Johnny Mandel Movies

The world lost the defiantly unpredictable, trend-busting bop vocalist Anita O'Day in November 2006, to dementia and pneumonia. A year or so prior, documentarians Ian McCrudden and Robbie Cavolina (perhaps foreseeing this loss) set out to create the definitive film portrait of the chanteuse, entitled Anita O'Day: The Life of a Jazz Singer. This biography recounts O'Day's life story by intercutting archival performance footage of the vocalist with fond reminiscences from friends and colleagues and cutaways to O'Day's original reviews and publicity material. Interviewees include Bryant Gumbel, Harry Reasoner, Dick Clark, Annie Ross, and Johnny Mandel. ~ Nathan Southern, All Movie Guide

A Great Day in Harlem is a wonderful documentary about a seemingly ho-hum subject -- the taking of a photograph. Even when the photograph in question involves some of the greatest jazz musicians who ever lived, building a film around a static subject like a photograph is not an easy task. Jean Bach's achievement lies in making this come brilliantly alive; indeed, there's a surprising buoyancy and a sprightliness to the entire enterprise that makes the film unique. True, there's a great deal of information that is imparted -- delightful little tidbits such as Maxine Sullivan having a gift for remembering even the most obscure of lyrics, or that asking Thelonious Monk (who wore a light-colored jacket to make sure he stood out in the picture) a question meant one would get a remarkably frank and truthful answer -- but what one remembers after viewing Great Day is not the various facts presented, or even the personalities of those discussed and/or interviewed. What one remembers is the feeling of joyful immediacy that the film evokes, truly making the viewer feel as if he or she were actually there in Harlem on the day in question. There are a number of complaints one could have about the film (such as the flatness of the lighting and the subsequent dullness of some of the shots), but the little flaws seem truly miniscule in comparison with that wonderful feeling. ~ Craig Butler, All Movie Guide

In this thriller, a deranged killer is decapitating the local Palm City prostitutes, and it is up to Detective Lisa Ryder (Donna Adams) to track him down. However, when the hunter becomes the hunted, Lisa must struggle to stay alive. ~ Iotis Erlewine, All Movie Guide

Wealthy, but yearning for the family he lost after his parents' untimely deaths, a businessman hires a private eye to locate his three sisters, each of whom was sent to a different foster home following the mysterious accident. One particularly traumatized sister seems to know the truth about the deaths. Her revelations could be catastrophic for the recently reunited siblings. ~ Sandra Brennan, All Movie Guide

Originally shown on television in two parts, the second of which takes place after WWII. Surviving escapee Major John Dodge (Christopher Reeve) is sent back to Germany by Winston Churchill to capture the Gestapo officer who ordered the machine-gunning of 50 of the captured escapees, in direct defiance of the Geneva convention. Donald Pleasance, one of the "good guys" in the original, plays the Nazi villain in the new version. Filmed in Yugoslavia, Great Escape II: The Untold Story was originally telecast November 6 and 7, 1988. ~ Hal Erickson, All Movie Guide

One can only hope that the real-life marriage of actors Michael Tucker and Jill Eikenberry is more harmonious than the one depicted in the made-for-TV Assault and Matrimony. Tucker plays a meek New England accountant and Eikenberry portrays his nitpicking wife-who becomes even nitpickier when the couple purchases a historic home. When he's driven to distraction by Eikenberry's nagging, Tucker hatches a murder scheme. At the same time, she comes up with a plot to bump off her husband. Adapted from James Anderson's novel by John Binder, this frenetic farce first aired September 28, 1987. ~ Hal Erickson, All Movie Guide

Brook Shields plays the comic-strip journalist, Brenda Starr, who travels to a South American jungle on an assignment. It is there that she covers the story about a mad scientist who plans to blow up the planet with his newly developed rocket fuel. Also appearing are Timothy Dalton and Charles Durning, among others, who don Bob Mackie-designed costumes. ~ Kristie Hassen, All Movie Guide

Made for television, A Letter to Three Wives is a modernized version of the classic 1949 theatrical film of the same name. While on a charity picnic, the wives of three well-to-do men each receive a letter from a fourth woman, a flashy divorcée named Addie (who is never seen). With calculated sweetness and sympathy, Addie informs the ladies that she is about to run off with the husband of one of them. In flashback, each wife recalls her marriage, wondering if it is she who is about to be divested of her husband (and simultaneously asking herself why this might be happening). Loni Anderson, Michele Lee, and Stephanie Zimbalist star in the roles played by Linda Darnell, Ann Sothern, and Jeanne Crain (respectively) in the 1949 film. Ann Sothern herself is seen as the mother of Anderson's character, a part originally essayed by Connie Gilchrist. Johnny Mandel earned an Emmy nomination for his musical score, which is virtually the only real improvement on the 1949 version. A Letter to Three Wives first aired December 16, 1985, on NBC. ~ Hal Erickson, All Movie Guide

In Sidney Lumet's powerful courtroom drama The Verdict, Paul Newman stars as Frank Galvin, an alcoholic Boston lawyer who tries to redeem his personal and professional reputation by winning a difficult medical malpractice case. Frank, down on his luck, is presented with the case of his life when he is approached by the family of a woman who has been left in a coma following an operation in a large Catholic hospital. Helped by his assistant Mickey (Jack Warden), he agrees to take the case, hoping for a fast settlement. When he visits the victim in the hospital, he becomes emotionally involved, turns down a sizable settlement offer made by the hospital, and decides to bring the case to trial despite the formidable opposition of the Church and its lawyer, Newman (James Mason). He is also assisted by his new girlfriend, Laura (Charlotte Rampling), a woman who turns out to have an unusual past. Oscar-nominated for "Best Picture" and "Best Director" (Lumet) as well as for "Best Adapted Screenplay" (David Mamet from a novel by Barry Reed), The Verdict is an outstanding, if not very legally accurate, courtroom drama; Frank's decision to try the case without telling the family of the victim of the settlement offer would probably lead to his real-life disbarment. Paul Newman and James Mason give fine, Oscar-nominated performances, and Charlotte Rampling is quite good as the deceitful Laura, who never seems to turn down a drink. ~ Linda Rasmussen, All Movie Guide

When a young, single, neurotic New Yorker finds the perfect woman, he tries desperately to get her to fall for him. Young director Jonathan Kaufer has been compared to Woody Allen with this, his first feature. ~ Kristie Hassen, All Movie Guide

Sidney Lumet provides another of his film adaptations of Broadway successes -- in this case Ira Levin's 1978 clever Broadway murder mystery that starred John Wood in a triumphant turn as down-on-his-luck playwright Sidney Bruhl. Wood's brittle airiness is replaced in the film version by Michael Caine's smoldering bitterness. Sidney Bruhl is a successful writer of Broadway mystery plays who was at one time considered the Neil Simon of Broadway mystery writers. Unfortunately, Bruhl is now struggling to live up to his own reputation, suffering through a series of four consecutive flops. But then Bruhl comes upon the manuscript of a brilliant suspense drama written by unknown writer Clifford Anderson (Christopher Reeve). Bruhl, desperate for a hit play, invites Clifford to come to see him, telling him that he is interested in collaborating with him on the play. Actually, Bruhl plans to murder Clifford and pass off Clifford's play as his own. What Bruhl doesn't know, however, is that Clifford has some surprise plot points of his own up his sleeve. ~ Paul Brenner, All Movie Guide

James Coburn is "The Baltimore Bullet", a legendary pool player who's seen better days. Coburn "adopts" aspiring pool champ Bruce Boxleitner, teaching him practically everything he knows. As we know it must, the plot requires Coburn and Boxleitner to face each other in the climactic winner-take-all match. As much fun as Baltimore Bullet is, the film can't help but be dwarfed by the 1986 Hustler sequel The Color of Money. Ronee Blakely proves an appealing heroine, while several real-life pool greats (Willie Mosconi, Irving Crane, Steve Mizerak etc.) show up in cameo roles. ~ Hal Erickson, All Movie Guide

A mere eleven months after the ITV debut of the British sitcom Keep It in the Family, the American version of the series, Too Close for Comfort, made its bow on ABC. Actually, the latter series might have arrived on the scene even earlier but an actors' strike delayed the start of the 1980-1981 TV season by two months.

Ted Knight starred as Henry Rush, a San Francisco-based cartoonist and creator of the popular comic strip "Cosmic Cow." Prudish and conservative, Henry was extremely overprotective of his gorgeous college-age daughters, brunette Jackie (Deborah Van Valkenburgh) and blonde Sara (Lydia Cornell). Henry's wife, Muriel, who prior to her marriage had led a freewheeling (but respectable) existence as a band singer, now worked as a freelance photographer. Less strict and strait-laced than Henry, Muriel tended to allow her daughters a freer reign, though she still made sure that they didn't make too many mistakes. Season one began as Jackie and Sara moved into the downstairs apartment of dad Henry's two-apartment town house, recently vacated by the death of tenant Mr. Rafkin (who, much to Henry's dismay, turned out to be a transvestite). Having reluctantly agreed to this arrangement, Henry agonized over what might have been going on in the lower apartment, especially considering the steady stream of attractive young men who paid regular visits to his darling daughters. (He had nothing to worry about, of course, but that didn't stop him from doing so.) During the series' first 19 episodes, Jackie worked at a bank while Sara attended college -- where she met and befriended that walking mass of neuroses and insecurities known as Monroe Ficus (J.M. J Bullock), who from episode four onward was a more or less permanent house guest of Henry and Muriel. A handful of other recurring characters were introduced during the series' maiden season. Among these were Mr. Wainwright (Hamilton Camp), Hamilton's short-statured, dictatorial publisher; Mildred Rafkin (Selma Diamond), the abrasive and insulting sister of Henry's deceased tenant; and Henry's libidinous 75-year-old father Huey Rush (Ray Middleton). Also given prominence was another "character," the Cosmic Cow hand puppet with whom Henry "consulted" in moments of crisis. Scheduled as part of ABC's virtually unbeatable Tuesday-night sitcom lineup (which in 1980 included Happy Days, Laverne & Shirley, and Three's Company), Too Close for Comfort emerged from its inaugural season as America's 15th most-watched program, with a Nielsen rating of 20.8. ~ All Movie Guide