Peter Lorre Movies

The Beach Party Gang meets a coterie of muscle-men who try to take over their spot on the beach in Muscle Beach Party. Surfing sensations Frankie (Frankie Avalon) and Dee Dee (Annette Funicello) have their security threatened when Flex Martian (Rock Stevens) and a collection of well-oiled weight-lifters invade their turf. While tensions heat up on the beach, wealthy contessa Julie (Luciana Paluzzi) arranges for her business manager S.Z. Matts (Buddy Hackett) to entice Flex into becoming the latest in her long line of boyfriends. Julie's feelings change when she meets Frankie, who, honored by Julie's amorous attentions, returns her affections, causing a rift not only between Dee Dee and himself, but a further collapse in relations between the surfers and the body-builders, which is assuaged only by the music of Dick Dale and the Del Tones and Little Stevie Wonder. ~ Paul Brenner, All Movie Guide

Although Roger Corman narrowly managed to avoid self-mockery in his pulpy, flamboyant adaptations of Edgar Allan Poe tales, it appears that the director chose this opportunity to let loose with outright parody; the result is a wonderfully entertaining romp with tongue planted firmly in cheek. The first screen teaming of legendary horror stars Boris Karloff, Vincent Price, and Peter Lorre -- later billed as "The Triumvirate of Terror" -- this so-called "adaptation" uses Poe's most famous poem as a springboard for Grand Guignol comedy from scriptwriter Richard Matheson. Melancholy magician Erasmus Craven (Price), having recently relinquished his membership in the Brotherhood of Sorcerers after the apparent death of his wife Lenore (Hazel Court), is paid a visit by a foul-mouthed talking raven, claiming to be small-time wizard Adolphus Bedlo (Lorre). After some persuasion, Craven returns Bedlo to human form, reversing a spell placed by the evil Dr. Scarabus (Karloff), Craven's chief rival. After learning that a woman bearing a strong likeness to Lenore was seen in the Doctor's company, Craven accompanies Bedlo to Scarabus' castle, where the resulting battle of wills escalates into all-out magical warfare between the two embittered sorcerers. Corman and company relished the opportunity to poke fun at the staid Poe series, and the distinguished leads contribute to the spirit of fun by lampooning their own cinematic reputations. Fans of Jack Nicholson (who cut his acting teeth on this and other AIP productions) should enjoy his melodramatic performance here as Bedlo's straight-arrow son; Nicholson would later co-star with Karloff in Corman's The Terror, which was shot in two days using the same sets! ~ Cavett Binion, All Movie Guide

Roger Corman's Tales of Terror stars Vincent Price in a trio of short stories, liberally adapted by Richard Matheson from the works of Edgar Allan Poe. The film gets off to a rousing start with "Morella," in which Price's bitterness over the long-ago death of his wife results in tragedy for his estranged daughter Maggie Pierce. The last of the three terror-filled tales, "The Case of Mr. Valdemar," finds Price being put into a state of suspended animation by the diabolical Basil Rathbone; when Rathbone claims Price's bride Debra Paget for himself, Price briefly revives, only to melt before our eyes (this horrific image was reproduced on the film's advertising posters). The film's best story is its centerpiece, "The Black Cat," which weaves elements of "The Cask of Amontillado" into a mordantly funny revenge tale concerning Price, his bitter enemy Peter Lorre, and Lorre's two-timing wife Joyce Jameson. This is the one in which a besotted Lorre walls up Price and Jameson in his cellar, then endures a hellish hallucination of Vincent and Joyce playing a football game with his head! A mixed bag, to be sure, but Tales of Terror remains one of the best of Corman's Poe cycle (though it does lose a lot when not shown in its original Cinemascope form). ~ Hal Erickson, All Movie Guide

Walter Pidgeon is the nominal star of Voyage to the Bottom of the Sea, portraying Admiral Harriman Nelson, the designer of the submarine Seaview, a glass-nosed research submarine. The sub embarks on her shakedown cruise under the polar ice cap as the movie begins. Upon surfacing, however, the crew discovers that the entire sky is on fire -- the Van Allen radiation belt has been ignited by a freak meteor shower, and the Earth is being slowly burnt to a cinder. Nelson and his colleague, Commodore Lucius Emery (Peter Lorre), devise a plan to extinguish the belt using one of the Seaview's nuclear missiles, but they are denounced at an emergency meeting of the United Nations. Disregarding the UN vote against him, Nelson decides to go forward with his plan before the Earth is destroyed, hoping to get the approval of the president of the United States while his ship races from New York to the Marianas in the Pacific to launch its missile on time and target, with the world's navies hunting her down and communication with Washington impossible because of the fire in the sky. Nelson must combat not only the threats from other ships but also the doubts of his own protégé, Commander Lee Crane (Robert Sterling), the captain of the Seaview, about his plan and his methods, and the growing suspicion -- being spread by Dr. Susan Hiller (Joan Fontaine), a psychiatrist who was visiting the vessel -- about his sanity, as well as the growing discontent of the crew, who would like to see their families before the end of the world, and the presence of one religious fanatic (Michael Ansara) who thinks the fire in the sky is God's will. Worse still, there appears to be a saboteur -- and possibly more than one -- aboard. The plot is episodic in pacing and features elements that were clearly derived in inspiration from Disney's 1954 production of Twenty Thousand Leagues Under the Sea, such as Nelson's eccentricity and the "outlaw" status of his ship; but the undersea maneuvers to tap the trans-Atlantic telephone cable (in order to reach Washington), the battle with a giant squid, a duel with an attack submarine, and a harrowing tangle with a WWII mine field would become standard elements of the series of the same name that followed this movie two years later. Pidgeon brings dignity if not a huge amount of energy to the role of the admiral, and Lorre, Fontaine, Ansara, and Henry Daniell (playing Nelson's scientific nemesis) add some colorful performances, and Barbara Eden, as Nelson's secretary, is pretty to look at; and there are some excellent supporting performances by Delbert Monroe (aka Del Monroe, who appeared later in the series, as Kowalsky), Mark Slade, John Litel, Howard McNear, and Robert Easton. The real "star" of the movie, however, is the submarine Seaview and the special effects by L.B. Abbott, which, to be fully appreciated, should be seen in a letterboxed presentation of the movie. ~ Bruce Eder, All Movie Guide

One of the best-remembered of all the Alfred Hitchcock Presents episodes, "Man From the South" is a typically twisted tale from the pen of Roald Dahl. The scene is Las Vegas, where a middle-aged gent named Carlos (Peter Lorre) approaches a brash young gambler (Steve McQueen) with a peculiar wager. If the young man is able to ignite a cigarette lighter ten times in a row, Carlos will give him a new convertible. But if the lighter fails, the young man will have to sacrifice something of his own -- namely, the little finger of his right hand. "Man From the South" was later redone with José Ferrer as an episode of the syndicated anthology Roald Dahl's Tales of the Unexpected, and still later with John Huston as a segment in the multipart pilot film for the 1985 Alfred Hitchcock Presents revival. ~ Hal Erickson, All Movie Guide

Victor Mature, in one of his last leading man performances, plays Hank Whirling, the owner of a financially shaky circus who is trying to get back on his feet, despite cutthroat competition from a rival organization. He also has a younger sister (Kathryn Grant) to watch out for. After arranging for a bank loan, he discovers that he's got two new members of "management" to contend with: persnickety bank officer Randy Sherman (Red Buttons), who is put there to safeguard the loan, and press agent Helen Harrison (Rhonda Fleming), who is hired by Sherman to help get the Whirling Circus some publicity. Hank can't abide the presence of either of them, or, more to the point, the idea of sharing his authority, though Randy means well and Helen is very good to look at and does know her job. The circus owner can barely take the time to deal with either of them, however, with shows to give and an apparent saboteur at work, who grows bolder with each passing day and finally starts getting people killed. In the course of trying to save the show, aerialist Zack Colino (Gilbert Roland) commits himself to a headline-making publicity stunt -- covered heavily by television news as well -- that Helen merely rattles off without thinking, of walking a wire across Niagara Falls. Colino also figures heavily in the denouement, a tense chase under the big top that develops as the man responsible for the train wrecks, escaped animals, fires, and other sabotage is identified and goes on the run. ~ Bruce Eder, All Movie Guide

The Buster Keaton Story is the sublimely inaccurate life story of immortal film comedian Buster Keaton, played by Donald O'Connor. The film begins with young Buster appearing in his parents' circus acrobatic act (the real Keatons never appeared in a circus, but were vaudevillians instead). After Buster's dad dies (an event that actually occurred when Keaton was in his 30s and already a star), the boy strikes out on his own. He makes it into silent films as a top slapstick comic (this much is accurate), but his private life is complicated by two loves, a "sweet" girl (Ann Blyth) and a wealthy temptress (Rhonda Fleming) (Buster was married three times, but not to either one of the ladies depicted in this film). When talkies come in, Buster is browbeaten by autocratic director Peter Lorre (all of Keaton's talkies were directed by Eddie Sedgwick, one of his best friends) and finds himself unable to handle dialogue (no comment). He turns to drink (true) and destroys himself in Hollywood (partly true). But through the love of good girl Ann Blyth, Buster makes a comeback in vaudeville, and finally decides to get married and settle down for the first time in his life (Buster did tour in vaudeville with wife Eleanor Norris, who was wife number three and whom he met nine years after the advent of talkies). The nicest thing about The Buster Keaton Story was that the amount Paramount paid Keaton for permission to film his "life story" ($50,000) was large enough for Buster to remain financially solvent for the rest of his life. ~ Hal Erickson, All Movie Guide

Future "Master of Disaster" Irwin Allen produced this curious but inarguably fascinating adaptation of Henrik Willem Van Loon's best- selling historical volume. A Celestial Tribunal has been convened to decide the fate of the Earth after the invention of nuclear weapons, with The Devil (Vincent Price) and The Spirit of Man (Ronald Colman) debating if humankind should be allowed to continue or be exterminated once and for all. Both men present examples of human behavior at its best and worst, including Dennis Hopper as Napoleon, Hedy Lamarr as Joan of Arc, Virginia Mayo as Cleopatra, Peter Lorre as Nero, Edward Everett Horton as Sir Walter Raleigh, and Groucho Marx, Harpo Marx, and Chico Marx as, respectively, Peter Minuit, Sir Isaac Newton, and a monk (yes, the producers had the daring and vision to cast the Marx Brothers without having them play any scenes together). The Story of Mankind proved to be the last film for both Ronald Colman and Hedy Lamarr; it was also the last time the three Marx Brothers appeared in the same film, though the individual Marxes appeared in a few films following this. ~ Mark Deming, All Movie Guide

In this South Seas adventure, a sea captain teams up with lovely island princess help her vanquish the brutal smugglers who are forcing her people to dive for pearls. There are French colonialists on the island and a judge is there to ensure justice. Unfortunately, he is crooked, and after the smugglers are captured he gives them a choice: they can help him retrieve a sunken treasure or they can go to prison. They choose the former, but afterward, they double-cross the judge. Fortunately, the sea captain is still around to see that justice is served. ~ Sandra Brennan, All Movie Guide

A whole slew of guest stars makes Meet Me in Las Vegas a special treat for movie buffs. The central plot concerns wealthy rancher Chuck Rodwell (Dan Dailey), who takes a Vegas vacation with his mother (Agnes Moorehead). At the same time, ballerina Maria Corvier (Cyd Charisse) also arrives in Las Vegas, accompanied by chaperone Sari Hatvany (Lili Darvas). During one marathon gambling session, Chuck comes to the conclusion that Sari is a good-luck charm, and insists that she remain by his side throughout his visit. Naturally, their relationship deepens into love, but not before a few complications, misunderstandings, and song-and-dance duets. Among the celebrities making cameo appearances (à la Around the World in 80 Days) are Jerry Colonna, Paul Henreid, Lena Horne, Frankie Laine, Peter Lorre, and Sammy Davis Jr. (voice only). Featured as dancers in Cyd Charisse's troupe are stars-to-be Liliane Montevecchi and George Chakiris. ~ Hal Erickson, All Movie Guide