Joseph L. Mankiewicz Movies
Like his older brother Herman J. Mankiewicz, American producer/ director/ writer Joseph Mankiewicz displayed a streak of brilliance from an early age. Before he was 20, the younger Mankiewicz was the assistant Berlin correspondent for the Chicago Tribune and an English translator for the subtitles of German-made films. Brother Herman, already ensconced in Hollywood as a high-priced screenwriter, invited Joseph to try his luck in Tinseltown in 1929.Mankiewicz's first assignment at Paramount was composing subtitles for the silent versions of the studio's sound pictures. He also concocted special comedy material for Jack Oakie movies, which led to several years of employment on such nonsensical film farces as Bert Wheeler and Robert Woolsey's Diplomaniacs (1933) and W.C. Fields' Million Dollar Legs in 1932. (Fields paid Joseph 50 dollars for the lifetime rights to the phrase "My little chickadee.") Mankiewicz moved to MGM in 1934, where he expressed a desire to direct; MGM head Louis B. Mayer told him "You have to learn to crawl before you can walk," and made him a producer instead. For the next six years, Mankiewicz produced such enduring films as Fury (1936), The Philadelphia Story (1940), and Woman of the Year (1942). Realizing that Mayer would never let him direct, Mankiewicz switched to 20th Century Fox in 1944, where he made his directorial debut with Dragonwyck that same year. His films' scripts during the Fox period were distinguished by a high level of literacy and wit, most notably evidenced in A Letter to Three Wives (1949) and All About Eve (1950), both of which won Mankiewicz Oscars for Best Writer and Best Director. While his cameramen praised his visual sense, however, his directorial style tended to be flat and perfunctory, with dialogue given precedence over staging and characterization. Still, it was superb dialogue, even when there was way too much of it (as in People Will Talk [1952]).
Leaving Fox in 1952 to freelance, Mankiewicz directed one of the all-time best Shakespeare films for MGM, 1953's Julius Caesar, its appeal heightened by the offbeat (and effective) casting of Marlon Brando as Antony and Edmond O'Brien as Casca. The Barefoot Contessa the following year contained all the virtues and vices of the Mankiewicz's technique: on the plus side, a complex, involved story and memorably etched individual characters; on the minus side, an excessive running time, interminable dialogue sequences, and too many arbitrarily inserted author's messages. (Was a three-minute diatribe about greedy oil companies really necessary in the middle of a romantic drama?) Curiously, when Mankiewicz had an opportunity to make a truly volatile political statement in The Quiet American (1958), he muffed it by totally altering the message and the denouement of Graham Greene's original novel. Willing to tackle any subject matter, the director made the 1955 film version of Guys and Dolls and tried valiantly to bring coherence to the troubled 1963 version of Cleopatra with Elizabeth Taylor. After that debacle, Mankiewicz's movies became fewer and extremely uneven in quality. He was back in the groove with his last film, however: Sleuth (1972), a marvelous cat-and-mouse affair starring Laurence Olivier and Michael Caine.
The recipient of dozens of industry awards, Mankiewicz spent his last decade in semi-retirement, regaling TV talk show and college-lecture audiences with his erudite (and admittedly self-aggrandizing) anecdotes of the Hollywood of old. Mankiewicz was the father of screenwriter Tom Mankiewicz, and the uncle of two other writers of note, Don and Frank Mankiewicz. ~ Hal Erickson, All Movie Guide
- 1984
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The man who assembled the remarkable documentary George Stevens: A Filmaker's Journey had the benefit of knowing the subject intimately: the film was written, produced and directed by George Stevens Jr. Utilizing pristine-quality filmclips and interviews, Stevens Jr. details Stevens Sr.'s rise from silent-film cameraman to one of the top producer/directors in Hollywood. We are treated to snippets of Stevens' camerawork on the Laurel and Hardy films at Hal Roach Studios, then we are transported to his salad days as a feature director at RKO. Among the films highlighted from this first chapter of Stevens' directorial life are Alice Adams (1935), Swing Time (1936) and Gunga Din (1939) (one would like to have heard a bit more background info concerning Stevens' Wheeler and Woolsey comedies). Next we find Stevens as an autonomous entity at Columbia Pictures, producing and directing such classics as The More the Merrier (1943). The war years are thoroughly covered via Stevens' vivid color footage of the invasion of Europe. The last stages of Stevens' Hollywood career is traced through generous portions of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). The many interviewees include Katharine Hepburn, Cary Grant, Fred Astaire, Ginger Rogers and Warren Beatty. As an added filip, A Filmmaker's Journey includes rare home-movie sequences showing George Stevens at home and at work--all filmed with as much care and professionalism as Stevens' "mainstream" pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- George Stevens, Jr., George Stevens, (more)
- 1972
- PG
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The mystery stage play by Anthony Shaffer was adapted by the author into this stylish film from director Joseph L. Manciewicz. Laurence Olivier stars as Andrew Wyke, a best-selling author of detective fiction living in a grand 16th century mansion. Andrew is visited by Milo Tindle (Michael Caine), owner of a hair salon chain, and reveals to his guest that he's aware of Milo's affair with his wife Marguerite. Rather than being vengeful, however, Andrew professes he's glad to be rid of his troublesome spouse. To avoid paying heavy alimony, Andrew suggests that Milo disguise himself as a clown and steal his wife's expensive jewelry. That way Marguerite and Milo can obtain financial security while Andrew claims the loss on his insurance and all walk away rich. Andrew's plan is a devious one, however, designed to toy with his wife's lover, and a series of deceptions and counter-deceptions are launched in which nothing is as it seems, unfolding as an elaborate game of comeuppance between the two men. Ten years after Sleuth, Caine would assay a role not unlike Olivier's in the similarly-themed Deathtrap (1982). ~ Karl Williams, All Movie Guide
- Starring:
- Laurence Olivier, Michael Caine, (more)
- 1970
Having tackled every known film subject in his long career, from musicals to murder mysteries, Sidney Lumet tries his hand at documentary in King: A Filmed Record...Montgomery to Memphis. Lumet co-directed and co-produced the film with another Hollywood luminary, Joseph L. Mankiewicz. Beyond selecting appropriate filmclips, Lumet and Mankiewicz directed the bridging sequences, narrated by such friends and admirers of Dr. Martin Luther King as Paul Newman, Joanne Woodward and James Earl Jones. Though well-intentioned, these bridges are unnecessary: the clips, which trace King's life and accomplishments from the 1955 bus boycott to his 1968 assassination, speak for themselves most eloquently. Though its full runtime is 185 minutes, King: A Filmed Record is also available in a 90-minute TV and cassette version. ~ Hal Erickson, All Movie Guide
An offbeat 1970s black-comic Western with an all-star cast, this Joseph L. Mankiewicz film is set in 1883 in Arizona. Paris Pitman, Jr. (Kirk Douglas) is the leader of a band of outlaws that steals $500,000 from a wealthy businessman named Lomax (Arthur O'Connell). The other gang members die in a shootout, but Pitman escapes and hides the loot in women's underwear and drops it into a snake pit. After Lomax recognizes Pitman in a brothel, he is arrested by Sheriff Woodward Lopeman (Henry Fonda). At the territorial prison, Pitman bribes Warden Le Goff (Martin Gabel), offering him a share of the hidden money if he lets him escape. But before the scheme is carried through, the warden is killed by a prisoner. Lopeman becomes the new warden, and he is bent on ridding the prison of corruption. Pitman convinces Lopeman that he will cooperate with the reforms, then he uses the new freedoms given to him to plan an elaborate escape with several other men. The escape is to take place during an inspection by the governor. The screenwriting team for this film was Robert Benton and David Newman, who had penned the brilliant Bonnie and Clyde. ~ Michael Betzold, All Movie Guide
- Starring:
- Kirk Douglas, Henry Fonda, (more)
- 1967
Cecil Fox (Rex Harrison) summons his three former mistresses to his deathbed for a final visit in this engaging crime comedy. Princess Dominique (Capucine), fading movie star Merle McGill (Edie Adams), and Texas millionairess Mrs. Sheridan (Susan Hayward) all travel to pay their respects to the supposedly dying Fox. William McFly (Cliff Robertson) is the personal secretary and gigolo employed by Fox to lure the women to his estate. When Mrs. Sheridan is found murdered, Inspector Rizzi (Adolfo Celi) investigates her mysterious death in this feature highlighted by several twists and turns. Alternate titles are Mr. Fox Of Venice and Anyone For Venice?. ~ Dan Pavlides, All Movie Guide
- Starring:
- Rex Harrison, Susan Hayward, (more)
- 1964
Charles Dickens' classic tale A Christmas Carol is revisited yet again in this made-for-television holiday drama. Told with a different twist, in this version, a melancholy father spends his Christmas Day mourning the son he lost in World War II. His holiday grieving is interrupted by the visiting ghosts of Christmases past, present and future. Henry Mancini provides the score. ~ Bernadette McCallion, All Movie Guide
In 1963, this colossal and opulent $60 million spectacular was epic in every sense of the word -- an epic investment, an epic in the annals of Hollywood gossip, and, ultimately, an epic flop that nearly dragged 20th Century Fox down the Nile along with Cleopatra's barge. Handsomely mounted by Joseph L. Mankiewicz, who replaced Rouben Mamoulian as director after six days of shooting), the drama follows the eighteen tumultuous years that led to the founding of the Roman Empire. Cleopatra (Elizabeth Taylor) meets up with Julius Caesar (Rex Harrison) and plans to lure Caesar to her boudoir in order to forge an alliance with Rome so that she may hold on to her Egyptian empire. When Caesar is stabbed to death in the Roman Senate, Cleopatra is left without an ally, and Egypt is up for grabs. When Roman general Mark Antony (Richard Burton) comes along, she seduces him in order to make him over into her new protector. But, under the charms of Cleopatra, Mark Antony is reduced from a an awesome and dominating general to a sniveling, drunken wimp. At the Battle of Actium, Mark Antony is defeated and Cleopatra withdraws her troops, dooming Mark Antony and his army. With Egypt in peril, Antony and Cleopatra, the doomed lovers, meet each other for the last time, as the enemy forces close in. ~ Paul Brenner, All Movie Guide
- Starring:
- Elizabeth Taylor, Richard Burton, (more)
In this lush, lurid adaptation of the 1957 Tennessee Williams one-act, Elizabeth Taylor and Katharine Hepburn play a seemingly insane, young New Orleans debutante and the wealthy aunt who wants to lobotomize her. Dr. John Cukrowicz (Montgomery Clift) is a gifted Chicago brain surgeon stymied by the primitive operating conditions at the New Orleans asylum where he works. Society matron Violet Venable (Hepburn) offers a solution in the form of a million-dollar grant -- as long as Cukrowicz will treat her niece, Catherine (Taylor). Catherine, it seems, has been institutionalized since the sudden death of her cousin, Violet's son, Sebastian, overseas the previous summer. As the young doctor tries to get to the bottom of what happened to Catherine, Violet's steely demeanor and devotion to Sebastian present a formidable barrier. Catherine herself doesn't offer much help, her recollections jumbled by medication and the trauma of Sebastian's demise. Under pressure to seal the deal and cut into Catherine's brain, Cukrowicz's principles (and attraction to the young woman) prevent him from proceeding until he uncovers what actually happened to Sebastian. In his memoirs, Gore Vidal claims to have written the screenplay for Suddenly, Last Summer single-handedly, although Williams took half the credit. Vidal toned down the original play's allusions to pedophilia, cannibalism, and incest, but the film nonetheless provoked heated controversy. As for the cast, an unhappy Hepburn reportedly was threatened by the attention lavished on Taylor by director Joseph L. Mankiewicz, whom Hepburn had hired to produce The Philadelphia Story two decades earlier. Mankiewicz, for his part, allegedly hated Clift, whose drinking and partial paralysis from an auto accident prevented him from working more than half a day at a time. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Elizabeth Taylor, Katharine Hepburn, (more)
The Quiet American was the first major American-financed film to touch upon the powder-keg situation in Vietnam (still referred to as Indochina in 1958). Audie Murphy plays an enigmatic American who comes to Saigon, ostensibly on an economic mission. He meets an embittered journalist (Michael Redgrave) who is living with an Indochinese girl (Giorgia Moll). The American falls for the girl and promises to marry her. In retaliation, the reporter tells the communists that the American GI's economist stance is a cover, and that he is actually selling munitions to non-communist troops. Graham Greene had intended his novel The Quiet American to be an attack against American influence in Southeast Asia. Producer/director/adapter Joseph L. Mankiewicz would have none of that, so he changed the ending into a pro-Yankee tract -- thereby killing any impact the film might have had. ~ Hal Erickson, All Movie Guide
- Starring:
- Audie Murphy, Michael Redgrave, (more)
This 1955 film began life as two Runyon short stories, the most prominent of which was "The Idyll of Miss Sarah Brown." This material was fleshed out into a 2-act libretto by Abe Burrows and Jo Swerling, then set to music by Frank Loesser and directed by George S. Kaufman. Opening late in 1950, Guys and Dolls was one of Broadway's hottest tickets for several seasons. The plot involves a certain Broadway citizen by the name of Nathan Detroit (Frank Sinatra), who maintains the "Oldest Established Permanent Floating Crap Game in New York." Seeking a location for his latest high-stakes game, Nathan has an opportunity to rent out the Biltmore Garage, but he needs $1000 to do so. He decides to extract the money from high-rolling Sky Masterson (Marlon Brando), known for his willingness to bet on anything. Nathan wagers that Sky will not be able to talk the virginal Salvation Army lass Sarah Brown (Jean Simmons) into going on a date with him. While Sky goes to work on Sarah, Nathan endeavors to fend off his girlfriend Miss Adelaide (Vivian Blaine, repeating her Broadway role), who has developed a psychosomatic cold because of her frustrating 14-year engagement to the slippery Mr. Detroit. Thanks to some fast finagling, Sky is able to take Sarah on that date, flying to Havana for this purpose. By the time they've returned to New York, Sky and Sarah are in love, but their ardor cools off abruptly when Nathan, unable to secure the Biltmore garage, attempts to use Sarah's mission as the site of his crap game. ~ Hal Erickson, All Movie Guide
- Starring:
- Marlon Brando, Jean Simmons, (more)
The Barefoot Contessa begins at the funeral of Ava Gardner, a former Spanish peasant, cabaret dancer and movie star, who at the time of her death was a full-fledged contessa. Her life story unfolds in flashback recollections from her mourners. Film director Humphrey Bogart recalls how his career was saved when he discovered Gardner on behalf of Howard R. Hughes-like mogul Warren Stevens. Press agent Edmond O'Brien remembers how Ava was wooed and then abandoned by mercurial millionaire Marius Goring, and Italian count Rosanno Brazzi reflects on how he was able to wed the tempestuous Gardner, only to watch his world crumble after revealing on their wedding night that he was "only half a man." O'Brien received Best Supporting Actor awards at both the Academy Awards and Golden Globes in 1954. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Ava Gardner, (more)
Joseph L. Mankiewicz directed this exquisite version of William Shakespeare's play. Louis Calhern is Julius Caesar, whose conquests have enabled him to rise to the status of Roman dictator. But his ascent to almost God-like status has given pause to influential members of the Roman Senate. Chief among them is Cassius (John Gielgud), who is troubled by Caesar's popularity and dictatorial status. Convinced that Caesar's assassination would be the best thing for Rome, he conspires with Casca (Edmond O'Brien) and the influential Brutus (James Mason) to plot Caesar's murder. Despite dark omens, Caesar walks confidently into the Roman Senate, where he is stabbed to death by the conspirators. His companion Marc Antony (Marlon Brando) is shocked and runs to the corpse of his beloved friend. He agrees to support Brutus while an unruly mob gathers in front of the Senate doors, having heard rumors of Caesar's assassination. Brutus convinces the mob that Caesar's death was for the good of Rome, preventing him from forming a monarchy. Then Antony appears, determined to destroy the conspirators; he delivers a speech that subtly damns the assassins. With the mob against them, the conspirators are forced to flee Rome and Antony organizes an army against them. ~ Paul Brenner, All Movie Guide
- Starring:
- Marlon Brando, James Mason, (more)
- 1952
Based on a true story, 5 Fingers stars James Mason as a man known to his superiors only as Cicero. Ostensibly the valet of the British ambassador to Ankara during World War II, Cicero is actually a Nazi agent. He holds no particular political viewpoint: the Nazis offered the best price, so for the time being he is loyal to them. Falling in love with the beautiful Danielle Darrieux, Cicero uses her home as a contact point to meet his German associates. At great personal risk, Cicero secures secret British war files and smuggles them to the Germans; they find the information in the files too far-fetched to be taken seriously--and thus are caught unawares on the morning of the D-Day invasion. An ironic coda finds Cicero, setting himself up in luxury in Rio de Janeiro, double-crossed by both Darrieux and the Germans. What else can he do but laugh uproariously? 5 Fingers, based on the memoirs of the real-life "Cicero" L. C. Moyzisch, was adapted into a 1959 TV series, wherein the antihero was converted into a 100% good guy. ~ Hal Erickson, All Movie Guide
- Starring:
- James Mason, Danielle Darrieux, (more)
People Will Talk was less a movie than a conduit for the genteel liberalism of screenwriter/director Joseph M. Mankiewicz. Cary Grant plays Dr. Praetorius, an unorthodox medical professor at a sedate midwestern college who seems more interested in the human soul than in the cold facts of the human body. Praetorius' nemesis is a conservative rival doctor (Hume Cronyn) who presses for an investigation of our hero's clouded past--with special emphasis given the mysterious old man (Finlay Currie) who lives with Praetorius and waits on him hand and foot. In the course of the film, Praetorius falls in love with one of his students, an unmarried pregnant girl (Jeanne Crain). At the climactic hearing concerning Praetorius' fitness, the presiding judge (Basil Ruysdael) decides that Praetorius' "modern" methods are more worthwhile than the pragmatic, cut-and-dried theories of his enemies. Based on a German play by Curt Goetz, People Will Talk is a bit too proud of its own cleverness, with Mankiewicz' political planks being wedged in at all the inappropriate times (while conversing with the father of the pregnant girl, Praetorius launches on a gratuitous attack against farm subsidies!) Still, the film is ten times more intelligent than most of Hollywood's 1951 output, and contains one of Cary Grant's best and subtlest seriocomic performances. Bonus: In the first scene of People Will Talk, the snoopy lady who brings Praetorius' "shady" past to the attention of Hume Cronyn is played by an uncredited Margaret ("Wicked Witch of the West") Hamilton. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Jeanne Crain, (more)
- 1951
The title character (Paul Douglas) is a pro football player of the early 1940s at the end of his career. Douglas is offered a coaching job, but he stubbornly turns it down in hopes of making a comeback. Day after day he sits in his den watching movies of his past gridiron triumph, much to the dismay of his wife (Joan Bennett). When she chews him out for living in the past, Douglas walks out and takes up with a younger woman (Linda Darnell). To prove that he's still in top shape, Douglas takes a job as a professional wrestler. His new girl friend, realizing that Douglas is miserable without his wife, conspires with the other woman to get Douglas back on his old team. The wartime need for warm bodies allows Douglas a few more years in football, but eventually he gets wise to himself and takes the coaching job. Ironically, Guy Who Came Back star Paul Douglas was in his youth an football pro who retired from active play to become a sports announcer. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Douglas, Joan Bennett, (more)
Based on the story The Wisdom of Eve by Mary Orr, All About Eve is an elegantly bitchy backstage story revolving around aspiring actress Eve Harrington (Anne Baxter). Tattered and forlorn, Eve shows up in the dressing room of Broadway mega-star Margo Channing (Bette Davis), weaving a melancholy life story to Margo and her friends. Taking pity on the girl, Margo takes Eve as her personal assistant. Before long, it becomes apparent that naïve Eve is a Machiavellian conniver who cold-bloodedly uses Margo, her director Bill Sampson (Gary Merill), Lloyd's wife Karen (Celeste Holm), and waspish critic Addison De Witt (George Sanders) to rise to the top of the theatrical heap. Also appearing in All About Eve is Marilyn Monroe, introduced by Addison De Witt as "a graduate of the Copacabana school of dramatic art." This is but one of the hundreds of unforgettable lines penned by writer/director Joseph L. Mankiewicz, the most famous of which is Margo Channing's lip-sneering admonition, "Fasten your seat belts. It's going to be a bumpy night." All About Eve received 6 Academy Awards, including Best Picture. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Anne Baxter, (more)
A pioneering film about racial tensions, No Way Out stars Richard Widmark as a criminal named Ray Biddle, who despises African-Americans. Sidney Poitier (in his screen debut) is the black doctor, Luther Brooks, assigned to take care of the wounded Ray. Dr. Brooks, hired by the police hospital as part of an overall program to integrate the staff, keeps his temper in check as Ray spouts his racist invective. When Ray's brother, also wounded, dies in the hospital, the blustering bigot holds Dr. Brooks responsible and sends word to his gang to wreak vengeance on the city's black community. But the blacks turn the tables on the whites and fight them off. Ray then breaks out of the hospital with Dr. Brooks as hostage. His plans to kill the doctor are thwarted by Ray's girlfriend (Linda Darnell), who finally becomes fed up with his blind hatred. No Way Out was considered potent stuff in 1950; it was still regarded as a hot potato in 1962, when NBC dropped plans to telecast the film on "Saturday Night at the Movies." ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Linda Darnell, (more)
Three wives, played by Jeanne Crain, Ann Sothern and Linda Darnell, are about to embark on a boat trip when each receives a letter, written by a mutual friend named Addie, informing her that Addie is about to run off with one of their husbands. In flashback, each wife wonders if it is her marriage that is in jeopardy. Deborah (Crain) recounts her fish-out-of-water relationship with her up-and-coming hubby (Jeffrey Lynn); businesswoman Rita (Sothern) asks herself if she's been too rough on her professorial spouse (Kirk Douglas); and Lora May (Darnell), a girl from (literally) the wrong side of the tracks, questions the security of her marriage to a brash business executive (Paul Douglas). The voice of Addie, who is never seen, is provided by Celeste Holm. Thelma Ritter shows up in a hilarious unbilled bit as a slatternly domestic, while an equally uncredited Carl "Alfalfa" Switzer makes a quick entrance and exit as a bellhop. Written with perception and not a little witty condescension by director Joseph L. Mankiewicz, A Letter to Three Wives won two Oscars ,both for Mankiewicz. Based on a novel by John Klempner, the property was remade for television in 1985, with Ann Sothern back again in a supporting part. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanne Crain, Linda Darnell, (more)
House of Strangers is the first of three film versions of Jerome Weidman's I'll Never Go Home Any More, each of which was scripted by Philip Yordan. Edward G. Robinson plays a Giannini-like Italian-American banker, Gino Monetti, who runs roughshod over his four grown sons. The ruthless Gino engages in several illegal activities to build up his business, and is arrested as a result. Though the sons have always been fully aware of their father's questionable business practices, they refuse to help him stay out of prison; led by oldest son Joe (Luther Adler), three of the sons take over the business and kick their father out. Only son Max (Richard Conte) remains loyal to his father, whereupon his three brothers conspire to have Max thrown into prison as well. Max promises the dying Gino that he'll exact vengeance on the treacherous sons; but when he is released, Max hasn't the stomach for revenge, not even after one of his brothers (Efrem Zimbalist Jr.) tries to kill him. Max leaves his brothers to stew in their own juices, and heads to California for a new life with his fiancée, Irene Bennett (Susan Hayward). Subsequent film versions of the Jerome Weidman novel included Broken Lance (1954) and The Big Circus (1961). ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Susan Hayward, (more)
When Alfred Lunt and Lynn Fontanne appeared in S. N. Behrmann's The Pirate on Broadway, there were no musical numbers whatsoever. But with Gene Kelly and Judy Garland in the leading roles of the 1948 filmization of The Pirate, the MGM production staff would have been drawn and quartered had there not been song after song. The story is merely serviceable: on a Caribbean isle in the early 19th century, sheltered young Garland comes to believe that travelling troubadour Kelly is in reality "Mack the Black," a notorious pirate. Kelly realizes that the surest way to win Garland's heart is to impersonate the romantic buccaneer, and this is what he does--nearly getting himself hanged in the process. Cole Porter's marvelous score yielded only one bona-fide hit: "Be a Clown", which has practically nothing to do with the storyline, but do you care? Highlights include the magnificently staged "Mack the Black," a heady combination of Broadway glitz and Caligariesque nightmare. Seven MGM screenwriters toiled away on The Pirate, though only the team of Albert Hackett and Frances Goodrich were credited. While The Pirate was not a huge moneymaker on its first release, it has since been embraced by the cultists, who apparently can never get enough of Judy Garland. ~ Hal Erickson, All Movie Guide
- Starring:
- Lester Allen, Judy Garland, (more)
- 1948
In this drama, set after the war, a WW II flying ace and hero comes to the aid of a hooker who is being harassed by a policeman. He pushes the abusive cop away during the tussle; the cop falls, hits his head, and dies. The former flier is promptly tried and given a three-year prison sentence. He escapes one night during a heavy fog. He is taken in by a caring woman who tries convincing him to surrender. The fugitive at first refuses, but then after seeking sanctuary in a church relents because he does not want the parson to have to lie on his behalf. His surrender is made easier by the knowledge that the woman will wait for him. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jacqueline Clarke, Peter Croft, (more)
Like its TV-sitcom counterpart of the 1960s, the original film version of The Ghost and Mrs. Muir was based on the novel by R.A. Dick. Gene Tierney plays turn-of-the-century widow Lucy Muir, who escapes her impossible in-laws by moving into an old house on the English seacoast. Despite the warnings of realtor Combe (Robert Coote) that the house might be haunted, the tenacious young widow calmly establishes residence with her young daughter Anna (Natalie Wood) and housekeeper Martha (Edna Best) in tow. Sure enough, the place is haunted by the spirit of its previous owner-a bombastic, profane, yet somehow attractive sea captain named Daniel Gregg (Rex Harrison). When Lucy steadfastly refuses to be frightened by Captain Gregg, he takes a liking to her, and the two become close friends (in standard ghost-movie tradition, only Lucy can hear or see the Captain). Realizing that Lucy is in dire financial straits, the Captain offers to dictate his colorful memoirs to her, which she promptly parlays into a best-seller and a lasting literary career. Slowly but surely, Gregg falls in love with Lucy. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Tierney, Rex Harrison, (more)
- 1947
Based on John P. Marquand's Pulitzer Prize-winning satirical novel of the same title, this film stars Ronald Colman as George Apley, a Beantown blueblood passionately in love with his hometown. In his mind, Boston is the world's center of modern civilization and gentility and he has made it very clear that his son and daughter are to remain there for their entire lives and only associate with native Bostonians. Imagine poor Apley's horror, then, when his Harvard-student son falls in love with a Worcester girl and his daughter falls in love with a Yale student. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ronald Colman, Edna Best, (more)
George Taylor (John Hodiak) is a war veteran suffering from amnesia with only two clues to his past: the bitter letter from a woman who hates him and another mysterious letter signed "Larry Cravat." Taylor goes to Los Angeles to meet Cravat. It turns out that Cravat is wanted for murder and the robbery of $2 million. George becomes involved with a singer, Christy (Nancy Guild) and is chased by mobsters while on a search for the stolen money. There ensue a series of chases, an interesting plot twist and a surprise ending as John learns the true identity of Cravat.Somewhere in the Night is the quintessential "amnesia victim" as protagonist film, somewhat slow, but nevertheless, engrossing and suspenseful. ~ Linda Rasmussen, All Movie Guide
- Starring:
- Charles Arnt, Richard Benedict, (more)
- 1946
Years before he became the leading star in horror movies, Vincent Price starred in this gothic thriller based on the best-selling novel by Anya Seton. Nicholas Van Ryn (Vincent Price) is a wealthy feudal heir of Dutch ancestry living in New York's Hudson Valley in the 1840s. Nicholas has come to hate his wife because she has been unable to give him a son; their only child is a daughter he doesn't care for. Miranda Wells (Gene Tierney), a distant relative of the Van Ryns, comes to live at their estate and work as an au pair girl; Nicholas becomes infatuated with her and eventually poisons his wife so they can marry. However, while Miranda gives birth to a son, the boy is sickly and does not live to adulthood. Nicholas begins to slip into insanity, moving to the attic of his mansion and drowning his sorrows in drugs. A distraught Miranda seeks the counsel of the local physician, Dr. Jeff Turner (Glenn Langan); Dr. Turner falls in love with Miranda, and he eventually discovers that Nicholas killed his first wife to be with her, and that Miranda might be next on the madman's list. Dragonwyck was the directorial debut of screenwriter and producer Joseph L. Mankiewicz. ~ Mark Deming, All Movie Guide
- Starring:
- Gene Tierney, Walter Huston, (more)
