Simon MacCorkindale Movies

This exciting drama centers on the efforts of a UN wildlife observer and his family as they work with park rangers on an African animal preserve to prevent poachers from slaughtering elephants. ~ Sandra Brennan, All Movie Guide

Nikita (Peta Wilson) is suspicious of Section One's motives when she is assigned to romance celebrated charity fundraiser Alec Chandler (Simon MacCorkindale); after all, if Alec is only a "money launderer" as her superiors claim, why go to the trouble of putting him under surveillance? Things become more problematic when Nikita, convinced of Alec's charitable selflessness, falls in love with him. But Alec's generosity may be merely a front for a particularly nasty criminal operation. ~ Hal Erickson, All Movie Guide

Based on Alicia Scott's best-selling novel, this made-for-television romance centers on the passionate love affair that gradually develops between a brilliant scientist/widower and the down-to-earth woman he hires to care for his children. ~ Sandra Brennan, All Movie Guide

Based on the novel by Marion Meade, this costume drama retelling of the doomed 12th century romance of Abelard and Heloise was directed by Clive Donner. Abelard (Derek de Lint) is a philosophy professor at the cathedral school of Notre Dame. Considered the greatest teacher in Paris at a time when professors of philosophy are required to be chaste, Abelard is a champion of reason and a man of the people. Despite what it could mean to his career and standing, however, Abelard falls in love with a student, Heloise (Kim Thomson), an upper class teenage girl raised in a convent and possessing an insatiably curious intellect, along with a rebellious attitude toward the second-class status of women in her society. When word of the relationship begins to filter out, Heloise's ambitious uncle Fulbert (Denholm Elliott), who had hoped to marry her off to a wealthy gentlemen, schemes to end the romance, as does the bishop of Paris (Bernard Hepton). ~ Karl Williams, All Movie Guide

"Her fantasy is to possess him. But now, it had become an obsession." The ad copy for the TV movie Obsessive Love said it all. Yvette Mimieux stars as the "number one fan" of soap-opera actor Simon McCorkindale. Not content with an autographed 8X10 glossy, Mimieux plots and plans to seduce McCorkindale and ruin his marriage to Constance McCashin. It could be worse: Yvette Mimieux could have been Kathy Bates. The best scenes go to Lainie Kazan as the Agnes Nixon-ish soap opera creator. Co-produced and co-written by Ms. Mimieux, Obsessive Love made its TV debut on October 2, 1984 ~ Hal Erickson, All Movie Guide

An ocean-themed Florida amusement park comes under attack from an angry Great White shark in this third installment of the horror series. The film maintains only a loose relationship to the original Steven Spielberg hit, centering on Mike (Dennis Quaid) and Sean (John Putch), the sons of police chief Martin Brody (originally played by Roy Scheider). Mike works at Sea World, where a baby Great White shark has accidentially been let into the park. Soon, the baby's vicious and extremely powerful mother comes in search of her child. The film focuses most of its attention on the series of tense shark attacks that follow, as tourists run for their lives while the park workers struggle to destroy the sharp-toothed beast. The suspense sequences were made somewhat more memorable during the film's original release with 3-D photography, an attribute lost on video, thereby removing the most distinctive element of an otherwise run-of-the-mill sequel. ~ Judd Blaise, All Movie Guide

In this average, made for pay-TV adventure yarn loosely based on Arthur Conan Doyle's Challenger's Gold, the archaeologist Dr. Christopher Falcon (John Marley) is called away from a dig in an Arab country to assess a startling find in Mexico, with the usual dangerous results. When he arrives, he immediately sees that among the uncovered items is a fertility goddess that was once part of a group of precious objects missing since a devastating, 17th-century earthquake. Determined to find the rest of the treasure -- also vaunted as having supernatural powers -- he sets out on an expedition funded by Murdoch (George Touliatos) a suspicious-looking, but super-rich business tycoon. Along for the ride are Falcon's daughter Tracey (Louise Vallance), a spirited British journalist (Simon MacCorkindale), and their guide, the attractive B.G. Alvarez (Blanca Guerra). Following in quick succession like the old-fashioned serials in the Saturday matinees are moments of betrayal, disaster, sudden change, and various sexual encounters. ~ Eleanor Mannikka, All Movie Guide

Known to superstitious actors the world over as "The Scottish Play," MacBeth is widely considered one of Shakespeare's masterpieces. This particular rendition of the tale of a power-hungry Scottish general and his loyal, cold-hearted wife differs from others in that the actors eschew the traditional affected accents of Shakespearean performers. ~ Perry Seibert, All Movie Guide

In Visitor From the Grave, an American heiress (Katherine Leigh Scott) casts her seductive spell upon a Britisher (Simon McCorkindale). Together, the two kill off a troublesome third party. Trouble is, the dead man doesn't want to join the Choir Invisible until he's gotten even on Earth. Why do we have this sense of deja vu? ~ Hal Erickson, All Movie Guide

Future Falcon Crest costar Simon MacCorkindale appears in this episode as Gaylord Duke, London-born cousin of Hazzard County's Luke and Bo Duke (Tom Wopat, John Schneider). Arriving in America to claim some land he has inherited, Gaylord finds himself opposed by Boss Hogg (Sorrell Booke), who intends to auction off the land in order to collect back taxes. Unexpected complications ensue when Daisy (Catherine Bach) falls in love with the dashing Gaylord. Ernie W. Brown appears in this episode as temporary mechanic L.B. Davenport, cousin of the still-absent Cooter (series regular Ben Jones was boycotting the show, refusing to shave his beard as ordered by the producers). ~ Hal Erickson, All Movie Guide

The Quatermass Conclusion is comprised of highlights from the 1979 British TV serial of the same name. Like the earlier Quatermass projects of the 1950s and 1960s, the guiding force behind Conclusion was prolific screenwriter Nigel Kneale, though the series (and the film) hardly represent his best work. This time John Mills is Prof. Bernard Quatermass, once more trying to convince the authorities that malevolent extraterrestrials do indeed exist. Quatermass' quandary is the sudden disappearance of several London youths. He deduces that the missing persons are the victims of a "death ray," wielded by hostile space aliens. Though movie special effects had made great strides by 1979, Quatermass Conclusion looks cheaper and less convincing than the classic Quatermass films (The Creeping Unknown, Enemy From Space, Five Million Miles To Earth) which preceded it in the 1950s and 1960s. ~ Hal Erickson, All Movie Guide

Because director Franco Zeffirelli noted publicly that he intended to depict Jesus Christ as a human being rather than a religious icon, his expensive made-for-TV miniseries Jesus of Nazareth fell victim to protestors long before its April 3, 1977, debut. Despite the pullout of several sponsors, Jesus of Nazareth was aired as scheduled, sweeping the ratings in the process. In avoiding the usual overproduced Hollywood approach to the Gospels, Zeffirelli offers one of the most sensitive and reverent portrayals of Jesus ever seen on film. In the title role, Robert Powell heads a huge international cast, which includes Olivia Hussey as Mary, Peter Ustinov as Herod the Great, Christopher Plummer as Herod Antipas, Michael York as John the Baptist, James Farentino as Simon Peter, Donald Pleasence as Melchior, James Earl Jones as Balthazar, Ian McShane as Judas, Anne Bancroft as Mary Magdalene, Rod Steiger as Pontius Pilate, James Mason as Joseph of Arimathea, Anthony Quinn as Caiaphas, Laurence Olivier as Nicodemus, Ernest Borgnine as the Centurion, and Claudia Cardinale as the Adulteress. Filmed in England, Tunisia, and Morocco, Jesus of Nazareth was scripted by Zeffirelli, Anthony Burgess, and Suso Cecchi D'Amico. It originally aired in two three-hour segments, telecast Palm and Easter Sunday of 1977 as part of NBC's Big Event anthology. ~ Hal Erickson, All Movie Guide