Miles Malleson Movies

They All Died Laughing plays for satire what any other film might have played for suspense. Leo McKern plays a college professor, of the addlepated rather than absentminded variety. McKern has come to the conclusion that certain people are leeching off society, and the world would be well rid of them. He heads for his laboratory to create the means of "purging" these useless people. He comes up with a poison that prompts his victims to laugh hysterically before joining the Choir Invisible. A little more heavy-handed than the British "dark farces" of the 1950s, They All Died Laughing was originally released in England as A Jolly Bad Fellow. ~ Hal Erickson, All Movie Guide

Filmed in Cinerama and Technicolor, Circus World may have drawn the crowds for various reasons -- not the least, perhaps, for the big names. John Wayne stars as circus owner Matt Masters, who takes his show to Europe hoping to save it from financial ruin. Accompanying Matt, is young Toni (Claudia Cardinale), whom Matt had raised since her aerialist mother Lili (Rita Hayworth) left them years before. Just before he departs from New York, Matt is reminded that Lili may be somewhere in Germany. Upon their arrival in Europe, much of the equipment is lost when their ship sinks in a Spanish port. Matt doesn't let that get the best of them, and he is soon up and running with the show, becoming a hit throughout Europe. Against Matt's wishes, Toni trains to become an aerialist like her mother. A quiet figure in the shadows proudly watches Toni rehearse her daring routines. The writing team of Ben Hecht, James Edward Grant and Julian Halevy adapted their screenplay from a story by Philip Yordan and Nicholas Ray. Though this was not a gunslinger role for Wayne, Matt Masters was not a far stretch. This could have been due to the fact that Wayne had previously worked on several projects with director Henry Hathaway and writers Hecht and Grant -- and the part was altered to suit him. ~ Kristie Hassen, All Movie Guide

Squire Trevenyan (Peter Cushing), magistrate of an 18th century coastal village where a little smuggling has always gone on (and been tolerated), learns that a group of wreckers have moved into the district, destroying ships and slaughtering their survivors in order to steal the cargo. The local populace, consisting mostly of tradesmen, honest fishermen and some part-time smugglers, all want the wreckers stopped, and appeal to the squire; but Trevenyan also learns that his son Christopher (John Fraser) is involved with the daughter of a tradesman who receives stolen goods. He intends to act on wreckers and smugglers alike, and gets the support of the local nobility (Miles Malleson). But then Christopher Trevenyan is caught up in a killing -- in self-defense -- of one of the wreckers, and the squire is so certain of the corruption of the village, that he declines to use his son as a witness against the wreckers. Rather, he brings in soldiers and starts a campaign against the smugglers and fishermen, the wreckers' leader, Black John (Bernard Lee), standing with him and diverting attention from himself. The citizenry appeals to a local highwayman known as the Captain (William Franklyn), who proceeds to kidnap Christopher, with a vow to kill him if two convicted men are transported to a colony. The squire is now trapped -- Black John, who is eager for the sentences to be carried out so that the troops can be withdrawn and his wreckers return to work, threatens to denounce him if he delays deporting the men; and Trevenyan rationalizes his decision as being in keeping with the law, even though it will cost his son's life. The only way out for the innocent parties on all sides can come from Christopher's bravery and the Captain's sense of honor, and the slim chance that they find a common goal that will spare young Trevenyan's life. ~ Bruce Eder, All Movie Guide

In this routine, slapstick, frenetic tale, British comic Spike Milligan stars as Harold Petts, a rural mailman with a sudden promotion that ends up getting him into a lot of trouble. Harold is supposed to be trained behind the scenes at London's busiest post office but even after his first day in the city he is already in difficulties. He soon meets Jean (Barbara Shelley), a mediocre art student with big aspirations for her future. The duo eventually find themselves as top suspects in a mail-theft ring, with the police and the Post Office higher-ups close on their heels. ~ Eleanor Mannikka, All Movie Guide

This third film version of the Curt Siodmak scare piece Donovan's Brain stars Peter Van Eyck as an overly dedicated scientist. When a powerful and ruthless financier dies in a plane crash, Van Eyck keeps the tycoon's brain alive in his laboratory. Gradually, the brain takes over the doctor's mind, forcing him into all sorts of evil chicanery. In a twist not found in the Siodmak original, the brain compels Van Eyck to seek out the financier's murderer. Anne Heywood costars as the dead man's daughter. A strong mulinational supporting cast distinguishes this Anglo-German coproduction. ~ Hal Erickson, All Movie Guide

Although released in the United States as a 63-minute black-and-white film, this 93-minute British swashbuckler from the producer/directors of Jack the Ripper is actually a lush color spectacle which looks like one of the Hammer Films adventures of the time, even though it was produced by New World. The similarities are not only cosmetic, however, as the film was co-written by Hammer stalwart Jimmy Sangster and co-stars studio regulars Peter Cushing, Miles Malleson, the dwarf Skip Martin, and Adrienne Corri (the future Clockwork Orange starlet who has a discreet nude scene here with German actress Kai Fischer). The ridiculous story concerns Jason, the young son of the notoriously decadent pervert Lord Netherton (Andrew Faulds), leader of London's infamous sex den, the Hellfire Club. Jason's mother (Jean Lodge) flees with the child after he is viciously whipped for walking in on one of his father's orgies. Many years later, his parents have died and Jason (Keith Michell) has become a Dutch circus acrobat, but decides to return to England to claim the ancestral mansion which is rightfully his. Posing as a coachman to his evil, perverse cousin Thomas (Peter Arne), whose oversight of the Hellfire Club has lifted its kinky membership into being the de facto power behind King George II's rule, Jason tries to defeat the club, gain back his inheritance, and rescue his childhood love (Fischer), whom Thomas kidnaps. ~ Robert Firsching, All Movie Guide

Hammer Films and director Terence Fisher followed the excellent Horror of Dracula with this well-made, richly-colored sequel which suffers only from the conspicuous lack of Dracula himself -- since Horror's Christopher Lee had declined participation in further Dracula sequels for the time being. In his stead, we have young, blond Baron Meinster (David Peel) providing the requisite vampiric threat. Though imprisoned in the family estate by his mother, Meinster is released from his silver chains by an unsuspecting French teacher (Yvonne Monlaur), through which he gains access to a veritable smorgasbord of nubile wenches at a girls' school. Fortunately, master vampire killer Dr. Van Helsing (Peter Cushing) is on the case. Besides featuring some of the best acting, photography and period detail of the Hammer Dracula series, this is also one of the first to delve into the more sexual aspects of vampirism, with implicit suggestions of incest, sadomasochism and homosexuality. ~ Cavett Binion, All Movie Guide

A typical light comedy based on a novel by Richard Gordon, The Captain's Table has director Jack Lee at its own helm, riding high on the success of his 1956 A Town Like Alice. Captain Ebbs (John Gregson) brings a part of his freighter experience with him as he takes charge of an ocean liner for the first time. He soon finds that the tactics that worked on the freighter do not work here, though his crew could use some discipline. His purser has sticky fingers, his chief officer has a roving eye, and the steward has his own problems. And then there are passengers like the secret heiress, the charming widow, the temptress, the would-be novelist, and the offensive VIP. Eventually, the captain catches on to the nuances of his new role, confident that he and the "Love Boat" can weather any storm. ~ Eleanor Mannikka, All Movie Guide

This crime caper based on a legendary robbery stars Aldo Ray as Norgate, the ringleader of the thieves out to steal a bundle from the Bank of England. But it is a young Peter O'Toole as the guard Fitch who steals the show -- two years before Lawrence of Arabia would make him an internationally acclaimed star. The year is 1901 and Norgate is an avid supporter of Irish Home Rule, avid enough to plan this robbery to get the bullion needed to make his independence wishes come true. He gathers together the necessary crew of brains, brawn, and bravado, and the would-be thieves make their way through a sewer system that runs under the bank. What they do not count on is that Fitch may not be quite as dumb as he seems. ~ Eleanor Mannikka, All Movie Guide

In the 17th century, the arrogant, cruel Hugo Baskerville (David Oxley) brutalizes a servant and prepares to turn the man's daughter over to his equally depraved companions, but she escapes. When he catches up with the girl in a ruined abbey, he kills her and then is attacked and killed himself by a huge hound that is never seen. The audience then learns that this story is being told in flashback to Sherlock Holmes (Peter Cushing) and Dr. Watson (Andre Morell) by Dr. Richard Mortimer (Francis DeWolff). He was the physician and friend to the late Sir Charles Baskerville, who recently died -- apparently of fright -- on the Devonshire moors near that same ruined abbey. Holmes is very skeptical, but agrees to meet Sir Henry Baskerville (Christopher Lee), who has just arrived in London to claim the estate. Sir Henry is cold and aloof but becomes convinced he's in danger when he's almost bitten by a tarantula. Holmes insists that he not go to Baskerville Hall alone, so Holmes sends Watson to Devonshire with Sir Henry.

In Devonshire, Sir Henry and Watson learn that an escaped convict, Selden, is at large on the moor. Watson meets local Bishop Frankland (Miles Malleson), and later on the moor, Baskerville's neighbors, Stapleton (Ewen Solon) and his daughter, Cecile (Marla Landi). Watson is almost trapped in one of the many bogs that dot the moors, but he escapes. Later, leaving Sir Henry stricken with a mild heart attack at the hall, Watson ventures again onto the moors, and to his surprise, discovers Sherlock Holmes there. Holmes has been hiding and watching for developments. They hear the howl of the hound, and are too late to prevent the huge beast from killing a man they take for Sir Henry. But back at Baskerville Hall, they find Sir Henry alive and well: the dead man was the convict Selden, dressed in some old clothes of Sir Henry's. At the ruined abbey, they find evidence that a strange rite has been performed.

When Holmes visits Frankland for information, he learns that someone has stolen the bishop's tarantula. (He's an amateur naturalist.) Meanwhile, near Baskerville Hall, Sir Henry meets Cecile, and they are attracted to one another. Holmes, Mortimer and Stapleton descend into a disused tin mine in search of evidence, but a cave-in almost traps Holmes. That evening, when Sir Henry goes to meet Cecile on the moors, he learns that she actually hates him, and that the hound is now on his trail. Holmes and Watson arrive almost too late to save him, but Holmes kills the hound and reveals it's an ordinary, if large, dog in a mask. The villain is a descendant of Sir Hugo's from "the wrong side of the sheets"; he and his daughter were determined to use the legend of the Hound to kill those standing between them and Baskerville Hall.
No movie version of Sir Arthur Conan Doyle's most famous novel follows its source very closely, and this colorful Hammer film is no exception. An extra killer is added, events are compressed, and even the novel's most famous line -- "they were the tracks of an enormous hound!" -- is omitted. The film also suffers at times from a budget too low for its ambitions and by extraneous elements aimed at making it more like a Hammer movie, such as the unexplained "rite." However, the movie has a brisk pace and particularly strong characters. Lee, initially icy and arrogant -- perhaps to remind us of Sir Hugo -- thaws into a likable person romantic enough to fall in love, atypically for Lee. Andre Morell is one of the most solid and realistic Watsons ever; there's nothing whatever of the harrumphing Nigel Bruce, no comedy elements to the role at all. He's straightforward, heroic in his own right. But the triumph of the film
was the casting of Peter Cushing as Sherlock Holmes. Cushing's Holmes is vivid, dynamic and arrogant; the actor does not even attempt to make Holmes likable, but instead plays the character exactly as Doyle wrote him. It's a performance of steely integrity and terrific skill, one of the greatest Holmes performances ever. Cushing later played Holmes in a television series, and became as identified with the role in England as Basil Rathbone was in the United States. Cushing returned once again to the role late in life, in the TV movie The Masks of Death, as well as writing about Holmes for several books. ~ Bill Warren, All Movie Guide

This is an uneven though occasionally hilarious comedy about a remote British colony and diplomatic blunders. Terry-Thomas as a British diplomat and Peter Sellers as a nasty, vile Prime Minister on the island, tend to overshadow the roles they are playing. Carlton-Browne (Terry-Thomas) is sent to the remote island of Gaillardia to prevent any other powers from tapping into its potentially rich mineral deposits. The fact that the Brits have ignored Gaillardia for the last fifty years or that Carlton-Browne is a walking disaster does not stop the Foreign Office. Circumstances quickly spin out of control as the island colony heads toward revolution with a new, young king (Ian Bannen) on the throne. ~ Eleanor Mannikka, All Movie Guide

Director John Ford traveled to England to film this adaptation of the novel by J.J. Maraca, which details a typical day in the busy life of a detective for Scotland Yard. Inspector George Gideon (Jack Hawkins) begins his working day by confronting one of his fellow officers who is believed to be accepting graft. The sergeant stubbornly denies the charge, but he dies later the same day in a mysterious hit-and-run accident that piques Gideon's curiosity. While confronting internal strife within Scotland Yard, Gideon also has more typical crimes to investigate, including a murder in Manchester and a burglary in London, both of which were performed by the same vicious criminal. Gideon himself becomes the victim of a holdup and is forced to take a bullet for his troubles, while on the home front he finds himself in disfavor with his family when he forgets to bring home salmon for dinner and lets his daughter's recital slip his mind. Along with Jack Hawkins, Gideon's Day features a stellar cast of British actors, including Cyril Cusack, Anna Massey, Laurence Naismith, Dianne Foster, and Billie Whitelaw. For its initial American release, Gideon's Day (also shown as Gideon of Scotland Yard) was cut from 91 minutes to a mere 54, and distributed in black and white prints instead of the original Technicolor. Fortunately, nearly all the prints currently in circulation are of the uncut, color edition. ~ Mark Deming, All Movie Guide