Paul Maslansky Movies

In a major stumbling block toward better international relations, America's most laughable police officers are sent to Russia to fight crime in this comedy. In Moscow, master criminal Konali (Ron Perlman) has marketed a new computer game that has an unusual hidden feature -- it allows him to bring down any security system controlled by a PC on which the game has been played, with a string of major robberies as the result. Russian Police Commandant Rakov (Christopher Lee) is at his wit's end about how to deal with the crisis, so he asks for help from the U.S. law enforcement community. However, Rakov's American allies turn out to be Lassard (George Gaynes), Harris (G.W. Bailey), and the rest of the crew from the Police Academy (among them Michael Winslow, David Graf, and Leslie Easterbrook). Claire Forlani also appears in a small role as a Russian beauty. This was the seventh and last film in the Police Academy series, following the departure of franchise loyalist Bubba Smith. ~ Mark Deming, All Movie Guide

"Barley" Scott Blair (Sean Connery) is an alcoholic book editor from a bargain-basement publishing house in Great Britain who'd rather be drinking in Lisbon than attending a book dealers' show in Russia. So he's surprised when a CIA agent (Mac McDonald) pulls him from his boozy holiday. It seems that the CIA has through a book show intermediary received a package from a Russian book editor named Katya (Michelle Pfeiffer) containing amazingly detailed notebooks written by a cynical Russian physicist named "Dante" (Klaus-Maria Brandauer). The notebooks show that Russia's nuclear threat is a joke: Russian rockets "suck instead of blow...and can't hit Nevada on a clear day," in the acerbic words of CIA Agent Russell Sheridan (Roy Scheider). But why is Dante sending the notebooks to Blair? How shall the Western world respond to what could be the end of the nuclear arms race? Blair gets drafted by a British Secret Service agent (James Fox) to go to the new Russia to meet Katya. He must see whether the new Russia is still immersed in the old Cold War and whether the notebooks are genuine or another deadly chapter in the war of the spies. ~ Nick Sambides, Jr., All Movie Guide

In this slapstick comedy, a group of faithful ski patrol members set out to save Snowy Peaks ski resort from the evil plans of greedy businessman Maris (Martin Mull). ~ Iotis Erlewine, All Movie Guide

America's most inept law enforcement team mixes business with pleasure as they head to sunny Florida in this comedy. The aging and often-confused head of the Police Academy, Commandant Lassard (George Gaynes), has reached mandatory retirement age, much to the pleasure of the devious Capt. Harris (G.W. Bailey), who is still scheming to take over his job. Lassard, Harris, and a handful of the Academy's "distinguished" graduates (including Bubba Smith, Michael Winslow, Leslie Easterbrook, and Marion Ramsey) travel to Miami Beach for a special ceremony to commemorate Lassard's years of service as he leaves the force; however, a luggage mix-up puts the clumsy cops in the middle of a massive illegal arms deal. Police Academy 5: Assignment Miami Beach was the first film in the long-running series that did not star Steve Guttenberg (Bob Goldthwait also left the franchise at this point), but most of the other regulars bravely soldiered on without him. ~ Mark Deming, All Movie Guide

In this third installment of the slapstick comedy series about novice police officers with less than dubious abilities, two police academies have to compete with each other in order to stay in business. The state's skinflint governor claims he has less money to spread around, so one of the police training academies is going to be axed. Commandant Lassard (George Gaynes) calls back some of his former recruits to train the new batch of students, hoping to get the edge on the rival academy. Among the newcomers are brassy Cadet Zed (Bobcat Goldthwait), who is a former gang leader, and his roommate Cadet Sweetchuck (Tim Kazurinsky). Sweetchuck is a wimpy noodle whose Clint Eastwood impersonation is one of the film's most honestly funny moments. ~ Eleanor Mannikka, All Movie Guide

This '80s follow-up to The Wizard of Oz is based upon two of L. Frank Baum's later Oz books. In Return to Oz (a version that may be a bit too scary for young children), Auntie Em sends Dorothy to a sanitarium where hopefully she will clear her head from all of the "Oz nonsense." This doesn't work, for soon Dorothy manages to return to Oz, but things have definitely changed. She finds her old friends turned to stone and discovers that the awful Nome King has taken over Oz. ~ All Movie Guide

Based upon the true story of a woman's battle to raise her baby in prison after having become pregnant by a prison guard while serving a twenty-year stretch for robbery, Amy Madigan, in her debut film, delivers an impressive intensity and range as Terry Jean Moore, a wild young woman with a chip on her shoulder. The story begins as Terry is hitchhiking with her equally wild cousin Jesse (Lewis Smith). They are picked up by a passing motorist and Jesse tries to rob the motorist of five dollars. When they are caught, Jesse takes the rap for her cousin and winds up in jail. Her temperament does not endear her to the prison authorities, although she is befriended by a young lesbian, J.J. (Mackenzie Phillips), and a sympathetic guard, Jack Hensen (Beau Bridges). Jack and Terry fall in love and have an affair in prison. Terry becomes pregnant and fights to raise her child in prison. At the same time, being pregnant forces Terry to reconsider her life and adopt a more responsible attitude. ~ Paul Brenner, All Movie Guide

Dante Matucci (Franco Nero), a counter-intelligence officer, uncovers a fascist plot to overthrow the Italian government, and as he begins to investigate, he has an ally in Bruno Manzini (Anthony Quinn), a man dedicated to hunting down war criminals. Bruno and other operatives, including the beautiful and frosty Lili Anders (Sybil Danning) report to Matucci as he coordinates their work. Most of the drama (not all) takes place off-screen, and Matucci essentially narrates the story -- making this one of the least exciting spy dramas around -- even the affair between Matucci and Anders is several degrees cooler than the norm. The inertia of the film continues through to the end, as the final denouement has all the suspects herded into one room (à la Agatha Christie or Dashiell Hammett) while Matucci and Manzini discuss the case. ~ Eleanor Mannikka, All Movie Guide

In this comedy a trio of undercover government cops in Miami decide that it would be a good idea to open a bogus fencing operation so they can trap criminals. When the crooks find out, trouble ensues and the fun begins. ~ Sandra Brennan, All Movie Guide

The presence of Paul Lynde, in a small role, reveals more about the quality and tone of this film than the three top names. A farce with plenty of slapstick, it offers Kirk Douglas as a road agent dealing with a naive hero (a young Arnold Schwarzenegger) who is seemingly out of western serials in the '40s and a beautiful, sexy saloon girl (Ann-Margret). The silly jokes are the point, not the plot, though Needham includes some impressive stunts. Some of the most notable draw blatantly on Warner Brothers roadrunner and Daffy Duck cartoons; notably, the film came from Columbia, not Warner. The film's attempt at satire is too heavy-handed to have bite. ~ Bill Wu, All Movie Guide

This symbol-laden drama explores the inner mythology of martial arts practice and is based on a Bruce Lee story idea. The original screenplay was written by Bruce Lee, with help from actor James Coburn and screenwriter Stirling Silliphant. Lee was to take on the four-in-one role of guide in his film, leaving the hero's role to someone else. Following Bruce Lee's tragic death, the film was rewritten. David Carradine stepped in to play the mysterious guides to aspiring martial arts master Cord (Jeff Cooper). Cord lives in a desert-like world where nearly everyone he meets practices or has practised a martial art. He seeks to find the place where the true inner spirit of the martial arts is being taught. In a story which is imbued with Zen maxims and Asian philosophy, when Cord finally arrives, he finds less (and more) than he hoped for. While there are many combat and fight scenes, the general tone of the film is meditative. Cameo appearances by Roddy McDowall, Eli Wallach, and Christopher Lee supply many of the film's highlights. ~ Clarke Fountain, All Movie Guide

The first official co-production between the United States and the Soviet Union, The Blue Bird was the third screen adaptation of the children's story by Maurice Maeterlinck about a pair of children, Tyltyl (Todd Lookinland) and Mytyl (Patsy Kensit), who leave home to search for the Blue Bird of Happiness. After spending some time wandering through a fantasy world and encountering The Night (Jane Fonda), The Cat (Cicely Tyson), Luxury (Ava Gardner), Father Time (Robert Morley), and The Oak (Harry Andrews), they meet The Queen of Light (Elizabeth Taylor) and discover that true happiness can be found right at home, with your family. As the box-office failure of the first two versions of this story proves, putting this sort of children's fantasy on film is tricky business, and despite a top-notch cast of American and Soviet talent and the directorial expertise of veteran filmmaker George Cukor, The Blue Bird had a notoriously difficult production, with the American and Russian crews not always understanding each other's working methods, the Soviet camera crew not knowing how to light African-American actress Cicely Tyson, and Jane Fonda often trying to engage the Russian crew members in political discussions. ~ Mark Deming, All Movie Guide