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Emilio Martínez-Lázaro Movies

Spanish filmmaker Emilio Martínez-Lázaro's first association with cinema came when he joined the Escuela de Argüelles, a group of independent filmmakers. He made his first short film, Circunstancias del Milagro/The Circumstances of the Miracle, in 1968; re-edited in 1972 and retitled El Camino del Cielo/The Road to Heaven, it was shown at several international film festivals. He made his first feature, Pastel de Sangre/Blood Cake, in 1971. Martínez-Lázaro entered the television industry in 1974, directing episodes of numerous television series, and since then has continued to work in both venues. Martínez-Lázaro's 1978 film Las Palabras de Max/What Max Said shared a Golden Bear at that year's Berlin Film Festival with García Sánchez's La Trucha/The Trout. In addition to directing, Martínez-Lázaro has established himself as a noted screenwriter. ~ Sandra Brennan, Rovi
2007  
 
Emilio Martinez-Lazaro's historical drama Las 13 Rosas (AKA 13 Roses) commences in 1939 Madrid. As the forces of nationalist general Francisco Franco sweep down into the city and bombs cascade onto Spanish buildings, two Republicans - Red Cross employee Virtudes (Marta Etura) and streetcar attendant Julia (Veronica Sanchez) - sit in a club watching a live set by two musicians: the Communist Canepa (Enrico Lo Verso), and Enrique (Asier Etxeandia), the husband of Blanca (Pilar Lopez de Ayala). Sensing obvious trouble given the country's circumstances, Canepa opts to flee for his life - receiving some fiscal support from Blanca - and a romance blossoms between Julia and Perico (Felix Gomez), a soldier from Franco's forces. Meanwhile, unrest and extreme distrust run rampant among the nationalists. Hungry for scapegoats - despite the lack of conclusive evidence - the troops respond to a rumor about a plot to rub out Franco by rounding up the 13 innocent young women of the title, including Julia, the socialist Adelina (Gabriella Pession) and 11 others - who are collectively imprisoned, given trial and slated for execution for treasonous activity. ~ Nathan Southern, Rovi

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Starring:
Pilar López de AyalaVerónica Sánchez, (more)
 
2006  
 
Spanish writer-director Emilio Martínez Lazáro's bawdy musical comedy romance Both Sides of the Bed (Los Dos Lados de la Cama, 2006) constitutes a sequel to that director's earlier musical The Other Side of the Bed (AKA El Otro Lado de la Cama, 2002). Just as that first film plays out the farcical romantic shenanigans of a group of single young men and their lovers, the sequel offers more of the same, but adds greater depth to the proceedings. The story finds Javier (Ernesto Alterio) and Marta (Veronica) celebrating their pending nuptials in a nightclub, on the evening before their wedding. They are accompanied by two friends romantically involved with one another, Pedro (Guillermo Toledo) and the chanteuse Raquel (Lucia Jimenez). The plans of each couple are soon undone by Marta's hesitation - the product of her undeclared lesbianism and carnal involvement with Raquel (evident when the women quietly slip off to the ladies' room and have intercourse). A third friend, Carlota (Pilar Castro), happens to stumble onto the women making it, but says nothing to the boys. The next morning, Marta jilts Javier, Raquel leaves Pedro, and the remainder of the film has the men gradually coming face-to-face with the girls' lesbianism, while forging a deeper bond with Carlota. Throughout the film, Lazáro laces his picture with bubble-gum music (predominantly breezy 1970s and 1980s Spanish pop hits) and electric choreography, performed by an ensemble of twenty dancers. In lieu of employing musical asides, the director integrates the musical numbers into individual scenes. ~ Nathan Southern, Rovi

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Starring:
Ernesto AlterioGuillermo Toledo, (more)
 
2002  
R  
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Spanish filmmaker Emilio Martinez-Lazaro directs the musical comedy El Otro Lado De La Cama (The Wrong Side of the Bed). The farcical story involves the romantic betrayals and couplings between Pedro (Guillermo Toledo), Paula (Natalia Verbeke), Javier (Ernesto Alterio), and Sonia (Paz Vega). When Paula breaks up with Pedro, he hires a private detective, Sagaz (Ramon Barea), to follow her. She's really dating Javier, who tries to get Pedro to date Pilar (Maria Esteve). Pedro eventually dates Sonia, whom Javier believes is dating lesbian actress Lucia (Nathalie Poza). This romantic comedy incorparates '80s-style song and dance numbers into the narrative. Also starring Alberto San Juan as the cab driver Rafa. ~ Andrea LeVasseur, Rovi

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Starring:
Ernesto AlterioPaz Vega, (more)
 
1997  
 
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Near the end of the Franco dictatorship in 1974, impoverished yet optimistic salesman Lozano (Antonio Resines) travels the Spanish coast in a Citroen with his rebellious teenage son Felipe (Fernando Ramallo), a fan of Patty Hearst. After Lozano makes love to attractive vocalist wannabe Estrella (Miriam Diaz Aroca), both father and son make moves on pleasant Paquita (Maribel Verdu), a local villager. They finally settle down at an American Army base where Lozano goes to work selling imported cars and Felipe finds happiness with black-girl Miranda (Tania Adam). Shown at the 1997 Vallodolid Film Festival. ~ Bhob Stewart, Rovi

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Starring:
Antonio ResinesFernando Ramallo, (more)
 
1988  
 
Sara (Victoria Abril) and her co-star Bruno (Antonio Valero) are popular soap opera stars who try to take a quiet vacation in this screwball comedy. They escape to a remote mountain village but are recognized by the locals who faithfully watch the daily program. Plenty of sight gags and sexual situations occur along with the continual and unwanted appearances of the show's producer Tomas (Antonio Resines). ~ Dan Pavlides, Rovi

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Starring:
Victoria AbrilAntonio Resines, (more)
 
1986  
 
Film noir and comedy are successfully thrown together in this off-beat story about Germain (Antonio Resines), a stage producer trying to put together the two leads and backing for his next drama. Germain is looking for a man to play a psychotic obsessed with his mother and a woman to play a seductress. For the male lead he finds Rufo (Imanol Arias) who depends on robbery for a living, takes care of his drug-addict mother, and has hallucinatory visions about the Pope. The female lead has three contenders: Germain's ex-girlfriend Nena (Amparo Munoz), his ex-wife Amelia (Assumpta Serna), and Lola (Patricia Adriani) a beguiling vamp he met in a taxi one day. Germain soon finds that casting can be a nightmare when Nena's husband (his potential backer) lusts after Lola, Nena has her amorous sights set on Rufo, and Germain's ex-wife Amelia runs after a soccer player. Add in a murder, and absurdity rules the day. ~ Eleanor Mannikka, Rovi

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Starring:
Imanol AriasAmparo Muñoz, (more)
 
1980  
 
aka: Their Golden Years In this failed attempt at auteur cinema, director Emilio Martinez-Lazaro puts together a disagreeble cast of characters whose only interest is self-indulgence. Luis (Jose Pedro Carrion), Maria (Patricia Adriani) and their friends have either fallen through the cracks of mainstream society or are trying to. Life swings from drugs to sex and back again, with little chance of ever changing or ever becoming meaningful. ~ Eleanor Mannikka, Rovi

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Starring:
Patricia AdrianiMarisa Paredes, (more)
 
1977  
 
When he realizes that he now has no real connection with anyone, Maximo Gascon (Ignacio Fernandez de Castro) tries to reach out to his daughter. Everyone else he felt connected to is dead or has left him behind. Despite many attempts to break through the invisible barrier which cuts him off from genuine emotional communication, he is unsuccessful. ~ Clarke Fountain, Rovi

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Starring:
Gracia Querejeta