Adelle Lutz Movies

In a role originally intended for Meg Ryan, Patricia Arquette plays Dr. Laura Bowman in director John Boorman's film of an American abroad in a strange country. It's 1988 and Laura is desperate to flee the United States and the memory of her husband and son's murders. Accompanied by her sister, Andy (Frances McDormand), she heads for Burma just as the peaceful protests against the country's military government take a more violent turn. Andy and the rest of their party flee in a hurry, but Laura is forced to stay behind when she loses her passport. A former professor (Aung Ko) offers her guidance to the border of Thailand, where they both hope to make their escape. Boorman's scenes of action and violence are well-staged, but Arquette is not big enough to carry the film and her plight seems inconsequential next to that of the Burmese as the military begins its ruthless crackdown. ~ Don Kaye, Rovi

Wim Wenders's sprawling cyberpunk noir epic -- shot in no less than nine different countries -- is set in 1999 and stars Solveig Dommartin as Claire, a young Frenchwoman who comes into contact with a large sum of money stolen during a bank heist; in her travels she picks up a mysterious American hitchhiker (William Hurt), who himself steals some of the money before parting from her company. Upon discovering the theft, Claire sets out on his trail, with both a Hammett-styled German private eye (Rudiger Vogler) as well as her former lover, a novelist portrayed by Sam Neill, in tow. The hitchhiker is really Sam Farber, the son of an underground scientist (Max Von Sydow), and his mission is to travel the globe in order to acquire the funding necessary to develop the technology which will allow his blind mother (Jeanne Moreau) to "see" visual recordings of her family members; the second half of the film takes place largely in the Farbers' compound in the Australian Outback, where Sam, Claire and the others take refuge while attempting to bring the sight project to its fruition, in the meantime pondering earth's future in the wake of a nuclear disaster in outer space. Wenders' most ambitious film, budgeted at $23 million, Until the End Of the World ran into serious issues given its whopping length. The original cut ran 20 hours. Realizing that this would make theatrical screenings impossible, Wenders heavily edited the picture and wound up with a 5-hour cut with which he is reportedly satisfied (known as the 'Director's Cut'). Warners wouldn't go for this either, however, and whittled it down to 2 1/2. That version - which premiered theatrically in the U.S. on Christmas Day 1991- makes little sense ,with a disjointed narrative that doesn't shift gears so much as grind them as the action moves from country to country. Unsurprisingly, it confounded critics and lay viewers and infuriated its director, who all but disowned it. (Echoes of Once Upon a Time in America!) As with the Leone film, though, the Director's Cut of World did evetually see the light of day. It's now widely available in a multi-disc collector's set throughout Europe, and the public response to that version has been far more favorable. ~ Jason Ankeny, Rovi

Jeff Daniels stars in this tedious situation comedy concerning the middle-aged terror of illness and mortality. Scripted by Joe Eszterhas, Daniels plays Southern Californian Ray Macklin, who thinks he will live forever but realizes the fallacy of his idea when his best friend drops dead in front of him after issuing the set-up to the old joke, "Why don't Italians like barbecues?" (Which begs the question, "Why can't Joe Eszterhas write funny scripts?" The answer: "He did. Showgirls.") Anyway, after that shock trauma, Macklin becomes convinced that he is set to suffer the same fate and, as a result, becomes a raving hypochondriac. As Macklin continually clutches his chest and checks his heart monitor, he sinks himself deeper and deeper into the mindset that he is doomed, even though his tests turn out fine. All of this comes to a head in a bizarre dream sequence in which Macklin imagines Heaven as a Hawaiian resort populated by extras from a Federico Fellini picture. At that point, he wills himself to return to consciousness after surgery to remove his appendix. ~ Paul Brenner, Rovi

A wildly inventive and entertaining comic nightmare from former Roger Corman prodigy Jonathan Demme (The Silence of the Lambs), this screwball odyssey is a ride to remember. Jeff Daniels plays clean-cut New York bond trader Charlie Driggs, who accepts a ride home from a strange but attractive lower-class woman named Lulu (Melanie Griffith). The sexy Louise Brooks lookalike doesn't take him home, but shanghais him for a bizarre roadtrip to Virginia that includes kinky bondage sex, destruction of property, and robbery. Things get stranger when Lulu tells Charlie that her real name is Audrey and takes him home to meet her mother, asking him to pose as her husband. The charade continues until her high-school reunion, where the roadtrip (and the entire film) takes a sharp U-turn into psycho-thriller territory. Audrey's dangerously psychotic ex-con husband, Ray Sinclair (Ray Liotta), shows up. What had been a liberating fling for Charlie turns into a bloody and vicious battle for survival. ~ Robert Firsching, Rovi

This sci-fi comedy from Desperately Seeking Susan (1985) director Susan Seidelman stars John Malkovich along with several other actors from his Steppenwolf Theatre troupe in Chicago. Malkovich stars as Dr. Jeff Peters, a scientist for the Chemtech Corporation who has invented an affable robotic clone of himself named Ulysses (also played by Malkovich). Unfortunately, Jeff is long on brains but short on personality or warmth, leaving his double an empty vessel, emotionally speaking. Believing that if Ulysses only had a bit more spark he could be utilized as a publicity gimmick and fundraising tool, Chemtech sends public relations executive Frankie Stone (Ann Magnuson) to train him in the ways of the heart and human interaction. What Frankie ends up with, however, is her own personal version of the perfect mate. ~ Karl Williams, Rovi

Director David Byrne (of Talking Heads) takes an outside-looking-in glance at Texas and Texans in True Stories. Casting himself as the protagonist/narrator, Byrne adopts what he thinks is "standard" western garb and drives his red convertible into the small town of Virgil. Here he observes the town's preparations for celebrating Texas' sesquicentennial, taking time out to introduce us to several of the local oddballs. Swoosie Kurtz plays Miss Rollings, the Laziest Woman in the World; Alix Elias is The Cute Woman, who decorates her home in the most hideously "sweet" manner imaginable; John Goodman is talent-contest entrant Louis Fyne, who harbors dreams of being a C&W star; Spalding Gray is Earl Culver, a vegetable-obsessed civic leader; Jo Harvey Allen is The Lying Woman; and so it goes. The script by Southerners Byrne, Beth Henley and Steven Tobolowksy strives to avoid subtlety. ~ Hal Erickson, Rovi