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Eugene Butler Movies

1987  
 
The last of the four Perry Mason movies telecast in 1987, The Case of the Scandalous Scoundrel rounds up veterans Raymond Burr (as Mason) and Barbara Hale (as Della Street), with comparative newcomers William Katt (as Paul Drake Jr.) and David Ogden Stiers (as the "Hamilton Burger"-style prosecutor). The accused murderer in this outing is Susan Wilder, a reporter for a sleazy tabloid. The victim is the rag's hateful publisher, Robert Guillaume. Other suspects include Guillaume's ex-lover, and a banker who was ruined by the tabloid's half truths. Unlike most of the Perry Mason TV movies of the 1980s, The Case of the Scandalous Scoundrel doesn't play fair with the audience; vital clues and character motivations are withheld from the viewer, robbing us of the pleasure of trying to second-guess the methodical Mr. Mason. ~ Hal Erickson, Rovi

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1987  
R  
Add Beverly Hills Cop II to QueueAdd Beverly Hills Cop II to top of Queue 
Detroit cop Axel Foley (Eddie Murphy) has seemingly smoothed out his differences with his Beverly Hills superior Bogomil (Ronny Cox), but there's trouble ahead for both men, not to mention two other holdovers from the first Cop film, officers Rosewood (Judge Reinhold) and Taggart (John Ashton). The "untouchable" heavy this time out is masterminding a series of violent robberies, committed by leather-freak hoods Dean Stockwell and Brigitte Nielsen. Unaccumstomed to this nastiness, Bogomil entreats street-smart Foley to help find the miscreants. But mean-spirited chief of police Lutz (Allen Garfield) will brook no interference from outsiders-especially the profanely insouciant Mr. Foley. ~ Hal Erickson, Rovi

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Starring:
Eddie MurphyJudge Reinhold, (more)
 
1984  
 
Convicted murderer Dr. Jeffrey MacDonald had hoped that, by telling his side of the story to investigative journalist Joe McGinniss, the authorities would be persuaded of MacDonald's innocence. Instead, McGinniss ended up unswerving in his belief of MacDonald's guilt, and the result was the devastating best-seller Fatal Vision. In this two-part TV adaptation of McGinniss' book, Gary Cole plays MacDonald, a former Green Beret officer, while Frank Dent essays the role of McGinniss. MacDonald's wife and two children are brutally murdered in their Fort Bragg, North Carolina home on February 17, 1970. The prime suspect, MacDonald insists that the killings were committed by a gang of stoned-out hippies, a story that at first is accepted in toto by the doctor's father-in-law Freddy Kassab (Karl Malden). But after MacDonald is officially exonerated, Kassab notices several holes in his son-in-law's story, and becomes convinced that MacDonald was in fact the murderer. Through Kassab's persistence, as well as the uncovering of new forensic evidence, MacDonald is ultimately convicted for all three murders in 1979. Since the TV premiere of Fatal Vision on November 18 and 19, 1984, there has been a growing movement by MacDonald's sympathizers to discredit McGinniss' book and to retry the case--a movement that has been hampered time and again by MacDonald's own erratic behavior. ~ Hal Erickson, Rovi

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Starring:
Karl MaldenEva Marie Saint, (more)
 
1982  
PG  
Neil Simon based his screenplay for I Ought to Be in Pictures on one of his more serious theatrical pieces. Walter Matthau is top-billed as Herbert Tucker, a struggling screenwriter who suddenly finds his 19-year-old daughter, Libby(Dinah Manoff), on his Hollywood doorstep. Having deserted his family years earlier, Herbert isn't keen on having his daughter around to cramp his lifestyle, which at this point consists of drinking his meals and telling lies to his faithful girlfriend, Stephanie (Ann-Margret). Libby takes it upon herself to put Herbert's life in order. There are plenty of angry outbursts and recriminations between father and daughter before the tearful, upbeat conclusion. Incidentally, Dinah Manoff is the daughter of actress Lee Grant, who'd previously co-starred with Walter Matthau in Neil Simon's Plaza Suite -- which, like I Ought to be in Pictures, was directed by Herbert Ross. ~ Hal Erickson, Rovi

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Starring:
Walter MatthauAnn-Margret, (more)
 
1979  
PG  
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To say that Chuck Norris is the star of Force of One may smack of redundancy. Norris is cast as Vietnam vet Matt Logan, assigned to instruct a big-city narcotics squad in the intricacies of martial arts. His star pupil turns out to be Detective Mandy Rust (Jennifer O'Neill). Initially disinterested in law enforcement, Logan is galvanized into action when his adopted son is killed by the villains. Force of One was designed as a follow-up of (though not a sequel to) the money-spinning Norris vehicle Good Guys Wear Black. ~ Hal Erickson, Rovi

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Starring:
Jennifer O'NeillChuck Norris, (more)
 
1978  
PG  
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Paul Aaron directed this early exploration of homosexuality, starring Meg Foster and Perry King. King plays Albert, an illegal alien dumped by his filthy-rich boyfriend, who makes a home for himself as a squatter in an empty mansion. Foster plays Stella, a lesbian real estate agent who comes upon Albert as she is showing the house to a prospective buyer. Taking a shine to Albert, Stella takes him home to stay with her until he gets back on his feet. Hanging out with Stella, one thing leads to another, and soon they end up in the master bedroom, making mad, passionate love to each other, and they both discover that heterosexuality is not as bad as they thought. So much so, in fact, that Stella and Albert agree to marry, and they become a nice, cute middle-class couple. But then, as the two love birds settle into married life, Albert's ex suddenly returns to reek havoc upon their staid existence ~ Paul Brenner, Rovi

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Starring:
Perry KingMeg Foster, (more)
 
1977  
 
Answering a call to a burglary in progress, rookie cop James Wells (Mark Lambert) shoots an kills an intruder. Performing an autopsy on the dead man, Quincy (Jack Klugman) discovers that the evidence doesn't match the young cop's story, but he refuses to issue an official statement--leading a muckraking TV journalist (David Spielberg) to conclude that there's a coverup going on to hide a possible case of police brutality. Actually, Quincy is merely playing for time to find out why the rookie is lying, and to determine what really happened. ~ Hal Erickson, Rovi

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