Allan MacKinnon Movies

In this crime drama a murderer covers his tracks by framing his wife. He does this by posing as his victim and forcing his wife to shoot him (with a blank-filled gun). The woman then confesses her crime. Fortunately, a sharp-eyed police inspector doesn't buy her story and soon brings the real killer to justice. ~ Sandra Brennan, All Movie Guide

The Anglo-American Behind the Headlines is not a remake of the 1937 RKO "B" of the same name, though both share a newspaper setting. Reporter Paul Carpenter heads the investigation of a murder case. The victim was black-mailing showgirl Hazel Court, and as usual there's a plenitude of suspects. Also as usual, the journalists prove to be quicker on the uptake than the cops on the case. Behind the Headlines was based on a novel by Robert Chapman. ~ Hal Erickson, All Movie Guide

In this comedy, a jewel thief hides his loot on an abandoned scow. Later he is captured and thrown in jail after assaulting someone. Two models end up buying the boat. The barge is almost sunk in an accident. Later two tart old ladies end up with the goods. They then help the younger women get the reward money. ~ Sandra Brennan, All Movie Guide

The Golden Link gets off to a spectacularly violent start when a woman's body plummets into the hallway of an apartment building. It looks like a suicide, but police superintendent Blake (Andre Morrell) suspects murder. Blake is officially "off" the case before long; unofficially, he calmly putters around, asking questions, searching for clues. The chief murder suspects are the victim's husband (Patrick Holt) and daughter (Thea Gregory), both of whom had ample opportunity and motive. It turns out that Blake's instincts were correct, but his initial choice of perpetrators was way off. ~ Hal Erickson, All Movie Guide

When a hitchhiker gets a ride with a woman driving to meet a blackmailer, the hitchhiker is blamed for the murder of the blackmailer when he dies due to electrocution by high tension wires. ~ All Movie Guide

The first of British director John Guillermin's two 1952 offerings was Song of Paris. Dennis Price stars as stomach-pill sales representative Matthew Ibbetson, who goes to Paris to close a business deal. While taking in the sights, Ibbetson inaugurates a casual affair with French chanteuse Clementine (Anne Vernon). Upon returning to London, Ibbetson finds to his dismay that Clementine has followed him. How can he keep his Parisian rendezvous secret from his veddy proper mother (Hermione Badderly). In his British-film debut, dour character comedian Mischa Auer chews the scenery as a seedy nobleman who covets the affections of the hapless Clementine. ~ Hal Erickson, All Movie Guide

Vernon Sewell, a mercurial filmmaker who preferred to lens his pictures on chunks of his own property, was the director of Black Widow. We don't know which of Sewell's real estate holdings served as the locale for this amnesia meller. We can, however, tell you that the film was inspired by the BBC radio serial "Return from Darkness." Returning from you-know-where is Robert Ayres, who learns that his wife (Christine Norden) is planning to bump him off with the help of her boyfriend (Anthony Forwood). Ayres continues feigning a loss of memory until he is able to get the drop on his would-be murderers. ~ Hal Erickson, All Movie Guide

In this comedy, the Huggett family patriarch decides to run for public office. His entire platform is built upon a promise to construct a war memorial. Unfortunately, he wants to build it on a parcel of his wife's land. She doesn't want anything there so her niece fakes her signature and the land gets donated. Fortunately, the candidate's daughter finds out about her conniving cousin and is able to save her father's name and his election. ~ Sandra Brennan, All Movie Guide

Bob Randall (Richard Greene) is a reporter who gets to witness first-hand the British retreat from Dunkirk in May of 1940. He returns to his job in a London now facing nightly German bombing raids, and finds himself saddled with Carol Bennett (Valerie Hobson), a neophyte reporter. Bob is eager to take on the Nazis and, in the absence of any on the ground that he can fight, he turns to the leaders of a pacifist movement, The People for Peace. But no sooner does he start to look into who they are than he finds himself being shadowed by mysterious men and stirring up a hornet's nest of activity in his wake. While Carol tries to keep up and do her bit, and Bob tries to look out for her and find out just what he's stepped into -- which soon involves kidnappings and murder -- the German bombers keep coming and the newspaper's survival is threatened. Bob and Carol are drawn together romantically in the midst of these overlapping crises, and manage to find some time for each other while helping their long-suffering editor (Brefni O'Rourke) save the newspaper and the British secret service save the country. ~ Bruce Eder, All Movie Guide

Cheer Boys Cheer is a provincial British comedy with slight Romeo and Juliet undertones. Edmund Gwenn and Moore Marriott play rival brewery owners who detest the sight of one another. Not so their children--the son of one man, the daughter of the other--who fall in love. One glance at the film's title, and the viewer knows that boy and girl will not take poison in the end. For so modest an endeavor, Cheer Boys Cheer has a remarkable talent lineup: Edmund Gwenn, Moore Marriott, Jimmy O'Dea, Nova Pilbeam and Alexander Knox in front of the cameras, and Walter Forde and Ronald Neame on the production end. ~ Hal Erickson, All Movie Guide

An Irish fellow is determined to become a singing radio star. Unfortunately, fate seems to be determined to thwart him at every turn in this comedy. The trouble begins when he leaves his Irish village to go to a British radio station where he believes he is going to get his big chance to sing. Unfortunately, he soon discovers that he is to be a contestant in a spelling bee. This enrages him and he winds up throwing a major fit on the air. The resulting publicity lands him a talent agent who believes that the recent press will make the Irishman a singing star. It is not to be, and the agent loses his job. He and the Irishman end up drowning their sorrows, commandeering a sports broadcast where their drunken comments and shenanigans inspire the station to hire them as comedians. ~ Sandra Brennan, All Movie Guide