Peter Manoogian Movies

In this youthful fantasy, a 12-year-old boy is unfortunate enough to have his wish granted to have a golden touch. At first it is a fine talent indeed. However, the dark side of his power appears when he accidentally turns his beloved grandmother into a solid gold statue. ~ Sandra Brennan, All Movie Guide

An early, derivative effort from Charles Band's incredibly prolific direct-to-video outfit Full Moon Productions, this is an undercooked stew of a dozen horror plots, particularly Child's Play and Night of the Living Dead. A tough lady-cop (Tracy Scoggins) is forced to curtail her task of collaring a pair of sleazy gun-smugglers in an abandoned toy warehouse when the toys suddenly spring to life at the command of a murderous demon-child. While the policewoman tries vainly to organize the hapless humans trapped in the warehouse (pudgy rent-a-cop, transient, chicken delivery boy), the possessed playthings move in for the kill. The silly proceedings are helped along by whirlwind editing, the attractive, butt-kicking Scoggins, and a colorful assortment of monsters -- including a fanged jack-in-the-box, a laser-shooting robot, a ferocious teddy bear and the potty-mouthed "Baby Oopsy-Daisy." Though pretty slick overall, the entire exercise is flattened by the script's dreadful attempts at humor -- particularly from the demon himself, whose stupid Freddy Krueger-isms are like nails on a blackboard. ~ Cavett Binion, All Movie Guide

Though bereft of budget, the 1988 sci-fier Arena has its heart in the right place. The scene is a distant planet, where extraterrestrial gladiators square off in an arena. Earthling Steve Armstrong would like to prove his fighting skills, but the evil planetary ruler Marc Alaimo won't let him. After an intensive series of training sessions with martial-arts expert Claudia Christian, whose father used to run the arena, Armstrong is at last permitted to display his prowess in public. He also gets a chance to topple Alaimo's despotic regime, and, hopefully, to win himself a trip back to Mother Earth. ~ Hal Erickson, All Movie Guide

A touch of comic relief adds to this otherwise predictable sci-fi actioner about a mad scientist (Roy Dotrice) holed up in a remote jungle fortress in Mexico with his time-machine and robotic know-how. He plans on zapping himself back to the Roman Empire to reign as emperor in Caesar's stead thereby ruining a certain 20th-century pizza franchise. Standing in the way is a pilot who was saved from imminent extinction when the evil doctor patched him together with mechanical body parts. Once the crazed scientist decides to do away with his "Man-droid," the 'droid-human escapes and rounds up a gang of accomplices to head back up-river and do the scientist in. Patrick Reynolds plays Mandroid. (Reynolds is the heir to the R.J. Reynolds tobacco fortune who divested his stock and leads a national anti-smoking organization.) ~ Eleanor Mannikka, All Movie Guide

To paraphrase 1930s wit Wilson Mizner, Fear City is like a trip through a sewer in a glass-bottom boat. In exploitation-flick fashion, the film exposes the seedy "nether world" of contemporary Manhattan. Unsavory Matt (Tom Berenger) and Nick (Jack Scalia) run a topless bar/booking agency, in direct competition with equally scuzzy Goldstein (Jan Murray). It's hard to imagine anyone lower than these low-lives until we're apprised of a serial killer who dutifully keeps a record of his murders in a diary. The killer's victims are all exotic dancers and hookers, prompting Matt to suspect that Goldstein is behind the crimes, and vice versa. Once they've decided that it's better to unite against a common enemy than to throw volleys at each other, Matt and Goldstein arrange between themselves to insure the safety of the women in their employ. Meanwhile, Matt's ex-girlfriend Loretta (Melanie Griffith), saddened by the murder of her lesbian lover Leila (Rae Dawn Chong), resumes her drug habit, while a dispirited Matt begins harking back to his own sordid past. The one redeeming aspect of Fear City is the ultimate triumph over the odds by Loretta, who by process of elimination emerges as the most likeable character in the bunch. For a film of this nature, Fear City boasts an unexpectedly strong cast, including the aforementioned actors and Billy Dee Williams, Rosanno Brazzi, Joe Santos and Michael V. Gazzo. ~ Hal Erickson, All Movie Guide

The Seduction a z-grade erotic thriller, tells the story of a TV newswoman spied upon and stalked by an obsessed fan. Jamie (Morgan Fairchild) is a beautiful, successful career woman. Derek (Andew Stevens) is an obsessed psychopath who watches her and attempts to become part of her life. When Jamie discovers his true intentions, she must fight for her life. The Seduction, is standard exploitation movie fare, with a fair amount of sex, violence and nudity. None of the characters are particularly believable, and the performances by both Fairchild and Stevens are sub-par. ~ Linda Rasmussen, All Movie Guide

Also known as Planet of Horrors, this film follows a group of astronauts as they travel into space to retrieve the survivors of a spaceship crash. When they arrive on the planet, the crew runs into some hostile aliens who attempt to gorily wipe them out. ~ Iotis Erlewine, All Movie Guide