James Lyons Movies

The underground art of renegade performance artist, photographer, and filmmaker Jack Smith is explored through the images he created and the words of those who knew him best in filmmaker Mary Jordan's tribute to the man believed to have inspired some of Andy Warhol's most iconic works. A virulent utopian and anti-capitalist whose works spanned from the 1960s to the late-1980s, Smith gained notoriety early on in his career when he went battled the Supreme Court over the banning of his controversial work "Flaming Creatures." An enigmatic artist whose work remains on the fringes of the mainstream despite the praise of curators from the Whitney to the Louvre, the effects of Smith's powerful influence are explored in interviews with those who both loved and hated Smith. ~ Jason Buchanan, All Movie Guide

For his feature debut, writer/director Christopher Herrmann chose a subject near and dear to his heart. Herrmann had been the biographer and a close friend of renowned choreographer Martha Graham before the dance legend passed away in 1991 at the age of 96. With Ghostlight, Herrmann pays tribute to Graham by recreating the events that preceded Phaedra. Graham is portrayed by drag queen Richard Move (who also co-wrote the script), and Ann Magnuson plays Barbara Rosen, a filmmaker who is permitted to document the process of bringing Phaedra to the stage. Deborah Harry and Mark Morris appear as themselves in cameo roles. Ghostlight screened at the 2003 Tribeca Film Festival. ~ Matthew Tobey, All Movie Guide

Maverick director Todd Haynes embraces the look and feel of classic Hollywood melodramas of the 1950s in this period drama. Cathy Whitaker (Julianne Moore) and her husband, Frank (Dennis Quaid), are a seemingly perfect couple; living in a handsome suburban neighborhood in Hartford, CT, in 1957, Cathy and Frank have a beautiful home and two happy, healthy children, while Frank pursues a successful career in sales and Cathy cares for the home. But Cathy has begun to sense something isn't quite right in her marriage, as Frank begins working late, spending less time with her, and seems cold and distant. One day, Cathy visits Frank's work and discovers something she never expected -- her husband is kissing a man. At Cathy's urging, Frank undergoes psychotherapy, but as she tries to keep up a brave face, the emotional trauma takes a great toll on her, and she finds there are very few people she can talk with. Cathy strikes up a friendship with Raymond Deagan (Dennis Haysbert), an African-American gardener who works for the Whitakers, and as she discovers how intelligent and compassionate Raymond is, she finds herself drawn to him. However, Hartford is in many ways still a small town, and when Mona (Celia Weston) sees Cathy and Raymond alone together, it sets off a wave of vicious gossip that threatens to make the Whitakers' many secrets public knowledge. Far from Heaven premiered at the 2002 Venice Film Festival, where Julianne Moore's performance won the prize for Best Actress. ~ Mark Deming, All Movie Guide

A dark comedy punctuated by moments of drama, The Virgin Suicides explores the emotional underpinnings of a family starting to come apart at the seams in 1970's Midwestern America. The Lisbons seem like an ordinary enough family; Father (James Woods) teaches math at a high school in Michigan, Mother (Kathleen Turner) has a strong religious faith, and they have five teenage daughters, ranging from 13-year-old Cecilia (Hannah Hall) to 17-year-old Therese (Leslie Hayman). However, the Lisbon family's sense of normalcy is shattered when Cecilia falls into a deep depression and attempts suicide. The family is shaken and Mother and Father seek the advice of psychiatrist Dr. Hornicker (Danny DeVito), who suggests the girls should be allowed to socialize more with boys. However, boys soon become a serious problem for Cecilia's sister Lux (Kirsten Dunst). Lux has attracted the eye of a high-school Romeo named Trip (Josh Hartnett), who assures Father of his good intentions. But Cecilia finally makes good on her decision to kill herself, throwing the Lisbons into a panic; and after attending a school dance, Trip seduces and then abandons Lux. The Lisbons pull their daughters out of school, as an emotionally frayed Mother keeps close watch over them. Meanwhile, Lux continues to attract the attentions of the local boys, and she responds with a series of clandestine sexual episodes with random partners as often as she can sneak out of the house. The debut feature from Sofia Coppola (whose father, Francis Ford Coppola, co-produced this film), The Virgin Suicides also features supporting performances from Scott Glenn and Giovanni Ribisi. The film was shown as part of the Directors Fortnight series as the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

At the 1998 Cannes Film Festival, American independent director Todd Haynes (Safe) received the "Artistic Achievement" award for this re-creation of the UK glam rock scene of the early '70s. Glam rock star Brian Slade (Jonathan Rhys Meyers), who does a character named Maxwell Demon, predicts his own death onstage. As per his prediction, this happens, but when the killing is exposed as a hoax, it marks the end of Slade's stardom. A decade later, in 1984, Brit reporter and former Slade fan Arthur Stuart (Christian Bale), who witnesses the hoax murder, gets the assignment to do a "Whatever Happened To..?" article, and the film's plot suddenly goes into a prismatic Citizen Kane mode, reflecting various angles on Slade's life and career. Arthur visits the wheelchair-bound Cecil (Michael Feast), who discovered Slade, and then tracks Slade through his early life and his initial encounter with outrageous, maniacal American singer Curt Wild (Ewan McGregor). Slade's rise begins as manager Jerry Divine (Brit comedian Eddie Izzard) moves in to take over the performer's career. Ex-wife Mandy Slade (Toni Collette), interviewed by Arthur in a dimly lit nightclub, has memories going back to their initial 1969 Sombrero Club encounter. Their marriage paralleled his Bowie-like ascent to fame as an innovative, bisexual rock star pushing the limits. Idolized by teens, Slade teamed up for a while with the drug-addicted Wild. Eventually, the marriage of Mandy and Slade comes to an end, and she hasn't seen him in seven years when she's interviewed by Arthur. The soundtrack features vintage music by Bryan Ferry, Lou Reed and Brian Eno, plus new tunes. Some background on the making of Velvet Goldmine is documented in producer Christine Vachon's book Shooting to Kill: How an Independent Producer Blasts Through the Barriers to Make Movies That Matter (Avon, 1998) by Vachon with Slate film critic David Edelstein. ~ Bhob Stewart, All Movie Guide

Jesse Peretz made his directorial debut with this intimate romantic drama adapted from a short story by Ian McEwan, switching McEwan's setting from an industrial English seaside town to the Louisiana bayou. Joey (Giovanni Ribisi) and Sissel (Natasha Gregson Wagner) live in a drab house on stilts, along with Sissel's lonely younger brother Adrian (Eli Marienthal). After Sissel introduces Joey to her father, Vietnam-vet Henry (Robert John Burke), the two men form a business catching eels. However, mistrust, anxieties, and arguments threaten the love Joey and Sissel share, and they begin to drift apart. Shown at the 1997 Toronto Film Festival. ~ Bhob Stewart, All Movie Guide

The true story of Valerie Solanas, the radical feminist who became notorious after shooting art world icon Andy Warhol, is portrayed in this fact-based drama. In an attempt to present a fair assessment of her actions, writer-director Mary Harron focuses on Solanas' troubled life, from her childhood as an abuse victim to her life as teenage prostitute in New York City. These experiences left Solanas (played by Lili Taylor) deeply scarred, contributing to a hatred of men that later found full flower in her famous "SCUM Manifesto," an extremist tract calling for the establishment of a "Society for Cutting Up Men." Deeply troubled, she nevertheless briefly finds hope after befriending young transvestite Candy Darling (played by Stephen Dorff) and discovering herself on the fringes of the wild, colorful world surrounding the eccentric Warhol. She becomes obsessed with the idea that Warhol's support could change her life, only to become violently enraged when the artist and his friends begin to turn away from her. ~ Judd Blaise, All Movie Guide

A man pursues his sexual obsessions to their darkest and most dangerous extremes in this gay-themed drama based on a novel by Dennis Cooper. Dennis (Michael Gunther) is a gay man, who as a teenager developed a perverse attraction to violent pornography and simulated snuff photographs, which he describes in great detail in a series of letters to his former lover Julian (Jaie Laplante). As Dennis grows older, his fascination with the darker side of the sexual underground grows more intense, and in time he meets Henry (Craig Chester), a masochist who posed for some of the pictures that sparked his interest in S&M. When Dennis learns that Henry was murdered, he weaves the incident into an elaborate fantasy, in which Dennis suffers a painful death in a dungeon of erotic torture. In time, Dennis graduates from violent fantasies to sadistic interludes with a male prostitute (Michael Stock) and eventually plans a series of sexually-oriented murders, concluding with an episode in which Dennis and two collaborators (Parker Posey and James Lyons) drug a young punk (Alexis Arquette) into unconsciousness. After having group sex, Dennis and his cohorts murder the punk. As one might expect, Frisk proved to be highly controversial and received a sharply divided reaction in its screening as the closing night attraction at the 1996 San Francisco International Lesbian and Gay Film Festival; some hailed it as a disturbing and iconoclastic masterpiece, while roughly half the audience angrily stormed out of the theater before the film's conclusion. ~ Mark Deming, All Movie Guide

This film has become infamous thanks to the efforts of the Rev. Donald Wildmon, who publicly questioned the fact that NEA dollars were spent on this "filth." While Wildmon's point was certainly overstated, this debut feature from Todd Haynes is quite disturbing. The Poison in question is sex, and its toxic effects are explored in three segments which have been shuffled together like a deck of cards. "Hero" is a pseudo-documentary about a seven-year-old boy who shoots his father and then ascends into the sky. "Horror" is a mad-scientist story filmed like a Roger Corman "B"-movie. The scientist in question has managed to distill the essence of the human sex drive into a test tube. When he inadvertently drinks it, he turns into a leprous monster, terrorizing the city. "Homo" is a gay love story set in a prison. All three segments are based on the writings of Jean Genet. ~ John Voorhees, All Movie Guide