Angus MacPhail Movies
From 1931's Ghost Train onward, Scottish screenwriter Angus MacPhail devoted most of his time to thrillers with a light touch. MacPhail's war-time efforts included a brace of Will Hay comedies and the somewhat more sober The Foreman Went to France (1942) and Went the Day Well? (1943). His later projects ranged from the British omnibus feature Dead of Night (1945) to the American Hitchcock production The Wrong Man (1957). Angus MacPhail also served as producer of 1933's Cuckoo in the Nest. ~ Hal Erickson, All Movie Guide
Director Alfred Hitchcock lets us know from the outset that The Wrong Man is a painfully true story and not one of his customary fabricated suspense yarns, through the simple expedient of walking before the camera and telling us as much (this introductory appearance replaced his planned cameo role as a nightclub patron). The real-life protagonist, musican Christopher Emmanuel Balestrero, is played by Henry Fonda. Happily married and gainfully employed at the Stork Club, Balestrero's life takes a disastrous turn when he goes to an insurance office, hoping to borrow on his wife's (Vera Miles) life insurance policy in order to pay her dental bills. One of the girls in the office spots Balestrero, identifying him as the man who robbed the office a day or so earlier. This, and a few scattered bits of circumstantial evidence, lead to Balestrero's arrest. Though he's absolutely innocent, he can offer no proof of his whereabouts the day of the crime. Lawyer Frank O'Connor (Anthony Quayle) does his best to help his client, but he's up against an indifferent judicial system that isn't set up to benefit the "little man". Meanwhile, Balestrero's wife becomes emotionally unhinged, leading to a complete nervous breakdown. As Balestrero prays in his cell, his image is juxtaposed onto the face of the actual criminal-who looks nothing like the accused man! Utilizing one of his favorite themes-the helplessness of the innocent individual when confronted by the faceless bureaucracy of the Law-Hitchcock weaves a nightmarish tale, all the more frightening because it really happened (the film's best moment: Fonda looking around the nearly empty courtroom during his arraignment, realizing that the rest of the world cares precisely nothing about his inner torment). Hitch enhances the film's versimilitude by shooting in the actual locations where the real story occured. His only concession to Hollywood formula was the half-hearted coda, assuring us that Mrs. Balestrero eventually recovered from her mental collapse (she sure doesn't look any too healthy the last time we see her!) Watch for uncredited appearances by Harry Dean Stanton, Bonnie Franklin, Tuesday Weld and Charles Aidman. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Vera Miles, (more)
The debate still rages as to whether Alfred Hitchcock's 1956 remake of The Man Who Knew Too Much is superior to his own original 1934 version. This two-hour remake (45 minutes longer than the first film) features more stars, a lusher budget, and the plaintive music of Bernard Herrmann (who appears on-camera, typecast as a symphony conductor). Though the locale of the opening scenes shifts from Switzerland to French Morocco in the newer version, the basic plot remains the same. American tourists James Stewart and Doris Day are witness to the street killing of a Frenchman (Daniel Gelin) they've recently befriended. Before breathing his last, the murder victim whispers a secret to Stewart (the Cinemascope lens turns this standard closeup into a truly grotesque vignette). Stewart knows that a political assassination will occur during a concert at London's Albert Hall, but is unable to tell the police: his son (a daughter in the original) has been kidnapped by foreign agents to insure Stewart's silence. The original script for Man Who Knew too Much was expanded and updated by John Michael Hayes and Angus McPhail. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Doris Day, (more)
- 1949
The British Train of Events explores the consequences of a railroad accident from four different viewpoints. Jack Warner plays the engine driver, whose daughter's boy friend is responsible for the crash. Peter Finch plays a homicidal actor whose "perfect murder" of his wife is thwarted by the wreck. Lonely orphan girl Joan Dowling is killed while trying to help her fellow passenger, duplicitous German POW Laurence Payne, escape. The fourth story is the humorous tale of a woman scorned (Valerie Hobson), who survives the crash with a renewed determination to get even with her composer-conductor lover (John Clements). ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Warner, Valerie Hobson, (more)
- 1949
Originally released in Great Britain as Whisky Galore!, Tight Little Island is a comedy predicated on the notion that all Scotsmen are lushes. The tiny Scots Island of Todday suffers from a wartime whisky shortage. Luck of luck, a ship full of the precious liquid is wrecked on a reef. The islanders conspire to smuggle the whisky off the ship right under the noses of the pesky British revenue officials. Numerous clever comic complications occur before the happy ending--which, we are told by the narrator, was not so happy once all the whisky was consumed. Tight Little Island is regarded by devotees of British comedy as the best and most representative offering from the short-lived Ealing Studios. ~ Hal Erickson, All Movie Guide
- Starring:
- Basil Radford, Joan Greenwood, (more)
- 1947
After the war, British films began avoiding the heiresses and lordships that had dominated the drama field and began pursuing "realism" -- which often was just as artificial as the earlier white-telephone pictures. John McCallum plays Tommy Swann, a product of the working class who tries to better himself by becoming a criminal. Escaping from prison, Swann hides out in the East London home of his former mistress Rose (Googie Withers), who has since married George Sandigate (Edward Chapman). The film is told from Swann's point-of-view, and a dismal view that is. Nor does Rose seem any happier with her drab lot in life. Swann's return does nothing but further their misery, tearing Rose' family apart and sending Swann back into the arms of the law. Considered a tension-laden slice of life in 1949, It Always Rains on Sunday seems a bit contrived today, though it does full justice to the Arthur La Bern novel on which it is based -- especially when the film leaves the environs of the house and zeroes in on its colorful roster of bit actors. ~ Hal Erickson, All Movie Guide
- Starring:
- Googie Withers, Edward Chapman, (more)
- 1947
Set in the early 20th century, The Loves of Joanna Godden stars Googie Withers in the title role. The heir to a prosperous farm in the Romney Marshes, the headstrong Joanna shocks and outrages her tradition-bound neighbors by running the farm herself, refusing to enter into an arranged marriage with neighboring farmer Arthur Alee (John McCallum). She also "defies nature" by performing then-revolutionary crossbreeding experiments with her stock. All this she does to provide a steady income for her beloved, convent-educated younger sister Ellen (Jean Kent). Joanna is therefore understandably put out when Ellen turns out to be an ungrateful strumpet, who herself sets her cap for the wealthy Alee. It is only through this plot twist, coupled with Joanna's own unhappy romantic affairs, that Joanna and Alee discover that they truly love each other after all. Based on a novel by Sheila Kaye-Smith, The Loves of Joanna Godden is decked out with an impressive musical score by Vaughan Williams. ~ Hal Erickson, All Movie Guide
- Starring:
- Googie Withers, Jean Kent, (more)
- 1947
The problem of "enemy" war brides was eloquently addressed in the British drama Frieda. In her English-language film debut, Mai Zetterling plays the title character, the German wife of RAF officer Robert (David Farrar). Though an avowed anti-Nazi, Frieda faces acrimony and prejudice when introduced to Robert's friends and family. The problem is exacerbated by the arrival of her brother Ricky (Albert Levien), ostensibly a conscript in the Polish army but actually an unregenerate disciple of Hitler. A satisfactory ending is reached only when everyone-Ricky included-learns to stop hating and to bury the past. Based on a play by Ronald Miller, Frieda was released in the US by Universal, shorn of but one minute of its original running time. ~ Hal Erickson, All Movie Guide
- Starring:
- Mai Zetterling, Gilbert Davis, (more)
- 1947
The Captive Heart is set in a German POW camp for British soldiers. Michael Redgrave plays a Czech patriot, who has assumed the identity of a deceased British officer to avoid being executed by the Nazis. When captured and placed in the camp, the British prisoners suspect the still-incognito Redgrave of being a spy. Only his conspicuous courage during an escape sequence vindicates the secretive Redgrave. The film's tinderbox tension is relieved with a joyous finale, which utilizes a fireworks display as adroitly as Hitchcock did in To Catch a Thief. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Redgrave, Rachel Kempson, (more)
- 1945
Considered the greatest horror anthology film, the classic British chiller Dead of Night features five stories of supernatural terror from four different directors, yet it ultimately feels like a unified whole. The framing device is simple but unsettling, as a group of strangers find themselves inexplicably gathered at an isolated country estate, uncertain why they have come. The topic of conversation soon turns to the world of dreams and nightmares, and each guest shares a frightening event from his/her own past. Many of these tales have become famous, including Basil Dearden's opening vignette about a ghostly driver with "room for one more" in the back of his hearse. Equally eerie are Robert Hamer's look at a haunted antique mirror that gradually begins to possess its owner's soul, and Alberto Cavalcanti's ghost story about a mysterious young girl during a Christmas party. Legendary Ealing comedy director Charles Crichton lightens the mood with an amusing interlude about the spirit of a deceased golfer haunting his former partner, leaving viewers vulnerable to Cavalcanti's superb and much-imitated closing segment, about a ventriloquist (Michael Redgrave) slowly driven mad when his dummy appears to come to life. Deservedly acclaimed and highly influential, Dead of Night's episodic structure inspired an entire genre of lesser imitators. ~ Judd Blaise, All Movie Guide
- Starring:
- Mervyn Johns, Michael Redgrave, (more)
As Alfred Hitchcock's classic psychothriller opens, the staff of a posh mental asylum eagerly awaits the arrival of the new director. When the man in question shows up, it turns out to be handsome psychiatrist John Ballantine (Gregory Peck). But something's wrong, here: Ballantine seems much too young for so important a position; his answers to the staff's questions are vague and detached; and he seems unusually distressed by the parallel marks, left by a fork, on a white tablecloth. Dr. Constance Peterson (Ingrid Bergman) comes to the conclusion that Ballantine is not the new director, but a profoundly disturbed amnesiac--and, possibly, the murderer of the real director. But is she correct in her inferences? Scriptwriters Angus MacPhail and Ben Hecht soon add to this the complication that Constance begins to fall in love with John. Director Hitchcock tapped surrealist artist Salvador Dali to design the visually arresting dream sequences in the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Ingrid Bergman, Gregory Peck, (more)
- 1944
Champagne Charlie is a luxuriously produced tale of the 19th Century British music halls. Tommy Trinder stars as 1860s singer George Leybourne, better known as "Champagne Charlie" thanks to his most popular song and his highrolling lifestyle. The dramatic tension of the film is stoked by Leybourne's rivalry with fellow entertainer The Great Vance, played by Stanley Holloway. Future British leading ladies Kay Kendall and Hazel Court can be spotted amongst the bit players in Champagne Charlie. PS: the 1989 2-part TV movie of the same name is not a remake. ~ Hal Erickson, All Movie Guide
- Starring:
- Tommy Trinder, Stanley Holloway, (more)
- 1944
The British Half-Way House is from the Thunder Rock and Outward Bound school of Divine Intervention films. A group of travellers, all of whom have reason to regret the actions of the past, take shelter from a storm in an old inn. There's something eerie about the place and its owner (Mervyn Johns)...something that indicates the guests aren't quite operating in their own time anymore. It develops that the inn really doesn't exist anymore; it had been destroyed by a bomb a year earlier. By staying in this half-way house, the guests all have a chance to rectify the errors that they've made in their own lives during the past year. Half-Way House was adapted from a play by Dennis Ogden. ~ Hal Erickson, All Movie Guide
- Starring:
- Françoise Rosay, Tom Walls, (more)
- 1944
A pair of furloughed British sailors and a Wren go for a visit to Stonehenge, get caught in a violent storm and end up in ancient Rome. This comedy chronicles their exploits that begin when they try to curry the emperor's favor by predicting the future. ~ Sandra Brennan, All Movie Guide
- 1943
This British docudrama was a joint production of Michael Balcon and Alberto Cavalcanti. Based on eyewitness testimony, Shrine of Victory reenacts the recent Nazi takeover of Greece. Heading the nonprofessional cast is Vrassida Capernaros as courageous Greek Petty Officer Leonides, who decides to take a stand when his land is overrun by Germans. After attempting to help several of his countrymen escape to unoccupied territory, Leonides joins the British Navy, training his fellow Greek expatriates in the intricacies of maritime warfare. The voiceover narration in Shrine of Victory was co-scripted by future Hitchcock collaborator Angus McPhail. ~ Hal Erickson, All Movie Guide
- 1943
Will Hay, he of the pince-nez, outraged sniff, and overall demeanor of dignified incompetence, stars in (and codirects) another of his popular British comedies. In My Learned Friend, Hay is a seedy lawyer, one of several people targeted for death by a vengeful escaped convict. As the criminal's victims pile up, Hay can't help but feel a bit insecure. When he ends up the only survivor on the list, Hay begins to really worry. A slapstick climax on the clock-face of Big Ben caps this rapid-fire comedy of murders. Released in 1943, My Learned Friend was Will Hay's final film; he died of a lingering illness in 1949. ~ Hal Erickson, All Movie Guide
- Starring:
- Will Hay, Claude Hulbert, (more)
- 1942
The phrase "Loose Lips Sink Ships" takes on a new and special meaning in the cautionary British war drama Next of Kin. In grade-school-primer fashion, the film shows how careless talk can have a devastating and tragic effect in times of war, sometimes boomeranging on the "talker" in the form of lost loved ones. Extra attention is paid the gossipy "Ma" Webster (Mary Clare), whose casual revelation of troop movements, culled from a recent visit by her son, has long-ranging, fatal consequences. American critics, unmoved by the melodramatic breast-beating of Next of Kin, suggested that the film might cause viewers to swear off moviemaking rather than talking. ~ Hal Erickson, All Movie Guide
- Starring:
- Basil Sydney, Frederick Leister, (more)
- 1942
Future action-film expert Basil Dearden cut his directorial teeth on The Goose Steps Out, a wartime espionage comedy. The star (and co-director) is Will Hay, a major British comedian of the era whose stock in trade was playing pompous, inefficient schoolmasters. This time Hay and his confederates cross the path of a gang of Nazi spies, operating covertly in London. Using his wits (such as they are), Hay collars the Nazis and preserves the Empire. The popularity of Will Hay did not extend to American audiences, who couldn't see anything funny in such a pathetic character, but The Goose Steps Out was a big moneyspinner in Britain. The film also served as the screen debut of 20-year-old Peter Ustinov. ~ Hal Erickson, All Movie Guide
- 1942
Having underestimated Hitler in the 1930s, British propaganda specialists spent the early war years insisting they were prepared for any international contingency. Big Blockade was a morale-boosting film produced in cooperation with the Ministry of Economic Welfare. In documentary fashion, the film underlines the importance of the economic blockade which Britain directed against Germany. An all-star cast (Michael Redgrave, Leslie Banks, John Mills, Robert Morley etc.) appears in brief sketches dramatizing the effect of the blockade and the reactions of the British public. While it received good reviews at the time, The Big Blockade quickly fell out of favor once it served its wartime purpose. ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Banks, Morland Graham, (more)
- 1942
Set near the beginning of WW II, this exciting war drama follows a courageous British factory foreman as he makes a dangerous foray into occupied France to recover three machine parts that will be vital to the Allies. He is accompanied by a pair of tough British soldiers and an American girl. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tommy Trinder, Constance Cummings, (more)
- 1942
Released in the US as Forty-Eight Hours, Went the Day Well? is a solidly constructed wartime melodrama. Actually, the film covers 72 hours in the life of the small British village of Bramley Green, which serves as the focal point for an attempted German invasion. Immediately upon parachuting in the community, vicious Nazi officer Ortier (Basil Sydney) makes contact with local Fifth Columnist Oliver Wileford (Leslie Banks), using the film's British title as their password. Fortunately, Democracy is preserved when postmistress-telephone operator Mrs. Collins (Muriel George), picking up on a simple clue inadvertently left behind by the well-disguised Germans, alerts her neighbors of impending danger. The British home guardsmen and German soldiers seen in the film were drawn from the ranks of of the real-life Gloucestershire Regiment, who volunteered their services for this patriotic morale-booster. The episode screenplay of Went the Day Well (based on Graham Greene story) was unified by the direct-to-camera narration of the town gravedigger, a device deftly borrowed from Our Town. ~ Hal Erickson, All Movie Guide
- Starring:
- Leslie Banks, Basil Sydney, (more)
- 1941
In this WW II comedy, a professor teaching a correspondence school gets in hot water when he entangles himself with the Nazis who are trying to prevent the signing of an important trade agreement between South American countries and England. When the professor learns that a Nazi agent has breached security and is posing as the economics expert responsible for lining out the international agreement, the good professor tries to find the real expert, who has been kidnapped and hidden. To find him, the prof must utilize numerous ridiculous disguises. ~ Sandra Brennan, All Movie Guide
- Starring:
- Will Hay, John Mills, (more)
- 1941
When the bagpipes play, death will follow in this spooky comedy set in a dank and creepy Scottish castle during WW II. It begins when a school teacher at a London boy's academy must evacuate his charges to the castle. There they hear the legend of the deadly pipes. Sure enough their mournful call is heard and one of the boys dies. They cry again and another dies. It is in when the pipes are blown a third time that the headmaster solves the mystery: it is not a phantom killing the lads, but a German sympathizer. ~ Sandra Brennan, All Movie Guide
- 1940
Let George Do It is one of the best and most successful of the George Formby vehicles. The toothy, guitar-strumming Formby plays a dimwitted entertainer who is mistaken for a notorious Nazi spy. The misunderstanding is played to the hilt, culminating with our hero battling the forces of the Axis on the fields of Norway. The film's highlight is a bakery routine which dates back to Charlie Chaplin's 1914 epic Dough and Dynamite. Let George Do It was distinguished by the leading-lady presence of Phyllis Calvert, just on the verge of bigger things. ~ Hal Erickson, All Movie Guide
- Starring:
- George Formby, Phyllis Calvert, (more)
- 1940
Director Walter Forde, a past master at blending mystery, melodrama and comedy (vide The Ghost Train and Bulldog Jack), is at his best with Saloon Bar. Most of the action takes place during one busy evening in an English pub, with a rich variety of believable comic characters weaving in and out of the scene. A murder is committed, and everyone falls under suspicion. Hero and heroine Gordon Harker and Elizabeth Allen solve the mystery with becoming modesty (compare this to the wisecracking protagonists in similar American films). Saloon Bar was based on a long-running stage play by Frank Harvey. ~ Hal Erickson, All Movie Guide
- Starring:
- Gordon Harker, Elizabeth Allan, (more)
- 1940
A delightful film that begs to be rediscovered, Return to Yesterday was adapted from Goodness, How Sad, a play by Robert Morley. Clive Brook is ideally cast as Robert Maine, a famous movie star who longs for the simpler days before he became the idol of millions-and before he was trapped into a loveless marriage with his present wife. Maine takes a sentimental journey to the provincial repertory theatre where he got his first break, only to discover that the little troupe is teetering on the edge of bankruptcy. Without revealing his true identity, he joins the actors and helps to get them over their financial hump. He also happens to fall in love with ingenue Carol Sande (Anna Lee, the wife of director Robert Stevenson), but realizes eventually that she will be better off without him. Dame May Whitty heads the hand-picked supporting cast as Mrs. Truscott, the troupe's garrulous character woman, who is wise enough not to say anything when she overhears Maine letting Carol down gently by replaying a scene from one of his earlier stage triumphs. Long ignored by movie historians, Return to Yesterday was given an honored spot in William K. Everson's affectionate volume Love in the Film (1979). ~ Hal Erickson, All Movie Guide
- Starring:
- Clive Brook, Anna Lee, (more)
