Anthony Mann Movies
A resident of the "Far Side of Paradise" in critic Andrew Sarris' groundbreaking 1968 study of Hollywood film, Anthony Mann forged a successful career helming genre pictures whose artistry often put Hollywood's avowed "prestige" films to shame. Though his crime movies and Westerns never won Mann prizes in his lifetime, he earned the adulation of the 1950s French critics and ensuing generations of cinéastes for his integration of character insight and settings, as well as his skill with action.Born in Southern California, Mann relocated to New York City with his family when he was ten. An aspiring actor from childhood, Mann quit high school in 1923 after his father died. Soon after his Broadway debut as a walk-on, Mann moved to larger roles on and off-Broadway. Along with acting, Mann also worked as a production manager, stage manager, and set designer, but he realized by the 1930s that directing was his preferred vocation. Mann's relative success as a Broadway director attracted Hollywood's attention by the late '30s. Producer David O. Selznick hired Mann in 1938 to be a talent scout and casting director, giving Mann his first taste of film directing as the supervisor on screen tests for Gone With the Wind (1939), Rebecca (1940), and Intermezzo (1939).
Moving to Paramount in 1939 (and changing his name), Mann served as an assistant director for several years, working on such films as Preston Sturges' Sullivan's Travels (1941). Mann finally got his chance to direct with the low-budget Dr. Broadway (1942). Cutting his teeth on a series of B-thrillers and musicals for Paramount, Universal, RKO, and Republic Pictures, Mann learned to make the most of the thin scripts he was assigned by using lighting, camera angles, and camera movement to enhance what little story there was. Mann's style increasingly matured in a series of sharp black-and-white, film noir-thrillers from 1947 to 1950. T-Men (1947), his first real success, featured an ominous, location-shot urban atmosphere that gelled with a story of government agents' infiltration of a crime ring, while Desperate (1947) contained the archetypal noir image of a violent beating lit by a sole swinging light. Raw Deal (1948) highlighted Mann's tough, economical, yet expressive narrative talent in a harsh revenge story featuring a memorably psychotic Raymond Burr. Though his name was not on it, He Walked by Night (1948) bore Mann's touch in its semi-documentary, expressively lit examination of a master criminal and the cops on his trail.
After Border Incident (1949), a gritty story pitting G-men against Southwest immigration smugglers, Mann shifted to the Western. Though they were flops, Devil's Doorway (1950) and The Furies (1950) were notable as early revisions of the genre, with Devil's Doorway exploring a Native American war vet's struggles against white settlers and The Furies centering on Barbara Stanwyck's troubled relationship with her rancher father. Mann hit his Western stride, though, when he returned to the noir concerns with manhood, ethics, and violence in Winchester '73 (1950). Mann's first in an eight-film collaboration with star James Stewart, Winchester '73 set the parameters of Mann's Western "hero," "a man who could kill his own brother," and his re-interpretation of the Western landscape. Shot on-location in ultra-noir black-and-white, Winchester '73's increasingly jagged terrain matched the psychological disintegration of Stewart's Lin McAdam as he seeks revenge for his father's death, ending with a cliff-bound shoot-out. An enormous hit, Winchester '73 not only launched Mann's exceptional series of 1950s Westerns, but also helped establish Stewart's complex postwar star image.
Though Mann also dabbled in other genres, including the Stewart war movie Strategic Air Command (1955), biopic The Glenn Miller Story (1954) -- with Stewart in the eponymous role -- and literary adaptation God's Little Acre (1958), Mann's Westerns elevated him to A-list status in the '50s. Graduating to Technicolor with Bend of the River (1952) and to CinemaScope with The Man from Laramie (1955), Mann's next quartet of Westerns with Stewart were equally forceful (and popular) journeys into troubled Westerner psyches. Veering away from pastoral landscapes, Mann set his films in mountains, forests, and desert salt flats that were a spectacularly photographed index of Stewart's heroes' neuroses. Doing the right thing for the sake of the community exacts a considerable, violent cost on Stewart's ex-con in Bend of the River and his loner in The Far Country (1955) (both scripted by Winchester '73's Borden Chase). As in Winchester '73, the affable "Jimmy Stewart" reveals a disturbing ability to match the villain's cruelty amid harsh Oregon and Alaska settings. Stumbling on a dysfunctional family worthy of Greek drama in The Man from Laramie, Stewart's vengeful interloper gets dragged through a fire and shot through the hand on the way to unearthing the rot bred by the expansive Waggoman ranch. With its handful of characters and all-outdoor action, The Naked Spur (1953) evoked a chamber drama intimacy as Stewart's bounty hunter tracks Robert Ryan's criminal, reaching the edge of hysteria (and a turbulent river) in the process. After Mann and Stewart parted ways, Man of the West (1958) was the only subsequent Mann Western on a par with his Stewart quintet. Though Gary Cooper rarely matched Stewart's raw tension, his ex-con encounters familial violence akin to Winchester '73, with an added element of sexual kink, sealing Mann's vision of the brutality needed to become a "Man of the West."
Finished with the epic West, Mann turned to the epic in the early '60s. Though his majestic rendering of the exploits of 11th century Spanish hero El Cid (1961) was a highly popular kinetic spectacle, his subsequent The Fall of the Roman Empire (1964) failed to reach a large audience, despite its pictorial beauty and engrossing action, and bankrupted its producer. Mann died of a heart attack during production of the spy thriller A Dandy in Aspic (1968) in 1967, preventing him from experiencing the adoration enjoyed by such other late '60s critical rediscoveries as Douglas Sirk and Nicholas Ray. ~ Lucia Bozzola, All Movie Guide
- 1942
In this mystery, a Times Square doctor rescues a chorus girl who, as part of a publicity stunt, was preparing to leap off a building. He later becomes friends with a killer who asks the doctor to take $100,000 to his estranged daughter. Before the doctor can run his errand, mobsters show up and shoot the killer. They then steal the key to the safe deposit box carrying the cash leaving the doctor to be blamed for the murder. Fortunately, he is able to capture the crooks and clear his name. He also manages to again save the chorus girl from a second attempt at jumping off a building. ~ Sandra Brennan, All Movie Guide
- Starring:
- MacDonald Carey, Jean Phillips, (more)
- 1942
Cult-favorite director Anthony Mann's second filmic effort was the unprepossessing Universal mini-musical Moonlight in Havana. Allan Jones stars as hotshot baseball player Johnny Norton, in Havana for spring training. It turns out that Johnny has a beautiful singing voice, but only when he's suffering from a cold. Enterprising nightclub manager Barney Crane (William Frawley) attempts to inflict poor Johnny with cold germs, resulting in unchecked zaniness whenever our hero recovers sufficiently to lose his voice. The film's 63-minute running time manages to accommodate the drunken comedy relief of Hugh O'Connell and Jack Norton, and an abundance of musical numbers, courtesy of Allan Jones, Jane Frazee, the Horton Dancing Group, the Jivin' Jacks and Jills and Grace & Nicco. ~ Hal Erickson, All Movie Guide
- Starring:
- Allan Jones, Jane Frazee, (more)
- 1943
In this musical, the teenage daughter of a popular movie star tires of being ignored by her separated parents and decides to make it as a star on her own. She does. Songs include: "It Had to Be You," "Blow, Gabriel, Blow," "I'm Always Chasing Rainbows," "On the Sunny Side of the Street," "Row, Row, Row Your Boat." ~ Sandra Brennan, All Movie Guide
- 1944
A bizarre love affair forms the basis of this drama. It all begins with a few love letters between a Marine sergeant stationed overseas and a young woman back in the States. As soon as his tour is finished, the sergeant begins looking for the woman back home. He finds the girl's mother and she informs him that her daughter has gone away. The man is heartbroken until a friend of the mother tells him that the mother never had a daughter; the whole affair was manufactured by the lonely woman. When the mother learns of her friend's betrayal, she kills her. She then tries to kill the Marine, but during the scuffle, a gigantic painting of her "daughter" slips off the wall and crushes her. ~ Sandra Brennan, All Movie Guide
- 1944
A druggist's pretty assistance ignores the call of the bright lights and audience that runs in the veins of her show biz family. Eventually though, the family succeeds in getting the talented lass to perform the music of a struggling young composer. His music is great and she enthusiastically helps him to launch his new show. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Withers, Jimmy Lydon, (more)
- 1945
In this drama, an amnesiac awakens and finds himself accused of murder. Fortunately, a female cabbie helps prove his innocence. Things look bleak until a bullet wound helps him regain his memory and he can prove he didn't kill anyone. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tom Conway, Ann Rutherford, (more)
This ambitious independent production was packaged by producer W. Lee Wilder, brother of Billy Wilder, and distributed by Republic. The title character, played with relish (and a bit of mustard) by Erich Von Stroheim, is an arrogant vaudeville artiste specializing in a trick-gunshot act. A dyed-in-the-wool misogynist, Flamarion at first pays little attention to his beautiful assistant Connie (Mary Beth Hughes)-just as well, since Connie is already married to Flamarion's other assistant, Al Wallace (Dan Duryea). Bored with marriage, Connie begins playing up to her boss, the result being the "accidental" death of Al during Flamarion's act. Having committed murder for Connie's sake, Flamarion fully expects to be sexually compensated-but he doesn't know the treacherous Connie as well as the late Al did. Future cult favorite Anthony Mann's direction is rather perfunctory, suggesting perhaps that he was somewhat intimidated in the presence of the flamboyant Von Stroheim. ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Beth Hughes, Dan Duryea, (more)
- 1945
In this musical comedy, an arrogant war journalist is sailing back to the Big Apple after the end of WW II. En route, he has been assigned to watch over a band of teenagers who were trapped in Europe four years ago while entertaining the troops. Their entrapment has done nothing to dim their enthusiasm for performing and while waiting for passage the crews entertain everyone at every opportunity. Songs include: "I'll Buy That Dream" (sung by Anne Jeffreys), "Heaven Is a Place Called Home," "Seven O'Clock in the Morning (Waking up Boogie)," "Somebody Stole My Poor Little Heart" (Herb Magidson, Allie Wrubel), and "The Lord's Prayer" (arranged by Albert Hay Malotte). ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Haley, Marcy McGuire, (more)
Nora Goodrich (Brenda Marshall) is a dedicated research scientist who is very close to a breakthrough in her field of anesthetics. She allows herself to be used as the subject of an experiment, and becomes the victim of sabotage by her jealous assistant (Hillary Brooke), who is her rival for the affections of the same man (William Gargan). Nora is scarred by the accident, but fate takes a hand when a vicious blackmailer (Ruth Ford), part of an extortion scam that was being worked on her, breaks in to her apartment. In the ensuing struggle, the lady grifter is killed and then mistaken for Nora, while the real Nora goes into hiding. Taking the identity of the dead woman, she realizes how she has been betrayed and maimed and plots an elaborate revenge, undergoing reconstructive surgery that changes her whole appearance. She then reintroduces herself into the lives of her former associates, in her new guise, and begins her revenge. Before her plans can be concluded, however, her masquerade backfires on her, when she finds herself accused by the police -- of the murder of Nora Goodrich. ~ Bruce Eder, All Movie Guide
- 1946
In this WW II romance, a small-time nightclub singer who works in a little Manhattan nightclub has a one-night stand with a handsome fly-boy. The next day, the B-29 pilot is sent to the Pacific and once there, his crew mischievously paints the picture of the singer upon his plane with the words "The Bamboo Blonde" beneath it. The pilot takes off to become one of the most fearsome fighters of the war, earning himself considerable renown back home. Ever the entrepreneur, the nightclub owner sees a chance to make big bucks off of the singer. He succeeds and she becomes famous. Later the pilot returns, but though he wants to be with his Bamboo Blonde he cannot for he is engaged to another -- at least for the moment. ~ Sandra Brennan, All Movie Guide
- Starring:
- Frances Langford, Ralph Edwards, (more)
- 1947
With 1947's Desperate, a disturbing, noirish twist on traditional moral values, responsibility, and guilt, director Anthony Mann entered the ranks of class-A directors, though he'd still have to spend a few more years in "B" pictures. In his first important role, Steve Brodie plays newlywed trucker Steve Randall, who finds himself in the wrong place at the wrong time during a fur robbery. Kidnapping Steve, the criminals, led by Walt Radak (Raymond Burr), threaten to mutilate Mrs. Randall (Audrey Long) unless Steve confesses to a murder committed by Radak's brother during the theft. Pretending to play along with the villains, Steve manages to escape with his wife in tow. The rest of the film is a prolonged chase, with the Randalls pursued by both the crooks and the cops. A surprise ending caps this film noir mini-classic, which is best appreciated when not seen in its computer-colorized version. ~ Hal Erickson, All Movie Guide
- Starring:
- Steve Brodie, Audrey Long, (more)
One of director Anthony Mann's earlier films, Railroaded features John Ireland as Duke Martin, a seedy criminal looking to skim off of his boss' money. Instead of making the extra cash by his usual means--a small gambling operation run by beautician Clara Cahhoun (Jane Randolph)--Duke (Ireland) chooses instead to hold up the beauty parlor at gunpoint. Things go awry, however, when the cops hear Calhoun's (Randolph) assistant scream in terror. In a spray of gunfire, both a policeman and Martin's partner in crime are killed. Meanwhile, a local delivery boy is accused of killing the police officer. Detective Mike Ferguson (Hugh Beaumont) is assigned to the case, and quickly begins to butt heads with Duke, who he realizes from the start is up to no good.
~ Tracie Cooper, All Movie Guide
- Starring:
- John Ireland, Sheila Ryan, (more)
The moodily evocative docudrama T-Men stars Dennis O'Keefe as Dennis O'Brien, a treasury agent determined to bring a counterfeiting ring to justice. O'Brien and his partner Tony Genaro (Alfred Ryder) go undercover to gain the confidence of the ruthless Detroit mob responsible for the phony money. The plot, compelling though it is, takes second place to the film's stylish set pieces, superbly directed by Anthony Mann and brilliantly photographed by John Alton. Among the film's most famous moments is the scene in which two-bit hood Wallace Ford is bumped off in a steam bath by sadistic hood Charles McGraw, not to mention the harrowing vignette wherein O'Keefe, posing as a crook, must stand by silently as his partner Ryder is murdered. One of the finest examples of the film noir form, T-Men proved beyond a shadow of a doubt that a film didn't need to have a lush budget, brilliant Technicolor and Clark Gable to score a hit with postwar moviegoers. ~ Hal Erickson, All Movie Guide
- Starring:
- Dennis O'Keefe, Mary Meade, (more)
- 1948
Violent and viscerally sexual, Anthony Mann's muscular low-budget noir tells the tale of a framed gangster's quest for vengeance after he busts out of prison. Once freed, gangster Joe Sullivan Dennis O'Keefe) and his girl friend Pat (Claier Trevor) set off to find the mobster who set him up. The kidnapping of Ann Martin (Marsha Hunt), the social worker who wrote to Joe in prison, leads the fugitive into a romantic triangle of death, passion and tragedy. ~ Sandra Brennan, All Movie Guide
- Starring:
- Dennis O'Keefe, Claire Trevor, (more)
- 1949
- NR
As far removed from a "typical" MGM picture as it was possible to get back in 1949, Border Incident is a gritty, realistic crime melodrama. The story concerns the efforts by both the Mexican and American governments to stop the smuggling of Mexican migrant workers across the border. Representing Mexico is special agent Pablo Rodriguez (Ricardo Montalban), while Jack Bearnes (George Murphy) works on behalf of the US. Screenwriter John C. Higgins and producer/director Anthony Mann refuse to pull any punches, as witness the surprising mid-film murder of one of the major characters. Highlights include a harrowing episode involving a plowing machine and a climactic shootout in a quicksand swamp. The uniformly well-chosen supporting cast includes Howard da Silva, Arnold Moss, Alfonso Bedoya and Charles McGraw, "film noir" veterans all. ~ Hal Erickson, All Movie Guide
- Starring:
- Ricardo Montalban, George Murphy, (more)
- 1949
Lieutenant Harry Grant (William Lundigan) and Sgt. Art Collins (Jeff Corey) have been handed the unenviable assignment of tracking down "The Judge," a mysterious serial murderer responsible for seven deaths over the past few months. The police have plenty of clues and forensic evidence, but no solid leads to who this highly resourceful strangler is. Complicating Grant's work is the presence of Ann Gorman (Dorothy Patrick), an ambitious reporter for a sensationalistic crime magazine, who keeps sticking her nose into this case and into his work. In exasperation over The Judge's latest victim, a newspaper editor named McGill (Frank Ferguson), Grant decides to take a novel approach to catching the killer -- he prepares a life-size blank-faced dummy using all the clues the police have, as to height, weight, physique, preferred way of dressing etc., in order to give his officers a clearer picture of who and what they're looking for. The result is creepy but effective, and soon Grant is getting closer to the killer -- but The Judge is insane, and agitated by all manner of outside stimuli, and he might prove too much even for a police detective to deal with in a direct confrontation. ~ Bruce Eder, All Movie Guide
- Starring:
- William Lundigan, Dorothy Patrick, (more)
Also known as Reign of Terror, The Black Book is a bold effort by director Anthony Mann to film a French Revolution epic on a "B" detective picture budget. Robert Cummings stars as Charles D'Aubigny, who has been engaged by a group of political moderates to retrieve a little black book from Revolutionary leader Robespierre (Richard Basehart). The book allegedly contains evidence that Robespierre has been acting in his own interest rather than on behalf of the new government. D'Aubigny is compelled to deal with the tangible threat of Robespierre's chief henchman (Charles McGraw) as well as his uncertainty concerning the loyalties of those working with him. The Black Book is retrieved, but not before Robespierre has self-destructed on his own. The cheapness of The Black Book works in its favor, especially its overuse of shadows; while this photographic device was intended to disguise the seediness of the sets, it accurately conveys a "dark" period in French history that here is literally as well as figuratively dark. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Cummings, Arlene Dahl, (more)
- 1950
Farley Granger plays a casually larcenous New York City mailman who steals a shipment of money. Granger's excitement over this windfall turns to terror when he discovers that the money was part of a transaction between gangsters. Harassed by both crooks and cops, Granger lives to regret his impulsive theft--especially when it is tied in with a murder. The story is wrapped up in spectacular fashion with a climactic car chase. Farley Granger's costar in Side Street is Cathy O'Donnell; both were on loan to MGM from Samuel Goldwyn, and both were banking on their previous successful teaming in RKO's They Live By Night. ~ Hal Erickson, All Movie Guide
- Starring:
- Farley Granger, Cathy O'Donnell, (more)
- 1950
- NR
Devil's Doorway was the first of many top-rank westerns directed by Anthony Mann. RobertTaylor is cast against type as a Native American named Lance Poole. Returning to his people's land after the Civil War, Poole discovers that the Indians are being victimized and persecuted--and, thanks to machinations of crooked lawyer Verne Coolan (Louis Calhern), it's all legal. Unable to turn to the Law to protect his tribesmen, Lance becomes what white men call a "renegade." Devil's Doorway was the vanguard of a new western cycle of the early 1950s, wherein the Indians were the good guys and the whites the villains. Had it been made 30 years later, it is likely that the star would have been a genuine Native American, rather than a white matinee idol in "redface." ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Louis Calhern, (more)
Barbara Stanwyck and Walter Huston give standout performances in this dark, psychological western, which Martin Scorsese has compared to the work of Dostoevsky. T.C. Jeffords (Huston) is a cunning and highly successful ranch owner who has announced his engagement to a wealthy socialite, Flo Burnett (Judith Anderson). This news is not warmly received by his daughter Vance (Stanwyck); she had a romance of her own with gambler Rip Darrow (Wendell Corey) foiled by her father, and Vance does not care for her light-headed stepmother-to-be. Vance is driven into a violent rage by T.C.'s Machiavellian actions, and when he kills a good friend of Vance's (a ranch hand he believes was helping Mexicans squat on his land), she swears revenge on her father and joins forces with Darrow to see that violent justice is done. The Furies proved to be Walter Huston's last film; he died within a few months of its release. ~ Mark Deming, All Movie Guide
- Starring:
- Barbara Stanwyck, Wendell Corey, (more)
Lin McAdam (James Stewart) and his friend High-Spade (Millard Mitchell) arrive in Dodge City for a shooting contest, in which the prize is a perfectly manufactured Winchester repeating rifle, referred to as "One of a Thousand" -- a gun so fine that Winchester won't sell it. Lin runs across Dutch Henry Brown (Stephen McNally) in a saloon and the two would kill each other right there but for the fact that town marshal Wyatt Earp (Will Geer) has everyone's guns. Lin wins the rifle in an extraordinary marksmanship match-up with Brown, but the latter steals the prize from him and sets out across the desert. Thus begins a battle of wits and nerves, and a pursuit to the death. The roots and raw psychological dimensions of that chase are only exposed gradually, across a story arc that includes references to Custer's Last Stand, run-ins with marauding Indians, a heroic stand with a a shady but well-intentioned grifter (Charles Drake), and a meeting with murderous sociopath named Waco Johnny Dean (Dan Duryea), plus a romantic encounter with a young, golden-hearted frontier woman (Shelley Winters). All of these story lines eventually get drawn together neatly and gracefully by director Anthony Mann, who balances the violence of the events with a lyrical, almost poetic visual language. ~ Bruce Eder, All Movie Guide
- Starring:
- James Stewart, Shelley Winters, (more)
- 1951
- NR
The Tall Target is based on a true story: the attempted assassination of President-elect Abraham Lincoln, even before he was able to assume his duties in Washington. Dick Powell stars as New York detective John Kennedy, who learns of the assassination plot early on. When his superiors refuse to believe his wild tale, Kennedy quits the force and boards the Presidential train, hoping to prevent the killing on his own. The problem: who can he trust on board, and who can't be trusted? Ginny Beaufort (Paula Raymond), the sister of the would-be assassin, might be able to prevent the tragedy -- if she isn't in on the conspiracy, that is. The supporting cast includes Adolphe Menjou, Marshall Thompson, Will Geer, and, as a slave, a young Ruby Dee. The film's nail-biting climax is brilliantly handled by Anthony Mann, whose directorial expertise was becoming sharper with each successive film in the early 1950s. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Paula Raymond, (more)
Another of the collaborations between actor James Stewart and director Anthony Mann, Bend of the River casts Stewart as a former outlaw, now working as trail guide for a group of Oregon-bound farmers. He is aided in this endeavor by Arthur Kennedy, a far-from-reformed horse thief. Upon arriving in Portland, Stewart gets in the middle of a scam operated by trader Howard Petrie, who has reneged on his promise to ship goods to the settlers. Unable to take action through legal channels, Stewart and farmer Jay C. Flippen steal the provision and scurry back to the settlement by boat. On their return, they discover that Kennedy has sold out to the crooked Petrie and intends to reclaim the supplies, taking Flippen and his daughter Julie Adams as hostages to ensure safe passage. It's up to Stewart to turn the tables on his former friend and save the day. As in the other Stewart-Mann productions, Jimmy breaks away from his usual easygoing screen persona to play a tough, self-serving rugged individual, whose true motives and loyalties remain in doubt until the very end of the film. Bend of the River was adapted by Borden Chase from Bill Gulick's novel Bend of the Snake. Watch for Stepin Fetchit, Rock Hudson, Royal Dano, and Frances Bavier in minor roles. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Arthur Kennedy, (more)
The powerhouse combination of star James Stewart and director Anthony Mann score another cinematic bullseye in The Naked Spur. Stewart plays a taciturn frontiersman who loses his home while he's off fighting the Civil War. To raise enough money for a new grubstake, Stewart becomes a bounty hunter in Colorado territory. His first quarry is fugitive, killer Robert Ryan. Stewart's efforts to bring in Ryan and collect the reward are compromised by the presence of Ryan's loyal girl friend Janet Leigh and Stewart's two disreputable sidekicks, wily prospector Millard Mitchell and disgraced Union-officer Ralph Meeker. There's plenty of "cat and mouse" byplay between Stewart and Ryan before the brutal climax; the drama is intensified by the fact that both men are on the outer rim of total insanity. The Oscar-nominated screenplay for The Naked Spur was cowritten by Sam Rolfe, who was later one of the creative forces responsible for the similarly no-nonsense TV western series Have Gun, Will Travel. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Janet Leigh, (more)
- 1953
Thunder Bay was another inspired collaboration between star James Stewart and director Anthony Mann. Stewart plays an ex-GI named Steve, who has a hankering to drill for oil in the Gulf of Mexico. Together with his army buddy Gambi (Dan Duryea, in a rare good-guy role), Steve attains the financial backing of irascible oil-company chieftain Kermit MacDonald (Jay C. Flippen) and the two head southward. Before they can even place their drills in the clamps, Steve and Gambi run afoul of local shrimp fishermen who consider the presence of oil speculators as a threat to their livelihoods. Things get dicey when Steve falls in love with Stella (Joanne Dru), the daughter of combative fisherman Dominique Rigaud (Antonio Moreno). Mob mentality threatens to overcome common sense until a clever -- and mutually beneficial -- compromise between the drillers and the fishermen is reached. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Joanne Dru, (more)
