Allie Byrne Movies

When his professional career hits a lull, an actor attempts to revitalize his career by staging a production of Hamlet, directed by and starring himself. Director and star Kenneth Branagh would in fact release his own film version of Shakespeare's classic play a year later, but this comedy provides his fictional counterpart with far less in terms of production value. Lacking money and time, he recruits a rather motley group of drunks, incompetents, and oddballs, including a middle-aged female impersonator in the crucial role of Queen Gertrude. Given only three weeks of rehearsal, and an abandoned church in a remote town in the English countryside, this unlikely group nevertheless struggles valiantly to make theatrical magic. The film attempts to pay loving tribute to the madness that surrounds the staging of a play, with all of the backstage dramas, inevitable disasters, and unexpected triumphs, but the end result is often less amusing than it ought to be. The film was released in the United States under the title A Midwinter's Tale. ~ Judd Blaise, Rovi

Set near the end of 1899, as a new century is due to arrive and many people struggle to keep up with an era in flux, this drama follows the goings-on at a medical clinic operated by Professor Mandry (Charles Dance). Mandry appears somewhat progressive to his top student and right-hand man, Paul Reisner (Clive Owen), given his willingness to hire women and blacks - but Reisner's unchecked enthusiasm for Mandry soon fades when he discovers Mandry's hesitancy to acknowledge the importance of Felix's work on diabetic disorders, and his willingness to propagate eugenics via the enforced sterlization of impoverished British women. Eventually, their disagreements lead to the younger man's suspension; Paul then turns to Clara (Miranda Richardson), a free-thinking young woman working at the clinic who shows tremendous professional and emotional support to him. Soon they become lovers, but have disagreements of their own regarding medical ethics. ~ Mark Deming, Rovi

One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, Rovi