Frank Marshall Movies

In this animated children's film from Amblin Entertainment, a group of four dinosaurs, including a tyrannosaurus rex, a triceratops, a hadrosaur, and a pterodactyl, are brought forward in time to New York City to entertain and befriend the children. However, when the dinosaurs are threatened by an evil circus owner, it is up to their young friends to save the day. ~ Iotis Erlewine, All Movie Guide

This is the first mainstream film to deal with the harrowing true story of a Uruguayan rugby team whose plane crashed in the Andes mountains in October of 1972 and who were forced to resort to cannibalism to survive more than two months of isolation. (The only other film to tackle the subject, Rene Cardona's Survive! was a seedy little mess that delighted in exploiting the cannibalism aspect.) The events depicted are primarily based on the novel of the same name by Piers Paul Read. The interview-style prologue features an uncredited John Malkovich as one of the survivors, whose spiritual ruminations on the disaster kick off the film's main action. We are briefly introduced to the characters before disaster strikes, in the film's most horrifying set-piece -- the depiction of the crash in grueling detail. The handful of survivors who manage to extricate themselves from the twisted wreckage seem incapable of working through their panic as they hope against all odds that a rescue party will locate them. One of the survivors, Nando (Ethan Hawke), awakens from a coma and makes a remarkable recovery -- enough to demonstrate level-headed leadership after team captain Antonio (Vincent Spano) begins to lose his nerve. As the weeks wear on and rations are depleted, the survivors are forced into a moral dilemma: the only remaining source of food seems to be the bodies of the dead. Those who choose for religious reasons not to consume their former companions must face the realization that they will soon starve or freeze to death. In the end, three men who choose survival above all else find the strength to set out on a treacherous mission to a ridge, where hopefully one of them will make it to civilization. Director Frank Marshall infuses the proceedings with sufficient intensity to keep the story moving, but the film fails to fully explore the often-recounted spiritual aspects of the ordeal as established in the opening monologue. Ironically, the writers' apparent attempts to remain true to Read's account of events -- resulting in some rather odd stretches of dialogue -- impede the drama even more than the Hollywood glamorization of the story's nominal "heroes," who remain rugged and handsome despite months of malnutrition and severe frostbite. ~ Cavett Binion, All Movie Guide

Michael Frayn's frantic West End and Broadway farce makes a literal transformation to the screen in Peter Bogdanoch's faithful adaptation, which is transplanted from the London suburbs to Des Moines, Iowa to accommodate the (mostly) American cast. Michael Caine stars as director Lloyd Fellowes, assigned to bring the successful British sex farce "Nothing On" to the boards in America. In an intricate technical rehearsal, Lloyd puts his cast through their paces -- Garry Lejuene (John Ritter), an obliging feature actor; Dotty Otley (Carol Burnett), a fading theatrical star; Frederick Dallas (Christopher Reeve), a handsome leading man who demands to know the motivation behind every scene; Brooke Ashton (Nicollette Sheridan), the sexy leading lady; Belinda Blair (Marilu Henner), the seen-it-all second female lead; and Seldson Mawbray (Denholm Elliot), the inebriated character actor. The technical rehearsal goes off without a hitch, but as the play travels the country in pre-Broadway performances, the eccentricities of the cast come to the fore and the performances in Des Moines and Cleveland are complete disasters. ~ Paul Brenner, All Movie Guide

In this animated sequel to An American Tale, Fievel Mousekewitz strikes out from not-so-enthralling New York City in a wagon train headed West. Helping propel the departure is a crafty cat named Cat R. Waul who tells our Fievel that out West the cats and mice get along just fine. Once on the trail, Fievel finds that the cat's real plan is mice meat pie out of the little rodents, and Fievel tries his darndest to warn everyone, but to no avail. On his side, however, are a couple of friendly cats, including one named Tiger (voice: Dom Deluise) whose scattered one-liners will keep most audiences chuckling. Another wonderful character is the has-been sheriff Wylie Burp (voice: James Stewart). Although this film may be rightfully criticized as being a little too tame, even for toddlers, the endearing and humorous character side-play will likely appeal to most little ones, and very possibly some big people, too. ~ All Movie Guide

Opus n' Bill in: A Wish for Wings That Work, adapted from the comic strip Bloom County, concerns the plans of Bill the Cat to help his friend Opus the Penguin achieve his dream of flying. ~ Perry Seibert, All Movie Guide

Where the original Gremlins was a horror film spiked with comedy, Gremlins 2: The New Batch is essentially a black comedy, with a couple of horrifying touches. As the film starts, the fantastical trinket shop in Chinatown, which sold the Mogwai in the first film, is demolished by a crazed multi-media businessman called Daniel Clamp (John Glover). The heroes from the first movie, Billy (Zach Galligan) and Kate (Phoebe Cates), happen to work for Clamp in his huge high-rise. They find the Mogwai within Clamp's building, but not before he has accidentally spawned legions of mischievous, lizard-like Gremlins. Soon, the Gremlins are wreaking havoc throughout the building. In the original film, their misdeeds were violent, but here they're also goofy and satirical. Director Joe Dante has filled the film with quick verbal and visual jokes, which, for many, makes Gremlins 2: The New Batch a satire and inversion of the typical horror film. ~ Stephen Thomas Erlewine, All Movie Guide

Referring to the fear of spiders, Arachnophobia features a particularly deadly species of spider that manages to make its way from the Venezuelan rain forest to a small California town, thanks to the many oversights of entomologist Julian Sands. Yuppie doctor Jeff Daniels, fed up with the dangers inherent in big-city living, has resettled in this town on the assumption that nothing untoward could ever happen here to himself and his family. Before long, however, Daniels is trying to make sense of a series of sudden deaths-and to figure out why each of the corpses has been drained of blood. The audience, of course, knows that the culprits are those pesky South American spiders, which grow larger with each kill. To make matters worse, Jeff Daniels suffers from a profound case of arachnophobia. John Goodman supports the cast as a slovenly exterminator, and Frank Marshall, longtime producer of Steven Spielberg's films, makes his directorial debut in Arachnophobia. ~ Hal Erickson, All Movie Guide

Things have barely settled from the excitement and resolve of the original Back to the Future, when in pops that crazy inventor Dr. Emmett Brown (Christopher Lloyd) with news that in order to prevent a series of events that could ruin the McFly name for posterity, Marty McFly (Michael J. Fox ) and his girlfriend are whisked into the future to the year 2015, where Marty must tangle with a teen rogue named Griff, who's obviously the descendant of Biff, the first Future film's bully. Marty foils Griff and his group when he jumps on an air-foil skateboard that flies him through town at rakish speeds with the loser bullies beaten again. Marty gets a money-making brainstorm before hopping in the time-traveling DeLorean, and he purchases a sports almanac. He figures that back in 1985 he'll be able to place sure-fire bets using the published sports scores of the games that are yet to happen. Unfortunately for Marty, Dr. Brown disapproves of his betting scheme -- he feels too much messing with time is very dangerous -- and he tosses the almanac. A hidden Biff overhears the discussion about the almanac, sees it get tossed out, and grabs it. Thus begins a time-traveling swirl to make the head spin. Biff swipes the DeLorean, heads back to 1955, and with the help of the unerring almanac, bets his way to power. The now-altered "Biff world" has turned into a nightmarish scene with Biff the mogul, residing in a Vegas-styled pleasure palace and running everything. It's all our hero Marty can do to pull the pieces together this time, as he must jump between three generations of intertwined time travel. The end of Back to the Future, Part 2 introduces its sequel as the zany professor has already time-dashed away to the Wild West of the late 1800s and invites Marty into a new adventure. ~ All Movie Guide

Looking like death warmed over, Jack Lemmon plays the aging father of Ted Danson. Always proud of being able to fend for himself, Lemmon despises being reliant upon others, but his enfeebled state does not allow him his old independence. For his part, Danson resents having to care for his dad as he would for an infant. Things take an upward turn when a "Doctor Feelgood" (Zakes Mokae) enters the scene, pumping Lemmon full of self-confidence. But then Lemmon is stricken with cancer, an affliction that he can't jolly himself out of. As the reality of his imminent death strikes everyone around him, Lemmon retreats into fantasy, recalling the past happy events of his life as though they're happening here and now. The rest of the family humors their dying dad, and in so doing draws closer together than they've been in years. TV sitcom maestro Gary David Goldberg co-produced and directed Dad, and also adapted the screenplay from the novel by William Wharton. ~ Hal Erickson, All Movie Guide

The third installment in the widely beloved Spielberg/Lucas Indiana Jones saga begins with an introduction to a younger Indy (played by the late River Phoenix), who, through a fast-paced prologue, gives the audience insight into the roots of his taste for adventure, fear of snakes, and dogged determination to take historical artifacts out of the hands of bad guys and into the museums in which they belong. A grown-up Indy (Harrison Ford) reveals himself shortly afterward in a familiar classroom scene, teaching archeology to a disproportionate number of starry-eyed female college students in 1938. Once again, however, Mr. Jones is drawn away from his day job after an art collector (Julian Glover) approaches him with a proposition to find the much sought after Holy Grail. Circumstances reveal that there was another avid archeologist in search of the famed cup -- Indiana Jones' father, Dr. Henry Jones (Sean Connery) -- who had recently disappeared during his efforts. The junior and senior members of the Jones family find themselves in a series of tough situations in locales ranging from Venice to the most treacherous spots in the Middle East. Complicating the situation further is the presence of Elsa (Alison Doody), a beautiful and intelligent woman with one fatal flaw: she's an undercover Nazi agent. The search for the grail is a dangerous quest, and its discovery may prove fatal to those who seek it for personal gain. Indiana Jones and the Last Crusade earned a then record-breaking $50 million in its first week of release. ~ Tracie Cooper, All Movie Guide

Animation producer Don Bluth's fondness for overly cutesy characters and muddy color compositions work to the benefit of his feature-length cartoon The Land Before Time. Littlefoot, a brontosaurus child, must fend for himself when his mother is killed (shades of Bambi). With several other orphaned dinosaurs, Littlefoot seeks out the fabled Great Valley, where food and shelter is plentiful. Along the way, the kiddie dinos learn several vital (and politically correct) life lessons, all the while keeping themselves scarce whenever the fierce tyrannosauri gallumph into view. The cuteness of the characters (emphasized by the voice work) takes some of the harsh edges off the story, which makes the film eminently suitable for younger children; and the smeary color design is ideal for the time-frame of the film, which is set in the turbulent, nature-run-rampant period just before the dinosaurs died out. Apparently they didn't all die, inasmuch as a Land Before Time sequel was released on video in 1994. The earlier film inspired a 1988 Saturday morning cartoon series produced by Ruby-Spears, Dink: The Little Dinosaur. ~ Hal Erickson, All Movie Guide