William Marshall Movies

Though it was made in 1964, this romantic farce was not released until 1971. It stars an aging Ginger Rogers as a prosperous madam who teams up with the crooked town mayor (Ray Milland) and tries to trick one of her "girls" into revealing the location of a famous hidden treasure. The prostitute the two pick on (Barbara Eden) is pregnant and they try to convince her that she has witnessed a miracle. Unfortunately for the schemers, their scheme backfires. During production, the film underwent many changes and was shelved due to a dispute over editing. When it was finally released it bombed and is now considered most notable for containing the screen debut of actor Elliot Gould, who plays a deaf mute. ~ Sandra Brennan, All Movie Guide

Previously filmed twice in Hollywood, Thornton Wilder's Pulitzer Prize-winning novel The Bridge of San Luis Rey was brought to television in this lavish, live, star-studded DuPont Show of the Month adaptation. The story essentially begins at the end -- July 20, 1714 -- when the famous San Luis Rey bridge near Lima, Peru, collapses, plunging five people to their deaths. The victims were the wealthy but embittered Marquess de Montemayor (Judith Anderson); the Marquess's young maid, Pepita (Sandra Whiteside); Uncle Pio (Hume Cronyn), mentor of the celebrated Peruvian actress La Perichole (Viveca Lindfors); Jaime (Miko Oscard), Pio's youthful traveling companion; and Esteban (Steven Hill), a talented young scribe who left behind a twin brother, Manuel (Clifford David). Investigating the tragedy, Captain Alvarado (Theodore Bikel), an intimate of one of the victims, tries to figure out how it came to be that the unfortunate five were all brought together on the same disastrous day. Also in the cast is the celebrated actress/director Eva Le Gallienne as Madre Maria, and Kurt Kaznar, with whom Theodore Bikel would later co-star in the Broadway production The Sound of Music. ~ Hal Erickson, All Movie Guide

La Taverne de N.O. is the French title for the Franco-American costume drama Adventures of Captain Fabian. As sea captain Michael Fabian, Errol Flynn (who also adapted the screenplay from the Robert Shannon novel Fabulous Ann Madlock) is ostensibly the star. Most of the footage, however, is devoted to Micheline Presle as servant girl Lea Marriote, whose thirst for revenge against the prominent New Orleans family who wronged both her and Fabian motivates the film's plotline. After Fabian defends Lea on a murder charge, she promptly weds George Brissac (Vincent Price), scion of that aforementioned family, thereby laying the groundwork for a spectacularly unhappy finale. Filmed in Paris and Nice, La Taverne de N.O. represented the second film which Errol Flynn made in partnership with producer-director William Marshall; the first was the abortive Hello God. ~ Hal Erickson, All Movie Guide

The all-purpose title Blackmail was again revived for this breezy Republic comedy-mystery. William Marshall (not the African American star of Blacula) plays private eye Dan Turner, assigned to shield playboy Ziggy Cranston (Ricardo Cortez) from a pair of clever blackmailers (Adele Mara, Richard Fraser). As a result of Turner's interference, the extortionists up the ante from $50,000 to three times that amount. A few murders and plot twists later, Turner emerges triumphant; still, one wonders if Cranston wouldn't have been better off handling his persecutors by himself. Originally 67 minutes, Blackmail was trimmed to 54 minutes for its earliest TV showings. ~ Hal Erickson, All Movie Guide

In this melodrama, a self-absorbed mother unwittingly teaches her daughter some terrible habits. From her, the girl learns that she should simply take everything she wants without considering the consequences of her actions. Her conniving tactics make her rich, but unlucky in love. Fortunately, her second husband teaches her some important life lessons and the girl changes her ways. ~ Sandra Brennan, All Movie Guide

Most of this Republic B-plus mystery yarn is set in a penthouse, next door to a music hall where a strange song-and-dance extravaganza is being staged. This production incorporates several ice-skating sequences--a good excuse as any for the presence of leading lady Vera Hruba Ralston, Republic's answer to Sonja Henie. Ralston and orchestra leader William Marshall come across the body of producer Edward Norris. Almost everyone in the cast is placed under suspicion, since Norris was a cad and blackmailer. The surprise killer is (as usual) not that much of a surprise, though the scenarists keep us going with some last-minute red herrings. Murder in the Music Hall was reissued in a shortened version titled Midnight Melody in 1951. ~ Hal Erickson, All Movie Guide

Belle Of The Yukon is standard backstage musical fare, featuring Randolph Scott as a reformed con man who has fled north from the law and opened a successful dancehall/ gambling establishment in the upper reaches of Malamute. Meanwhile, his former lover Belle (Gypsy Rose Lee), who he deserted when he went on the lam, arrives as part of a new show troupe and finds her ex-boyfriend's new ways powerfully attractive. But Lettie Candless (Dinah Shore) also has designs on our hero. A thin plot and light characterizations are kept afloat by bouncy performances, glitzy production, and the usual clutch of sprightly musical numbers. ~ Don Kaye, All Movie Guide

Knute Rockne-All American was Pat O'Brien's finest hour: thanks to intensive rehearsals and numerous makeup applications, he so closely resembled the title character that, in the words of Rockne's widow, "I almost expected him to make love with me". The life of the legendary Notre Dame football coach is recounted from his childhood, when young Rockne (played by Johnny Sheffield) startles his Norwegian-immigrant parents by announcing at the dinner table that he's just been introduced to "the most wonderful game of the world." As an adult, Rockne works his way through Indiana's Notre Dame university, under the watchful and benevolent eye of Father Callahan (Donald Crisp) A brilliant student, Rockne is urged by Father Nieuwland (Albert Basserman) to become a chemist, or at the very least remain a chemistry teacher. Newly married to Bonnie Skilles (Gale Page), Rockne at first sticks to academics, but the call of the gridiron is too loud for him to ignore, and before long he has built his reputation as the winningest college football coach in America. One of his most significant contributions to the game is the invention of the tactical shift, inspired by the precision choreography of a team of nightclub dancers! Among the players nurtured by Rockne are the immortal Four Horsemen-Miller (William Marshall), Stuhlreder (Harry Lukats), Laydon (Kane Richmond) and Crowley (William Byrne), and of course the tragic George Gipp, superbly enacted by Ronald Reagan. His career continues unabated until his death in a plane crash in 1931. The screenplay of Knute Rockne-All American tends to be all highlights and little story, with several of the more dramatic passages telegraphed well in advance (just before her husband's death, Bonnie Rockne comments forebodingly "It's gotten cold all of a sudden"). Still, the film remains one of the best and most inspirational sports biographies ever made, with a heart-wrenching conclusion guaranteed to moisten the eyes of even the most jaundiced viewer. Ironically, the film's most famous scene, George Gipp's deathbed admonition to "Win one for the Gipper", was for many years excised from all TV prints due to a legal entanglement stemming from an earlier radio dramatization of Rockne's life; fortunately, this and several related scenes were restored to the film in the early 1990s. ~ Hal Erickson, All Movie Guide

A tough, bitter fugitive's travels lead him to a grungy rundown oil town. There the transient is taken in by an oil-rigger who gives him a job working a well. They must work double-quick for the well's lease is due to expire. Unfortunately, they become so focused on striking oil quickly, they forget about safety and several men are hurt. Meanwhile the kindly crew boss and the fugitive vie for the affections of a life-hardened woman until tragedy strikes the supervisor. Suddenly the fugitive must take on the responsibility of reaching the oil. In so doing, he makes some important decisions about taking responsibility for his actions as well. ~ Sandra Brennan, All Movie Guide

The fact that James M. Cain (Double Indemnity, Mildred Pearce et. al.) was responsible for the storyline is the sole distinguishing feature of the pedestrian Warner Bros. melodrama Money and the Woman. Roger Pryor plays bank teller Charles Patterson, an outwardly honest soul who is actually a conscienceless embezzler. When Patterson becomes seriously ill, his wife Barbara (Brenda Marshall) calls upon bank president Dave Bennett (Jeffrey Lynn), beginning his forgiveness for her husband's past misdeeds. It turns out that Patterson isn't worth the effort, since he's been carrying on a torrid affair with coworker Miss Church (Lee Patrick). But Barbara doesn't have time to grieve, inasmuch as she's fallen in love with the handsome Bennett. ~ Hal Erickson, All Movie Guide