Alma Macrorie Movies

In this comedy, New York City undergoes a dramatic change when a toucan carrying a strange virus is smuggled through customs. In those it infects, the virus causes an intense euphoria and a desire to do good. The first man to receive the infected bird is a misanthropic, cynical artist who lives in an apartment with his girlfriend. The couple names the toucan "Amigo," and soon they are indeed happy. They decide to spread it around and so the bird is freed. The Big Apple goes into an economic tailspin as its residents become deliriously happy and stop buying cigarettes, booze and tranquilizers. To save the financially foundering city, the mayor and a presidential envoy begin distributing unpleasant masks to the happy city-dwellers. The artist and friends thwart the officials' scheme by infecting the masks. So begins a battle between the officials and the artist. Eventually Amigo is caught, and an antidote is delivered. The renowned rudeness, cruelty and selfishness of the native New Yorkers quickly returns, and the city is saved. The artist realizes that his quest has been futile, and he devotes the rest of his time and energy to making his girlfriend happy. ~ Sandra Brennan, All Movie Guide

Ideal and reality clash in this humorous tale of the heist that could have been. As scheming career cat burglar Harry Dean (Michael Cane) prepares to steal a priceless statue from the world's richest man, he seeks out the assistance of Eurasian showgirl Suzy Chang Shirley Maclaine). Though the likeable rogue's plan seems foolproof as he conveys the details to his partner Ram (Robert C. Carmel), the execution proves a detailed study in Murphy's Law. Constantly reinventing the plan as his originally ideal spirals ever more out of control, it seems as if Harry's heist is destined to fail. ~ Jason Buchanan, All Movie Guide

Gregory Peck plays a benevolent God-like figure in a white smock as Captain Josiah Newman, the head of a psych-unit at a Southwestern army base during the waning days of World War II. Newman is a patriarchal protector to his patients, preferring to keep him in his ward, rather than return them to certain death on the battlefield. The matriarchal figure of the ward is Lieutenant Grace Blodgett (Jane Withers), but Newman is more interested in his assistant Lieutenant Francie Corum (Angie Dickinson), with whom he is having an affair. Further help is provided by human nature expert, Corp. Jackson Laibowitz (Tony Curtis), the orderly. And Newman needs all the help he can get. Particularly with three patients: Colonel Bliss (Eddie Albert) is suffering from a guilt complex from all the men he has sent to death; Corporal Tompkins (Bobby Darin, in an Academy Award-nominated performance), although decorated for bravery in combat, calls himself a coward for failing to save his pal from a burning plane; and Captain Winston (Robert Duvall) is guilt-ridden and has lapsed into catatonia because he had hidden for over a year in the basement of a building in Germany. Although Newman wants to cure these men of their psychological problems, he doesn't want to see them returned to the war to be killed. ~ Paul Brenner, All Movie Guide

In this tense espionage drama set in 1942, William Holden plays Eric Erickson, an American-born Swede who is put on the Allied blacklist for trading oil with the Nazis. Collins (Hugh Griffith), a British intelligence agent, offers to expunge Erickson's name from the blacklist after the war in return for information on the Nazis. Erickson agrees to the plan and proceeds to make it look as if he is pro-Nazi. This subterfuge causes him to be branded a traitor, and his wife, believing Eric to be a Nazi, walks out on him. Nevertheless, Eric continues with his deceit and makes the Germans think that he is planning to construct an oil refinery in Sweden to serve as a fuel supply for Germany. As a result he is allowed entrance to four German oil refinery, and he passes on the information to Collins. But Eric is being put under surveillance by the Nazis. They discover that Eric's lover, Marianne (Lilli Palmer) is working for the Allies. Suddenly both Marianne and Eric are arrested and thrown into Moabit Prison -- with dire consequences for both of them. ~ Paul Brenner, All Movie Guide

A somewhat uneven but still entertaining comedy-drama, The Rat Race, by director Robert Mulligan, co-stars Tony Curtis and Debbie Reynolds as Peter Hammond, Jr. and Peggy Brown, two performers who meet in New York and are thrown together by their mutual poverty. Peter arrives on a bus from the Midwest with his sax in hand and high hopes for a career. He gets a one-room walk-up and then meets Peggy, a dancer down on her luck who needs a place to stay. Ever the gentleman, Peter offers her space in his apartment and they string up a modesty curtain to divide their separate domains. But luck is not kind to Peter, right from the beginning. Some pranksters hose him down with cold water on his first trip into the city and he later gets his precious saxophone stolen by a trio of devious musicians/thieves. Peggy offers companionship in the face of difficulties, and before long the platonic relationship has distinct romantic overtones. ~ Eleanor Mannikka, All Movie Guide

Hard-boiled, self-educated newspaper editor Clark Gable turns down an opportunity to lecture before a night-school journalism class, publicly ridiculing the notion that the art of news writing can be taught. Gable's publisher, sensing a good story, orders the recalcitrant editor to appear at the lecture. Upon entering the classroom, Gable overhears journalism teacher Doris Day, the daughter of a Pulitzer Prize-winning reporter, condemn Gable's attitude towards higher education. Intrigued by the lovely Day, Gable enrolls in her class under an assumed name. He quickly goes to the head of the class (after all, he's had more experience than all the other students combined), then begins a campaign to romance Day. But there's a fly in the ointment: Day's fiance Gig Young, who gives an Oscar-calibre performance as a smug know-all. Likewise stealing every scene she's in is Mamie Van Doren, playing an exotic dancer who's set her sights on Gable. Fay and Michael Kanin's sprightly screenplay for Teacher's Pet manages to steer clear of any and all potential cliches. ~ Hal Erickson, All Movie Guide

Jerry Lewis, plays a third-rate USO magician named Gilbert Woolley, working the Far East circuit with his pet rabbit Harry. Nearly fired for accidentally humiliating haughty movie star Marie McDonald, Gilbert's career is salvaged by kindly Japanese aristocrat Sessue Hayakawa; it seems that Gilbert is the only person who is able to make Sessue's lonely, orphaned nephew Robert Hirano laugh. An international incident nearly develops when hero-worshipping Hirano tries to follow Gilbert back to the US, whereupon the poor prestidigitator is accused of being a kidnaper. Like most of the Jerry Lewis/Frank Tashlin collaborations, The Geisha Boy is highlighted by several eye-popping sight-gag sequences. The best bits include a ballpark scene featuring several members of the 1958 Los Angeles Dodgers (notably Gil Hodges) and a sledgehammer-subtle "throwaway" concerning Sessue Hayakawa's previous appearance in Bridge on the River Kwai. Less successful are the maudlin scenes between Jerry Lewis and little Robert Hirano, with both performers ladling on pathos with a trowel. Oh, yes: Geisha Boy served as the film debut of Suzanne Pleshette. ~ Hal Erickson, All Movie Guide

Set in the American West after the Civil War, this drama is the pull-no-punches story of a lethal family feud. Colt Saunders (Charlton Heston) fought for the Confederacy in the war, and he returns to his family's Texas cattle ranch after impulsively marrying Lorna Hunter (Anne Baxter) following a very short courtship. During the war, Mexican foreman Innocencio (Gilbert Roland) and his sons have run the ranch. Colt's one-armed brother, Cinch (Tom Tryon), who hasn't been much of a help, wants Colt to give him money for his part of the land. When Colt refuses to give him gold in exchange for his share of the inheritance, Cinch launches a scheme to sell the place to a wealthy Northerner. Colt chafes at the notion of selling to a former enemy. Lorna gets pregnant with their first child, and Colt then discovers that she once worked as a prostitute. Soon after, a plot to kill Colt is unleashed. ~ Michael Betzold, All Movie Guide

In this war romance, set during WW II, a widow falls for a Marine colonel. ~ Sandra Brennan, All Movie Guide

Based on the novel by James Michener, this film stars William Holden as Harry Brubaker, a former military pilot who served in World War II. When he's called back into duty during the Korean conflict, Brubaker is angry, believing he's already served his country and needs to devote himself to his wife Nancy (Grace Kelly) and their children. However, he accepts his commission and is sent back into action as a pilot, with a special assignment to blow up five strategically crucial bridges in Korean territory. This drama, which focuses on the danger and futility of war, also features Frederic March as an admiral who respects the tremendous danger of Brubaker's assignment, and Mickey Rooney as an ill-fated helicopter pilot. ~ Mark Deming, All Movie Guide

Bing Crosby heads this heart-tugging post war drama of a grieving widower who is duped into forming an unbreakable bond with the French orphan he believes is his long-lost son. Crosby lost his beloved when the Nazis killed her for participating in the French resistance. Much later, Crosby is told that his son, who bears striking resemblance to his wife, is in a Paris orphanage. Despite the head nun's insistence that 8-year-old Fourcade is his boy, Crosby is skeptical and so tries to test the lad. When the boy fails the test, Crosby confronts the duplicitous sister who 'fesses up to her scheme and determination to see that her charges get good homes and happy lives. Though Crosby has come to love little Fourcade, he cannot get over his grief until he receives wise counsel from a very good friend. ~ Sandra Brennan, All Movie Guide

George and Helen Pasashvily's colorful memoir Anything Can Happen was delightfully brought to the screen by the Paramount producing team of William Perlberg and George Seaton. Jose Ferrer heads the cast as Eastern European immigrant Giorgi Pasashvily, whose wide-eyed innocence and uncertain grasp of the English language causes him no end of trouble during his first months in America. Things take an upward turn when Giorgi falls in love with American girl Helen Watson (Kim Hunter). The film, like the book that preceded it, is told episodically, with moments of high comedy alternating with scenes of tender pathos. As miserly-but-golden-hearted Uncle Besso, Oscar Karlweis has a death scene that is one of the best and most moving of its kind. When originally released in 1952, Anything Can Happen was heralded with a coming-attractions trailer hosted by Edmund Gwenn, which was every bit as enjoyable as the film itself. ~ Hal Erickson, All Movie Guide

Rhubarb is an amusing, if not entirely faithful, adaptation of the H. Allen Smith novel of the same name. When Thaddeus J. Banner (Gene Lockhart), multimillionaire owner of the Brooklyn baseball team, passes away, he wills the team -- and his $30 million estate -- to his pugnacious pet cat Rhubarb. Banner's press agent Eric Yeagar (Ray Milland) finds this hilarious, until he discovers that he's been appointed Rhubarb's guardian and business manager. One of the crosses Yeagar has to bear is the fact that his sweetheart Polly Sickles (Jan Sterling), the daughter of Brooklyn team manager Len Sickles (William Frawley), is deathly allergic to cats. Still, Yeagar must keep Rhubarb with him at all times, especially when the cat turns out to be a good-luck charm for the perennially basement-dwelling Brooklyn ballplayers. Thanks to Rhubarb's inspiration, the team makes it to the Pennant Race, whereupon the plot really thickens. The first two-thirds of Rhubarb adheres to the original Smith novel, culminating with a zany sanity hearing brought about by Banner's disgruntled relatives to prove that the cat is mentally unfit to control the old man's money. But the final reels abandon the novel in favor of a Guys and Dolls-inspired plot strand, wherein crooked gamblers kidnap the cat to prevent a Brooklyn pennant win. As a result, H. Allen Smith's satiric barbs are somewhat blunted in the final scenes -- which, however, is not to suggest that the film is any less funny than before. One of the better baseball comedies of the era, Rhubarb maintains its merriment right to the end, which is capped by a cameo appearance by a well-known actor who happened to be married to leading lady Jan Sterling. ~ Hal Erickson, All Movie Guide