Michael MacDonald Movies

Bruce Campbell starts in this cheeky show about Jack Stiles, a secret agent for the Jefferson administration. One part James West and one part Austin Powers, Jack is assigned to go to the East Indies to keep an eye on Napoleon's movements. Initially disappointed at the dullness of the job, Jack's interests peak when he meets his new partner, British agent Emilia Rothschild (Angela Dotchin). Between exchanging barbs, the two foil a dastardly plan by evil colonial governor Croque (Stuart Devenie). ~ Jonathan Crow, All Movie Guide

Canadian filmmaker David Cronenberg, who has long been fascinated by the ways new technology shapes and manipulates the human beings who believe they are its masters, is in familiar territory with eXistenZ, a futuristic thriller which combines elements of science fiction, horror and action-adventure. What is eXistenZ? According to the glossary Cronenberg put together for this film, it is a new organic game system that, when downloaded into humans, accesses their central nervous system, transporting them on a wild ride in and out of reality. What's more, it changes every time it is played, by adapting to the individual user -- you have to play the game to find out why you are playing the game. More than one person can plug into the same game and set out on a series of bizarre and surrealistic adventures together. The narrative takes place sometime in the near future, when game designers are worshipped as superstars and players can organically enter inside the games. Allegra Geller (Jennifer Jason Leigh), the goddess among computer game designers whose latest invention, 'eXistenZ,' taps deeply into its users' fears and desires by blurring the boundaries between reality and escapism, is subject to an assassination attempt and forced to flee. Her sole ally is Ted Pikul (Jude Law), a novice security guard sworn to protect her. Persuading Ted to play the game, Allegra draws them both into a phantasmagoric world where existence ends and eXistenZ begins. Jennifer Jason Leigh, who is supposedly something of a computer nerd in real life, is hip and sexily alluring as Allegra Geller. When she and Pikul make love and are transported to the bizarre setting of a trout farm which has been converted to an assembly line production plant for games, they delve deeper into the dangerously intriguing game. Soon the forces of Anti-eXistenZialism will close in on Pikul and Allegra. eXistenZ marks the first time since Videodrome that Cronenberg has written a completely original screenplay. eXistenZ was inspired by the tribulations of the fugitive writer Salman Rushdie, author of the Satanic Verses. After interviewing the author for a magazine article in 1995, Cronenberg was struck with the idea of an artist who suddenly finds himself on a hit list for religious or philosophical reasons and is forced to go into hiding. The idea of a game came later on, for which he created a new vocabulary. According to Cronenberg, eXistenZ thematically connects to Crash, Videodrome, Naked Lunch and even M. Butterfly in terms of exploring the extent to which we create our own levels of reality and the idea of a creative act being dangerous to the creator. This is the second film on which Alliance Atlantis has been associated with Cronenberg, after Crash, which won the Special Jury Prize at the 1996 International Cannes Film Festival. On the occasion of the presentation of eXistenZ, Cronenberg received a Silver Bear for his outstanding artistic achievements at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, All Movie Guide

Season three of Xena: Warrior Princess was the series' most eventful 22 episodes to date -- as well as the most mobile, with Xena (Lucy Lawless) and her friend and chronicler, Gabrielle (Renee O'Connor), traveling far and wide, from the British Isles to the far-off Orient. It is, in fact, during the ladies' odyssey to the land of "Chin" that the viewer learns more secrets of Xena's checkered past, including her "debt" to the philosopher Lao Ma -- and the birth of a son we never knew she had. In the season's lighter moments, teenaged warrior wannabe Tara (Shiri Appleby) tries to supplant Gabrielle as Xena's traveling companion. And everyone suffers from the comic intrusions of aspiring warrior Joxer (Ted Raimi), capricious Goddess of Love Aphrodite (Alexandra Tydings), and self-proclaimed King of Thieves Autolycus (Bruce Campbell). On the darker side, war god Ares (Kevin Smith) continues to be a thorn in Xena's side. Even more disturbing, Gabrielle is impregnated by the demonic god Dahuk, giving birth to a daughter ironically named Hope (Amy Morrison), who literally grows up before her eyes -- as the incarnation of pure evil. Hope ultimately kills Xena's son, Solan (David Taylor), briefly causing a bitter rift between the grieving mothers, and is herself killed -- twice. It is the second demise of Hope which also costs the life of Gabrielle, a tragedy on which Xena: Warrior Princess concludes its third season. ~ Hal Erickson, All Movie Guide

Season two of Xena: Warrior Princess is noteworthy for several reasons, though two of these stand out above all the rest. The first was the promotion to full "regular" status of the series' principal comedy-relief character, a bumbling wannabe warrior named Joxer (Ted Raimi), who had previously shown up in the first-season installment "Callisto." The second occurred during the two-part adventure "Destiny"/"The Quest," in which heroine Xena (Lucy Lawless) actually died and was brought back to life -- one of several termination-resurrection scenarios which would proliferate in the seasons to come. A potential series-threatening crisis occurred in October 1996, when star Lucy Lawless fell from a horse during a publicity stunt staged for The Tonight Show with Jay Leno. Suffering a broken pelvis, the actress was forced to sit out several weeks of shooting, necessitating the hastily written episodes "Intimate Stranger" and "Ten Little Warlords," in which Xena's mind and soul was briefly "possessed" by the body of her arch-enemy Callisto (Hudson Leick). Deftly balancing dead-serious episodes (especially those wherein the usually pacifistic Gabrielle [Renee O'Connor] would toy with the notion of learning how to kill her enemies) with delightful excursions into comedy and whimsy (notably "Here She Comes? Miss Amphipolis" and "A Comedy of Eros"), Xena: Warrior Princess wrapped up its second season with 22 highly-rated installments. ~ Hal Erickson, All Movie Guide

Created by John Schulian and Robert Tapert, the New Zealand-filmed Xena: Warrior Princess was a spin-off of the tongue-in-cheek "sword and sorcery" series Hercules: The Legendary Journeys. As introduced on Hercules, Xena (Lucy Lawless) was a fierce and formidable villainess, the leader of a vast army bent on destruction and devastation. There was some justification for this: As a child, Xena had witnessed the destruction of her home village and the brutal murder of her brother at the hands of a despotic warlord. At first forming her army to protect other peasants like herself, she became consumed with a lust for power and was soon conquering for the sake of being the conqueror. But through her association with the virtuous Hercules, Xena experienced an epiphany, casting off her former evil ways and devoting the rest of her life to making amends to her victims and protecting the innocent -- a task complicated by the many enemies she had made during her Warrior Princess years, who neither forgave nor forgot, and by the unsavory alliances she had forged during those same years. No sooner had Xena "seen the light" than she rescued the citizens of a village besieged by yet another evil warlord. Among those saved was young and beautiful Gabrielle (Renee O'Connor), an aspiring "bard" (writer and artist) who became Xena's constant companion, first because she idolized the former warrior princess and was eager to experience adventure first-hand, but ultimately because she was Xena's devoted friend and confidant.
In the course of the series' six seasons, Xena and Gabrielle journeyed through Greece, Italy, Scandanavia, Africa, India, and China, with side trips to the Underworld -- ruled by Xena's erstwhile crony Hades -- and to the future, in which the two heroines found themselves in reincarnated form. Predicated on the theory that anything is possible in a fantasy series, both Xena and Gabrielle were "killed" and "resurrected" on several occasions, and both bore children who grew up to become their nemeses: Xena's daughter Eve (Adrienne Wilkinson) reached adulthood as the much-feared warrior queen Livia, the lover of war god Ares (Kevin Smith), while Gabrielle's offspring Hope (Amy Morrison), whose father was "force of darkness" Dahak, would have to be killed at her mother's hand in order to save Mankind (Xena also had reason to despise Hope; it was she who killed Xena's long-estranged son, Solon). In one memorable instance, Xena briefly assumed the form of another woman -- a metamorphosis necessitated by a real-life accident which sidelined Lucy Lawless for several weeks. Lest this all sound a bit grim and morbid, it must be noted that the series, like its predecessor, Hercules, had a healthy, irreverent sense of humor, as encapsulated by the light-hearted "disclaimers" which appeared at the end of each episode. There was also time to spoof such modern-day phenomena as beauty contests, spaghetti Westerns, Danny Kaye films, theme parks, pro wrestling, Broadway musicals, and even such TV shows as You Are There and Buffy the Vampire Slayer. There was also a cheerily contemptuous disregard for the time line of "real" history, with Xena and Gabrielle crossing the paths of Julius Caesar, Ulysses, Genghis Khan, Cleopatra, David and Goliath, Brunnhilde, and many other past "celebrities," both genuine and imaginary. Generally, the series' jocular treatment of Myth, Mysticism, Religion, and Reality was accepted in the spirit in which it was intended; but on one occasion, an angry protest from a Hindu extremist group obliged the producers to remove the fourth season episode "The Way" from the series' rerun package.
Of Xena's many recurring characters, the best known and most often seen included Xena and Gabrielle's clumsy, wannabe warrior friend Joxer (Ted Raimi); Xena's mortal enemy, the blonde female warrior Callisto (Hudson Leick); troublesome traveling salesman Salmoneus (Robert Trebor); self-proclaimed king of thieves Autolycus (Bruce Campbell); Amazon princess Ephiny (Danielle Cormack), who enabled Gabrielle to join her all-female tribe; teenaged Amazon Amarice (Jennifer Sky), who became to Gabrielle what Gabrielle was to Xena; healer and shaman Eli (Timothy Omundson), Gabrielle's spiritual mentor; and an impressive array of "immortals," including the aforementioned Ares and Hades, goddess of love Aphrodite (Alexandra Tydings), sea deity Poseidon (Charles Siebert, who also directed several episodes), and the puckish Cupid (Karl Urban, who also played Julius Caesar). And, of course, the star of Hercules: The Legendary Journeys, Kevin Sorbo, made a few courtesy calls on Xena. Syndicated in the U.S. beginning September 15, 1995, Xena: Warrior Princess was subsequently telecast in practically every English-speaking country in the world, then went on to virtually every other country where television existed. ~ Hal Erickson, All Movie Guide

Three divorced fathers, played by Paul Reiser, Matthew Modine, and Randy Quaid, experience the joys and hardships of their former marriages, their relationships with their kids, and getting back into the dating scene in this whimsical comedy. Dave (Modine) is diligently playing the field, while Vic (Quaid) is enraged over his ex-wife's spending problem and Donny (Reiser) is struggling with the love he still feels for his ex and his own feelings of rejection. However, what develops over the weekend changes each man's life forever. Vic goes on a nightmare date with a neurotic woman (Janeane Garofalo), Dave loses control of his female interests when they all show up at the house simultaneously, and Donny finds himself literally out on a limb in order to communicate with his teenage daughter. Though it deals with serious subject matter, Bye Bye Love is a lighthearted look at modern American divorce and the often humorous ways in which people adjust to a new life. ~ Don Kaye, All Movie Guide

The Crush is a psychological thriller wherein a young man is the object of the obsession of a mentally unbalanced young girl. Journalist Nick Elliot (Cary Elwes) rents the guest house of a wealthy couple. The family's 14-year-old daughter Darien (Alicia Silverstone) flirts with him, and when her advances are not reciprocated she becomes increasingly obsessed with him resorting at last to violence and murder. Alicia Silverstone is beautiful and surprisingly good as the obsessed girl. Cary Elwes is also good in conveying his attraction and restraint in his dealings with so young and troubled a girl. However, the premise of the man being trapped by the aggressive, vengeful female is somewhat outdated and cliched. The Crush which should concentrate on the motivations of the girl, instead focuses on her increasingly violent acts, which include the vandalism of Nick's car and the attempted murder of his girlfriend. None of the characters are very real, and the plot is contrived, depending on illogical coincidence and implausible behavior by the principal characters. The Crush, an exploitive, cliched melodrama masquerading as a thriller, fails to either surprise or thrill. ~ Linda Rasmussen, All Movie Guide

In this socially conscious drama with romantic overtones, Iris (Jane Fonda) is a working mother with a job at a large commercial bakery who is still getting over the death of her husband, though her circumstances don't give her much time to grieve. She's sharing her house with her two children, Kelly (Martha Plimpton) and Richard (Harley Cross), her unemployed sister Sharon (Swoosie Kurtz), and her thuggish brother-in-law. The tensions at home become even greater when teenage Kelly announces that she's pregnant. One of the few bright spots in her life is her blossoming friendship with Stanley (Robert DeNiro), a nice guy who works in the bakery's cafeteria. However, Iris starts noticing a few odd things about Stanley and it slowly dawns on her that he can't read. When the boss figures this out, Stanley loses his job -- an especially troubling development, as Stanley has just had to put his father in a retirement home. Homeless and out of work, Stanley turns to Iris with a special request -- he'd like her to teach him how to read. ~ Mark Deming, All Movie Guide

Fisher Stevens reprises his role of Ben Jahrvi, the co-inventor of the cute robot Number Five, in this sequel to Short Circuit. Since the last film, Ben has moved to the city, where he lives in a truck and sells toy Number Fives as a street vendor. Ben plies his trade until one day luck strikes in the form of Sandy (Cynthia Gibb), a toy buyer in dire straits who offers Ben $50,000 if he can quickly churn out a thousand toy robots. Offering to help the naive Ben is street con man Fred (Michael McKean), who becomes Ben's partner and finances the burgeoning enterprise through a loan shark. Ben and Fred begin to manufacture the toys in a warehouse; unfortunately, they soon find the building also houses the entrance of a tunnel dug by thieves, preparing to rob the bank across the street. With things appearing their bleakest, a crate arrives from Montana. Inside is the new and improved Number Five, who now insists on being called Johnny Five. Johnny Five has even learned to talk in a litany of phrases gleaned from television shows, and now helps Ben get started in the toy business. In the process, Ben and Johnny Five contend with the temptations and corrupt business practices of a big city environment. ~ Paul Brenner, All Movie Guide

The "magic" in One Magic Christmas is often (and surprisingly) of the "black" variety. Like Jimmy Stewart before her, worn-out wife and mother Mary Steenburgen wishes that she'd never been born. And like Stewart, Steenburgen is visited by a guardian angel, in this case the western-garbed Harry Dean Stanton. Instead of granting Steenburgen's wish, Stanton shows her what life would be like without Christmas--and that vision is as grim as anything you're ever likely to see in any Holiday film. Throughout the horrendous tragedies heaped upon Steenburgen, we are comforted in the knowledge that Stanton is working in concert with Steenburgen's young daughter. Steenburgen learns her lesson of course, but what a ride! ~ Hal Erickson, All Movie Guide