Jack Manning Movies

As played by Jessica Lange, Frances Farmer is a rebel from the word go, winning a high school essay award by writing a piece in defense of Communism. Determining to become an actress, Frances is equally determined not to play the Hollywood game: she refuses to acquiesce to idiotic publicity stunts, and insists upon appearing on screen sans makeup. Her defiance attracts the attention of Broadway playwright Clifford Odets, who convinces Frances that her future rests with the Group Theatre. But once she leaves Hollywood for New York, Frances learns to her chagrin that the Group intends to exploit her movie fame in order to draw in customers. Her desperate attempts to restart her movie career, combined with her increasing dependence on alcohol and the pressures brought to bear by her monster mother (Kim Stanley), result in a complete mental breakdown. Even while institutionalized, Frances is abused by the powers-that-be; she is forced to undergo an injurious brain operation, is treated like a mad animal, and periodically raped by the inmates. Frances is released in the custody of her mother, who persists in browbeating her tortured daughter until Frances discovers the legal means to break away. The real-life Frances spent her last years as host of a local Indianapolis TV program, dying in 1970 at age 57; the film comes to a climax when Frances is feted on the smarmy network program This is Your Life. Other actual personages depicted herein include Clifford Odets (played by Jeffrey DeMunn), Harold Clurman (Jordan Charney) and Ralph Edwards (Donald Craig). Frances' first husband Leif Erickson is fictionalized as "Jeffrey York", and played by Lange's real-life inamorata Sam Shepard. And if you listen closely, you'll hear the voice of Kevin Costner, whose minor role was whittled down to one line when he, like Frances Farmer, had the temerity to argue with the director. The unhappy life of actress Frances Farmer was also covered in Farmer's autobiography, Will There Ever Be a Morning? While the film rights for that book were sold to a TV-movie concern, the producers of the theatrical feature Frances were able to ship their production out to the public first. ~ Hal Erickson, Rovi

The Waltons decide to hold a big celebration to commemorate the final payment on their mortgage and a lucrative new lumber contract. But in the midst of all the revelry, the family discovers that someone else is having a streak of very bad luck--namely, storekeeper Ike Godsey (Joe Conley), without whose help the Waltons' lumber business might never have gotten off the ground. Elsewhere, the Walton girls conspire with Corabeth Godsey (Ronnie Claire Edwards) and Maude Gormley (Merie Earle) to find a wife for Rev. Buchanan (Peter Fox). ~ Hal Erickson, Rovi

In this Disney film, Hank Cooper (Ed Asner) the owner of a losing professional football team, recruits Gus, a Yugoslavian soccer player, to his team. Even though Gus is a mule, he figures the animal can be taught to make field-goal kicks. Despite the outrage of his team, and sabotage efforts by Crankcase, Spinner and Gwymm (Tim Conway, Tom Bosley and Harold Gould), Gus the Mule kicks his team all the way to a championship. ~ Clarke Fountain, Rovi

As he often did in his 1970s TV appearances, Jackie Cooper forsakes his "good guy" image in this episode to portray a cold-blooded criminal. In this case, Cooper is cast as jewel thief Frank Mullvaney, who intends to pull off a heist at a jeweler's convention right under the nose of Lt. Kojak (Telly Savalas). Such an undertaking requires a disguise, and Mullvaney has a beauty: he's going to show up at the convention dressed as a priest. ~ Hal Erickson, Rovi

For some reason, John Gage (Randolph Mantooth) and Roy Desoto (Kevin Tighe) are not among the paramedics summoned to a barn fire. By the time they do arrive, one of the firemen has been trapped under a tractor--and in their efforts to rescue the man, John and Roy are trapped themselves. Meanwhile, Ramparts' head nurse Dixie (Julie London) has an unfortunate encounter with a vending machine; and a lawyer suffers a heart attack in mid-trial. ~ Hal Erickson, Rovi

A concerned father decides to become closer to his daughter the hard way in this live-action comedy from Walt Disney Pictures. Charlie McCready (Bob Crane) is the father of Wendy (Kathleen Cody), a pretty teenager soon to enter college. Like most parents, Charlie only wants the best for his daughter, but he has little use for her circle of friends, most of whom he regards as half-witted and lazy. Determined to set a better example for his daughter (especially since most of her friends will be joining her at college), Charlie decides to become Wendy's new best friend, imposing himself upon her as often as possible and shoe-horning his way into her social circle, even if it means taking up surfing and water skiing to do it. Charlie's not-always-welcome presence doesn't change Wendy's feelings about her boyfriend Bart (Kurt Russell), but when Charlie decides to break up their romance, he gets even more trouble than he anticipated. Superdad also stars Barbara Rush as Charlie's wife Sue, and Joe Flynn as the memorably named Cyrus Hershberger. ~ Mark Deming, Rovi

An explosion in Rampart's hospital lab not only endangers the workers, but also some valuable documents. A young woman who is trying to impress her boyfriend and his mother with a homecooked meal falls victim to one kitchen accident after another, ultimately resulting in a call to Squad 51. Dr. Early (Bobby Troup) tries to convince a man that he hasn't been placed under a hex. A sports car, and its driver, are pinned under a gas truck that is on the verge of blowing up. And station mascot Boots confuses one and all with his uncharacteristically lethargic behavior. This episode was originally scheduled to air on January 27, 1973. ~ Hal Erickson, Rovi

In this first episode of Sanford and Son's third season, Lamont Sanford (Demond Wilson) begins taking drama lessons from an attractive white woman named Marilyn (Maureen Arthur). Sensing potential in Lamont, Marilyn suggests that he learn the role of Shakespeare's Othello. The problem: Every time Lamont and Marilyn rehearse the climactic strangulation scene in his living room, his father Fred (Redd Foxx) -- or someone else -- pops in and jumps to the conclusion that Lamont is a murderer. ~ Hal Erickson, Rovi

The oft-told story of the rise and fall of the James Younger gang is given the Dragnet treatment in The Great Northfield, Minnesota Raid. With meticulous attention to detail, the film recreates the outlaw gang's most infamous escapade: the September 7, 1876, robbery of "the biggest bank west of the Mississippi" in Northfield, MN. Cliff Robertson plays Cole Younger, and Robert Duvall appears as Jesse James, herein depicted as a pair of vengeance-driven sociopaths, but no worse than the greedy railroad magnates who've driven them into a life of crime. Younger is also quite the manipulator, convincing the immigrant farmers of Northfield that the bank is completely impervious to robbery, thereby increasing the deposits that he intends to steal. Duvall's Jesse James is a cold-blooded murderer, but, like Younger, not without his own personal charm. The climactic raid is filmed cinéma vérité style, looking more like a haphazard CNN news event than a well-oiled machine (this film is not, thankfully, the standard "slick" Hollywood product). Though it drags in spots, The Great Northfield, Minnesota Raid is a superb, iconoclastic reproduction of an era long past. ~ Hal Erickson, Rovi

The Owl and the Pussycat began life as a two-character Broadway play by Bill Manhoff, about a stuffy author who entered into an explosive relationship with his neighbor, a foulmouthed, freewheeling prostitute. Manhoff wrote the part of the hooker for a black actress, but all that changed when Barbra Streisand was cast in the role for the film version. George Segal portrays the male lead, and the play's two-character austerity was expanded to a cast of 19 speaking parts. Beyond the added characters (including Robert Klein as Segal's swinging roommate), the heart and soul of the film is the Segal-Streisand relationship; he is utterly appalled by her lifestyle, she is turned off by his prudishness, and both are made for each other. The Owl and the Pussycat was adapted for the screen by Buck Henry, who shows up in a cameo role in one of the bookstore scenes. The film represented the last work of cinematographer Harry Stradling, who'd previously photographed Streisand in Funny Girl; Stradling died during production, and was replaced by Ernest Laszlo. ~ Hal Erickson, Rovi

Director Carl Reiner, most closely associated with the homey values of situation comedies, shocked, surprised, and (in some cases) delighted his admirers with the jet-black comedy Where's Poppa?. George Segal plays Gordon Hocheiser, a New York attorney whose love life is constantly being sabotaged by his senile mother (Ruth Gordon), who constantly asks the question of the title. (She doesn't realize Poppa is dead). Every time Gordon has a prospective bride or lover lined up, Mrs. Hocheiser gums up the works with her insane behavior. The attorney at last finds a kindred spirit in the beautiful caregiver Louise Callan (Trish VanDevere), who has likewise been a victim of someone else's eccentricities (her first husband used the conjugal bed as his own personal toilet). When Mrs. Hocheiser chases Louise away like she has all the others, Gordon begins entertaining notions of killing his mother. In desperation, Gordon begs his brother Sidney (Ron Leibman) to take his mother off his hands, which leads to several comic vignettes in deliriously bad taste. The film's incest-themed original ending (trimmed from the video version but still included in cable prints) finds Gordon climbing into bed with Mrs. Hocheiser, only to be greeted with a "Here's Poppa." The celebrated "tush scene," wherein Mrs. Hocheiser bites Gordon on his bare backside while Louise looks on in horror, packed a real wallop back in the early '70s, as did a courtroom scene involving a disgruntled hippie (Rob Reiner) and a psychotic U.S. general who graphically describes his homicidal acts against the Vietnamese. Though Carl Reiner would continue to "push the envelope" in his later films (Steve Martin as a "poor black child"? George Burns as God?) he would never again attempt anything as risky as Where's Poppa?. ~ Hal Erickson, Rovi

A more exotic story than 1920s audiences had come to expect from D.W. Griffith, The Love Flower nonetheless adheres to Griffith's usual Dickensian approach to storytelling. There's an early outrage (the murder of a man), a child with a clouded past (the murderer's daughter), a decades-long vendetta (a detective devotes his life to tracking down the murderer) and a last minute struggle to the death (this one expertly filmed underwater). The film's locale is a remote tropical island, permitting leading lady Carole Dempster to go through her gamine paces with less clothing than she'd be required to wear in an urban or rural setting. Richard Barthelmess plays the "outsider" who falls in love with island girl Dempster. Her father George MacQuarrie, wanted by the law for killing his wife's lover, is himself presumably deep-sixed at fadeout time. But since MacQuarrie is essentially a sympathetic character, detective Anders Randolph looks the other way when evidence of MacQuarrie's survival presents itself. Based on a story by Ralph Stock, The Love Flower and Griffith's earlier The Idol Dancer were both conceived during the director's 1919 business-and-pleasure visit to Nassau (where the exteriors for both films were shot). ~ Hal Erickson, Rovi