Alexander MacKendrick Movies

A domineering mother and her sheltered son fly face first into love, murder, and the meaning of family in this black comedy based on Arthur Kopit's Broadway play. Wealthy Madame Rosepettle (Rosalind Russell) and 25-year-old Jonathan (Robert Morse) arrive at the Port Royal Hotel on a tiny Caribbean island with the man of the family in tow, literally; he's been dead for many years and his stuffed corpse travels with them in a coffin. Madame is the kind of woman who keeps piranhas and Venus Flytrap plants as pets, and controls her son's life down to deciding what meal he'll have for breakfast, lunch, and dinner (a hamburger and a maraschino cherry). Jonathan is kept indoors at all times and isn't allowed to mix with the outside world, though the hotel "babysitter," Rosalie (Barbara Harris), slips in through the window and flirts with the easily rattled young man. Madame is being courted by drunken millionaire Commodore Roseabove (Hugh Griffith), and while she welcomes his advances, her attention is diverted by trying to make sure that her son stays "pure." Rosalie isn't one to be put off by the meddling matriarch, so she doubles her efforts to get at Jonathan, who wants Rosalie too but might be pushed over the edge by the attention. ~ Fred Beldin, All Movie Guide

Based on a novel by Richard Hughes, this drama takes an unusual look at both seafaring pirates and the true nature of children. The Thorntons, a British family living in Jamaica, decide to pull up stakes and sail back to England after Frederick Thornton (Nigel Davenport) and his wife (Isabel Dean) decide that life in the Caribbean is having a negative effect on her children's sense of order and discipline. While returning home, their ship is attacked by Capt. Chavez (Anthony Quinn), who along with his first mate Zac (James Coburn), begins to loot the ship for valuables. However, in the midst of the confusion of the pirate raid, the Thornton children scurry onto the pirate ship, and it's not until they've left the other ship behind that Chavez and Zac discover that they have new passengers. While most of the pirates are unenthusiastic about having a pack of kids on board, Chavez declares that they must be allowed to stay on board until they can be taken to a safe port. As they get to know each other, Chaven develops a soft spot for the children, especially ten-year-old Emily (Deborah Baxter), but in time, the kids' mischievous playfulness begins to transform itself into something more sinister. The supporting cast includes Dennis Price, Lila Kedrova, and Gert Frobe. ~ Mark Deming, All Movie Guide

Ernest Lehman drew upon his experiences as a Broadway press agent to write the devastating a clef short story "Tell Me About Tomorrow." This in turn was adapted by Lehman and Clifford Odets into the sharp-edged, penetrating feature film Sweet Smell of Success. Burt Lancaster stars as J. J. Hunsecker, a Walter Winchell-style columnist who wields his power like a club, steamrolling friends and enemies alike. Tony Curtis co-stars as Sidney Falco, a sycophantic press agent who'd sell his grandmother to get an item into Hunsecker's popular newspaper column. Hunsecker enlists Falco's aid in ruining the reputation of jazz guitarist Steve Dallas (Martin Milner), who has had the temerity to court Hunsecker's sister Susan (Susan Harrison). Falco contrives to plant marijuana on Dallas, then summons corrupt, sadistic NYPD officer Harry Kello (Emile Meyer), who owes Hunsecker several favors, to arrest the innocent singer. The real Walter Winchell, no longer as powerful as he'd been in the 1940s but still a man to be reckoned with, went after Ernest Lehman with both barrels upon the release of Sweet Smell of Success. Winchell was not so much offended by the unflattering portrait of himself as by the dredging up of an unpleasant domestic incident from his past. While Success was not a success at the box office, it is now regarded as a model of street-smart cinematic cynicism. The electric performances of the stars are matched by the taut direction of Alex MacKendrick, the driving jazz score of Elmer Bernstein, and the evocative nocturnal camerawork of James Wong Howe. ~ Hal Erickson, All Movie Guide

Originally released as High and Dry, The Maggie was one of the most endearing of the "regional" British comedies of the 1950s. Hollywood's Paul Douglas plays an American businessman whose brash, glad-handing techniques earn nothing but cold stares in a tiny Scottish village. Ever anxious to cut costs, Douglas arranges with a local "transport company" to move his luggage to a remote Scots island. That's how he gets mixed up with The Maggie, a ranshackle old shipping vessel captained by taciturn Alex Mackenzie. Our only cavil: The Maggie is slow going at times, cutting its humor potential in half. ~ Hal Erickson, All Movie Guide

Alec Guinness has one of his finest comic roles in this Ealing satirical comedy about a much patronized amateur scientist whose latest invention creates an uproar in the British textile industry. In the British manufacturing country of Northern England, factory owner Michael Corland (Michael Gough) is showing competitor Alan Bimley (Cecil Parker) around his plant, hoping to borrow some money and marry off his daughter Daphne (Joan Greenwood). They come upon a curious contraption that turns out to be an experiment by employee Sidney Stratton (Alec Guinness). Being a lower class worker, Sidney is summarily fired from his job. Sidney ends up working at Bimley's factory, where he is befriended by militant worker Bertha (Vida Hope). Daphne spots Sidney at the factory and he explains to her the results of his experiment -- a material that is indestructible and impervious to dirt. Bimley discovers this project and throws Sidney out. But Daphne, impressed by his experiments, funds Sidney, installing him in his own laboratory. After a few false starts, Sidney develops a pure white material that can't be dirtied or ruined. But it seems Sidney's invention is too brilliant and effective; if a material is marketed that will last forever, textile mills will go out of business and workers will lose their jobs. Suddenly, poor, luckless Sidney has both management and labor banding together to combat his new invention. ~ Paul Brenner, All Movie Guide

Originally released in Great Britain as Whisky Galore!, Tight Little Island is a comedy predicated on the notion that all Scotsmen are lushes. The tiny Scots Island of Todday suffers from a wartime whisky shortage. Luck of luck, a ship full of the precious liquid is wrecked on a reef. The islanders conspire to smuggle the whisky off the ship right under the noses of the pesky British revenue officials. Numerous clever comic complications occur before the happy ending--which, we are told by the narrator, was not so happy once all the whisky was consumed. Tight Little Island is regarded by devotees of British comedy as the best and most representative offering from the short-lived Ealing Studios. ~ Hal Erickson, All Movie Guide

This lush 18th century period romance, based on historical fact, was the first color film from Britain's famed Ealing Studios, but it proved to be such a box office disappointment that Ealing never attempted such a lavish costume drama again. Sophie Dorothea (Joan Greenwood) is a young woman forced into a loveless marriage with Prince George Louis of Hanover (Peter Bull). George Louis is later crowned King George I of England. Despairing of ever experiencing true love, the depressed queen finds life at court no solace. Sophie then falls for a dashing Swedish soldier of fortune, Count Konigsmark (Stewart Granger). The feeling is mutual, and an affair begins, the couple carefully plotting to flee England to begin a new life together. Disaster strikes when they are overheard by Countess Platen (Flora Robson), a jealous former lover of Konigsmark's who takes her information to the king. Adapted from the Helen Simpson novel, Saraband for Dead Lovers (1948) was an early film for writer Alexander Mackendrick, who would later direct the classic Sweet Smell of Success (1957). ~ Karl Williams, All Movie Guide