Frank Marshall Movies
The son of movie and TV composer Jack Marshall, producer Frank Marshall attended the film department at UCLA. Here he became a protégé of director Peter Bogdanovich; Marshall played a small role in Bogdanovich's Targets, then went on to work as an assistant on the never-finished Orson Welles project The Other Side of the Wind and Martin Scorsese's concert film The Last Waltz. After several years' work in the capacity of associate producer for Bogdanovich, Marshall was finally promoted to executive producer for 1979's The Warriors. The first of his many collaborations with Steven Spielberg was Raiders of the Lost Ark, for which Marshall received the first of two Oscar nominations (the second was for the Spielberg-directed The Color Purple [1984]). In 1982, Marshall, his future wife Kathleen Kennedy, and Spielberg formed Amblin' Productions, which in addition to its many theatrical features was responsible for the TV cartoon series Tiny Toon Adventures and Animaniacs. Since turning director in 1990, Marshall has been handed many a sow's ear that he's managed to convert into a silk purse at the box office. ~ Hal Erickson, All Movie Guide
Together with Orson Welles' Citizen Kane and John Singleton's Boyz 'n the Hood, director Peter Bogdanovich's Targets is among the most impressive first features ever made. When Bogdanovich's cinematic mentor Roger Corman suggested that Bogdanovich might want to make his directorial debut, he offered to "donate" 20 minutes' worth of footage of the Corman-directed The Terror and the services of Boris Karloff, who owed Corman two days' worth of work (at a cost of 22,000 dollars). Karloff became so caught up in the 29-year-old Bogdanovich's enthusiasm that he agreed to work an additional two days at a bare-minimum salary.
The script, by Bogdanovich and his then-wife, Polly Platt, was inspired by the 1966 shooting spree of Texas Tower sniper Charles Whitman. Karloff, as Byron Orlock, more or less plays himself: an aging horror star, consigned to low-budget drive-in fare. Unlike the workaholic Karloff, Orlock wants to retire from films, noting that his movies seem inconsequential in light of the real-life horrors occurring every day. As Bogdanovich, playing young-and-hungry director Sammy Michaels, desperately tries to convince Orlock to star in just one more picture, the film's attentions shift to Vietnam veteran Bobby Thompson (Tim O'Kelly). An otherwise amiable, normal-looking lad, Bobby seems to harbor an inordinate fascination with guns, particularly high-powered rifles. One bright and sunny morning, Bobby suddenly and unexpectedly shoots and kills his wife, his mother, and an unlucky delivery boy. He leaves behind a note confessing to these crimes, noting that, while he fully expects to be captured, many more will die before the day is over. From this point onward, the film switches from Bobby's day-long bloodbath (from the vantage point of an oil storage tank, calmly picking off passing freeway motorists) to Orlock's grumbling preparations to make a personal appearance at a local drive-in movie.
Inevitably, Bobby also shows up at the drive-in, hiding himself behind the huge screen and shooting down the patrons as they sit complacently in their cars, watching the latest Byron Orlock film (actually The Terror, in which Karloff also starred). Once the reality of the situation sets in, panic ensues, leading to the ultimate confrontation between the escaping Bobby and the bewildered Orlock. ("Is this what I was afraid of?" Orlock ruefully exclaims as Bobby cowers at his feet.) The tension never lets up throughout Targets' jam-packed 90 minutes. The film was virtually thrown away by its distributor, Paramount Pictures, which was uncertain about packaging a film about a sniper in the wake of the King and Kennedy assassinations. Only when it was reissued to college campuses and film societies did Targets begin building up its much-deserved reputation. Though Targets was not, technically, Boris Karloff's last film, it serves as a worthy valedictory for this cinematic giant. ~ Hal Erickson, All Movie Guide
The script, by Bogdanovich and his then-wife, Polly Platt, was inspired by the 1966 shooting spree of Texas Tower sniper Charles Whitman. Karloff, as Byron Orlock, more or less plays himself: an aging horror star, consigned to low-budget drive-in fare. Unlike the workaholic Karloff, Orlock wants to retire from films, noting that his movies seem inconsequential in light of the real-life horrors occurring every day. As Bogdanovich, playing young-and-hungry director Sammy Michaels, desperately tries to convince Orlock to star in just one more picture, the film's attentions shift to Vietnam veteran Bobby Thompson (Tim O'Kelly). An otherwise amiable, normal-looking lad, Bobby seems to harbor an inordinate fascination with guns, particularly high-powered rifles. One bright and sunny morning, Bobby suddenly and unexpectedly shoots and kills his wife, his mother, and an unlucky delivery boy. He leaves behind a note confessing to these crimes, noting that, while he fully expects to be captured, many more will die before the day is over. From this point onward, the film switches from Bobby's day-long bloodbath (from the vantage point of an oil storage tank, calmly picking off passing freeway motorists) to Orlock's grumbling preparations to make a personal appearance at a local drive-in movie.
Inevitably, Bobby also shows up at the drive-in, hiding himself behind the huge screen and shooting down the patrons as they sit complacently in their cars, watching the latest Byron Orlock film (actually The Terror, in which Karloff also starred). Once the reality of the situation sets in, panic ensues, leading to the ultimate confrontation between the escaping Bobby and the bewildered Orlock. ("Is this what I was afraid of?" Orlock ruefully exclaims as Bobby cowers at his feet.) The tension never lets up throughout Targets' jam-packed 90 minutes. The film was virtually thrown away by its distributor, Paramount Pictures, which was uncertain about packaging a film about a sniper in the wake of the King and Kennedy assassinations. Only when it was reissued to college campuses and film societies did Targets begin building up its much-deserved reputation. Though Targets was not, technically, Boris Karloff's last film, it serves as a worthy valedictory for this cinematic giant. ~ Hal Erickson, All Movie Guide
- Starring:
- Boris Karloff, Tim O'Kelly, (more)
Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Timothy Bottoms, Jeff Bridges, (more)
The year is 1936. Orphaned Addie Loggins (Tatum O'Neal, in her film debut) is left in the care of unethical travelling Bible salesman Moses Pray (Ryan O'Neal, Tatum's dad), who may or may not be her father. En route to Addie's relatives, Moses learns that the 9-year-old is quite a handful: she smokes, cusses, and is almost as devious and manipulative as he is. They join forces as swindlers, working together so well that Addie is averse to breaking up the team -- which is one reason that she sabotages the romance between Moses and good-time gal Trixie Delight (Madeline Kahn). Later, while attempting to square a $200 debt that Addie claims he owes her, Moses runs afoul of of a bootlegger (John Hillerman) and is nearly beaten to death by the criminal's twin-brother sheriff. Painfully pulling himself together, Moses gets Addie to her relatives, whereupon she adamantly refuses to leave his side. Photographed in black-and-white by Laszlo Kovacs, the film was made largely on location in Kansas and Missouri (an experience colorfully recalled by director Peter Bogdanovich in his 1972 book of essays Pieces of Time). 9-year-old Tatum O'Neal won a Best Supporting Actress Oscar, beating out costar Kahn. Paper Moon later became a short-lived TV series, starring Ryan O'Neal lookalike Christopher Connelly and future Oscar winner Jodie Foster. ~ Hal Erickson, All Movie Guide
- Starring:
- Ryan O'Neal, Tatum O'Neal, (more)
Continuing his 1970s recreations of classical Hollywood genres and styles, Peter Bogdanovich turned to the literary costume drama with an adaptation of the Henry James novella Daisy Miller. At a Swiss spa, upper-class expatriate American Frederick Winterbourne (Barry Brown) meets pretty, nouveau riche flirt Daisy Miller (Cybill Shepherd); her bratty, xenophobic little brother Randolph (James McMurtry); and her tremulous, nattering mother (Cloris Leachman). Despite warnings from his dowager aunt (Mildred Natwick) about Daisy's recklessness with men, Winterbourne finds himself drawn to her. When he encounters her again in Rome, he tries to convince her that her liberated behavior with an Italian admirer (Duilio Del Prete) may sully her reputation in aristocratic circles. But Winterbourne cannot reconcile his own feelings for Daisy with the manners that he is used to following, nor can he fathom how she may feel about him beneath her veneer of willful coquetry. After society matron Mrs. Walker (Eileen Brennan) ostracizes her, Daisy's final rash action reveals to Winterbourne how his old-fashioned mores may have sealed her fate. With a screenplay by Frederic Raphael and location shooting in Rome and Switzerland, Bogdanovich carefully recreated the rich surroundings and stultifying social strictures of James' story. Despite this well-executed atmosphere, Daisy Miller suffered critically, as Bogdanovich was especially taken to task for casting the amateurish Shepherd in the complex and pivotal role of Daisy. After three consecutive hits with The Last Picture Show (1971), What's Up, Doc? (1972), and Paper Moon (1973), Daisy Miller flopped, beginning Bogdanovich's mid-'70s slide into box-office and critical ignominy. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Cybill Shepherd, Barry Brown, (more)
- 1975
- G
Peter Bogdanovich's attempt to direct a homage to the great musicals of the 1930s is now remembered as one of the embarrassments of the 1970s. The film's thin plot, standard for the genre, centers on the romantic entanglements and misunderstandings among six stock characters: the bored playboy (Burt Reynolds), his never-ruffled valet (John Hillerman), the debutante (Cybill Shepherd), the Broadway diva (Madeline Kahn), her gambler boyfriend (Duilio Del Prete), and her maid (Eileen Brennan). All six are likely to burst into song and dance at any time, and they often do (the performances were recorded live on the set, not pre-recorded), but sixteen Cole Porter tunes, lavish sets and costumes, and an expensive production cannot hide the fact that Reynolds and Shepherd, the two leads, are way out of their depth. A notorious failure, At Long Last Love left a permanent stain on Bogdanovich's career. ~ Don Kaye, All Movie Guide
- Starring:
- Burt Reynolds, Cybill Shepherd, (more)
- 1976
- PG
Peter Bogdanovich's early career as a film writer stood him in good stead for this comedy drama about the early days of the motion-picture industry, based in part on his interviews with pioneering directors Raoul Walsh and Allan Dwan. Leo Harrigan (Ryan O'Neal) is a lawyer and Buck Greenway (Burt Reynolds) is a cowboy and gunman. Both are sent to California to shut down a renegade group of silent-movie makers -- financed by blustery H.H. Cobb (Brian Keith) -- who are in violation of the Motion Picture Patents Co. Trust. Harrigan and Greenway somehow find themselves working with the movie crew instead of shutting them down; they join forces with cameraman Franklin Frank (John Ritter), leading lady Kathleen Cooke (Jane Hitchcock), and precocious prop girl Alice Forsyte (Tatum O'Neal). Greenway becomes a star and Harrigan a respected director, but both battle over the affections of Cooke. Incidentally, Cobb's big speech near the end is taken almost verbatim from a quote given to Bogdanovich in an interview with actor James Stewart. ~ Mark Deming, All Movie Guide
- Starring:
- Ryan O'Neal, Burt Reynolds, (more)
Walter Hill's stripped down neo-noir features a protagonist who makes the laconic boxer of the director's similar Hard Times (1974) seem logorrheic by comparison. The film's tone is set in the opening scene as the Driver (Ryan O'Neal) gloms a V-8 sedan and proceeds to whip through claustrophobic parking garages, narrow alleyways, and sundry other high-risk macadam, as he demonstrates why he's known as the best getaway driver in the business to some potential clients, before giving his vehicle a proper burial. Such plot as there is in this highly abstract film concerns the Driver's cat and mouse game with the Detective (Bruce Dern), an employee of the constabulary of an unnamed city, intent on his arrest. A mysterious and beautiful woman, the Player (Isabelle Adjani), soon appears on the Driver's radar, a perfect match for his taciturnity. ~ Michael Costello, All Movie Guide
- Starring:
- Ryan O'Neal, Bruce Dern, (more)
Martin Scorsese's documentary of the 1976 final performance of the legendary Sixties rock group The Band is at once a show featuring some of the greatest rock performers of their generation and a bittersweet look back at an era that was just beginning to fade. As Scorsese guides the group through interview segments discussing their 15 years together, these relatively young men sound like battle-weary survivors. But The Band were in splendid form for this show, and their multiple guest stars pulled out all the stops, especially Muddy Waters, whose "Mannish Boy" is so powerful it nearly burns a hole in the screen; Van Morrison, with a rousing performance of "Caravan;" and Bob Dylan, whose "Baby Let Me Follow You Down" displays the brilliant cockiness of his barnstorming days with this band. The all-star camera crew and superb stereo sound mix create what is considered to be of the best-looking and sounding rock films ever (as the opening credit says, play this movie loud!), and two studio-shot sequences with Emmylou Harris and The Staple Singers stand on their own. ~ Mark Deming, All Movie Guide
- Starring:
- Bob Dylan, Joni Mitchell, (more)
Walter Hill's hip, super-stylized action film unfurls in a dystopian near-future, when various gangs control New York City. Each gang sports a unique moniker ('The Warriors,' 'The Baseball Furies,' 'The Rogues'), with a costume underscoring its "theme"; each, in turn, is also responsible for one geographic area. Hill sets up the landscape as a massive, violent playground - replete with bridges, vacant subway tunnels, parks, abandoned buildings and the like, all ripe for exploration and adventure. As the tale opens, the titular Coney Island has traveled to the Bronx to attend a city-wide meeting of all gangs; at that event, however, the psychotic leader of a rival gang, The Rogues (David Patrick Kelly of Dreamscape) assassinates the head of the city's foremost gang, but The Warriors are pegged as culpable. This sends the gang fleeing through the labyrinthine city. With every thug in Manhattan in vicious, homicidal pursuit, they must also overcome all obstacles in their way. Throughout, Hill keeps the onscreen violence absurd, exaggerated and unrealistic, downplaying death to an extreme degree; despite this fact, the film sparked a massive amount of controversy and an ugly backlash for allegedly inciting violence and destruction in several theaters where it initially played. James Remar, Michael Beck and Deborah Van Valkenburgh lead the ensemble cast. ~ Nathan Southern, All Movie Guide
- Starring:
- Michael Beck, James Remar, (more)
Indiana Jones (Harrison Ford) is no ordinary archeologist. When we first see him, he is somewhere in the Peruvian jungle in 1936, running a booby-trapped gauntlet (complete with an over-sized rolling boulder) to fetch a solid-gold idol. He loses this artifact to his chief rival, a French archeologist named Belloq (Paul Freeman), who then prepares to kill our hero. In the first of many serial-like escapes, Indy eludes Belloq by hopping into a convenient plane. So, then: is Indiana Jones afraid of anything? Yes, snakes. The next time we see Jones, he's a soft-spoken, bespectacled professor. He is then summoned from his ivy-covered environs by Marcus Brody (Denholm Elliott) to find the long-lost Ark of the Covenant. The Nazis, it seems, are already searching for the Ark, which the mystical-minded Hitler hopes to use to make his stormtroopers invincible. But to find the Ark, Indy must first secure a medallion kept under the protection of Indy's old friend Abner Ravenwood, whose daughter, Marion (Karen Allen), evidently has a "history" with Jones. Whatever their personal differences, Indy and Marion become partners in one action-packed adventure after another, ranging from wandering the snake pits of the Well of Souls to surviving the pyrotechnic unearthing of the sacred Ark. A joint project of Hollywood prodigies George Lucas and Steven Spielberg, with a script co-written by Lawrence Kasdan and Philip Kaufman, among others, Raiders of the Lost Ark is not so much a movie as a 115-minute thrill ride. Costing 22 million dollars (nearly three times the original estimate), Raiders of the Lost Ark reaped 200 million dollars during its first run. It was followed by Indiana Jones and the Temple of Doom (1985) and Indiana Jones and the Last Crusade (1989), as well as a short-lived TV-series "prequel." ~ Hal Erickson, All Movie Guide
- Starring:
- Harrison Ford, Karen Allen, (more)
Both a classic movie for kids and a remarkable portrait of childhood, E.T. is a sci-fi adventure that captures that strange moment in youth when the world is a place of mysterious possibilities (some wonderful, some awful), and the universe seems somehow separate from the one inhabited by grown-ups. Henry Thomas plays Elliott, a young boy living with his single mother (Dee Wallace), his older brother Michael (Robert MacNaughton), and his younger sister Gertie (Drew Barrymore). Elliott often seems lonely and out of sorts, lost in his own world. One day, while looking for something in the back yard, he senses something mysterious in the woods watching him. And he's right: an alien spacecraft on a scientific mission mistakenly left behind an aging botanist who isn't sure how to get home. Eventually Elliott puts his fears aside and makes contact with the "little squashy guy," perhaps the least threatening alien invader ever to hit a movie screen. As Elliott tries to keep the alien under wraps and help him figure out a way to get home, he discovers that the creature can communicate with him telepathically. Soon they begin to learn from each other, and Elliott becomes braver and less threatened by life. E.T. rigs up a communication device from junk he finds around the house, but no one knows if he'll be rescued before a group of government scientists gets hold of him. In 2002, Steven Spielberg re-released E.T. The Extra-Terrestrial in a revised edition, with several deleted scenes restored and digitally refurbished special effects. ~ Mark Deming, All Movie Guide
- Starring:
- Henry Thomas, Dee Wallace, (more)
With Poltergeist, directed by Tobe Hopper, Steven Spielberg had his first great success as a producer. Released around the same time as Spielberg's E.T., the film presents the dark side of Spielberg's California suburban track homes. The film centers on the Freeling family, a typical middle class family living in the peaceful Cuesta Verde Estates. The father, Steve (Craig T. Nelson), has fallen asleep in front of the television, and the dog saunters around the house revealing the other family members -- Steve's wife Diane (JoBeth Williams), sixteen-year-old daughter Dana (Dominique Dunne), eight-year-old son Robbie (Oliver Robins), and five-year-old Carol Ann (Heather O'Rourke). Soon strange things begin to happen around the house; the pet canary dies, mysterious storms occur, and Carol Ann is summoned to the TV set, where a strange shaft of green light hits her and causes the room to shake ("They're he-e-ere!"). As curious events continue, Carol Ann is repeatedly drawn to the television, where she begins to talk to "the TV people." Soon Carol Ann is sucked into a closet, disappearing from this reality plane. Unable to find his daughter, Steve consults Dr. Lesh (Beatrice Straight), a para-psychologist from a nearby college. Lesh finds that paranormal phenomena is so strong in the Freelong household she is unable to deal with it and sends for clairvoyant and professional exorcist Tangina (Zelda Rubinstein) to examine the house in hopes of finding Carol Ann. Tangina makes a horrifying discovery: Carol Ann is alive and in the house, but is being held on another spectral plane. ~ Paul Brenner, All Movie Guide
- Starring:
- Craig T. Nelson, JoBeth Williams, (more)
Based on the popular television series created by Rod Serling, this film of horror and the supernatural tells four separate stories--each by a different director: John Landis, Steven Spielberg, Joe Dante and George Miller. In one, a bigot is taught a lesson when he is transported to experience the lives of three different victims of prejudice and intolerance. Another takes a trip to an old-age home where the arrival of a special man turns some of the residents into youthful people once again. In the third, a woman befriends a timid young child who turns out to be a maniacal brat with bizarre powers. The final segment shows how a man with an aversion to flying has a rough time when he panics and then sees a strange creature on the wing outside his window seat. ~ Kristie Hassen, All Movie Guide
- Starring:
- Dan Aykroyd, Jeff Bannister, (more)
"Don't expose him to bright light. Don't ever get him wet. And don't ever, ever feed him after midnight." This sage advice is ignored midway through Gremlins, with devastating results. This comic Joe Dante effort is set in a Norman Rockwell-esque small town at Christmastime. Seeking a unique gift for his son an erstwhile inventor (Hoyt Axton) purchases a cute, fuzzy little "Mogwai" from a Chinatown shopkeeper's (Keye Luke) grandson (John Louie), who dispenses the above-mentioned warning before closing the deal. Meanwhile, young bank clerk Billy Peltzer (Zach Galligan) must suffer such antagonists as rich-bitch Mrs. Deagle (Polly Holliday) and priggish Gerald (Judge Reinhold) while pursuing his romance with Kate (Phoebe Cates). These and a variety of other plot strands are tied together when the lovable mogwai (named Gizmo) is exposed to bright light and gotten wet. In short order, the town is invaded by nasty, predatory Gremlins, who lay waste to everything in sight as Billy and Kate try to contain the destruction. Like most of Joe Dante's works, Gremlins is chock-full of significant cameo appearances: in this instance, such pop-culture icons as Dick Miller, Jackie Joseph, Chuck Jones, Scott Brady, Harry Carey Jr., Steven Spielberg (the film's executive producer) and even Robby the Robot all show up briefly on screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Zach Galligan, Hoyt Axton, (more)
- 1984
- PG
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The second of the George Lucas/Steven Spielberg Indiana Jones epics is set a year or so before the events in Raiders of the Lost Ark (1984). After a brief brouhaha involving a precious vial and a wild ride down a raging Himalyan river, Indy (Harrison Ford) gets down to the problem at hand: retrieving a precious gem and several kidnapped young boys on behalf of a remote East Indian village. His companions this time around include a dimbulbed, easily frightened nightclub chanteuse (Kate Capshaw), and a feisty 12-year-old kid named Short Round (Quan Ke Huy). Throughout, the plot takes second place to the thrills, which include a harrowing rollercoaster ride in an abandoned mineshaft and Indy's rescue of the heroine from a ritual sacrifice. There are also a couple of cute references to Raiders of the Lost Ark, notably a funny variation of Indy's shooting of the Sherpa warrior. ~ Hal Erickson, All Movie Guide
- Starring:
- Harrison Ford, Kate Capshaw, (more)
Based on the Pulitzer Prize-winning novel by Alice Walker, The Color Purple spans the years 1909 to 1949, relating the life of Celie (Whoopi Goldberg), a Southern black woman virtually sold into a life of servitude to her brutal husband, sharecropper Albert (Danny Glover). Celie pours out her innermost thoughts in letter form to her sister Nettie (Akousa Busia), but Albert has been hiding the letters Nettie writes back, allowing Celie to assume that Nettie is dead. Finally, Celie finds a champion in the don't-take-no-guff Sofia (Oprah Winfrey), the wife of Glover's son from a previous marriage. Alas, Sofia is "humbled" when she is beaten into submission by angry whites. Later, Celie is able to forge a strong friendship with Albert's mistress Shug (Margaret Avery). Emboldened by this, Celie begins rifling through her husband's belongings and finds Nettie's letters. Able at last to stand up to her husband, Celie leaves him to search for a new life on her own. A major box-office hit, The Color Purple was nominated for eleven Oscars. The film was co-produced by Quincy Jones, who also wrote the score. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Glover, Whoopi Goldberg, (more)
The still unknown Kevin Costner carries this film that involves five college roommates on a last "fandango" before they separately face the harsh realities of an unpredictable future. It is 1971, and the Vietnam War has not yet ended. Gardner Barnes (Costner) has extended his college years by six semesters in an attempt to stave off the rapidly approaching future, Kenneth (Sam Robards) has just canceled his wedding in a drunken look at reality, Lester (Brian Cesak) loves alcohol and tags along with the group just to have a good time, Dorman (Chuck Bush) is devoted to existentialism and flights of poetic fancy, and Phil (Judd Nelson) is barely a member of the group because he is consorting with the enemy: he is a member of ROTC. This unlikely mismatch cavorts through several classic college pranks, among them taking bets on daredevil acts like skydiving into the middle of nowhere. As their high jinks continue, it becomes apparent that their real desire is not to live a wild life for its own sake, but to postpone the moment when they will have to leave school and its lifestyle behind them. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Kevin Costner, Judd Nelson, (more)
- 1985
- PG
Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael J. Fox, Christopher Lloyd, (more)
Leonard Maltin wasn't alone when he noticed similarities between Goonies and the 1934 Our Gang comedy Mama's Little Pirate. Adapted by Chris Columbus from a story by Steven Spielberg, the film follows a group of misfit kids (including such second-generation Hollywoodites as Josh Brolin and Sean Astin) as they search for buried treasure in a subterranean cavern. Here they cross the path of lady criminal Mama Fratelli (Anne Ramsey) and her outlaw brood. Fortunately, the kids manage to befriend Fratelli's hideously deformed (but soft-hearted) son (John Matuszak), who comes to their rescue. The Spielberg influence is most pronounced in the film's prologue and epilogue, when the viewer is advised that the film's real villains are a group of "Evil Land Developers." The musical score makes excellent use of Max Steiner's main theme from The Adventures of Don Juan, not to mention contributions by the likes of Richard Marx and Cyndi Lauper. ~ Hal Erickson, All Movie Guide
- Starring:
- Sean Astin, Josh Brolin, (more)
Also released under the title Young Sherlock Holmes and the Pyramid of Fear, this film follows the adventures of young John Watson (Alan Cox) when he is shipped off to boarding school and meets up with the brilliantly bizarre Sherlock Holmes (Nicolas Rowe). The two boys strike up a friendship and promptly become involved in the investigation of a number of mysterious murders. When their curiosity gets them into trouble with a dangerous religious cult, Watson and Holmes must struggle to avoid capture while attempting to notify the authorities. ~ Iotis Erlewine, All Movie Guide
- Starring:
- Nicolas Rowe, Alan Cox, (more)
An American Tail is a beautifully rendered animated flim that tells an overly familiar story in terms children can easily understand. Fievel Mousekewitz and his family of Russian-Jewish mice escape from their homeland in the late 1800s, boarding a boat headed toward America to evade the Czarist rule of the Russian cats. Fievel, however, is separated from his family upon his arrival in New York City, and he discovers to his horror that there are cats in America too (his father said there weren't). Fievel meets his share of friendly and hostile mice, and he eventually befriends a cat as well. Former Disney animator Don Bluth co-produced and directed this often heartwarming yarn, the first animated feature presented by Steven Spielberg, and it has its charms despite a number of cliché situations. ~ Don Kaye, All Movie Guide
- Starring:
- Cathianne Blore, Dom DeLuise, (more)
Adapting the themes of the 1948 film Mr. Blandings Builds his Dream House, this comedy stars Tom Hanks as Walter Fielding, who with his love Anna (Shelley Long) decides to buy a suburban New York home for next-to-nothing. Both Anna and Walter are willing to fix what ails the house and since they are both successful professionals, that should not be too difficult. Unfortunately, what ails the house might be terminal as the rest of the film chronicles the battle between the couple and the disintegrating structure. Construction workers come in to make matters either worse or better -- or both. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Shelley Long, Tom Hanks, (more)
Hume Cronyn and Jessica Tandy are among the impoverished residents of a slum tenement threatened with demolition by evil land developers. Only a miracle can save Cronyn, Tandy, and their friends -- and that miracle manifests itself in the form of a "family" of extraterrestrial flying saucers, who need the electricity provided by the tenement to survive. The grateful humanized spaceships repay their earthbound hosts by doing battle with the villains' henchmen. When the building is engulfed in flames, all seems lost, but the aliens have a few more tricks up their metallic sleeves. ~ Hal Erickson, All Movie Guide
- Starring:
- Hume Cronyn, Jessica Tandy, (more)
Based on J.G. Ballard's autobiographical novel, Empire of the Sun stars Christian Bale as a spoiled young British boy, living with his wealthy family in pre-World War II Shanghai. During the Japanese invasion, Bale is separated from his parents. With the help of soldier-of-fortune John Malkovich, Bale learns to survive without a retinue of servants at his beck and call. By the time Malkovich and Bale are tossed into a Japanese prison camp, the boy has picked up enough street-smarts and developed enough intestinal fortitude to regard his imprisonment as an exciting adventure. The story ends during the 1945 liberation: on the verge of manhood, the 13-year-old Bale will never again be the pampered, privileged brat whom we met in the early scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- Christian Bale, John Malkovich, (more)
Director Joe Dante infuses this science fiction comedy with the visual razzle-dazzle and manic, goofball performances typical of his cartoon-inspired sensibilities. Navy test pilot Lt. Tuck Pendleton (Dennis Quaid) has volunteered for a highly dangerous medical experiment. A submersible craft, with Tuck at the controls, is to be shrunk down to molecular size and inserted into the body of a living rabbit. If successful, the test could result in radical breakthroughs in surgical techniques, but some high-tech thieves attempt to steal Tuck and his ship while both are in miniature form. Enter Jack Putter (Martin Short), a mild-mannered, hypochondriac retail store clerk, a nerd who suddenly finds himself injected with Tuck and his tiny ship. Now poor Jack's got to rise above his mundane existence to help an American hero get back to safety, while also trying to reunite Tuck with his beautiful estranged girlfriend Lydia (Meg Ryan). Innerspace (1987) won an Academy Award for Best Visual Effects. ~ Karl Williams, All Movie Guide
- Starring:
- Dennis Quaid, Martin Short, (more)
