Roy Butler Movies

A good man tries to warn his daughter away from a bad man who has stolen her heart in this melodrama. Steve Latimer (William Powell) is a successful defense attorney who has gone out of his way to give his daughter Jean (Elizabeth Taylor) every advantage in life. However, Steve's generosity and open minded attitude begin to backfire on him when Jean decides to throw off her boyfriend, the solid and sensible Vance Court (Gig Young), in favor of Victor Ramondi (Fernando Lamas), a handsome but dangerous man with criminal connections whom Steve is representing. Steve tries to warn Jean away from Victor, but she remains undeterred, and accepts his proposal of marriage, even as the authorities tighten their grip on Victor and his crime syndicate. The Girl Who Had Everything was a remake of the 1931 Norma Shearer vehicle A Free Soul. ~ Mark Deming, All Movie Guide

Carrie is based on Sister Carrie, a novel by Theodore Dreiser. Dreiser's clumsy, unwieldy prose is streamlined into a neat and precise screenplay by Ruth and Augustus Goetz. Jennifer Jones stars as Carrie, who leaves her go-nowhere small town for the wicked metropolis of Chicago. Here she becomes the mistress of brash traveling salesman Charles Drouet (Eddie Albert), then throws him over in favor of erudite restaurant manager George Hurstwood (Laurence Olivier). Obsessed by Carrie, George steals money from his boss to support her in the manner to which he thinks she is accustomed. Left broke and disgraced by the ensuing scandal, Carrie deserts George to become an actress. Years later, the conscience-stricken Carrie tries to regenerate George, who has fallen into bum-hood. If Laurence Olivier seems a surprising casting choice in Carrie, try to imagine what the film would have been like had Cary Grant, Paramount's first choice, accepted the role. ~ Hal Erickson, All Movie Guide

Not so much produced as stitched together, The Black Lash was ostensibly a sequel, with plenty of stock footage, to Frontier Revenge (1948). Duce Rago (Ray Bennett), whom Marshal (Al "Lash" LaRue) had shipped off to prison in the earlier adventure, is back but his stagecoach and train robberies leave a bit to be desired due to the stupidity of the hired help. Lawyer Bill Leonard (Byron Keith) suggests that they get some "heavy artillery," meaning good ol' Lash, who apparently was so disgusted with Rago only receiving a slap on the wrist for his previous crimes that he abandoned law enforcement for good. Naturally, our black-clad hero is working undercover with Cattlemen's Association agent Lem Woodruff (Kermit Maynard) and this time he manages to send Duce up the river for more than six months. Bennett, Sarah Padden, and Jim Bannon all repeated their roles from the earlier film; actually, the latter was apparently unavailable and a double was rather noticeably employed in all the new footage. Leading lady Peggy Stewart was also back, but her character had changed from an undercover agent in Frontier Revenge to a villainess in the return engagement. (Both Stewart and Ray Bennett visibly age from one scene to another.) Walter Greene's intrusive score is kept at a high pitch throughout even though not much is happening onscreen and the film's running time is stretched to an interminable length with seemingly endless chases on horseback, a sure sign of economy in scripting and execution. The fact that producers Ron Ormond and June Carr (Mrs. Ormond) stretched the Lash LaRue series well beyond the saturation point can only be explained by the popularity of LaRue's sidekick, Al St. John, whose Fuzzy Q. Jones character proved a perennial favorite with the small fry. ~ Hans J. Wollstein, All Movie Guide

The creative team of producer Harry Joe Brown and star Randolph Scott turned out some of the best westerns of the 1950s, and Santa Fe is no exception. Set in the years following the Civil War, the film casts Scott as Britt Canfield, one of four ex-Confederate brothers who head West to carve out a new life. While his three siblings (Jerome Courtland, Peter Thompson and John Archer) cast their lot on the wrong side of the law, Britt accepts a job with the Santa Fe Railroad. Inevitably, Britt is obliged to bring his wayward brothers to justice, though he knows full well that the person responsible for their downfall is "untouchable" gambling boss Cole Sanders (Roy Roberts). In a well-staged climax, Britt squares accounts with the evil Sanders and his hulking henchman Crake (Jock O'Mahoney). Curiously, many TV prints of Santa Fe were processed with the soundtrack slightly out of sync with the action. ~ Hal Erickson, All Movie Guide

Lippert's Fingerprints Don't Lie stars Richard Travis as fingerprint expert James Stover. At the moment, Stover is attempting to solve the murder of a small-town mayor. When the most likely suspect has been collared, Stover determines that the fingerprints found at the scene of the crime have been forged. Thus it is that the actual murderer is still around and about. In fact, he's much closer to Our Hero than anyone might have suspected. Fingerprints Don't Lie co-stars Sheila Ryan (in one of her last film appearances before becoming Mrs. Pat Buttram) and Lippert's resident utility player Sid Melton. ~ Hal Erickson, All Movie Guide

The old "Cain and Abel" plot device is redefined within Western terms in MGM's Vengeance Valley. Burt Lancaster stars as ranch-hand Owen Daybright, who has been raised as a son by rancher Arch Stroble (Ray Collins). Stroble's natural son Lee (Robert Walker) has always been envious of Owen, who in turn has spent most of his life pulling Lee out of trouble and keeping the boy's misdeeds a secret from the elder Stroble. When Lee fathers an illegitimate child, he tries to shift the responsibility on Owen, leading to a life-threatening confrontation with the vengeance-seeking brothers of the baby's mother (Sally Forrest). There's plenty more plot twists before virtue finally triumphs. Joanne Dru co-stars as Lee's long-suffering wife Jen, who harbors a secret yen for Owen. Since lapsing into public domain, Vengeance Valley has shown up with increasing frequency on cable television; it has also been made available in a narrated version for the visually impaired. ~ Hal Erickson, All Movie Guide

Fast on the Draw was one of six Lippert Studios "Four Star" westerns, all of which were filmed simultaneously in the space of a single month. Jimmy Ellison plays Shamrock, a Colorado Ranger who suffers from a fear of firearms. Despite this handicap, Shamrock is assigned to pose as a gunman, the better to get the goods on a crooked land baron. As in the early "Four Star" outings, Ellison's co-stars are Russ Hayden, Raymond Hatton, Fuzzy Knight and Betty (later Julie) Adams. Cast as the outlaw leader is Tom Tyler, whose performance is hampered somewhat by encroaching arthritis. ~ Hal Erickson, All Movie Guide

Columbia's final release for 1950 was the Gene Autry western Indian Territory. Set during the Reconstruction Era, the story finds Autry working as an undercover agent for the U.S. cavalry. His mission: to neutralize a former Austrian army officer named Curt Raidler (Phil Van Zandt), who is leading a group of renegade Indians on a series of destructive raids. A subplot concerns the friendly rivalry between Autry and Union lieutenant Randolph Mason (played by Kirby Grant, later famous as TV's Sky King). Like most of Gene Autry's films from this era, Indian Territory co-stars Pat Buttram and Gail "Annie Oakley" Davis. ~ Hal Erickson, All Movie Guide

Summer Stock represented Judy Garland's swan song at MGM. Garland plays the owner of a New England farm which entrepreneur Gene Kelly hopes to convert into a summer theatre. Gloria DeHaven, a member of Kelly's troupe, also happens to be Garland's sister. Aware that the farm is having financial difficulties, DeHaven talks the recalcitrant Garland into allowing the troupe to set up shop in the barn. All sorts of romances wind their way through the summer air as Kelly mounts his production. In the long-anticipated finale, Garland herself steps into the leading-lady slot vacated by her petulant sister DeHaven, and of course the show is a smasheroo. To watch Garland joyfully perform such numbers as "Friendly Star," "If You Feel Like Singing, Sing," and her legendary "drag" specialty "Get Happy," you'd never suspect that she was on the verge of a nervous breakdown (the film opened while Garland was recovering from a suicide attempt). Adding to the overall exuberance of Summer Stock are such dependable supporting players as Eddie Bracken, Phil Silvers, Marjorie Main and Hans Conried (cast as the troupe's resident romantic baritone!) ~ Hal Erickson, All Movie Guide

Based on a novel by Charles Huckelmann, Deputy Marshal was a "special" by the standards of cost-conscious Screen Guild productions. The film stars Jon Hall and Frances Langford, who were Mr. and Mrs. at the time. Hall plays the title character, aka Ed Garry, while Langford essays the role of Janet Masters, a Wyoming ranchowner threatened by land thieves. While Garry does the dirty work so far as keeping the villains at bay, Janet gets to sing a couple of pleasant songs. Deputy Marshal was promoted on its novelty value; the film was photographed by Carl Berger with the Garutso Balanced Lens, a deep-focus apparatus that simulated a 3-D effect. ~ Hal Erickson, All Movie Guide

It took a lot of courage to set up a new production company devoted to "B" westerns in 1949, a year when the genre was showing signs of winding down. Filmed in Trucolor, Stallion Canyon was the maiden effort from Kanab Productions, a Utah-based organization. Former Sons of the Pioneers vocalist Ken Curtis made his starring debut in this one, playing a ranch foreman who does his best to track down a rogue stallion. The rest of the cast is comprised of unknowns, save for villains Ted Adams and Forrest Taylor. Cheaply produced, Stallion Canyon has the twin advantages of a relatively new leading man and excellent location photography. ~ Hal Erickson, All Movie Guide

Feudin', Fussin' and A-Fightin' starts off on a tense note as a struggling man is led through the streets of a western town, presumably headed for his own execution. Within a few minutes, however, we discover that the "victim" is a reluctant trainee for an upcoming foot-race between the feuding towns of Rim Rock and Big Bend. With an appalling lack of local talent in Rim Rock, it looks as though Big Bend is once again going to win the annual event. Into this melancholy situation walks travelling salesman Wilbur McMurtry (Donald O'Connor). When he proves to be very light on his feet, Wilbur is kidnapped by the townsfolk and ordered to run on behalf of Rim Rock -- with the understanding that if he loses, he really loses. Musical highlights include Donald O'Connor's duet with Penny Edwards (a western ingenue who seldom got a chance to demonstrate her dancing skills), a vocal contribution by the Sportsman Quartet of Jack Benny Show fame, and the byplay between Rimrock mayor Maribel Mathews and stableman Billy Caswell, played by Ma and Pa Kettle co-stars Marjorie Main and Percy Kilbride. ~ Hal Erickson, All Movie Guide

Quick-draw legend Bat Masterson is summoned to Kansas to end a small-town feud between local farmers and criminal ranch owners in this western starring Randolph Scott. ~ Kristie Hassen, All Movie Guide