Spring Byington Movies

When Darryl F. Zanuck's arrangement to loan Shirley Temple to MGM as star of The Wizard of Oz fell through, Zanuck hastily assembled a lavish Technicolor vehicle for his diminutive star which, he hoped, would match Wizard in popularity and appeal. The result was The Blue Bird, adapted from the allegorical stage play by Maurice Maeterlinck (previously filmed by director Maurice Tourneur in 1918). In emulation of The Wizard of Oz, The Blue Bird was bookended with black-and-white sequences, reserving Technicolor for the fantasy "body" of the film; similarly, Gale Sondergaard, who had been the first choice to play the Wicked Witch of the West in Wizard, was cast as Blue Bird's nominal villainess. Set in mid-Europe sometime in the late 18th century, the story concerns Mytyl (Temple and Tyltyl (John Russell), the children of a woodchopper (Russell Hicks) who has been called to fight in a faraway war. Heartbroken, the kids decide to run away from home in search of the Bluebird of Happiness, which will ostensibly solve all their problems. Falling asleep, Mytyl and Tyltyl dream that the good fairy Berylune (Jessie Berylune) is leading them on that search, accompanied by their household pets Tylo (a dog) and Tylette (a cat), who have assumed human form (and as such are repectively played by Eddie Collins and the aforementioned Gale Sondergaard). Before arriving at the far-from-unexpected realization that the elusive Bluebird of Happiness is no further than their own backyard, the two kiddies undergo a variety of astonishing experiences, including a raging forest fire (a triumph of 20th Century-Fox special-effects master Fred Sersen) and an oddly unsettling visit to "The Land of the Unborn". Rather heavy going for its intended family audience, The Blue Bird proved to be Shirley Temple's biggest flop, and a subsequent 1976 US-Soviet version starring Elizabeth Taylor fared no better at the box office. ~ Hal Erickson, All Movie Guide

This domestic comedy is the final episode of the 17-film "Jones Family" series. The story begins as restless Father decides to leave the simplicity of small-town life for the sophistication and excitement of the city, so he sells the family drugstore and moves his family to the Big Apple. Soon they find themselves surrounded by con men, and sleazy women trying to steal everything they own. Mayhem ensues until they decide they've had enough and hightail it for the safety of home. ~ Sandra Brennan, All Movie Guide

In this entry in the "Jones Family" comedy series, the Jones have just arrived from a Hollywood vacation when they receive a telegram informing them that a recently deceased and very wealthy uncle has left them a gold mine near the Grand Canyon. Happily the family packs up and heads for Arizona; there, they contract a guide who takes them high up a mountain to an isolated cabin, which turns out to be a robbers' lair. Mayhem ensues until the children catch the crooks and collect a handsome reward. The film was written by former silent film great Buster Keaton. ~ Sandra Brennan, All Movie Guide

Based on a novel by Barry Benefield, Chicken Wagon Family affords nearly equal screen time to child star Jane Withers and veteran character actor Leo Carrillo. Tired of living in the boonies, itinerant merchant J. P. B. Fiffany (Carrillo) packs his family into his ramshackle wagon and sets out for New York. Alas, Fiffany has a fondness for poker, losing his hard-earned wages as quickly as he gets them. Fortunately, his enterprising daughter Addie (Jane Withers) is a human cornucopia of money-making schemes, and it is she who saves the day. Chicken Wagon Family was originally purchased by Fox as a Will Rogers vehicle, but was put on the back burner when Rogers died in 1935. Musical highlights include Jane Withers' boisterous rendition of "Daughter of Mademoiselle," originally performed by Louise Hovick (aka Gypsy Rose Lee) in The Battle of Broadway (1939). ~ Hal Erickson, All Movie Guide

This fictionalized biography of the famed American inventor's life provided actor Don Ameche with his signature role. For years after its release, people even referred to the telephone as "an Ameche." The story begins in 1873 Boston as Bell endeavors to teach deaf people to speak in the manner invented by his father. When not teaching, Bell tinkers with his various inventions. Opportunity knocks when Bell is befriended by an aristocratic fellow (Charles Coburn) who wants Bell to help teach his daughter (Loretta Young) to speak. Bell agrees and falls in love with her. It is she who inspires and encourages him to invent the telephone, while it is young Watson (Henry Fonda) who assists him. After they meet with success, the inventors must do battle in court with Western Union, the company that held the patent to the telegraph. ~ Sandra Brennan, All Movie Guide

The Jones Family heads to Gay Paree in celebration of the 25th wedding anniversary of Pa (Jed Prouty) and Ma (Spring Byington). It doesn't take long for the Joneses to be victimized by clever Parisian con artists. Nor do Jones kids Jack (Ken Howell) and Lucy (June Carlson) have time to unpack before they're both pursued by amorous predators. Somehow or other, everyone gets involved in an espionage plot, much to the dismay of apoplectic hotel detective Emile (Leonid Kinskey). All things considered, the Joneses' married daughter Bonnie (Shirley Deane) is probably grateful that she elected to stay home with her husband Herb (Russell Gleason). ~ Hal Erickson, All Movie Guide

In this entry in the Jones Family series of domestic comedies, the trouble begins when con artists attempt to convince Mayor Jones that the local swamp is chock full of valuable minerals. Mayhem ensues, and just as the crooks think they will be able to pull off their scam, some of Jones' children fall into the muck and the truth is revealed. ~ Sandra Brennan, All Movie Guide

Once they had twin child actors Billy and Bobby Mauch on their payroll after The Prince and the Pauper, Warner Bros. had to work overtime to come up with suitable vehicles. One of the Mauch twins' best efforts was Penrod and His Twin Brother, based loosely on the "Penrod" stories by Booth Tarkington. Actually, 14-year-old "All American boy" Penrod (Billy Mauch) isn't really the brother of tough kid Danny (Bobby Mauch), but they do look exactly alike, leading to trouble for Penrod when he gets blamed for Danny's misdeeds. Eventually, Pen and Danny team up to vanquish a common enemy: a gang of mobsters who've squirreled themselves away in a desolate hideout. Among the supporting players are two recent "Our Gang" graduates, Jerry Tucker and Philip Hurlic. Penrod and His Twin Brother did well enough to warrant a follow-up, Penrod's Double Trouble. ~ Hal Erickson, All Movie Guide

Moss Hart and George S. Kaufman's whimsical Pulitzer Prize-winning Broadway play You Can't Take It With You was transformed into a paean to populism by director Frank Capra and screenwriter Robert Riskin. This is the story of the zany Sycamore household, presided over by Grandpa Vanderhof (Lionel Barrymore), a former businessman who has turned his back on commerce to enjoy life. At the Sycamores', everyone does just what he or she pleases. Penny Sycamore (Spring Byington), Grandpa's daughter, has become a novelist because someone delivered a typewriter to her home by mistake. Penny's husband makes firecrackers in his basement with the help of Mr. DePinna (Halliwell Hobbes), an iceman who showed up at the Sycamore doorstep one day and never left. Their daughter, Essie (Ann Miller), imagines that she's a prima ballerina, even though her dour teacher, Boris (Mischa Auer), assesses her work with, "Confidentially, it steenks!" Essie's husband, Ed (Dub Taylor), who'd rather play a xylophone than work, spends his free time selling Essie's candy, wrapping each package in paper from a used printing press that dispenses anarchistic slogans. The one normal member of the household is Alice Sycamore (Jean Arthur), in love with wealthy Tony Kirby (James Stewart).

Naturally, when the stuffy, aristocratic Kirbys come to the Sycamores' for dinner, the event is a disaster, capped with the arrest of everyone in the household. Hart and Kaufman's third act found the previously judgmental Kirby softening his attitude toward the freewheeling Sycamore clan, admitting that he's never had so much fun in his life. Screenwriter Riskin altered the focus of the play by throwing out the third act and concentrating upon Tony Kirby's father, Kirby Sr., who as played by Edward Arnold is transformed from a stock stuffed shirt into a ruthless, grasping tycoon, eager to buy up every house on the Sycamores' block to make room for a munitions plant. The film thus became the story of Kirby's regeneration at the hands of the carefree Sycamores. Enough of the play's screwball elements are retained to compensate for Riskin's speechifying and plot distortions (though the softening of one of the play's vital ingredients, Grandpa's refusal to pay his income tax, borders on the sacrilegious). You Can't Take It With You earned several Academy Awards, including Best Picture and Best Director (Capra's third Oscar). ~ Hal Erickson, All Movie Guide

In 1938, Jezebel was widely regarded as Warner Bros.' "compensation" to Bette Davis for her losing the opportunity to play Scarlett O'Hara in Gone With the Wind. Resemblances between the two properties are inescapable: Jezebel heroine Julie Marsden (Davis) is a headstrong Southern belle not unlike Scarlett (Julie lives in New Orleans rather than Georgia); she loves fiancé Preston Dillard (played by Henry Fonda) but loses him when she makes a public spectacle of herself (to provoke envy in him) by wearing an inappropriate red dress at a ball, just as Scarlett O'Hara brazenly danced with Rhett Butler while still garbed in widow's weeds. There are several other similarities between the works, but it is important to note that Jezebel is set in the 1850s, several years before Gone With the Wind's Civil War milieu; and we must observe that, unlike Scarlett O'Hara, Julie Marsden is humbled by her experiences and ends up giving of her time, energy, and health during a deadly yellow jack outbreak. Bette Davis won an Academy Award for her portrayal of Julie; an additional Oscar went to Fay Bainter for her portrayal of the remonstrative Aunt Belle (she's the one who labels Julie a "jezebel" at a crucial plot point). The offscreen intrigues of Jezebel, including Bette Davis' romantic attachment to director William Wyler and co-star George Brent, have been fully documented elsewhere. Jezebel was based on an old and oft-produced play by Owen Davis Sr. ~ Hal Erickson, All Movie Guide

The inimitable Preston Sturges originally scripted Hotel Haywire with George Burns and Gracie Allen in mind, but by the time the film went before the cameras, the Burns and Allen roles had been recast with Benny Baker and Colette Lyons -- and significantly abbreviated in the process. A dentist named Parkhouse (Lynne Overman) plays a practical joke on a poker-playing buddy by sending him home with a lady's chemise stuffed in his coat pocket. The gag backfires, whereupon Parkhouse finds himself in hot water with his own wife (Spring Byington). Threatened with divorce, Parkhouse is advised by a zany astrologer to frame Mrs. P. in a compromising situation at the Hotel Haywire, enlisting amateur detectives Bert and Genevieve Sterns (Baker and Lyons) in his scheme. Things get really hectic when Parkhouse's daughter Phyllis (Mary Carlisle) and her sweetheart Frank (John Patterson) show up at the same hotel. The film is dominated by the antics of larcenous astrologer Zodiac Z. Zippe, played with comic ferocity by Leo Carrillo. ~ Hal Erickson, All Movie Guide