish girl whose best friend and playmate Michael (Philip Needs) is exactly the same age. Michael has been raised in an Irish Catholic family, but neither child thinks very much about their religious differences. At least, not until certain biases begin to make their presence known. But Rachel and Michael's friendship is so strong that even when they visit each other's place of worship and are wholly intimidated by the strangeness of it all, they still remain best buddies. Interwoven with threads of wisdom that might be a little forced at times, this family-oriented drama is also enlivened by comic moments and good acting and directing that keep the story from slipping into saccharine clichés. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Loretta Parry, Philip Needs, (more)
- 1957
In this thriller, an American visits England and finds himself entangled with international spies after they kidnap a famous scientist and he ends up with a briefcase containing a secret formula. Rather than call the Yard, the fellow decides he will solve this by himself. But it is too much for him and eventually he teams up with the Yard inspectors and the case is solved. ~ Sandra Brennan, All Movie Guide
- 1955
In this crime drama, a man finds a rare stamp, takes it to an expert for appraisal, and finds that it is a forgery. This discovery leads the man to look for the counterfeiter. After grilling three suspects, he finally learns that the art expert was behind it all the time. ~ Sandra Brennan, All Movie Guide
- 1954
Some good performances and a fun chase scene, but there is little else to commend this movie. It's a pretty hackneyed plot wherein the editor of a magazine falls in love with the boss' daughter but the relationship is complicated by the boss' wife, who is also putting the moves on the hapless editor. Then, to make things even worse, he's accused of embezzlement. ~ Tana Hobart, All Movie Guide
- 1954
In this drama, a cynical sculptor finds a fresh outlook on life after meeting a lovely ballerina. He is utterly enchanted with her and begins creating a life-sized depiction of the beauty. Unfortunately, this enrages her jealous lover who brutally beats the artist. The sculptor is severely injured and begins losing his sight. He desperately needs an operation to save his failing vision, but instead focuses on finishing his work. He then tries to make the dancer believe that he doesn't care any more, but when she learns the truth she abandons her thuggish beau in favor of the sculptor. ~ Sandra Brennan, All Movie Guide
- 1954
American FBI agent Dermot Walsh has his hands full when his car is incapacitated in a remote British village. No sooner does Walsh hit the pavement than he's pursued by enemy spies. It seems that our hero is in possession of some valuable secret information, and the only way he'll give it up is over his dead body-which might easily be arranged. Walsh in unexpectedly rescued by the bumbling antics of a local constable. Designed for the lower half of double bills, Night of the Full Moon became a TV staple less than a year after its theatrical release. ~ Hal Erickson, All Movie Guide
- 1953
This costume drama was based on the historical fiction of Margaret Irwin, which embellishes the facts of the early years of England's eventual Queen Elizabeth I. It's told in flashback style, starting with the horrible day when King Henry VIII (Charles Laughton) sends away the future queen, young Bess (Jean Simmons), and executes her mother, Anne Boleyn (Elaine Stewart). Some years and several wives later, Henry VIII invites Bess to return to the palace to live with Catherine Parr (Deborah Kerr), her new stepmother. When the king dies, Bess' young half-brother, Edward (Rex Thompson), assumes the title of regent. Bess falls in love with the Navy's top admiral, Thomas Seymour (Stewart Granger), but has her brother compel him to marry Catherine. After Catherine dies, Thomas confesses his love to Bess. But his scheming brother Ned (Guy Rolfe) finds out about Thomas' feelings and accuses him of seducing Bess. ~ Michael Betzold, All Movie Guide
- Starring:
- Jean Simmons, Stewart Granger, (more)
- 1952
Crime drama about a man who, after failing in the trawling business, decides to become a smuggler, with the encouragement of an unscrupulous partner who secretly desires the man's wife. When the police find them out, the man accidentally kills their third partner, and his original partner, believing the death a murder, helps get rid of the corpse and then blows the whistle under interrogation. At the end of the film, the man is hanged. ~ Steve Huey, All Movie Guide
