Bruce Manning Movies

Every time Republic Pictures head honcho Herbert J. Yates starred his minimally talented wife Vera Ralston in a film, the studio's stockholders began trembling in their boots. Like most of its predecessors, the 1957 Ralston vehicle Spoilers of the Forest just barely made back its cost. Vera plays Joan Milna, who shares several thousand acres of valuable Montana timberland with her stepfather (John Alderson). Coveting Joan's property, lumber baron Eric Warren (Ray Collins) sends out his foreman Boyd Caldwell (Rod Cameron) to persuade her to sell. Instead, Caldwell falls in love with the girl, vowing to protect her trees from the eco-unfriendly Warren. Republic's wide-screen Naturama process is shown to good advantage throughout Spoilers of the Forest. ~ Hal Erickson, All Movie Guide

Yvonne de Carlo is at her most smokily exotic in the Republic "special" Flame of the Islands. Filmed on location in the Bahamas, the story focuses on Rosalind Dee (Ms. DeCarlo), a cabaret singer who aspires to enter High Society. To this end, she comes into possession of a great deal of money through rather underhanded means. Rosalind forms a partnership with gambling-club owners Wade Evans (Zachary Scott) and Cyril Mace (Kurt Kasner), building the establishment into a gathering place for the Elite. Along the way, she attempts to rekindle a romance with randy playboy Doug Duryea (Howard Duff), but it is true-blue Kelly Rand (James Arness) who rescues Rosalind from gangland intrusion in the final reel. ~ Hal Erickson, All Movie Guide

The Kefauver Committee's ongoing investigation of organized crime spawned several "Torn from Today's Headlines!" films in the early 1950s. Republic's Hoodlum Empire concerns the efforts by gangster Joe Gray (John Russell) to get out of the rackets after WW II. Part of Gray's "reclamation" is to testify at a public hearing, prompting a series of flashbacks. Part of the fun is to guess who all the "fictional" criminals are really supposed to be: Luther Adler's character may be called "Nicky Mancini," for example, but for all intents and purposes Adler is playing Frank "Fifth Amendment" Costello. Other famous underworld personages are impersonated by Claire Trevor, Forrest Tucker and Roy Barcroft, while the steadfast Estes Kefauver counterpart is portrayed by Brian Donlevy. ~ Hal Erickson, All Movie Guide

The Secret Fury works best if one is willing to suspend one's disbelief from the outset. Claudette Colbert stars as Ellen, a famed concert pianist who, on the day of her wedding, is accosted by a stranger who insists that she's already married to someone else. Ellen is willing to laugh this off, until the stranger produces witnesses, records and the justice of the piece. Has Ellen lost her mind, or is she merely the victim of an elaborate scam. With the help of fiancé David (Robert Ryan), Our Heroine begins her own investigation -- and ends up accused of murder and shunted off to a mental institution. And the story isn't over yet! Featured in a pivotal role is future I Love Lucy co-star Vivian Vance, who'd previously worked in an L.A. theatre company with Secret Fury-director Mel Ferrer. For reasons best known to himself, Willard Parker, a fairly well-known film actor in 1950, appears unbilled. ~ Hal Erickson, All Movie Guide

That Midnight Kiss served to introduce the film-going public to MGM's newest singing sensation, Mario Lanza. Just as he did with Deanna Durbin at Universal, producer Joe Pasternak removes the "stuffy" onus attached to classical music by presenting Lanza as a down-to-earth truck driver named Johnny Donetti. When it turns out that Johnny has a splendid singing voice, he gets a minor job at the Philadelphia opera company sponsored by aristocratic Abigail Trent Budell (Ethel Barrymore). Abigail's granddaughter Prudence (Kathryn Grayson) is instrumental in bringing Johnny to public attention by insisting that he replace the opera troupe's defecting star tenor. Featured in the cast are Keenan Wynn as Lanza's best pal, J. Carroll Naish as his "Whatsa matta you?" Italian father, and MGM's resident musical genius Jose Iturbi as himself. That Midnight Kiss served its purpose by transforming the relatively unknown Mario Lanza into a box-office champion. ~ Hal Erickson, All Movie Guide

Director Frank Borzage and star Ginger Rogers both came acropper in the lavish but dull historical biopic Magnificent Doll. The usually ebullient Rogers seems encased in wax as Dolly Madison, first lady of the United States in the early 19th century. The story begins as young Washington socialite Dolly Payne, previously and unhappily wed to one John Todd (Horace McNally), can't make up her mind romantically between idealistic politician James Madison (Burgess Meredith) and firebrand Aaron Burr (David Niven). Burr solves that problem when he flees the country after killing Alexander Hamilton in a duel, leaving the field clear for Madison. What should have been the film's highlight, Dolly's rescue of the Declaration of Independence and the Constitution during the 1812 burning of Washington, is treated as a throwaway. Told in flashback, the film ends just before Madison's ascendancy to the White House, with Dolly chastely charming the current chief executive Thomas Jefferson (Grandon Rhodes). Magnificent Doll is anything but . ~ Hal Erickson, All Movie Guide

Doctor Charles Korvin walks out on his musician wife Merle Oberon when he suspects her of infidelity. Twelve years later their paths cross again; Oberon is now saddled with an abusive husband. Possessed of a protective instinct that he hadn't evinced in the first part of the film, Korvin rescues his ex-wife from her miserable marriage, and the two fall in love all over again. Based on a play by Luigi Pirandello (no, it wasn't called Two Characters in Search of a Movie, This Love is Ours is worth watching only when supporting player Claude Rains is on the scene. The 1956 remake Never Say Goodbye was no improvement, not even with Rock Hudson taking over from the stolid Charles Korvin. ~ Hal Erickson, All Movie Guide

In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide

Charles Boyer and Margaret Sullavan star in this adaptation of Fannie Hurst's tearjerking novel about a woman who chooses to stand beside a man who cannot marry her. Rae (Margaret Sullavan) is a woman from Ohio who meets a dashing gentleman from out of town, Walter (Charles Boyer). They soon fall for each other, but he's due to leave town shortly. As he's about to leave, he calls her from the ship with a question: there's a minister on board who can marry them. Will she join him? As she dashes to the docks, she meets an old flame, and the delay causes her to miss the boat. Five years later, Rae is in New York City and unexpectedly runs into Walter; assuming that she left him behind intentionally, he married another woman. When he realizes that she still loves him, they begin an affair. Rae is content to live her life as "the other woman" until Walter travels to Europe and neglects to call her when he returns; convinced that their romance is over, Rae goes back to Ohio and agrees to marry Curt (Richard Carlson), who loved her long ago. When Walter discovers that Rae has gone back home, he races to Ohio to reclaim her hand. This was the second film version of Back Street, following a 1932 adaptation starring Irene Dunne and John Boles and preceding a 1961 remake with Susan Hayward and John Gavin. ~ Mark Deming, All Movie Guide

Best remembered as the film in which 17-year-old Deanna Durbin receives her first screen kiss, First Love is a modernized variation of the Cinderella legend (there's even "six white mice" in the form of a sextet of motorcycle policemen!). The film casts Durbin as Constance Harding, the poor relation of wealthy tycoon James Clinton (Eugene Pallette). When she comes to live with the Clinton family, she runs headfirst into her eccentric, social-climbing aunt Grace (Leatrice Joy) and her nasty, nightclub-hopping cousin Barbara (Helen Parrish); James himself rather likes the girl, but most his attention is directed towards dealing with his monumentally lazy son Walter (Lewis Howard in a comic turn). Left behind on the night of a fancy society ball, Constance is championed by the household servants, who provide her with a gorgeous gown and transportation to the event. She meets her Prince Charming in the form of likeable socialite Ted Drake (Robert Stack in his film debut)- but, just after the stroke of midnight, leaves her slipper behind. Later that night, the hateful Barbara convinces Constance that Ted was only toying with her emotions. Sorrowfully, Constance decides to return to school and bury herself in her studies, only to be dissuaded by her head teacher (Kathleen Howard), who made the same mistake herself many years before. Naturally there's a happy ending, with time to spare for Durbin to sing five numbers, including the Puccini-inspired aria "One Fine Day". ~ Hal Erickson, All Movie Guide

In this musical romantic comedy of 1938, Deanna Durbin plays Alice Fullerton, a young woman of a "certain age" who is prone to developing crushes against her best judgment. Her parents have taken in an intriguing house guest, Vincent Bullitt (Melvyn Douglas), a successful international news correspondent who has come to town to work on some assignments for her father's newspaper. Alice falls hard for Bullitt, and she ditches her boyfriend Ken (Jackie Cooper), a local guy who seems provincial and pedestrian in comparison to Bullitt; unfortunately, complications ensue. The songs include You're as Pretty as a Picture. ~ Michael Betzold, All Movie Guide

In this musical comedy, a girl with a lively imagination gets in hot water when she tries to make her tall tales real. Gloria Harkinson (Deanna Durbin) is the teenage daughter of Gwen Taylor (Gail Patrick), a well-known Hollywood actress who has shipped Gloria off to a boarding school in Switzerland to keep the girl out of the public eye, partly for her well being, and party because Gwen would prefer people not to know that she's old enough to have a teenage daughter. Gloria amuses herself and earns the awestruck admiration of her schoolmates when she begins spinning increasingly remarkable tales about the globe-trotting adventures of her millionaire father. However, in reality Gloria has no father, and after some time, her friends become skeptical and demand some sort of physical evidence that he exists. Gloria makes the acquaintance of Richard Todd (Herbert Marshall), a British composer, and she asks him if he wouldn't mind posing as her dad so that her friends could meet the man they've heard so much about. Richard agrees, but the scheme doesn't go quite as Gloria had hoped. Mad About Music was later remade as The Toy Tiger (1956), with "Gloria" turned into a young boy named Timmie, and the songs removed. ~ Mark Deming, All Movie Guide