Joseph Losey Movies
Wisconsinite Joseph Losey entered the entertainment industry through the patron's entrance, writing book and theatre reviews in the early 1930s. Attaining work as a stage director, Losey prepared many of the early live presentations at the Radio City Music Hall, participated in theatrical tours of Scandanavia and Russia, and made his Broadway debut in 1936 with the first of the agit-prop Living Newspaper productions. His earliest movie work was as director of documentaries for the Rockefeller Foundation; he moved on to industrial shorts, a marionette film for the Petroleum Industry's exhibit at the 1939 New York World's Fair, and a staff director post on MGM's Crime Does Not Pay short-subject series. After radio work and World War II service, Losey directed the celebrated 1947 Hollywood stage production of Bertold Brecht's Galileo, starring Charles Laughton. This led to Losey's first feature-film directing assignment, RKO's The Boy with Green Hair (1949), a sentimental drama with pacifistic overtones. Losey's favorite of his Hollywood films was The Prowler (1951), which contained the quintessential Joseph Losey "hero": a man who knows he is orchestrating his own downfall, but can't stop himself. While in Italy filming Stranger on the Prowl (1951), Losey declined a summons to testify before the House Un-American Activities Committee. Blacklisted as a result, Losey relocated in England, where his film career at long last shifted into high gear. With The Servant (1963), Losey directed from a Harold Pinter script for the first time, and thereafter his cinematic style changed radically; where once he had concentrated on fast action and clear-cut storytelling, his films became studied, ponderous, and sometimes downright dull. A muddled attempt to capture the "mod" audience, 1967's Modesty Blaise, only emphasized how out of sync Losey's work had become in this period. He regained his momentum with 1971's The Go-Between (another Pinter project), which, like The Servant, won several international awards. Moving from England to France in the mid 1970s, Losey returned briefly to the theatre, staging an elaborate production of Boris Godunov in 1980. While most of Losey's last film projects were shot in France, he went back to England for his final project, Steaming (1985); he died in London in 1984, with his fourth wife at his side. ~ Hal Erickson, All Movie Guide- 1985
- R
This is a story of a group of women overcoming several obstacles by helping each other out, even if that means just listening. Seven different women whose backgrounds are filled in by flashbacks and narration are together in a steambath on ladies' day. Violet (Diana Dors) is the maternal manager of the steambath, and one of the issues to be resolved is how to save the bath from being shut down by the authorities. Nancy (Vanessa Redgrave) is suddenly a single mother of three after being deserted by her husband. Her good friend Sarah (Sarah Miles) has neither children nor husband, even an ex-husband, yet she can empathize with Nancy's increasing loneliness. Josie (Patti Love) is an outgoing, talkative woman whose sex life is her main interest at the moment, and other women include a somewhat reserved mother-and-daughter duo (Brenda Bruce and Felicity Dean). Personal traumas are revealed and shared, and a plan to save the steambath is also cooked up. This was to be the last film for both Diana Dors and Joseph Losey who died not long after the feature was wrapped. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Vanessa Redgrave, Sarah Miles, (more)
This French sex farce is translated in English as The Trout. Joseph Losey directed and co-wrote the film, which stars Isabelle Huppert as Frederique, a young woman living on her family's rural trout farm. Frederique is trapped in a dull marriage to a rube. She decides to leave him and the trout farm for the city; she wants to make her living in the financial sector. She ends up in a cutthroat corporate world and meets up with the sophisticated Lou (the legendary Jeanne Moreau). Frederique finds herself trading sexual favors for corporate advancement and becoming more deeply involved in a complicated series of business dealings. Eventually, she longs for a return to her simpler life on the trout farm. ~ Michael Betzold, All Movie Guide
- Starring:
- Isabelle Huppert, Jeanne Moreau, (more)
Joseph Losey's 1979 film adaptation of the Mozart opera Don Giovanni adheres faithfully to the original Lorenzo Da Ponte libretto, with rakish Don Giovanni (Ruggero Raimondi) putting the make on the aristocratic Dona Anna (Edda Moser). Giovanni's enemies warn him that he'll suffer mightily for his amorous escapades. And when the gates of hell open up on cue in the last act, and Don Giovanni is dragged screaming into perdition, it turns out those enemies were right. ~ Hal Erickson, All Movie Guide
- Starring:
- Ruggero Raimondi, Kiri Te Kanawa, (more)
- 1978
Roads to the South is often omitted from the "official" lists of Joseph Losey's films, principally because it was made for French television rather than theatres. Conceived by screenwriter Jorge Semprun and star Yves Montand as a sequel to Alain Resnais' La Guerre est Finie, the film details the further misadventures and disillusionments of Larrea, an aging old-line leftist (Montand). We find the protagonist a member of the European Establishment, embittered because he has been shut out from the radical movement of the 1970s. Now a wealthy author, Larrea from time to time yearns for the excitement of his antifascist days, but the parade has passed him by. He ultimately reverts to his old ways, with startlingly violent results. Co-scripted by director Losey Roads to the South was originally titled Les Routes du Sud. ~ Hal Erickson, All Movie Guide
- Starring:
- Yves Montand, Laurent Malet, (more)
Alain Delon plays Mr. Klein, a French-Catholic art dealer during the Nazi occupation. Strapped for cash, Klein takes financial advantage of his Jewish neighbors, knowing that they have no legal recourse. Ironically, Klein is himself mistaken for a missing Jew, a man who has been using Mr. Klein's name as a cover for his secret operations. As he desperately seeks out that man, he learns a bitter lesson about life in the other man's shoes. Star Delon is one of the four producers of this French feature. ~ Hal Erickson, All Movie Guide
- Starring:
- Alain Delon, Jeanne Moreau, (more)
Filmed in England, Galileo is based on Charles Laughton's 1947 adaptation of the play by Bertolt Brecht, which, like this 1975 film, was directed by Joseph Losey. Israeli film-star Topol plays the 17th century Italian astronomer, whose theories run contrary to the edicts of the Catholic Church. Forced to renounce his ideas about planetary movement, Galileo nonetheless holds fast to those beliefs to the end of his days, certain that time will vindicate him. Brecht's trademarked "alienation" technique, wherein the audience is constantly reminded that it is watching a play, is muted by Losey's cerebral direction. Galileo was one of producer Ely Landau's American Film Theatre presentations. ~ Hal Erickson, All Movie Guide
- Starring:
- Topol, Colin Blakely, (more)
- 1975
Tom Stoppard and Thomas Wiseman's intricate script for The Romantic Englishwoman credibly explores the notion that a writer can manipulate the people in his life as deftly as he can manipulate the characters in his imagination. The title character Elizabeth, played by Glenda Jackson, is the wife of Lewis (Michael Caine), a novelist. At this point in his life, Lewis thinks in nothing but literary terms: Elizabeth is vacationing in Europe alone, ergo she must be having an affair. Half out of frustration, she confirms her husband's suspicions by romancing German drug dealer Thomas (Helmut Berger). Things get even dicier when Lewis invites Thomas into his home, requesting his technical advice on a screenplay he is working on. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenda Jackson, Michael Caine, (more)
- 1973
- G
This Joseph Losey-directed 1973 version of Henrik Ibsen's A Doll's House marks one of two cinematizations of the story released during the same year. Here, Jane Fonda plays Nora Helmer, the mousy Norwegian wife who eventually turns on her insensitive husband Torvald (David Warner). At the time of its release, A Doll's House was castigated for allowing Ms. Fonda to espouse her "feminist dogma" in the role. In truth, what Losey and Fonda give us is not the traditional mindless "hothouse rose" who finally comes to her senses in Act Three, but instead a woman who knows she is trapped in a stereotype, but is willing to play along as long as her husband loves and trusts her. Only when Torvald proves to be a thick-headed jerk by condescendingly forgiving his wife for entering into a potentially scandalous but household-saving financial arrangement, does Nora reject his values and slam the door on him. Trevor Howard plays the slimy Dr. Rank, who assumes that his monetary hold over Nora grants him certain intimate privileges. A Doll's House was exquisitely photographed on location in Norway by Gerry Fisher. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Fonda, David Warner, (more)
This film is Joseph Losey's mood piece that delves into the psychological makeup of Frank Jackson (Alain Delon), the assassin of exiled Russian Communist leader Leon Trotsky (Richard Burton). The tale chronicles the final few months of Trotsky's life, from the May 1940 raid upon Trotsky's Mexican compound until August of that year when Jackson's assassination attempt succeeded. Much of the film details how the shy and mysterious Jackson gained access to the compound through ingratiating himself with family friend Sylvia Ageloff (Romy Schneider). The reclusive Trotsky, seeing a part of himself in Jackson, begins to warm up to him, never realizing that Jackson will be the man to finally kill him. ~ Paul Brenner, All Movie Guide
- Starring:
- Richard Burton, Alain Delon, (more)
- 1971
The third collaboration between director Joseph Losey and writer Harold Pinter, following The Servant and Accident, continues their exploration of class rituals and the darker recesses of desire. Pinter's script adapts the 1953 L.P. Hartley novel about Leo Colston, a middle-aged man (Michael Redgrave), recalling a summer of his early adolescence at a country estate. Young Leo (Dominic Guard) observes the machinations of the adults in the household, all but two of whom conveniently ignore his presence. Marion Maudsley (Julie Christie) is promised in marriage to another aristocrat, but she is secretly in love with farm worker Ted Burgess (Alan Bates). They enlist Leo as their messenger, with tragic consequences for all concerned. The older Leo has never married, and as the story winds on, it becomes clear that his own infatuation with Marion irrevocably altered his life. The Go-Between won several British Academy Awards, including one for Pinter's screenplay, and was one of four films awarded a grand prize at the 1971 Cannes Film Festival. ~ Tom Wiener, All Movie Guide
- Starring:
- Julie Christie, Alan Bates, (more)
- 1970
- PG
Depending upon viewers' feelings towards filmmaker Joseph Losey, they'll either consider Figures in a Landscape deeply profound or hopelessly mannered. Based on a novel by Barry England, the film stars Robert Shaw and Malcolm McDowell as two escaped prisoners in an unidentified totalitarian country. MacConnachie (Shaw) and Ansell (McDowell) occasionally pause to exchange profundities but spend most of their time on the run from an omnipresent police helicopter. Along the way, the two men are helped by "the people," who obviously are as contemptuous of the powers that be as MacConnachie and Ansell. But it's all for not: the convicts' fate was sealed the moment they broke out. Pamela Brown has the only other role of substance, as an enigmatic widow. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Shaw, Malcolm McDowell, (more)
- 1968
Secret Ceremony was based on a prize-winning short story by Argentine civil servant Marco Denevi. Elizabeth Taylor plays Leonora, an aging prostitute who becomes convinced that Cenci (Mia Farrow) is her daughter -- who supposedly died in infancy. Cenci knows that she is in fact Leonora's niece, but Leonora will not be dissuaded in her illusion that their blood ties are stronger. Albert (Robert Mitchum), Cenci's incestuous stepfather, enters the scene, laying the groundwork for a near-orgy of insanity. The full effect of Secret Ceremony was idiotically watered down when additional scenes were shot for the TV version in an attempt to make the sordid goings-on "acceptable" for a mass audience (for example, Elizabeth Taylor's profession was altered from hooker to seamstress!) ~ Hal Erickson, All Movie Guide
- Starring:
- Elizabeth Taylor, Mia Farrow, (more)
- 1968
Boom is taken from the Tennessee Williams play The Milk Train Doesn't Stop Here Anymore. Flora Goforth (Elizabeth Taylor) is a foul-mouthed, booze-swilling, pill-popping, middle-aged woman near death. She spends her time swearing at the servants and looks forward to the end of it all, until poet Chris Flanders (Richard Burton) comes to her island home. Known in literary circles as the "angel of death," the poet gives the dying woman some measure of comfort in his presence -- while he takes comfort in her liquor cabinet and her jewelry. Often she is visited by the Witch of Capri (Noel Coward), a gossip-minded homosexual who appears to be Flora's only friend. Williams wrote the screenplay, which unfortunately proved ineffectual, as Taylor and Burton were seemingly caught up in their own world of wallowing in self-importance. The feature did little to boost the sagging careers of Burton and Taylor or to alter the public's negative opinions of their personal lives. ~ Dan Pavlides, All Movie Guide
- Starring:
- Elizabeth Taylor, Richard Burton, (more)
The complex relationships among an Oxford professor, one of his students, and the young woman who captivates both of them is the subject of this difficult but rewarding drama. Director Joseph Losey and writer Harold Pinter had previously collaborated on 1963's The Servant, and they surrounded this recasting of a Nicholas Mosley novel with a similar atmosphere of ominous mystery. The story is presented through flashbacks and disconnected memories that trace the characters' interactions. Though the mood is occasionally brightened by satirical views of the academic world, the overall effect is rather somber, concerned with missed opportunities, unhealthy obsessions, and unavoidable regret. Dirk Bogarde superbly captures the pensive professor's torment, with able support from Jacqueline Sassard and Michael York as the younger couple. ~ Judd Blaise, All Movie Guide
- Starring:
- Dirk Bogarde, Stanley Baker, (more)
A popular British comic strip series served as inspiration for this light-hearted espionage adventure, which if nothing else certainly shows the marks of its origins in the mid-1960s. A large departure for director Joseph Losey, better known for brooding interpretations of Harold Pinter works (The Servant, Accident), the film is emphatically bright and colorful, taking on at times a nearly psychedelic feel. The strangeness is emphasized by the unusual casting, including Italian star Monica Vitti in her first English-speaking role as the title character and Dirk Bogarde, playing against type as her arch-nemesis. Essentially everything is played for its camp value, including the rather convoluted, James Bond-like plot, which concerns the hijacking of a shipment of diamonds heading for the Middle East. Like its mod-era sets and costumes, this unusual, inconsistent effort is certainly intriguing and attractive, but might seem rather dated to some. ~ Judd Blaise, All Movie Guide
- Starring:
- Monica Vitti, Terence Stamp, (more)
- 1964
King and Country was adapted by Evan Jones from John Wilson's play Hamp. Misfit World War I British soldier Tom Courtenay, on trial for desertion, is defended by martinet officer Dirk Bogarde. Disgusted by the assignment, Bogarde wearily asks the dullwitted Courtenay the reasons for his actions. Courtenay replies that, after being the sole survivor of a battle and discovering that his wife had been cheating on him while he was serving his country, he didn't see any purpose in going on; thus, he "went for a little walk". Bogarde's dislike of his client melts into sympathy, which in turn leads to temporary indignation over the manner in which the average enlisted man is treated by his aristocratic superiors. Despite his pleas for leniency, Bogarde's client is sentenced to be shot; after all, an example must be made. On the day of the execution, the men on the firing squad are so drunk that they're unable to carry out the sentence. Once more incensed by the "rabble" that he's forced to deal with, Bogarde takes the law into his own hands. ~ Hal Erickson, All Movie Guide
- Starring:
- Dirk Bogarde, Tom Courtenay, (more)
Wealthy wastrel James Fox hires insouciant cockney Dirk Bogarde as a valet. No sooner has he donned his working clothes than Bogarde begins exercising a subtle but insidious control over his master. Suggesting that the house could use a little fixing up, Bogarde convinces Fox to spend a whopping amount of money on it. But this is just a warm-up session for Bogarde, who by mid-film is calling all the shots in the Fox household, all the while pretending to keep his place. Fox's fiance Wendy Craig sees through Bogarde's game. Bogarde then brings his own lady friend Sarah Miles into the house. At Bogarde's insistence, Miles seduces Fox, thereby loosening Craig's hold on the confused young man. And so it goes. The homosexual subtext of The Servant disturbed some of the more hidebound critics of 1963; Harold Pinter based his cryptic screenplay on a novel by Robin Maugham. ~ Hal Erickson, All Movie Guide
- Starring:
- Dirk Bogarde, Sarah Miles, (more)
- 1962
Joseph Losey directed this unusual science fiction effort, which has won a small but fervent cult following. Simon Wells (MacDonald Carey) is an American visiting England, where he meets a woman named Joan (Shirley Ann Field). Simon is immediately attracted to Joan, but there's a considerable obstacle in their budding romance: Joan's brother King (Oliver Reed), the leader of a violent pack of motorcycle rockers. King has a barely concealed incestuous attachment to his sister, and he sometimes uses her to lure victims into his gang's clutches. King and his cronies attack Simon, take his money, and leave him stranded, where he's eventually found by a pair of military security men. Simon is brought to the home of Bernard (Alexander Knox), a scientist working on a secret project for the government, and his girlfriend Freya (Viveca Lindfors), a sculptor. Joan eventually tracks Simon down in hopes of winning his forgiveness, but another run-in with King causes Simon and Joan to discover a cave that holds a terrible secret: a group of strange, cold-blooded children who were the products of one of Bernard's experiments gone wrong. The children were genetically engineered to survive a nuclear war, and, as a result, they are radioactive enough to kill anyone who comes in close contact with them. Controversial in its day, The Damned was produced in England in 1961 but was not released until 1963, when Hammer Films booked it as the second-half of a double bill with Maniac. It did not reach American screens until 1965, when it was shown under the title These Are the Damned. ~ Mark Deming, All Movie Guide
- Starring:
- MacDonald Carey, Shirley Ann Field, (more)
Joseph Losey's turbulent melodrama concerns a phony writer, Tyvian Jones (Stanley Baker), who has recently sold the film rights to his autobiography as a Welsh coal miner (actually penned by his deceased brother). Tyvian is engaged to Francesca (Virna Lisi), an alluring screenwriter, but then Eva (Jeanne Moreau) walks into his life. Eva and her lover had sought shelter from a thunderstorm in his apartment and Tyvian is immediately attracted to her. He follows her to Rome, where Eva demands an elaborate hotel suite, tons of gambling money, and a bonus for sexual favors. When Tyvian assents in gratifying her wishes, Eva just laughs at him. Tyvian then has to rush back to Francesca, since they are going to be married. But Tyvian forsakes her on their honeymoon and takes up with Eva again. Finding Tyvian and Eva together, Francesca is heartbroken and she commits suicide. After the funeral, Tyvian sets his sights on killing Eva, but, when he sees her, he finds that he is still obsessed with her. ~ Paul Brenner, All Movie Guide
- Starring:
- Jeanne Moreau, Stanley Baker, (more)
Directed by American expatriate Joseph Losey, the British The Criminal is a gloom-wallow elevated by superb performances. Top crook Stanley Baker plans a clever bank robbery. It goes off hitchless, but the clerk responsible for "laundering" the stolen money insists upon a bigger percentage of the take, else he'll blow the whistle. Baker hides the money, whereupon he is turned over to the law by his ex-girlfriend, who is in cahoots with the clerk. Baker refuses to reveal the whereabouts of the loot, so his old gang arranges to have him broken out of jail -- and also arranges for Baker's "accidental" demise. Appearing as the greedy clerk in Concrete Jungle is Sam Wanamaker, who like Joseph Losey fled to England as a result of the Hollywood blacklist. ~ Hal Erickson, All Movie Guide
- Starring:
- Stanley Baker, Sam Wanamaker, (more)
- 1959
Award-winning director Joseph Losey guides this suspenseful mystery through its paces, beginning with an apparently guilty Dutch artist, Jan Van Rooyen (Hardy Kruger), caught in an upscale cottage where a woman lies murdered. Hard-nosed, irritable Inspector Morgan (Stanley Baker) is certain Van Rooyen is guilty and begins to grill him about his story. The artist finally admits that he and the dead woman, Jacqueline Cousteau (Micheline Presle), had met by accident and eventually began a love affair. She was married, so they kept their liaison a secret. Inspector Morgan then informs him that the woman was single but involved with a high-level diplomat. So what is going on? ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Hardy Kruger, Stanley Baker, (more)
- 1958
Greek actress Melina Mercouri made her English-language film debut in The Gypsy and the Gentleman. Mercouri plays tempestuous gypsy girl Belle, while the "gentleman" is Sir Paul Deverill (Keith Michell). Escaping an arranged marriage, Sir Paul weds the bewitching Belle,who intends to take him for every penny he's got, then move on to other lovers. Imagine her disappointment when she discovers that her prize catch is flat broke. All sorts of bizarre complications ensue, including the kidnapping of an heiress (June Laverick) by Belle's gypsy compadres. Gypsy and the Gentleman was directed by American expatriate Joseph Losey, whose British film career wouldn't truly get off the ground until his collaborations with Harold Pinter in the 1960s. ~ Hal Erickson, All Movie Guide
- Starring:
- Melina Mercouri, Patrick McGoohan, (more)
Time Without Pity carried the name "Joseph Losey" on the credits -- the first time in three years that the blacklisted director was permitted to use his own name on a film. This British-made suspense film was based on a play by Emlyn Williams. Michael Redgrave stars an anguished father whose son (Alec McCowan) is accused of murder. With time running out, Redgrave struggles to prove his son innocent of the charge. The paranoia prevalent in Time Without Pity can be attributed to Losey's own experience at the hands of the HUAC, though this element never gets out of artistic control. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Redgrave, Ann Todd, (more)
- 1956
A noted expatriate filmmaker's hard work to reestablish himself in Britain is nearly undone when a woman who claims to be his one-time mistress begins writing him threatening letters. This sudden revelation threatens not only his marriage but also his career. It doesn't help that the director doesn't know the blackmailer's identity. He finds out that her letters are coming from Newcastle, and so he and his wife head off to learn the truth. They meet her and his wife is so convinced that she leaves. Unfortunately, the director still doesn't recognize this woman who seems to have such intimate knowledge of him, and he begins to question his own sanity. The rest of the mystery centers on his attempts to learn the truth about the woman and her true motives. ~ Sandra Brennan, All Movie Guide
- Starring:
- Richard Basehart, Mary Murphy, (more)
