Ranald MacDougall Movies

Susan St. James stars as Timothea Lamb, an American language student in Rome who hires on as a tour guide. For some reason, Timothea cannot help but get involved in the problems of her customers, notably a handsome "stowaway" who turns out to be a fugitive from the law. Filmed on location and first broadcast by ABC on November 6, 1972, Magic Carpet was intended as the pilot film for a weekly TV series (either a half-hour sitcom or hour-long "dramedy"), with Susan St. James and costars Jim Backus and Nanette Fabray (the wife of producer-writer Ranald MacDougall) as regulars. Instead, the project failed to post a sale, and St. James went on to costar in McMillan and Wife. ~ Hal Erickson, Rovi

In this comedy western, a town rallies together to help a heart-broken blacksmith find new love after his mail-order-bride is a no show. They end up pairing him with a dance hall girl. The story is also called Cockeyed Cowboys of Calico County. ~ Sandra Brennan, Rovi

Originally telecast November 26, 1966, Fame is the Name of the Game was the first official entry in NBC-TV "Project 120" series of made-for-TV movies (after two false starts in 1964). Tony Franciosa plays a magazine writer investigating the suicide of a beautiful girl. He uses the girl's address book as a key to piecing together the mystery of her self-destruction--and in so doing discovers that she'd actually been murdered. Advertised as an "original" for television, Fame is the Name of the Game was actually a remake of the 1949 Alan Ladd melodrama Chicago Deadline, right down to the identity of the mystery killer. Jill St. John and Jack Klugman co-star, with Jack Weston, Robert Duvall, Nanette Fabray and Jay C. Flippen popping up in supporting roles. This film served as the pilot for the 1968-71 TV series Name of the Game, with cast members Tony Franciosa and Susan St. James retained for the series proper. ~ Hal Erickson, Rovi

Gina Lollobrigida plays a Lady of the Evening who is wooed by wealthy young Anthony Franciosa. She leaves him in the dark concerning her checkered past. Alas, Franciosa's father Ernest Borgnine knows everything about Lollobrigida, and breaks the bad news to his son. Aghast at first, Franciosa is willing to forgive Lollobrigida. But since the Production Code was still tenuously in effect, Lollobrigida can't possibly enjoy a happy ending, so she obligingly kills herself. Based on a novel by Tom T. Chamales, Go Naked in the World was written and directed by Ranald MacDougall, and did you know that MacDougall was the husband of Nanette Fabray? ~ Hal Erickson, Rovi

Pennsylvania miner Harry Belafonte emerges from a cave-in to discover the coal field, and indeed all of Pennsylvania, deserted. By the time he reaches the eerie empty streets of New York City (these scenes were filmed at daybreak, just before the Friday "rush hour"). Belafonte has pieced together the situation: a mysterious radioactive cloud has killed off everyone else on Earth. After an hour or so of singing to himself and conversing with department store mannequins, Belafonte discovers that another human being, beautiful Inger Stevens, has survived the cataclysm. Tentatively overcoming inbred racial considerations, Belafonte and Stevens make the best of their situation (he even throws her a birthday party). But when Survivor No. 3 Mel Ferrer shows up, all the old hostilities and suspicions that have plagued Mankind for centuries are brought to the fore. ~ Hal Erickson, Rovi

To fully enjoy the rugged outdoors adventure The Mountain, one must accept the notion that 55-year-old Spencer Tracy and 25-year-old Robert Wagner are brothers. Tracy plays veteran mountain guide Zachary Wheeler, who is coaxed out of retirement when a passenger plane crashes on high mountain. He decides it isn't worth risking his life to recover the bodies of the passengers, but hot-headed younger brother Chris (Robert Wagner), hoping to claim the victims' valuables, talks Zachary into accompanying him to the mountaintop. After their treacherous upward journey, the brothers discover that one of the passengers, a Hindu girl (Anna Kashfi), is still alive. Zachary wants to bring her back to safety, but the greedy Chris would rather abandon her and make off with the valuables. It is, inevitable, then, that not everyone involved is going to get off the mountain alive. A worthwhile character study enhanced by superb location photography, The Mountain is compromised by its overreliance on phony-looking studio "exteriors". ~ Hal Erickson, Rovi

Samuel and Bella Spewack's English adaptation of French playwright Albert Husson's morbidly humorous stage piece My Three Angels was brought to the screen as the heavily laundered but still wickedly funny We're No Angels. The scene is French Guiana, a few days before Christmas. Humphrey Bogart, Peter Ustinov and Aldo Ray play three Devil's Island "lifers" who escape from the infamous prison and hide out amongst the free colonists. In need of clothing and money, the trio makes plans to rob milliner Leo G. Carroll and his family. "We'll cut their throats for a Christmas present", Bogie, a convicted forger, remarks laconically. "That might spoil one's belief in Santa Claus" replies philosophical wife-murderer Ustinov. The three escapees are deflected from their larcenous intent when they grow fond of Carroll, his wife Joan Bennett and their daughter Gloria Talbott. Discovering that Carroll is on the verge of bankruptcy, the convicts offer their services as household help (the sight of Bogie in an apron is worth the admission price in itself). Complications ensue when Carroll's nasty, wealthy cousin Basil Rathbone comes calling to audit the store's books. Not wishing to see the family evicted, the convicts calmly discuss the possibilities of murdering the troublesome Rathbone. They are saved the trouble when Adolphe, the pet poisonous snake owned by Ray, slithers out of its box and accomplishes what the convicts had only contemplated. Adolphe also helps smooth the path of happiness for Carroll's daughter Gloria, who thinks she's in love with Rathbone's duplicitous nephew John Baer. From all reports, the set of We're No Angels was a happy one, a fact reflected in the warm, engaging performances of its stars. The film represented the final screen collaboration between star Humphrey Bogart and director Michael Curtiz. ~ Hal Erickson, Rovi

It doesn't take long for old-time-radio fans to figure out that The Naked Jungle is a film version of the classic Carl Stephenson nailbiter Leiningen Versus the Ants. Charlton Heston plays South American plantation owner Christopher Leiningen, who spends most of the film preparing for the hellish onslaught of deadly soldier ants. The original story concentrated solely on Leiningen; the film version hokes things up a bit by bestowing upon the hero a gorgeous mail-order bride, played by Eleanor Parker. No matter: the climactic insect invasion is well worth the wait, utilizing the Paramount Pictures optical-effects department to the nth degree. The Naked Jungle also offers excellent supporting work from Abraham Sofaer, Douglas Fowley, and William Conrad, who also acted in several of the radio adaptations of the Carl Stephenson yarn. ~ Hal Erickson, Rovi

I'll Never Forget You is an updated remake of 1933's Berkeley Square; both films used John L. Balderston's stage play as a launching pad. Tyrone Power stars as an American atomic scientist working in London. He lives in an ancestral home which dates back to the 18th century. Late one rainy evening, Power is struck down by lightning just as he enters his home. When he awakens, he finds himself transported back to the 1700s, in the person of his own ancestor. As he falls in love with his beautiful cousin Ann Blyth, Power tries to bring some 20th century technology to his "backward" forebears (this is a departure from the original Berkeley Square, in which the hero so loved the 18th century that he wanted to become part of it). Branded as a lunatic for his "hallucinations" of the future, Power is about to be carted off to Bedlam when he lapses again into unconsciousness. He awakens in his own time, to discover that his long-ago love Ann Blyth was so enamored of him that she died young, without ever marrying. At this point in the original play, the hero shuts himself off from the world, to await his ultimate reunion with his lost love in the afterlife. But I'll Never Forget You couldn't do that to virile matinee idol Tyrone Power, so the adaptors contrive to have him meet a woman who looks just like the girl he left behind 200 years ago. In the tradition of The Wizard of Oz, I'll Never Forget You opens in black and white, then switches to color when Power is sent back in time. ~ Hal Erickson, Rovi

Bright Leaf, a sprawling saga of the tobacco industry in North Carolina, began as a novel by Foster Fitzsimmons, a native Carolinian who for many years taught at the University of North Carolina-Chapel Hill's theatre department. The film version of Bright Leaf has been simplified and reshaped to serve as a traditional Gary Cooper vehicle. Cooper stars as tenant farmer Brant Royle, who after being driven from his home town by autocratic tobacco tycoon Major Singleton (Donald Crisp) returns in triumph with a revolutionary cigarette-making machine. Royle's streamlined techniques soon drive Singleton out of business. Margaret Singleton (Patricia Neal), Royle's old flame, agrees to marry him to save her father from ruin--whereupon the Major commits suicide. The vengeful Margaret then does everything she can to destroy Royle. The question remaining: can Brant Royle save himself and find ultimate happiness with his true love, Sonia Kovac (Lauren Bacall)? Also appearing in Bright Leaf are Jack Carson as Royle's flamboyant business partner Chris Malley and Jeff Corey as John Barton, the inventor of the "miracle" cigarette-making apparatus. ~ Hal Erickson, Rovi

Richard Todd plays an insufferable Scots soldier confined to a World War II military hospital. Ronald Reagan is an all-American patient who befriends the headstrong Scotsman, while Patricia Neal is the compassionate nurse. Gradually the patients grow begrudgingly fond of Todd, and when it is learned that he is suffering from a fatal illness, everyone involved tries to keep his true condition a secret from him. Todd inadvertently discovers the truth, and violently turns against his new buddies. But before the fade-out, friendship wins out over bitterness and self-pity. Filmed in England, Hasty Heart is based on the stage play by John Patrick. ~ Hal Erickson, Rovi

In this drama, a poor young boy must choose between his divorcing parents. With the help of a kind judge, he tries to get his parents back together. ~ Sandra Brennan, Rovi

We first meet Joan Crawford, star of the moody flashbackfest Possessed, wandering aimlessly through the city streets, moaning "David....David." She goes to pieces in public and is rushed to the mental ward, where a team of psychiatrists try to find out who she is and where she's been. Who she is is a practical nurse, hired by Raymond Massey to care for Massey's invalid wife. While going about her duties, Crawford renews her acquaintance with an old flame, architect Van Heflin. Though Heflin is indifferent, Crawford is still crazy for the man. She remains so even after marrying her employer Massey, whose wife has committed suicide. Any further details would give away the ending, but we can note that Van Heflin's character name is David. Best scene: Crawford, descending into schizophrenia, imagining that she's killed Massey's vitriolic daughter Geraldine Brooks. While the psycho-babble delivered in the asylum scenes is laughable, Possessed still holds up well as one of the best of Joan Crawford's Warner Bros. soap operas. This black-and-white film is also available in a colorized version, but don't blame us. ~ Hal Erickson, Rovi