John Lurie Movies
Actor/composer John Lurie began his career studying the alto saxophone, then moved to New York with his brother, pianist Evan Lurie; they formed the Lounge Lizards, a freeform jazz combo that went on to gain some distinction. Beginning in 1977 he directed and appeared in his own Super-8 films, and also acted in many New York-made Super-8 films by other filmmakers. In 1980 he began scoring numerous films, most importantly Jim Jarmusch's first feature-length film, Permanent Vacation (1982), in which he also appeared. This began a significant association with Jarmusch; Lurie co-starred in Jarmusch's breakthrough film Stranger Than Paradise (1984), provided the music, and has acted in and/or scored other of Jarmusch's films as well. His work with Jarmusch brought him to the attention of other directors, and he has appeared in a handful of movies while maintaining his work as a screen composer. ~ All Movie Guide
Although Jim Jarmusch made his directorial debut with Permanent Vacation (1982), Stranger than Paradise (1984) marked his breakthrough as a major American filmmaker. One of the most deadpan comedies ever committed to film, Stranger than Paradise suggests a Buster Keaton film written by Samuel Beckett and Jack Kerouac and directed by Andy Warhol. Willie (John Lurie) is a small-time gambler whose distant cousin Eva (Eszter Balint) is moving to America from Eastern Europe and informs him that she'll need to stay with him for ten days. Willie isn't happy to have Eva around, but after Willie introduces her to the joys of American cigarettes and TV dinners ("You got your meat, you got your potatoes, you got your vegetables, you got your dessert and you don't have to wash the dishes -- this is how we eat in America!"), Eva steals a frozen meal and a pack of smokes from the corner store, and Willie is both surprised and impressed. His buddy Eddie (Richard Edson) happens by, and they hang out with Eva just long enough to develop a fondness for her before she moves on to Ohio, where she'll live with her Aunt Lottie (Cecillia Stark). Months later, Willie and Eddie score $600 in a poker game and decide to visit Eva in Ohio. However, it's the dead of winter, and they have nothing to do except look at the frozen surface of the lake. The three eventually head down to the tacky paradise of Miami, where Willie and Eddie try their luck with the ponies and Eva decides what to do next. Stranger than Paradise is a film that defines the notion, "It's not what you say, but how you say it." Shot in long, static takes, its style is minimalism itself, but the post-beatnik cool of John Lurie, Richard Edson and Eszter Balint somehow betrays the fact that they care about each other, and a loopy charm and subtle but potent humor seeps through the film's stark black-and-white images. Stranger than Paradise began as a short subject which was made possible by German director Wim Wenders, who gave Jarmusch a supply of film stock left over from one of his projects, and it went on to become one of the most influential movies of the 1980s, casting a wide shadow over the new generation of independent American filmmakers to come. ~ Mark Deming, All Movie Guide
- Starring:
- John Lurie, Eszter Balint, (more)
Christine (Sandy McLeod) is a ticket-taker at a Manhattan porn cinema. Her ability to separate reel life from real life is seriously impaired in this slow, often silent, and ultimately enigmatic study of a lonely young woman who first despises the porn and then becomes fascinated with it and the clients who attend the shows. Her inclinations become more active than passive after she decides to follow an elegantly turned-out "businessman" from the theater into an adult video shop, where they begin talking and he invites her to a Yankee game (that dates this movie!). Once at the game, the man leaves for a moment, and Christine follows him again, this time to some sort of strange rendezvous. At this point, it is difficult for both Christine and the viewers to distinguish reality from fantasy, leaving everyone in limbo. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Sandy McLeod, Will Patton, (more)
Travis (Harry Dean Stanton) is wandering through the Texas desert, a bit shaky and in desperate need of water, when he stumbles into a bar and collapses. A German doctor of dubious credentials finds a phone number in Travis' wallet, which belongs to his brother, Walt (Dean Stockwell). Walt is shocked to hear about his brother's condition, since no one in the family has seen or heard from Travis in four years; Walt flies to Texas to bring him home, only to find Travis wandering by the side of the road, and they begin the long drive back to Los Angeles, where Walt lives with his wife, Anne (Aurore Clement), and Hunter (Hunter Carson), Travis' seven-year-old son. At first, Travis refuses to speak and is oddly distant, but in time he begins to talk again, and when he arrives in California, he begins the painful process of reacquainting himself with his son and trying to reconcile with his wife, Jane (Nastassia Kinski). ~ Mark Deming, All Movie Guide
- Starring:
- Harry Dean Stanton, Nastassja Kinski, (more)
The period biker flick The Loveless marks the feature debut of both actor Willem Dafoe and writer/director Kathryn Bigelow (Strange Days). Bigelow co-wrote and co-directed the film with Monty Montgomery, who would go on to produce Wild at Heart and The Portrait of a Lady. Dafoe plays Vance, a stoic, leather-clad biker who rides into a small Southern town and to wait for some other bikers. Their plan is to travel on to Daytona for some racing, but they have to stick around the little truck stop town for a while to get one of their bikes repaired. Vance flirts a bit with Augusta (Liz Gans), a widowed waitress. She's the only local who's friendly to him and his gang. Contemplating living in such a depressed, isolated place, Vance tells her, "I think your husband had the right idea." While the bikes are worked on, Vance and the gang, including the abrasive Davis (rockabilly musician Robert Gordon, who also composed the film's soundtrack) and his girlfriend, Debbie (Tina Lhotsky), spend the day in town, to the chagrin of the conservative residents. Vance hooks up with Telena (Marin Kanter), the rebellious teenage daughter of a rich redneck. Their little tryst creates even more tension, and the day ends with violence. ~ Josh Ralske, All Movie Guide
- Starring:
- Willem Dafoe, Robert Gordon, (more)
- 1981
This detective drama was shot on location in New York City and chronicles the bloody wake of terror left by a murderous street saxophone player who hides out on the subway. The bizarre string of murders is investigated by a hard-bitten detective. Along the way he meets assorted New Wave scumbags. The mood of the film is heightened by an avant garde musical score. ~ Sandra Brennan, All Movie Guide
- Starring:
- Robbie Coltrane, John Lurie, (more)
- 1980
Hailed as a "punk melodrama," this feature started out as a serial and was originally shown at the popular New York City punk club Max's Kansas City. The homemade saga begins when Young Turks abduct performer Adele Bertei and her dad. ~ Sandra Brennan, All Movie Guide
- 1980
Jim Jarmusch made his directorial debut with this episodic profile of one troubled hipster trying to make sense of his life. Aloysius Parker (Christopher Parker), known to his friends as "Allie," is a young man with a damaged family background (his mother is in a mental institution and his father has gone missing) and an inability to sleep, causing him to dream while he's awake. After a troubling encounter with his girlfriend (Leila Gastil) and a frustrating visit with his mother, Allie drifts through a strangely under-populated New York City, crossing paths with a sharp-suited street musicians (John Lurie), a middle-aged jazz fan (Frankie Faison), a disturbed Latin woman (Maria Duval) and a popcorn girl at a movie theater (Lisa Rosen) who's fascinated with Eskimos. A chance encounter with a woman with a vintage Ford Mustang gives Allie the opportunity to escape the chaos around him. While Permanent Vacation made the rounds of European film festivals after its completion in 1980, it was all but ignored in the United States, and it wasn't until Jarmusch released Stranger Than Paradise in 1984 that his star began to rise on the independent film scene. ~ Mark Deming, All Movie Guide
- Starring:
- Leila Gastil, Maria Duval, (more)
