Spring Byington Movies

In this romantic comedy, a soldier is granted a two-week furlough and returns home to discover that his girlfriend is engaged to someone else. At first, on the advice of her friends, the girl tries to hide her betrothal from the soldier, but it is not long before she recalls why she loved him in the first place. Conflict ensues when he discovers her deception. Eventually, they manage to straighten out the situation and things come out alright. ~ Sandra Brennan, All Movie Guide

Famed WW1 aviator Eddie Rickenbacker once more entered the public's consciousness during WW2 when, while serving as an Air Force officer, he and several other pilots crashed into the Pacific. While the world anxiously awaited news of his fate, Rickenbacker and a handful of survivors floated for 19 days in a tiny rubber raft. Captain Eddie recreates this incident, using it as a framework for a series of flashbacks in which Rickenbacker (Fred MacMurray) reminisces on the high points of his life. He is seen experimenting with aviation in his backyard, working in an auto factory to finance his earliest flights, and wooing and winning the lovely Adelaide (Lynn Bari). When America enters WW1, Rickenbacker immediately signs up, eventually shooting down more enemy planes than any other American aviator. Back in "the present", Rickenbacker and his comrades (including Lloyd Nolan and Richard Conte as Lt. Whittaker and Private Bartek) struggle to stay alive while awaiting rescue. Darryl Hickman plays Rickenbacker as a boy, while Charles Bickford portrays his father William. The huge supporting cast includes amusing unbilled contributions by Grady Sutton ("The schottische is my fav-or-ite dance!") and George Chandler. ~ Hal Erickson, All Movie Guide

This romantic fantasy was based on a popular play by Arthur Pinero. Oliver Bradford (Robert Young) is a young man who returned from World War II with severe facial scars; while he was engaged to be married before he left, he believes that no one could love him now, and he lives on the brink of suicide. Oliver meets Laura Pennington (Dorothy McGuire), a plain young woman who is convinced that her looks will never win her a man. These two lonely people marry, more out of desperation than love, and move into a small cottage which is all that remains of the large estate of Abigail Minnett (Mildred Natwick), who lost the rest of her property in a fire. The cottage has been the site of many happy honeymooners over the years, and inside its walls, Oliver and Laura discover that a magical transformation takes place; he regains the handsome features he once possessed, and she becomes beautiful. The couple find love and happiness with each other, but find that the cottage's magical spell only works as long as they remain at home with each other; the outside world does not recognize the beauty that they have found with each other. The Enchanted Cottage was previously adapted for the silent screen in 1924, with Richard Barthelmess and May McAvoy as the newlyweds. ~ Mark Deming, All Movie Guide

This aquatic musical is set at a mountain resort in the beautiful Sierra Nevadas where a heroic Army Air Corpsman has come for a vacation. There he falls in love with the lovely swimming instructor, who is unfortunately newly married to a rather stodgy businessman. The mayhem begins when her new husband is called to Washington on urgent business. Songs include: "Please Don't Say No, Say Maybe," "I Should Care," "Lonely Night," "Vive L'Amour," "Schubert's Serenade" and "The Thrill Of A Romance." ~ Sandra Brennan, All Movie Guide

On the day of his death in 1943, the spirit of Henry Van Cleave (Don Ameche) obligingly heads for the place where so many people had previously told him to go. The immaculately dressed septuagenarian arrives at the outer offices of Hades, where he is greeted by His Excellency (Laird Cregar), the most courteous and gentlemanly Satan in screen history. His Excellency doubts that Van Cleave has sinned enough to qualify for entrance into Hades, but Henry insists that he's led the most wicked of lives, and proceeds to tell his story. Each milestone of Henry's life, it seems, has occurred on one of his birthdays. Upon reaching 15, Henry (played as a teenager by Dickie Moore) naively permits himself to get drunk with and be seduced by his family's French maid (Signe Hasso). At 21, Henry elopes with lovely Martha Strabel (Gene Tierney) stealing her away from her stuffy fiance Albert Van Cleve (Allyn Joslyn), Henry's cousin. At 31, Henry nearly loses Martha when, weary of his harmless extracurricular flirtations, she goes home to her boorish parents (Eugene Pallette and Marjorie Main). Henry's grandpa (Charles Coburn) orders the errant husband not to let so wonderful a girl as Martha get away from him. Henry once more declares his love to Martha, and she can't help but be touched by his boyish sincerity. Twenty years later, Henry, now a faithful and proper husband and father, attempts to charm a beautiful musical-comedy entertainer (Helen Walker) so that she'll forsake his young and impressionable son. But Henry's gay-90s romantic approach is out of touch with the Roaring 20s, and he ends up paying the entertainer a tidy sum to rescue his son--a fact that amuses Henry's understanding wife Martha, who now knows that her husband is hers and hers alone. Ten more years pass: Henry dances a last waltz with Martha, whose loving smile hides the fact that she knows she hasn't much longer to live. Five years later, it is "foxy grandpa" Henry who must be kept in check by his conservative son Jack (Michael Ames). Finally, it is 1943: as he quietly drinks in the loveliness of his night nurse (Doris Merrick), the bedridden Henry contentedly breathes his last. His story told, Henry once again asks to be permitted to enter Hades. But His Excellency, realizing that the only "sin" Henry has truly committed is attempting to live life to the fullest, quietly replies "If you'll forgive me, Mr. Van Cleave, we just don't want your kind down here." While he allows that Henry may have some trouble getting past the Pearly Gates, the wait will be worth it, since his loving wife Martha will be waiting for him. His Excellency cordially escorts Henry to the elevator, giving the operator a one-word instruction: "Up." A charming delight from first frame to last, Heaven Can Wait is another winner from director Ernst Lubitsch, and his first in Technicolor. Samson Raphaelson's screenplay was based on Birthdays, a play by Laslo Bus-Fekete. ~ Hal Erickson, All Movie Guide

A Booth Tarkington novel was the source for the so-so Judy Garland musical Presenting Lily Mars. Garland plays the title character, a small-town girl with big-city ambitions. She heads to Broadway hoping for stardom, but after a series of disappointments the best she can manage is an understudy job. That's right, folks: the star walks out on opening night, Lily goes on in her place, and the audience boos and throws rotten tomatoes (just kidding: Lily's a sensation, of course). Van Heflin costars as a young producer who falls in love with Lily, but who avoids bestowing upon her instant stardom for fear of being accused of favoritism. Naturally, Judy Garland gets to sing a lot, and whenever she does the picture soars; other musical acts include the orchestras of Bob Crosby and Tommy Dorsey. ~ Hal Erickson, All Movie Guide

Once Upon a Thursday was the original released title of The Affairs of Martha, a 1942 Marsha Hunt vehicle from the MGM B-picutre mills. The delightful Hunt plays Martha Lindstrom, a humble maid for the Sommerfield family. Falling in love with young Jeff Sommerfield (Richard Carlson), she marries him in a secret ceremony. As a source of extra income, Martha writes a pseudonymous autobiography, throwing her community into an uproar, since every family assumes that it is their maid who has penned the best-selling tome. Deftly directed by Jules Dassin, The Affairs of Martha was given a surprisingly big buildup by MGM, including a preferred slot in the studio's annual coming-attractions trailer; the extra "push" paid off at the box-office in spades. ~ Hal Erickson, All Movie Guide

In this WW II propaganda piece a wealthy American society matron refuses to sacrifice her material comforts to aid the war effort until she realizes that her selfishness is cheating the boys overseas who are fighting for her freedom. ~ Sandra Brennan, All Movie Guide

Strange Skirts is the TV title of the 1941 MGM film When Ladies Meet. The film was a remake of a 1933 production of the same name, which starred Ann Harding, Myrna Loy and Spring Byington; their roles were taken over in the remake by Greer Garson, Joan Crawford and Spring Byington. Both films are based on a Rachel Crothers play about a lady novelist who falls in love with a married publisher. The novelist (Crawford) meets the publisher's wife (Garson) at the home of a chatterbox society matron (Byington). The fact that the 1941 version was forced to undergo the censor's scissors to a greater extent than the 1933 film was compensated by the later version's lusher production values, which earned an Academy Award nomination for MGM art director Cedric Gibbons and Randall Duell. Under both its original title When Ladies Meet and its TV-dictated cognomen Strange Skirts, this dated but enjoyable film has become a "standard" on the various cable TV services of Ted Turner. ~ Hal Erickson, All Movie Guide

The first of director Frank Capra's independent productions (in partnership with Robert Riskin), Meet John Doe begins with the end of reporter Ann Mitchell's (Barbara Stanwyck) job. Fired as part of a downsizing move, she ends her last column with an imaginary letter written by "John Doe." Angered at the ill treatment of America's little people, the fabricated Doe announces that he's going to jump off City Hall on Christmas Eve. When the phony letter goes to press, it causes a public sensation. Seeking to secure her job, Mitchell talks her managing editor (James Gleason) into playing up the John Doe letter for all it's worth; but to ward off accusations from rival papers that the letter was bogus, they decide to hire someone to pose as John Doe: a ballplayer-turned-hobo (Gary Cooper), who'll do anything for three squares and a place to sleep. "John Doe" and his traveling companion The Colonel (Walter Brennan) are ensconced in a luxury hotel while Mitchell continues churning out chunks of John Doe philosophy. When newspaper publisher D.B. Norton (Edward Arnold), a fascistic type with presidential aspirations, decides to use Doe as his ticket to the White House, he puts Doe on the radio to deliver inspirational speeches to the masses -- ghost-written by Mitchell, who, it is implied, has become the publisher's mistress. The central message of the Doe speeches is "Love Thy Neighbor," though, conceived in cynicism, the speeches strike so responsive a chord with the public that John Doe clubs pop up all over the country. Believing he is working for the good of America, Cooper agrees to front the National John Doe Movement -- until he discovers that Norton plans to exploit Doe in order to create a third political party and impose a virtual dictatorship on the country. The last of Capra's "social statement" films, Meet John Doe posted a profit, although Capra and Riskin were forced to dissolve their corporation due to excessive taxes. ~ Hal Erickson, All Movie Guide

The down-home Weaver family stars in this countrified drama set in Peaceful Valley where if things went any slower they'd be going backwards. Things pick up a bit when someone steals $50 from a widow. The townsfolk are outraged and Judge Weaver finds himself accusing the widow's cleaning lady of the crime. Unfortunately, the judge is very wrong. ~ Sandra Brennan, All Movie Guide

Frank Morgan and Billie Burke, who'd previously costarred in MGM's Wizard of Oz, head the cast of the minor but entertaining The Ghost Comes Home. Based on a play by George Kaiser, the story revolves around one Vern Adams (Morgan), who through a series of bizarre circumstances is declared legally dead. Returning home after a two-month absence, Vern discovers that his family has already collected on his life insurance, and are far better off than they were when he was "alive". As a result, Vern hides out in his own attic, awaiting an opportunity to declare his presence without ruining his family's windfall. Billie Burke plays Mrs. Adams, while Ann Rutherford portrays their daughter Billie, whose romance with local boy Lenny Shea (John Shelton) provides an antiseptic subplot to the proceedings. ~ Hal Erickson, All Movie Guide